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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Music Street Journal - Music News & Reviews
Music Street Journal - Music News & Reviews http://www.musicstreetjournal.com/cdreviews_display.cfm?id=100068 Artists | Issues | CD Reviews | Interviews | Concert Reviews | DVD/Video Reviews | Book Reviews | Who We Are | Staff | Home Progressive Rock CD Reviews More CD Reviews Metal/Prog Metal Gentle Giant Non-Prog Santa Monica 1975 Progressive Rock Review by Bill Knispel Gentle Giant just recently celebrated their 35th anniversary with a series of reissues of their classic studio output. Alongside this series of reissues, a number of live albums and compilations have been released, of varying quality and varying interest to both the hardcore Gentle Giant fan and the nouveau audient. Santa Monica 1975 is one of these archival live releases, recorded, as the title infers, in Santa Monica California on 1 January 1975. Two additional tracks have been included to fill out the set, taken from a performance in Dallas TX on 19 March 1977. The iteration of the band featured here is generally considered to be the classic line-up; Kerry Minnear (keys, cello, vocals), Derek Shulman (vocals, sax), Gary Green (guitar), John Weathers (drums) and Ray Shulman (bass, violin, vocals). Sound quality is a bit of an issue here from time to time, most heavily seen on the album’s opening track, which sounds as if it had been recorded by a poorly aligned cassette deck on tapes covered in grape jam and under 15 feet of rushing water. This does fairly quickly resolve itself, reaching the level of a decent, but heavily generated, analogue recording of this vintage. From a positive standpoint, Santa Monica 1975 showcases a band near the top of their musical powers, playing tight and complex progressive rock heavy on multiple vocal parts, counterpoint, and layers of instrumentation playing with and against each other. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON
- i&£S* mmWM i WSmm I ; , .s>» r A:/ sM| iflauM , /// . KB jjo./ '** - 7 : •• •. Artist Mriiy GRITTY DIRT BAND 'Senderling Testifies In 2nd Week-of Payola Hearings £ Capitol Raises List on Key Catalogue, Classics / Securities Analysts' View industry K'.- S *. AS(gA& ’76'Revenues Hit $94 Million Proliferate / V NeilDiastion’b Ads - AlexandeHs Expands; A&S Closes ? , Ex.fiansio&l(t Hoqsfon Retail Market * y >$f.98 For^fJj^Cdn^ume^oves Closer (Ed) . March 5, 1977 Weeks Weeks Weeks On On On 2/26 2/19 Chart 2/19 Chart 2/26 2/19 Chart LOVE THEME FROM “A DISCO LUCY (! LOVE LUCY FANCY DANCER STAR IS BORN” THEME) COMMODORES (Motown 1408) 63 63 11 WILTON PLACE STREET BAND (Island 078) 41 48 7 THIS SONG (EVERGREEN) GEORGE BARBRA STREISAND (Columbia 3-10450) 4 5 13 35 HARD HARRISON LUCK WOMAN (Dark Horse/WB DRC 8294) 61 53 16 TORN BETWEEN TWO KISS (Casablanca 873) 25 24 12 36 DAZZ BABY DON’T YOU KNOW LOVERS WILD CHERRY (Sweet City/Epic 8-50306) 68 67 9 MARY MACGREGOR BRICK (Bang 727) 26 25 20 IT (Ariola America/Capitol 7638) 1 1 17 37 CAR COULDN’T GET RIGHT WASH CLIMAX BLUES BAND (Sire/ABC SAA 736) 87 93 4 FLY LIKE AN EAGLE ROSE ROVCE (MCA 40615) 31 29 18 STEVE MILLER (Capitol 4372) 3 3 12 38 !’VE GOT LOVE MY YOU KNOW LIKE I KNOW ON OZARK MOUNTAIN DAREDEVILS (A&M 1888) 75 78 7 S LIKE DREAMIN’ MIND KENNY NOLAN (20th Century 2287) 5 6 17 YOU + ME = LOVE NATALIE COLE (Capitol 4360) 50 59 5 UNDISPUTED TRUTH YEAR OF THE CAT 39 ALL STRUNG OUT ON YOU (Whitfield/WB WHI 8306) 76 79 5 AL STEWART (Janus J266) 6 7 13 JOHN TRAVOLTA HEY (Midland Inti /RCA MB 10907) -
Michael Stanley DANCE Acoustic 16
OPEN ALL YEAR! Visit us for your next Vacation or Get-Away! Four Rooms Complete with Private Hot Tubs 4573 Rt. 307 East, Harpersfi eld, Ohio Three Rooms at $80 & Outdoor Patios 440.415.0661 One Suite at $120 www.bucciavineyard.com JOIN US FOR LIVE ENTERTAINMENT ALL Live Entertainment Fridays & Saturdays! WEEKEND! Appetizers & Full Entree www.debonne.com Menu See Back Cover See Back Cover For Full Info For Full Info www.grandrivercellars.com 2 www.northcoastvoice.com • (440) 415-0999 December 10 - 31, 2014 “Wishing all of our readers a very Merry Christmas!” from the Norh Coast Voice staff December 10 - 31, 2014 www.northcoastvoice.com • (440) 415-0999 3 Guitar Lessons We would like to thank all of our sponsors and encourage our readers to patronize the fi ne From Rick Piunno businesses appearing in the North Coast VOICE. Beginner Publisher .......................................Wine 101 Entertainment Carol Stouder 6 to 8 ....................................... Bluesville Advanced Editor On The Beat DISC Sage Satori 11 ............................... [email protected] 13 ........ Now We’re Talkin’ - Gail Renard JOCKEY Film Review - Jeff Beck Electric Man of Many Hats 15 .................. OLDIES and Jim Ales Film Review - Michael Stanley DANCE Acoustic 16 .......... CLASSIC ROCK Advertising & Marketing 17 ................................... Kickin’ It Let me teach you [email protected] Music Review - Gentle Giant Emcee • Bands Sage Satori 19 ........ how to make music! Mentor, Willoughby, Chardon area Concert Review - Steve Hackett Production Trenda Jones 20 .... 22 ........................Mind Body Books Multimedia Staff Writers Mind Body Spirit Sage Satori • Cat Lilly 23 ........................ DJ/Emcee, Trenda Jones Schedule your Snarp Farkle • Don Perry .................................Stay In Tune Patrick Podpadec • Helen Marketti 25 now booking Summer & Fall lesson today! ............................ -
Rock Music Lyrics As Postmodern Poetry: Gentle Giant 'Realization'
Martin Neef (Braunschweig, Germany) Rock music lyrics as postmodern poetry: Gentle Giant 'Realization' 1. Introduction: Rock music and rock music poetry In this paper, I talk about the text Realization of the British rock band Gentle Giant, which has released records in the period from 1970 to 1980. First, I will trace the story of Gentle Giant. Then I will turn to a particular text of this band, Realization. In doing so, I will first try to prove the existence of this text and determine its limits. Then I will go into the basic structure of this text and discuss some of the thematic focuses that I will address in the chapters In a glass house, The game, und Goodbye. In effect, my aim is to argue that Derek Shulman, a member of Gentle Giant, is among the most important postmodern lyricists of the 20th century. Lyrics of rock music are not at the centre of the scientific preoccupation with literary texts. Seriously taken poetry is first and foremost written poetry. This applies at least to contemporary poetry, less to old forms of poetry. I would like to plead for rock music in general and rock music lyrics in particular to be regarded as an art form to be taken seriously in cultural studies. If postmodernism is first and foremost a historical epoch, it can undoubtedly be said that rock music is one of the genres that has experienced the greatest boom in this epoch. If the term postmodernism is to be defined more in content than in history, one should at least be prepared to concede the grade postmodern to some works of rock music. -
Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A 80-talls synthpop/new wave. Fikk flere hitsingler fra denne skiva, bl.a The look of ABC THE LEXICON OF LOVE 1983 VERTIGO 6359 099 GER LP love, Tears are not enough, All of my heart. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. HEADLINES AND DEADLINES – THE HITS WARNER BROS. A-HA 1991 EUR LP OF A-HA RECORDS 7599-26773-1 Samlealbum fra de norske gutta, med låter fra perioden 1985-1991 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. -
Proclamation-6.Pdf
2 Proclamation, the Occasional Gentle Giant Magazine Proclamation, the Occasional Gentle Giant Magazine 3 Quite a few of you have been asking about bootleg PROCLAMATION audience tapes, so I MEMORIES OF Trondheim, Norway, January 1997 Welcome back, my friends, to a new issue of Proclamation. thought it might be best to give you some idea of what you might find out OLD DAYS: Proclamation 6 was meant to feature text, I still felt that the issue needed there in the mill. My good David Armas' impressive work finding more than David's article and also that as many Gentle Giant concerts that had we needed to clean up everything about friend Bolle Gregmar, a been taped as possible. At the time he the facts. In the end the issue was laid transplanted Swede who began the detective work there was aside because of other commitments of THE AUDIOTAPES little known about any tapes and the various sorts. It was never intended to now makes his home here collector network was very small. No be that way, but it was hard to continue by David Armas and Bolle Gregmar the work. Then David suddenly died, in LA, remembers the companies had as yet shown any mislabeled with the wrong dates and variables of the songs contents thereof. without seeing his work finished. interest in releasing tapes from this half- group's transformation venues, had multiple shows put on the Time is indicated by minutes/seconds forgotten band from the 70s. same tape, repeat shows labeled as other and not all run times are accurate. -
Jethro Tull Not Old Very Old, Not Gold - the STE AMPACKET: 'The First Supergroup' I (Charly Cr3oo020)
16 Record Mirror, February 6. 1977 «beatable ++++ Ray Il +++ Gish a spin ++ Give ita miss + Unbearable Jethro Tull not old Very old, not gold - THE STE AMPACKET: 'The First Supergroup' I (Charly CR3Oo020) Nostalgia Is catching up with us fast. This Is the but 'legendary' band that bought one young Rod Stewart could , be gold to the microphone along with the emergence of Julie Driscoll, Brian Auger and tang John Baldry, The latter three have seen better times, so presumably the trademark of all CAMRA Squire this was launched on the strength JETHRO TULL: 'Songs From The Wood' (Chryealle - products and of our Rod's latter 1132) Anderson's vocals potter their way through a day success. The trouble is that there Is little here to selection of rhymes and ditties, Bonus ingredients Indicate his later fame, the Jeff Beck work he did are their last special single brew 'Ring Out Solstice being much more illustrative of his distinguished Welcome to CAMR A. the Campaign for )3"; Rustic Bells' and their next 'The Whistler'. When you hold vocal capacity, On this it could just about be anyone Anthams, brought to your ears by courtesy of ye olde this brew up to the light, you should be able to see singing on this sloppy selecUon of mid sixties RkB Ian Anderson Band, otherwise known as Jethro Tull. through it with tittle trouble. It has a mellow taste as poop There's no harm in the recordings being made CAMRA albums come out, on average, once a year i of autumn leaved available, they are indeed rarities, but like a lot Of II and are all too often compared to the tinged with rabbit stew. -
WINNERS EQUESTS EARPICKS BREAKOUTS WILDCARD NINEDAYS 550 Music VERTICAL HORIZON RCA NUTTY PROF
July 21, 2000 Volume 14 Issue 703 $6.00 EVERCLEAR WINNERS EQUESTS EARPICKS BREAKOUTS WILDCARD NINEDAYS 550 Music VERTICAL HORIZON RCA NUTTY PROF. II (ST) Def Soul/IDJ VERTICAL HORIZON RCA EMINEM Aftermath/Interscope THIRD EYE BLIND Elektra/EEG EVERCLEAR Capitol 3 DOORS DOWN Repub/Univ/UMG EVAN & JARON Columbia/CRG MOTLEY CRUE Motley/Beyond NSYNC Jive CHRISTINA AGUILERA RCA BEENIE MAN Virgin HOT NEW RELEASES CLEOPATRA EVAN & JARON IDEAL SAMANTHA MUMBA PAPA ROACH U Got It Crazy For This Girl Whatever Gotta Tell You Last Resort Maverick/WB Columbia/CRG Virgin Interscope DreamWorks PINK PRECIOUS ROXETTE LEE ANN WOMACK Most Girls Say It Again Wish I Could Fly I Hope You Dance Arista Capitol Edel America MCA Nashville/Univ/UMG featuring JIM BRICKMAN on vocals The first single from Jim's upcoming new album MY ROMANCE an evening with JIM BRICKMAN IN STORES AUGUST 22ND s From the P11$ Special S airing in August in OVER 100 ,MARKETS ON YOUR DESK across the nation including New York, Los Angeles, Chicago, NOW! * Washington DC, Minneapolis, San Francisco, Boston, Dallas, IMPACTING Denver, Philadelphia, Atlanta, Portland, Seattle, MAINSTREAM Nashville, Memphis, Cleveland, .AC RADIO Cincinnati, Jialtimore, Detroit, Kansas City, St. Louis, ONJULY 24TH and more! *check your local PBS listings for exact airclates/times FOR MORE INFORMATI Contact: Cheryl Khaner phone: 310.358.4013 windham hill fax: 310.358.4309 e-mail: [email protected] © 21500 windham hill records, Unit of BMG Entertainmenta July 21; 2000 Volume 14 Issue 703 $6.00 DENNIS LAVINTHAL Publisher LENNY BEER 4 VIBE -RATERS LEWINTER Editor In Chief BBMak, Disturbed and A*Teens are at the top of the Vibe TONI PROFERA WONDERLAND Executive Editor world, ma, while a debuting Baha Men bark up the right tree. -
"Dimebag" Darrell Abbott
0306815249-Crain.qxd:Layout 1 3/16/09 10:58 AM Page i BLACK TOOTH GRIN THE HIGH LIFE, GOOD TIMES, AND TRAGIC END OF “DIMEBAG” DARRELL ABBOTT Zac Crain Da Capo Press A Member of the Perseus Books Group 0306815249-Crain.qxd:Layout 1 3/16/09 10:58 AM Page ii Copyright © 2009 by Zac Crain All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Crain, Zac. Black tooth grin : the high life, good times, and tragic end of 'Dimebag' Darrell Abbott / Zac Crain. p. cm. Includes discography. ISBN 978-0-306-81524-9 (alk. paper) 1. Abbott, Darrell. 2. Guitarists—United States—Biography 3. Rock musicians—Biography. I. Title. ML419.A04C73 2009 787.87'166092—dc22 [B] 2008040662 First Da Capo Press edition 2009 Published by Da Capo Press A Member of the Perseus Books Group www.dacapopress.com Da Capo Press books are available at special discounts for bulk purchases in the U.S. by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 2300 Chestnut Street, Suite 200, Philadelphia PA 19103, or call (800) 810-4145, extension 5000, or e-mail [email protected]. 10 9 8 7 6 5 4 3 2 1 0306815249-Crain.qxd:Layout 1 3/16/09 10:58 AM Page iii TRACK LISTING Introduction: