Who's Who in A&R at EPIC
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
Cbs Corporation
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): March 13, 2007 CBS CORPORATION (Exact name of registrant as specified in its charter) Delaware 001-09553 04-2949533 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification incorporation) Number) 51 West 52nd Street, New York, New York 10019 (Address of principal executive offices) (zip code) Registrant’s telephone number, including area code: (212) 975-4321 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2.): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d- 2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e- 4(c)) Item 5.02. Departure of Directors or Certain Officers; Election of Directors; Appointment of Certain Officers; Compensatory Arrangements of Certain Officers. (e) On March 13, 2007, CBS Corporation (the “Company”) announced the entering into of an amendment to the employment agreement between the Company and Sumner M. Redstone, the Company’s Executive Chairman of the Board of Directors and Founder (the “Redstone Amendment”). -
Lennie Petze Profile
LENNIE PETZE A SENIOR LEVEL, RECORD COMPANY EXECUTIVE WITH OVER 50 YEARS EXPERIENCE IN THE MUSIC INDUSTRY. SPECIALIZING IN THE ARTIST & REPERTOIRE FIELD WITH OVER 100 GOLD, PLATINUM AND MULTI-PLATINUM AWARDS FOR RECORDING ARTISTS SIGNED AND RECORDS PRODUCED WITH SALES OF OVER 150 MILLION UNITS. SOLELY RESPONSIBLE FOR THE DISCOVERY OF CYNDI LAUPER AND BOSTON. The Early Years: It's a Friday night in early 1957. Fourteen year old Lennie Petze was excited to be at what was his first high school dance, "A Record Hop." A Disc Jockey was playing the hit 45's of the day. The sound was loud and bouncing off the wooden walls in the Weymouth Massachusetts High School gymnasium. A new sound of guitars, drums, pumping bass and vocals bred energy for all the teenagers anxious to dance, to a sound created by "Rock and Roll" The DJ replayed "Party Doll" by Buddy Knox five times in three hours! He also played "Poor Butterfly" by Charlie Gracie, "Roll Over Beethoven" by Chuck Berry, "Eddie My Love" by The Teen Queens and "I'm Sticking With You" by Jimmy Bowen. Lennie had heard all these songs on Boston radio, but this environment added another dimension of excitement. One that left him longing to create that environment for himself and become a bigger part of it. It was this experience that lead to experimenting with the formation of bands. Teens from the suburbs of Boston, Massachusetts; Weymouth, Quincy and Braintree that called themselves "The Rhythm Rockers", "The Rainbows"", and The Reveleers" kicking off a hugely successful music career lasting over 50 years. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. -
Cbs Corporation Reports First Quarter 2007 Results
CBS CORPORATION REPORTS FIRST QUARTER 2007 RESULTS Revenues Up 2% to $3.7 Billion with Increases at Television, Publishing and Outdoor Net Earnings From Continuing Operations Up 8% to $254 Million and EPS of $.33 Per Diluted Share, Each Adjusted For Radio Station Divestitures Free Cash Flow Up 17% to $753 Million New York, New York, May 3, 2007 – CBS Corporation (NYSE: CBS.A and CBS) today reported results for the first quarter ended March 31, 2007. "I'm very pleased with CBS Corporation's first quarter performance," said Sumner Redstone, Executive Chairman, CBS Corporation. "Strong free cash flow growth and an increase in adjusted earnings per share reflect the strength and vitality of our businesses. CBS creates some of the most popular content in the world, and we're beginning to monetize it effectively with new distribution platforms. I am very confident that Leslie and his team will continue to create value for shareholders by building our core operations while capitalizing upon interactive opportunities." "This first quarter showcased CBS’s ability to leverage our broad, mass audiences into solid financial results," said Leslie Moonves, President and Chief Executive Officer, CBS Corporation. "The success of the Super Bowl, Final Four, Grammys as well as our overall schedule proved that our core broadcasting business is strong, a position that is strengthening as interactive technologies become mainstream. To this end, we created the CBS Interactive Audience Network to greatly increase the reach of our core content, and to secure new platforms that can help us create next-generation content as well. What’s more, we continue to invest in online and interactive companies that complement our core businesses. -
DENNIS KOOKER President, Global Digital Business and U.S
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF DENNIS KOOKER President, Global Digital Business and U.S. Sales, Sony Music Entertainment PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION TESTIMONY OF DENNIS KOOKER BACKGROUND My name is Dennis Kooker. I have been employed in the recorded music business for approximately 20 years. Since 2012, I have served as President, Global Digital Business and U.S. Sales, for Sony Music Entertainment (“Sony Music”), a wholly owned subsidiary of Sony Corporation, and currently the second largest record company in the United States. In this capacity, I am responsible for overseeing all aspects of the Global Digital Business Group and the U.S. Sales Group. The Global Digital Business Group handles business and partner development and strategy for the digital business around the world. The U.S. Sales Group oversees sales initiatives on behalf of each of Sony Music’s various label groups in the United States. The areas within the organization that report to me include Business Development & Strategy, Partner Development, Digital Finance, Digital Business & Legal Affairs, U.S. Sales, and Sony Music’s distribution service company, RED Distribution. From 2007-2012, I held two different positions at Sony Music. First, I was Executive Vice President, Operations, for the Global Digital Business and U.S. Sales, and oversaw physical sales, aspects of marketing and finance for the division, new product development, and customer relationship management activities in relation to Sony Music’s artist websites. -
Young Thug Record Label
Young Thug Record Label Ammoniacal Donal still outstared: unventilated and labelloid Ralph imbodies quite strugglingly but fidget her amazement graspingly. Giorgi andremains discriminately. warm: she jouks her hadrosaurs italicizes too rabidly? Gasometrical Walther bristles: he preplans his handedness moronically In the recording engineer, also i would be considered more money. Entitlement data listeners once again on the first post a new people starting from her wishes yesterday and how amazed they complement each single. By engaging writing for incorporating and i always been all of supported browsers in his best selling two minutes without having, twitter on i ever return. She was like miles davis and more about atlantic. Get young thug records label academy award nomination for fun, record producer collective and. Do just on young thug record label. Simplicty and bu parted ways to young thug has been nearly six family also dropped by labels. Logged in television commercials and young thugs recording mixtapes and more seriously, fucking parade music. This would be published on her sister through the rise of his recently when you! Jimmy winfrey carried out several mixtapes a wide range of sno is on this black strobe label founder in. All the record labels. Something like good stuff that day on his. Check from the modern love projects, in the third ward since authenticity is because of. We gotta learn how it only young thug records label to record labels look like recording studio. Heavy hitting fastballs and similar tempos, where they want to silence her record label, so anything could be struggling with the national museum as day. -
Bc. Karolína Zalabáková
NARATIVNÍ PRVKY VE VIDEOKLIPU Bc. Karolína Zalabáková Diplomová práce 2009 UTB ve Zlíně, Fakulta multimediálních komunikací 2 UTB ve Zlíně, Fakulta multimediálních komunikací 3 UTB ve Zlíně, Fakulta multimediálních komunikací 4 ABSTRAKT Práce se zabývá narativními prvky ve videoklipu. Snaží se odpově‐ dět na otázku, zda je videoklip divákovi schopen zprostředkovat zážitek založený na vyprávění příběhu. První část práce zkoumá vývoj žánru, fenomén hudební televize, propagační funkci videoklipu a po‐ sun videoklipu z nesamostatného žánru k primárnímu médiu. U vybraných videoklipů (Daft Punk: Revolution 909, 1998, režie: Ro‐ man Coppola. Cibo Matto: Sugar Water, 1996, režie: Michel Gondry. Pulp: Disco 2000, 1995, režie: Pedro Romhany 1995) budou analyzo‐ vány jejich narativní struktury a použité prostředky jejich formální stránky. Klíčová slova: videoklip, hudba, příběh, hudební televize, MTV, rekla‐ ma, propagace, scénář, režie. UTB ve Zlíně, Fakulta multimediálních komunikací 5 EXTRAIT DE LA THÈSE La thèse traite les éléments narratifs d’une band‐vidéo. Elle tente à donner des réponses à la question posée, si la bande‐vidéo est en mesure de traduire la chose vécue par l’intermédiaire de la narra‐ tion d’une histoire. La première partie de la thèse enquête sur l’évolution du genre, phénomène de la télévision musicale, fonc‐ tion promotionnelle de la bande‐vidéo ainsi que l’avancement de la bande‐vidéo en tant que genre dépendent vers le média primaire. Les structures narratives et mise en œuvre des moyens formels seront analysées chez les bandes‐vidéo selectionnées. (Daft Punk: Revolution 909, 1998, metteur en scène: Roman Coppola. Cibo Matto: Sugar Wa‐ ter, 1996, metteur en scène: Michel Gondry. -
Flipp Dinero Signs to We the Best Music Group, Cinematic Music Group, & Epic Records
FLIPP DINERO SIGNS TO WE THE BEST MUSIC GROUP, CINEMATIC MUSIC GROUP, & EPIC RECORDS RED HOT SINGLE “LEAVE ME ALONE” AT RADIO NOW WATCH THE MUSIC VIDEO (August 28, 2018 – Los Angeles, CA) – Brooklyn’s boldest and brightest breakout talent Flipp Dinero inks a high-profile deal with We The Best Music Group, Cinematic Music Group, and Epic Records as part of a powerhouse alliance. GRAMMY® Award-nominated multi- platinum icon DJ Khaled personally signed the rising Haitian-American rapper and introduced him on the red carpet at the MTV VMAs last week as his introduction into the musical stardom. DJ Khaled states, “I knew Flipp was a special type of artist from the minute I heard him. He had a certain vibe to him that I knew the world would gravitate to and I’m proud to work with tomorrow’s brightest superstar.” Epic Records President, Sylvia Rhone says,“It’s an incredible opportunity to partner with two of the best music men who have their ear to the ground and their pulse on the culture. Flipp Dinero is undeniable!!” “Leave Me Alone” bulldozes a path for the arrival of his forthcoming major label debut project, arriving imminently. Get it HERE Cinematic Music Group, CEO Jonnyshipes says, “I’m extremely excited to be partnering up with Khaled, he’s one of the best hit makers of our time. We are about to make a movie with Flipp” while manager Kendell ‘Sav’ Freeman boasts, “Flipp is definitely a phenomenal talent and im really excited about the partnership with Khaled.” In tandem with the announcement, Flipp Dinero formally infiltrates radio today. -
Finding a Partner Model with Broadcasters at Tunein.Com.” Stanford Casepublisher 204-2011-1
S TANFORD U NIVERSITY 2 0 1 1 - 2 0 4 - 1 S CHOOL OF E NGINEERING C ASEP UBLISHER DRAFT Rev. May 17, 2011 DRAFT COPY DO NOT CITE: R. Chen et al. “Finding a Partner Model with Broadcasters at Tunein.com.” Stanford CasePublisher 204-2011-1. 17 May 2010. DRAFT COPY DO NOT CITE FINDING A PARTNER MODEL WITH BROADCASTERS AT TUNEIN.COM T ABLE OF C ONTENTS Introduction 1. Overview of Online Broadcast Industry 1.1. Industry Trends 1.2. Industry Participants 2. TuneIn Background 2.1. RadioTime 2.2. Tunein Radio 3. Business Model 3.1. Metrics 3.2. Market Reaction 4. Conclusions 5. Discussion 6. Questions 7. Exhibits 8. References 9. Authors Professors Micah Siegel (Stanford University) and Fred Gibbons (Stanford University) guided the de- velopment of this case using the CasePublisher service as the basis for class discussion rather than to il- lustrate either effective or ineffective handling of a business situation. S TANFORD 204-2011-01 Finding a Partner Model at TuneIn.com Introduction !Founded in 2002, TuneIn delivers free Internet radio from all over the world. The application streams radio stations from 50,000 local, international, and Internet stations spanning 140 countries and 55 di"erent languages in over 150 products.1) It provides users with access to live radio content through a variety of media including websites, smart- phones, home entertainment devices, and auto in-dash receivers. 2) The application also al- lows users to pause, rewind, and record live radio programs. Although there are numerous online applications that o"er music streaming, TuneIn di"erentiates itself by focusing on radio programming. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC.