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Information Issued by the Association of Jewish Refugees in Great Britain
Vol. XVI No. 3 March, 1961 INFORMATION ISSUED BY THE ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN I FAIRFAX MANSIONS, Offict and Coiuulting Heurs : FINCHLEY ROAO (Cornar Fairfax Road), LONDON. N.W.3 Mondaylo Thunday 10 a.nt.—l p.m. 3—6 p.nt. Telephon*: MAIda Val* 9096'7 (e*n*ral Officel Friday 10 a.m.—I p.m. MAIda Val* 4449 (Empioymant Ag*ncy and Social S*rvic*s D*pt.| About 2,945,000 claims have been lodged under the Federal Indemnification Law (BEG) of which A WIDE RANGE OF TASKS about 1,577,000 have been settled. The payments made are about 8,731 million DM and the total expenditure to be expected about 17,200 million Report on AJR Board Meeting DM. The work would probably not be completed by the end of 1962 as visualised in the Law. ^^ore than 60 board members, including dele liabilities would become greater, especially in view The " Council" has proposed several improve gates from the provinces, attended the AJR Board of the expansion of the work for the new homes ments of the BEG which should be incorporated meeting which was held in London on January to be established. As a further and very important into a final law on indemnification (Wiedergut- ^2nd. The comprehensive reports and the vivid device of reducing the deficit, the AJR Charitable machungs-SchlussgesetzX, the enactment of which discussion reaffirmed the variety of important tasks Trust has been established which can accept pay was intended by the German authorities but would ".* AJR and its associated bodies have to cope ments under covenant from which the charitable probably be held over until after the election of With and the organisational strength on which part of the AJR's activities are to be financed. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
To the Limits of Acceptability: Political Control of Higher Education
John Biggs and Richard Davis (eds), The Subversion of Australian Universities (Wollongong: Fund for Intellectual Dissent, 2002). Chapter 2 To the limits of acceptability: political control of higher education William Bostock Over 2,000 years ago Aristotle observed that humans are political animals. In a more recent discussion, politics was defined as “who gets what, when, how,”1 and if we apply this proposition to higher education, it is clear that higher education is highly political. In this chapter I will consider a number of examples of how in the exercise of power policy-makers have pushed universities to the limits of accept- ability and sometimes beyond. What are the limits of acceptability and what are the consequences of exceeding them? A useful metaphor sees a university as a ship2 (an adaptation of the conventional “ship of state”). I am not going to argue that universities should be or could be totally exempt from any political interference, rather that, like courts of law or hospitals, certain kinds of inappropriate interference by politicians or their appointees are highly damaging to the performance of the essential tasks of these institutions. For a university to maintain its standing as a university, it must operate within certain parameters of academic acceptability; just as a ship must remain within certain hydrodynamic parameters to stay afloat. Academic parameters are more difficult to locate, because, unlike ships, universities rarely sink without trace. Nevertheless, gross breaches of procedure can griev- ously damage an institution’s standing, with disastrous consequences for students and staff, present and past, and a community at large. -
INFORMATION Id ISSUED by the ASSOCIATION of JEWISH REFUGEES in GREAT BRITAIN S 8
.953 VoL VIII No. 2 FEBRUARY, 1953 INFORMATION Id ISSUED BY THE ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN s 8. FAIRFAX MANSIONS, FINCHLEY ROAD ( fAiRpAx^'loAo ) LONDON, N.W.3 It Otpee end Cantulting Hourt : 10 a.m.—I p.m.. Ip.m. Sunday 10 a.ni.— I p.m. Te'eehone . MAIda ViU 9396/7 (General OWce) MAIda V.l» «*4° lEmplovm.nt Afency) Q WTien, in 1941, I was in the Soviet Hard Labour Camp, Onega, near Archangel, I met POISON FROM MOSCOW a 70-year-old Jew from the Bukovina who (.'V January 13, Moscow Radio broad- position to murder sick men under their care. had been sentenced to 10 5^ears' hard labour (.„ ^" 24 languages a surprising official And they are said to have committed these by the Soviet Occupation Authorities only ^niunique of the So\-iet TASS agency. shameful deeds on the orders of " the because he had been the chairman of the pL ^^."^ording to the statement, nine Soviet ' Joint ' —• the international bourgeois Zionist Keren Hayesod in pre-war Rumania. kin '^^' ^^ "^^ them professors, have been nationalist organisation," as the Soviet com ih^^ °r trying to poison the highest person- munique put it. In another part of the Soviet The Bolshevik Doctrine ^^s among the Sovdet ruling class. They statement the " Joint " is described as " a In their pre-revolution times the Bol gedly succeeded in killing two mighty terrorist-espionage organisation which gave sheviks, including Lenin and Stalin person Star '^^ ^^^ Kremlin : Andrei Zhdanov, the directive to exterminate the leading ally, had been engaged in a bitter struggle kov''^^ closest collaborator, and A. -
SWR2 Musikstunde
SWR2 Musikstunde Kein Ball mehr im Savoy – Die letzten Tage der Operette (1) Von Katharina Eickhoff Sendung: 13. Juli 2020 9.05 Uhr Redaktion: Dr. Bettina Winkler Produktion: SWR 2020 SWR2 können Sie auch im SWR2 Webradio unter www.SWR2.de und auf Mobilgeräten in der SWR2 App hören – oder als Podcast nachhören: Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Die SWR2 App für Android und iOS Hören Sie das SWR2 Programm, wann und wo Sie wollen. Jederzeit live oder zeitversetzt, online oder offline. Alle Sendung stehen mindestens sieben Tage lang zum Nachhören bereit. Nutzen Sie die neuen Funktionen der SWR2 App: abonnieren, offline hören, stöbern, meistgehört, Themenbereiche, Empfehlungen, Entdeckungen … Kostenlos herunterladen: www.swr2.de/app SWR2 Musikstunde mit Katharina Eickhoff 13. Juli 2020 – 17. Juli 2020 Kein Ball mehr im Savoy – Die letzten Tage der Operette …mit Katharina Eickhoff – zwischen Wien, Berlin und New York, zwischen Heimat und Exil bewegen sich die Musikstunden in dieser Woche entlang der Biografien von Ralph Benatzky, Emmerich Kalman und Paul Abraham…Kein Ball mehr im Savoy – Die letzten Tage der Operette. „Berlin, 9. November 1930 Wieder eine Premiere vorbei, die vom „Weißen Rössl“ im Großen Schauspielhaus. -
The Pink Swastika
THE PINK SWASTIKA Homosexuality in the Nazi Party by Scott Lively and Kevin Abrams 1 Reviewers Praise The Pink Swastika “The Pink Swastika: Homosexuality in the Nazi Party is a thoroughly researched, eminently readable, demolition of the “gay” myth, symbolized by the pink triangle, that the Nazis were anti- homosexual. The deep roots of homosexuality in the Nazi party are brilliantly exposed . .” Dr. Howard Hurwitz, Family Defense Council “As a Jewish scholar who lost hundreds of her family in the Holocaust, I welcome The Pink Swastika as courageous and timely . Lively and Abrams reveal the reigning “gay history” as revisionist and expose the supermale German homosexuals for what they were - Nazi brutes, not Nazi victims.” Dr. Judith Reisman, Institute for Media Education “The Pink Swastika is a tremendously valuable book, replete with impressive documentation presented in a compelling fashion.” William Grigg, The New American “...exposes numerous lies, and tears away many myths. Essential reading, it is a formidable boulder cast into the path of the onrushing homosexual express...” Stan Goodenough, Middle East Intelligence Digest “The Pink Swastika is a powerful exposure of pre-World War II Germany and its quest for reviving and imitating a Hellenistic-paganistic idea of homo-eroticism and militarism.” Dr. Mordechai Nisan, Hebrew University of Jerusalem “Lively and Abrams call attention to what Hitlerism really stood for, abortion, euthanasia, hatred of Jews, and, very emphatically, homosexuality. This many of us knew in the 1930’s; it was common knowledge, but now it is denied...” R. J. Rushdoony, The Chalcedon Report “...a treasury of knowledge for anyone who wants to know what really happened during the Jewish Holocaust...” Norman Saville, News of All Israel “...Scott Lively and Kevin Abrams have done America a great service...” Col. -
“The Bethlehem of the German Reich”
“THE BETHLEHEM OF THE GERMAN REICH” REMEMBERING, INVENTING, SELLING AND FORGETTING ADOLF HITLER’S BIRTH PLACE IN UPPER AUSTRIA, 1933-1955 By Constanze Jeitler Submitted to Central European University Department of History In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Andrea Pető Second Reader: Professor Constanin Iordachi CEU eTD Collection Budapest, Hungary 2017 CEU eTD Collection STATEMENT OF COPYRIGHT “Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or part, may be made only in accordance with the instructions given by the Author and lodged in the Central European Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author.” CEU eTD Collection i CEU eTD Collection ii ABSTRACT This thesis is an investigation into the history of the house where Adolf Hitler was born in the Upper Austrian village Braunau am Inn. It examines the developments in the period between 1933 and 1955. During this time high-ranking Nazis, local residents, tourists and pilgrims appropriated the house for their purposes by creating various narratives about this space. As unimportant as the house might have been to Hitler himself from the point of view of sentimentality and childhood nostalgia, it had great propaganda value for promoting the image of the private Führer. Braunau itself was turned into a tourist destination and pilgrimage site during the Nazi period—and beyond. -
Public RITUAL and the NAZI MYTHOS
THE FORM THAT FUELS THE FLAME: PuBLIC RITUAL AND THE NAZI MYTHOS Jason D. Lah man UBLIC rituals played an important role in the culture of the Third p Reich. Although events like the mass rallies at Nuremberg were highly choreographed and carefully planned, the image that they conveyed was one of enthusiasm and genuine accord. This essay will consist of four sections in which I will endeavor to cast more light on the phenomena of Nazi public rituals and understand how they fit into our current understanding of Nazism. The first part will be a review of the literature on how Nazism’s belief-system/world-view has been classified. A variety ofterms have been put forward by social scientists from various disciplines in an attempt to understand its historical, social, cultural and psychological dynamics. I propose that a way into the heart ofthe matter is to look more closely at the word Weltanschauung, a concept so important that it was used by the Nazis themselves to describe the reality they were attempting to solidify in Germany. By understanding exactly what this word connotes we find that an analogous term used by scholars of fascism, ‘mythos,” may be useful—especially since mythos is directly connected to ritual practices. Thus to describe Nazism as a mythos seems to make sense in methodological terms and also coincides with what the Nazi leadership was attempting to accomplish culturally in German society—namely to bring about the adoption of a specific Weltan schauung on the popular level. In the second section I will discuss four key beliefs or narratives (myths) making up this Weltanschauung and discuss why they were so important to the Nazis for the maintenance of social power and the manipulation of mass opinion. -
The Influence of National Socialism on Divorce Law in Austria and the Netherlands*
BRGÖ2018 BeiträgezurRechtsgeschichteÖsterreichs MarikenLENAERTS,Maastricht TheinfluenceofNationalSocialismondivorce lawinAustriaandtheNetherlands*= Thisarticleprovides=acomparativeoverviewoftheinfluencesofNationalSocialismondivorcelawinAustriaand theNetherlandsbetween1938(Austria)/1940=(theNetherlands)=and1945.Oneoftheprimarygoals=ofNational Socialismwastheestablishmentofaracially‘pure‘Volksgemeinschaft.Tothatend,marriagesthat,forwhatever reason,werenolongerproductive,=orwhichwouldleadtothemingling=ofAryanbloodandracially“inferior”blood shouldbedissolved.ThereforetheNationalSocialistssubstantiallyrevisedGermandivorcelaw,whichwasintro8 ducedinAustriain1938aswell.This1938MarriageLaw,albeitsubstantiallyalteredanddenazified,stillservesas= thebasisofAustrianmarriageanddivorcelaw.IntheNetherlands,regardedas=muchabrothernationtoGermany= asAustriawas,attemptsweremadeduringtheoccupationtoreviseDutchdivorcelaw,partlybecauseitwasgener8 allybelievedthatthegroundsfordivorcehadtobewidenedsomewhat,partlytoattuneDutchdivorce=lawtoNa tionalSocialism.However,theserevisionswereneverenacted. Keywords:Austria–divorcelaw–Germany–NationalSocialism–theNetherlands= = 1.Introduction isedasan“annexation”,asannexationisauni lateralactbytheconqueringstate,precededbya It is beyond questioning that the National So military conquest. Through annexation, the en cialist period shook Europe while it lasted and emy state ceases to exist, thereby ending the leftitsmarkafterithadbeenended.Thisarticle= war. This is called subjugation. In this respect, willtrytoanswerthequestionhowdivorcelaw= -
World War Two and the Holocaust
DOCUMENT RESUME ED 388 556 SO 025 375 AUTHOR Boas, Jacob TITLE World War 'Iwo and the Holocaust. INSTITUTION Holocaust Center of Northern California, San Francisco. PUB DATE 89 NOTE 11(4.; Photographs may not reproduce clearly. AVAILABLE FROMThe Holocaust Center of Northern California, 639 14th Avenue, San Francisco, CA 94118. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Anti Semitism; Conflict Resolution; Ethnic Bias; *Ethnic Discrimination; *Jews; Justice; Modern History; *Nazism; Peace; *Religious Discrimination; Secondary Education; Social Studies; Western Civilizatiol; *World War II IDENTIFIERS *Holocaust ABSTRACT This resource book presents readings that could be used to teach about the Holocaust. The readings are brief and could be appropriate for middle school and high school students. Several photographs accompany the text. The volume has the following chapters:(1) "From War to War" (history of Germany from late 19th Century through the end of World War II with an emphasis on the rise of Hitler and his campaign against Jews);(2) "The Holocaust" (the victims, the ghetto life, death camps, the consequences, etc.); (3) "Chronology 1918-1945" (chart showing by year and month the rise and fall of Nazi Germany, Persecution and Holocaust, and Jewish Response);(4) "Glossary";(5) "100 Holocaust Discussion Questions (Weimar, Hitler, WWII; Nazism and Jewry; Perpetrators, Bystanders, Rescuers; and General)";(6) "Selected Bibliography"; and (7) "Illustration Credits." Contains