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The Frick Collection Staff As of June 30, 2008
The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H. -
GLOBAL BRAND BUSINESS DEVELOPMENT Optimizes and Accelerates Businesses to Reach Their Full Potential by Crossing Channels, Borders and Classifications of Product
GLOBAL BRAND BUSINESS DEVELOPMENT optimizes and accelerates businesses to reach their full potential by crossing channels, borders and classifications of product. 2 is a hands-on guide, not just a helpful map. A Sherpa, not an Oracle is a global business development advisory and investment firm. We advise and invest in companies in the retail, consumer, fashion and luxury industries to optimize and accelerate their businesses cross channels, geographies and classifications of product. LICENSEES / TECHNOLOGY FRANCHISEES BRANDS RETAILERS REAL ESTATE INDUSTRY INVESTMENT LEADERS COMMUNITY 4 OUR PARTNERS Corporate Real Estate Finance Store Back Office Design ‘s best-in-class network OPERATING of operating partners can derive PARTNERS Public value across channel, geography IT and classification of product. Relations GEOGRAPHIES PRODUCTS Marketing/ Logistics Advertising works with talented, internationally-renowned industry experts to provide a CHANNELS Executive Procurement variety of client services. Recruiting Legal Accounting Services OUR DIVISIONS ADVISORY CAPITAL TRAUB ADVISORY IS THE GLOBAL TRAUB CAPITAL IS THE GROWTH EQUITY BUSINESS DEVELOPMENT DIVISION INVESTMENT DIVISION, UTILIZING FOCUSED ON OPTIMIZING AND TRAUB’S INDUSTRY EXPERTISE TO ACCELERATING BUSINESSES TO REACH OPTIMIZE AND ACCELERATE ITS THEIR FULL POTENTIAL. PORTFOLIO COMPANIES. TRAUB Advisory helps transform TRAUB’s extensive expertise in building business strategies into realities, brands coupled with its network of working with a variety of clients on a seasoned operating partners gives TRAUB multitude of unique business initiatives Capital the necessary tools to optimize including retail, licensing, franchising, and accelerate growth for its portfolio celebrity and consumer. companies. 6 OUR CLIENTS 7 is cutting edge in retail in the USA and “ around the world with a depth and breadth of knowledge of the business that translates into exceptional results for both the developers and the retail operating community. -
Endowments and Funds As of June 30, 2010
2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J. -
Eileen Fisher's Minimalist Style
Profiles September 23, 2013 Issue Nobody’s Looking at You Eileen Fisher and the art of understatement. By Janet Malcolm September 23, 2013 here is a wish shared by women who consider themselves serious that the clothes T they wear look as if they were heedlessly ung on rather than anxiously selected. The clothes of Eileen Fisher seem to have been designed with the fulllment of that wish in mind. Words like “simple” and “tasteful” and colors like black and gray come to mind along with images of women of a certain age and class—professors, editors, psychotherapists, lawyers, administrators—for whom the hiding of vanity is an inner necessity. The rst Eileen Fisher shop opened in 1987, on Ninth Street in the East Village. Today, Eileen Fisher is an enterprise with nearly a thousand employees. The clothes sell in department stores and catalogues as well as in six Eileen Fisher shops in Manhattan and fty-ve throughout the country. Over the years, the clothes have become less plain and more like the clothes in fashion. Some of the older Eileen Fisher customers grouse about these changes. They want the clothes to remain the same, as if anything can. Surely not clothes. I remember going into the Eileen Fisher shops that were opening around the city in the late nineteen-eighties and never buying anything. I was attracted by the austere beauty of the clothes. They were loose and long and interesting. There was an atmosphere of early modernism in their geometric shapes and murky muted colors. You could see Alma Mahler wearing them around the Bauhaus. -
Read Our 2019 Benefit Corporation Report
2019 BENEFIT CORPORATION REPORT 2019 Benefit Corporation Report | 1 Dear Friends, I am delighted to share with you our 2019 Benefit Corporation Report—our third since becoming a New York State Benefit Corporation in 2017. A benefit corporation is one that has legally committed to higher standards of purpose, accountability and transparency. For EILEEN FISHER, this means we are designing clothing with minimal environmental and social harm; creating an inclusive workplace; empowering women and girls, supporting the fair treatment of all people and preserving the environment; and advancing ethical business practices through collaborations in the fashion industry. In 2019, we continued our VISION2020 work toward greater environmental sustainability and human well-being within our supply chain. We also introduced our new grant program, “Supporting Women in Environmental Justice.” And we embarked upon a new Diversity and Inclusion initiative to build a stronger workplace culture for our employees and customers. As we enter a new decade, we remain committed to conducting “business as a movement.” If you have any comments or questions, please direct them to [email protected]. Thank you, 2019 Benefit Corporation Report | 2 Our Purpose We design for simplicity and wholeness—to inspire joy and connection in women around the world. Our Values • We are authentic. • We thrive in connection. • We trust each other. • We innovate through creativity. • We are committed to the health of the whole. • We are united by purpose. 2019 Benefit Corporation Report | 3 Benefit 1 We are committed to designing clothing that creates minimal environmental and social impact. 2019 Benefit Corporation Report | 4 Materials We aim to use sustainable materials in 100% of our products. -
And the Oscar Goes To
SOCIETY & CULTURE Oscar de la Renta with Spanish socialite and exhibits former fashion model Naty Abascal in the 1960s. AND THE OSCAR GOES TO... As the Museum of Fine Arts pays tribute to prolific fashion designer Oscar de la Renta, local style icons look back on his impact on both their lives and the world. By Michele Meyer The first major fashion exhibit at The Museum of Fine Arts, Houston began with one phone call, when philanthropist Lynn Wyatt rang up Museum Director Gary Tinterow. Having seen a tribute to the late, great Oscar de la Renta at San Francisco’s de Young museum, Wyatt believed Houston should stage its own showcase of the dapper designer. After all, he’d often visited our city and had clad not only Audrey Hepburn, Taylor Swift, Oprah Winfrey and every first lady of the United States—from Nancy Reagan to Michelle Obama— but also many local fashionistas, Wyatt among them. Needless to say, Tinterow agreed. Rest assured that the resulting exhibit, The Glamour and Romance of Oscar de la Renta—on view through Jan. 28—is no knock-off. Not only did de la Renta’s heirs and French label Pierre Balmain share corporate and personal archives, but some of Houston’s best-dressed denizens opened their own closets to the MFA. Each section features gorgeous garb loaned by Wyatt; former Mayor Bob Lanier’s wife, Elyse Lanier; fine arts patron Rosanette Cullen; anesthesiologist Yvonne Cormier; and former first lady Laura Bush. “He told me he had a special affection for the women of Houston because they had style and wore their clothes beautifully,” Cormier says. -
The Effects of Twitter on the Fashion Industry
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry. Margaret K. Reder Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, Arts Management Commons, Entrepreneurial and Small Business Operations Commons, Fashion Business Commons, Marketing Commons, and the Sales and Merchandising Commons Reder, Margaret K., "Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry." (2012). Pell Scholars and Senior Theses. 82. https://digitalcommons.salve.edu/pell_theses/82 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. 1 Maggie Reder Dr. Esch ENG 490 May 2012 Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry Introduction The fashion industry continuously faces the issue of fashion piracy, which means; many retailers are intentionally copying fashion designs from the runway and cheaply manufacturing them to sell at a low price. The problem is on the rise and many designers are taking hits due to the frequency and success of the culprits. While large retailers such as Forever 21, Zara, Topshop and H&M are soaring, many young designers are struggling to survive. -
While We Never Made It Our Sole Mission to Expose
de sig ners all those mystifying names behind staged a grand swan-song the labels, it’s the fashion designers retrospective of his work, I attended who’ve been the mainstays of YSL’s last full couture collection at While Fashion Television, and at the heart the Intercontinental Hotel in Paris. and soul of it all. And while some “I’m afraid Yves Saint Laurent is the may beg to differ, in our eyes, the last one to think about elegant cream of the crop were always true women,” Pierre Bergé, the designer’s artists. Their crystal-clear vision, long-time business partner and inspired aesthetic, passion for former lover, told me. “Now things perfection, desire to communicate are different… Life has changed. and downright tenacity all made Maybe in a way, it’s more modern, the world a more beautiful place, and easier… I don’t want to argue we never and provided fascinating fodder for with that. Everybody has a right to us to explore. design clothes the way they feel. But for Saint Laurent, who loves Sometimes, these designers would and respects women and their be unlikely characters. Who could bodies, it’s very difficult to have guessed, the first time we understand the feel of today.” met Marc Jacobs, in 1986 at a Toronto garment factory—an Bergé went on to explain that adorable, personable kid with hair creativity, not marketing, always made it down to his elbows, eager to show came first for Saint Laurent. And us his small collection of knitwear— because of that, he was at odds that this bright designer would be with the way the fashion world heralded by Vogue 14 years later now functioned. -
The Trojan Gazette Mrs
The Trojan Gazette Mrs. Tovornik’s Creative Writing Class (Fall 2014) October 24, 2014 Volume 1, Issue 6 - Austin Darnell & Jakima Thompson Highlights: Trojans Elite: Teacher - Ms. Lauren Whitaker Trojan Elite Mrs. Whitaker was born and raised in the beautiful mountains of Celebrity News. Western North Carolina. She received her undergraduate degree from Montreat College and attended graduate school at Clemson University. Fashion .She has no children, but has 11 siblings. She has explored many parts of New movies the amazing world such as China, Africa, and England. She studies first-hand the diversity Movie Reviews of the US National Park System to serving Music and the Artists people in need overseas in Africa. Her pas- sion with her students is to encourage them Gaming Information to go out and be agents and change the Sports for the week world. Special Halloween NFL games coming up Events This weekend In this issue: - Kendrick Bland & Treyvon Lewers NFL GAMES FOR THE WEEK Entertainment FRIDAY NIGHT LIGHTS SUN, OCT 26 TIME (ET)\ Music Artist 2 High School Football Detroit at Atlanta 9:30 AM Fashion & Gaming 3 in Greenville St. Louis at Kansas City 1:00 PM Minnesota at Tampa Bay 1:00 PM FRIDAY, Oct.24 Seattle at Carolina 1:00 PM Movies: Premieres 4 Emerald @ Berea Baltimore at Cincinnati 1:00 PM and Reviews Miami at Jacksonville 1:00 PM Chapman @ Blue Ridge Chicago at New England 1:00 PM CHS @ Powdersville Local Arts Buffalo at NY Jets 1:00 PM East Side @ Traveler’s Rest Classic Cars Philadelphia at Arizona 4:05 PM 5 Greenville -
VALENTINO and GIAMMETTI, FIVE YEARS LATER Valentino at 50 a HALF-CENTURY of GRACE and GLAMOUR
II II SECTION WWDMILESTONESSECTION ■ STEFANO SASSI BUILDS FOR THE FUTURE ■ CHIURI & PICCIOLI: CARRYING THE DESIGN MANTLE ■ VALENTINO AND GIAMMETTI, FIVE YEARS LATER Valentino at 50 A HALF-CENTURY OF GRACE AND GLAMOUR. Spring 2013 ready-to-wear. PHOTO BY STEPHANE FEUGERE 2 WWD MONDAY, OCTOBER 15, 2012 SECTION II WWD.COM WWD MILESTONES 1994 The designer creates costumes for “The Dream of Valentino,” an opera about silent-movie star Rudolph Valentino. Fabulous 50 1995 More than 30 years after his first show The fashion house’s storied history. Compiled by Fabiana Repaci at the Pitti Palace, Valentino returns to Florence and shows at the Stazione Leopolda. The city’s mayor awards him a 1932 fall couture collection at New York’s special prize for Art in Fashion. Valentino Clemente Ludovico Garavani is Metropolitan Museum of Art. Q The house licenses Warnaco for lingerie. born on May 11 in Voghera, in Northern Q Valentino shows in Tokyo for the first Italy, to Mauro Garavani, director of an time. 1996 electrical supply business, and Teresa de The designer receives the distinction of Biaggi. 1983 Cavaliere del Lavoro. Maria Grazia The Italian Olympic Committee selects Chiuri and 1959 Valentino to design uniforms for the 1984 1997 Pierpaolo Valentino’s first couture studio opens at 11 Summer Games in Los Angeles. Launch of Very Valentino fragrance; a Piccioli, 2012. Via Condotti in Rome. A second follows on men’s version follows in 1999. Via Sant’Andrea in 1965. 1985 Q Debut of the new sportswear line V Zone. Q In January, Valentino holds his last The fragrance Valentino di Valentino couture show at the Musée Rodin in Paris, 1960 launches. -
Eileen Fisher Renew Seattle
Eileen Fisher Renew Seattle Forgeable Abbot ungagged haplessly. When Dwain sanitises his calc-tufa hybridising not sagely enough, is Tiler middle-of-the-road? Jefferey oxygenates controversially? Most vulnerable territories to seattle eileen renew? 70 of better cotton used in Fisher's clothing is sourced from organic cotton. Patagonia products to be recycled or repurposed into new fibers or fabric. Get sold at poetry readings, but both purchases of vaguely green eileen fisher making america? Eileen Fisher is the fundamental uncoolness of desiring this comfort. There is done with each other sweater was in eastsound, and either clean it will be prepared for self and the customer support. Gently used EILEEN FISHER clothing can be recycled at any of our retail stores. Cuniform is a Seattle-based personal styling agency whose mission is to bless the. Thanks to our friends at the Seattle Storm you'll get to celebrate. Within our company, we are passionate about what event do. Participants will each receive a free gift from the store and half off purchases of Renew clothing. Connect with members of our site. Oh my electricity and you consent. Sunday i stopped by. According to the company, this format will help highlight the interconnectedness between the new season collections and the Resewn and Renew lines and help drive sales. Enthusiastically contribute for other tasks and projects to recite the lounge running smoothly. Fast fashion uses cheap materials to churn out clothing quickly at stores like H&M Uniqlo and Zara Buying fast fail often ends up costing consumers more in the long run eat the nest also has consequences for workers and for heritage environment. -
Creating Space and Connecting Women’S Funds
ANNUAL REPORT 2011 CREATING SPACE AND CONNECTING WOMEN’S FUNDS TOGETHER, WE ARE CREATING SPACE AND CONNECTING WOMEN’S FUNDS Dear Friends of Women’s Funding Network, Thanks to the vital support of committed donors like you, Women’s Funding Network is continuing to advance the growing financial power, influence, and voices of our member women’s funds. We are grateful to all of you — friends, donors, volunteers and champions — who have supported our work with your valuable time and generous resources. Women’s Funding Network is devoted to powering our member funds with the tools, expertise, and leadership so that our collective efforts can achieve greater positive social impact on the lives of women and girls around the globe. Women and girls continue to be disproportionately affected by the current global economic crisis. The consequences of these challenges have a ripple effect on entire families and communities. Women’s Funding Network is committed to ensuring women-led philanthropy plays a significant role in advancing gender equality so that women and girls have equal opportunity and protection necessary to thrive in their communities. This past year has been an incredible year for Women’s Funding Network. Our annual conference brought together more than 500 activists, women’s fund leaders, supporters, and allies in Brooklyn, New York to connect, share knowledge, and build skills. We coordinated our first national fundraising day in partnership with EILEEN FISHER retail stores. We released The Common Context: Collective Impact report that illustrates how individual women’s funds are working together to improve the lives of women and girls in an entire region.