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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Frick Collection Staff As of June 30, 2008
The Frick Collection annual report july 2007–june 2008 The Frick Collection annual report july 2007–june 2008 leadership 2 Board of Trustees, Council of The Frick Collection, and Young Fellows Steering Committee reports 3 Margot Bogert, Chairman 5 Anne L. Poulet, Director 8 Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator 11 Patricia Barnett, Andrew W. Mellon Chief Librarian financial statements 13 Statement of Financial Position 14 Statement of Activities public programming 15 Exhibitions and Lectures 16 Symposia, Publications, and Concerts notable library acquisitions 17 Gifts and Exchanges 18 Purchases donor support and membership 19 Gifts and Grants 23 Fellows and Friends 30 Corporate Members and Sponsors staff 31 The Frick Collection 34 Frick Art Reference Library on our cover: Maiolica dish with The Judgment of Paris after Raphael, Fontana workshop, tin-glazed earthenware, c. 1565, The Frick Collection, gift of Dianne Dwyer Modestini in memory of Mario Modestini; photograph by Michael Bodycomb The Frick Collection Council of Young Fellows Board of Trustees The Frick Collection Steering Committee As of June 30, 2008 As of June 30, 2008 As of June 30, 2008 Margot Bogert, Chairman George C. Wachter, Chairman Lydia Fenet, Chairman Howard Phipps Jr., Vice Chairman Jonathan Brown, Vice Chairman Elisabeth Saint-Amand, Secretary L. F. Boker Doyle, Treasurer Caitlin Davis, Coordinator John P. Birkelund, Secretary Julian Agnew Irene Roosevelt Aitken Fiona Benenson Peter P. Blanchard III W. Mark Brady Genevieve Wheeler Brown I. Townsend Burden III Vivien R. Clark Kipton Cronkite Walter A. Eberstadt Anne Goldrach Paul Cruickshank Emily T. Frick Nicholas H. -
GLOBAL BRAND BUSINESS DEVELOPMENT Optimizes and Accelerates Businesses to Reach Their Full Potential by Crossing Channels, Borders and Classifications of Product
GLOBAL BRAND BUSINESS DEVELOPMENT optimizes and accelerates businesses to reach their full potential by crossing channels, borders and classifications of product. 2 is a hands-on guide, not just a helpful map. A Sherpa, not an Oracle is a global business development advisory and investment firm. We advise and invest in companies in the retail, consumer, fashion and luxury industries to optimize and accelerate their businesses cross channels, geographies and classifications of product. LICENSEES / TECHNOLOGY FRANCHISEES BRANDS RETAILERS REAL ESTATE INDUSTRY INVESTMENT LEADERS COMMUNITY 4 OUR PARTNERS Corporate Real Estate Finance Store Back Office Design ‘s best-in-class network OPERATING of operating partners can derive PARTNERS Public value across channel, geography IT and classification of product. Relations GEOGRAPHIES PRODUCTS Marketing/ Logistics Advertising works with talented, internationally-renowned industry experts to provide a CHANNELS Executive Procurement variety of client services. Recruiting Legal Accounting Services OUR DIVISIONS ADVISORY CAPITAL TRAUB ADVISORY IS THE GLOBAL TRAUB CAPITAL IS THE GROWTH EQUITY BUSINESS DEVELOPMENT DIVISION INVESTMENT DIVISION, UTILIZING FOCUSED ON OPTIMIZING AND TRAUB’S INDUSTRY EXPERTISE TO ACCELERATING BUSINESSES TO REACH OPTIMIZE AND ACCELERATE ITS THEIR FULL POTENTIAL. PORTFOLIO COMPANIES. TRAUB Advisory helps transform TRAUB’s extensive expertise in building business strategies into realities, brands coupled with its network of working with a variety of clients on a seasoned operating partners gives TRAUB multitude of unique business initiatives Capital the necessary tools to optimize including retail, licensing, franchising, and accelerate growth for its portfolio celebrity and consumer. companies. 6 OUR CLIENTS 7 is cutting edge in retail in the USA and “ around the world with a depth and breadth of knowledge of the business that translates into exceptional results for both the developers and the retail operating community. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Screwball Syll
Webster University FLST 3160: Topics in Film Studies: Screwball Comedy Instructor: Dr. Diane Carson, Ph.D. Email: [email protected] COURSE DESCRIPTION: This course focuses on classic screwball comedies from the 1930s and 40s. Films studied include It Happened One Night, Bringing Up Baby, The Awful Truth, and The Lady Eve. Thematic as well as technical elements will be analyzed. Actors include Katharine Hepburn, Cary Grant, Clark Gable, and Barbara Stanwyck. Class involves lectures, discussions, written analysis, and in-class screenings. COURSE OBJECTIVES: The purpose of this course is to analyze and inform students about the screwball comedy genre. By the end of the semester, students should have: 1. An understanding of the basic elements of screwball comedies including important elements expressed cinematically in illustrative selections from noteworthy screwball comedy directors. 2. An ability to analyze music and sound, editing (montage), performance, camera movement and angle, composition (mise-en-scene), screenwriting and directing and to understand how these technical elements contribute to the screwball comedy film under scrutiny. 3. An ability to apply various approaches to comic film analysis, including consideration of aesthetic elements, sociocultural critiques, and psychoanalytic methodology. 4. An understanding of diverse directorial styles and the effect upon the viewer. 5. An ability to analyze different kinds of screwball comedies from the earliest example in 1934 through the genre’s development into the early 40s. 6. Acquaintance with several classic screwball comedies and what makes them unique. 7. An ability to think critically about responses to the screwball comedy genre and to have insight into the films under scrutiny. -
Endowments and Funds As of June 30, 2010
2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J. -
The Effects of Twitter on the Fashion Industry
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry. Margaret K. Reder Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, Arts Management Commons, Entrepreneurial and Small Business Operations Commons, Fashion Business Commons, Marketing Commons, and the Sales and Merchandising Commons Reder, Margaret K., "Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry." (2012). Pell Scholars and Senior Theses. 82. https://digitalcommons.salve.edu/pell_theses/82 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. 1 Maggie Reder Dr. Esch ENG 490 May 2012 Twitter Technology Trampling Fashion Designs: The Effects of Twitter on the Fashion Industry Introduction The fashion industry continuously faces the issue of fashion piracy, which means; many retailers are intentionally copying fashion designs from the runway and cheaply manufacturing them to sell at a low price. The problem is on the rise and many designers are taking hits due to the frequency and success of the culprits. While large retailers such as Forever 21, Zara, Topshop and H&M are soaring, many young designers are struggling to survive. -
Scaurs. Car W - - Caro O and Newcomers
Sunday, April 7, 1968 3 rm JO- 11- (&ett scaurs. car W - - caro o and newcomers. Two hoped-fo- r 0 Bv HAUVEY 0 To Eternity years ago, appearance, the ELLIOTT True. For the past seven something extra is added for From Here their of The who had Dally Tar Heel Staff or eight years, nominees have Oscar's 40th birthday. Last On The Waterfront. Other ever heard of Faye presenters of the awards are It's Oscartime again! year, a segment spotlighting Oscar-winne- rs shown will be: Runaway, Michael J. Pollard, culled from all areas of been almost exclusively Dustin After months of arguing British. Filmgoers were begin- the Oscar-winne- rs for Best Audrey Hepburn in Roman Hoffman, or Katharine Hollywood stardom. Some of whether Ross? And who Hollywood's brightest lights The Graduate was a ning to wonder if the American Song throughout the years was Holiday would ever I-- V t V suspect Oscar-winni- ng well-receive- The better film that Bonnie d. year, the Humphrey Bogard in that will be giving out Oscars this and film industry had any future. This performances r Clyde, wondering where five This year, however, the entire history of the Awards African Queen could ever be year. Best Song Ingred Bergman in Anas-tas- ia brought out of pretty-bo-y War- Wood whatever nominees were tables are turned. Only three is reviewed, using film clips r . ren Natalie - . going actor-nomine- Beatty or George to come from try to out of 20 es from 33 Oscar winners. -
The Argument for Agency in the Stardom of Katharine Hepburn
Sara Bakerman Too Good for the Fan Rags: The Argument for Agency in the Stardom of Katharine Hepburn Abstract During her tenure at RKO in the 1930s, Katharine Hepburn ascended to the top echelon of stardom, establishing herself in the public eye as a gifted actress even as she resisted the formal structures of fame and celebrity. Through the examination of personal correspondences, including letters and telegrams from fans, friends, and colleagues, this paper investigates the extent to which Hepburn actively contributed to the maintenance of her image leveraged her stardom as the means to manage her own career. Of equal concern in this inquiry are the implications of the actress’s agency for the longevity of her early career; to this end, contemporary fan magazine coverage will be analyzed for its role in constructing Hepburn’s public persona. The discrepancies and overlaps in the public and private discourses surrounding her star image serve as crucial evidence of Hepburn’s privileged status within the industry, which runs contrary to broadly accepted notions of the studio system. As early as 1935, RKO memorandums reveal that the star wielded considerable power within the studio and was making decisions regarding production, which was particularly rare for actresses during this phase of the studio era. That same year, Hepburn received a letter that predicted her eventual labeling as “box office poison” and suggested ways to achieve greater influence in Hollywood; subsequent correspondence indicates the nuances of the studio’s response to Hepburn’s attempts to follow that advice. In terms of industrial agency, these communications offer a dynamic that is particularly crucial to the understanding of the ostensibly “private” star. -
While We Never Made It Our Sole Mission to Expose
de sig ners all those mystifying names behind staged a grand swan-song the labels, it’s the fashion designers retrospective of his work, I attended who’ve been the mainstays of YSL’s last full couture collection at While Fashion Television, and at the heart the Intercontinental Hotel in Paris. and soul of it all. And while some “I’m afraid Yves Saint Laurent is the may beg to differ, in our eyes, the last one to think about elegant cream of the crop were always true women,” Pierre Bergé, the designer’s artists. Their crystal-clear vision, long-time business partner and inspired aesthetic, passion for former lover, told me. “Now things perfection, desire to communicate are different… Life has changed. and downright tenacity all made Maybe in a way, it’s more modern, the world a more beautiful place, and easier… I don’t want to argue we never and provided fascinating fodder for with that. Everybody has a right to us to explore. design clothes the way they feel. But for Saint Laurent, who loves Sometimes, these designers would and respects women and their be unlikely characters. Who could bodies, it’s very difficult to have guessed, the first time we understand the feel of today.” met Marc Jacobs, in 1986 at a Toronto garment factory—an Bergé went on to explain that adorable, personable kid with hair creativity, not marketing, always made it down to his elbows, eager to show came first for Saint Laurent. And us his small collection of knitwear— because of that, he was at odds that this bright designer would be with the way the fashion world heralded by Vogue 14 years later now functioned. -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
The Trojan Gazette Mrs
The Trojan Gazette Mrs. Tovornik’s Creative Writing Class (Fall 2014) October 24, 2014 Volume 1, Issue 6 - Austin Darnell & Jakima Thompson Highlights: Trojans Elite: Teacher - Ms. Lauren Whitaker Trojan Elite Mrs. Whitaker was born and raised in the beautiful mountains of Celebrity News. Western North Carolina. She received her undergraduate degree from Montreat College and attended graduate school at Clemson University. Fashion .She has no children, but has 11 siblings. She has explored many parts of New movies the amazing world such as China, Africa, and England. She studies first-hand the diversity Movie Reviews of the US National Park System to serving Music and the Artists people in need overseas in Africa. Her pas- sion with her students is to encourage them Gaming Information to go out and be agents and change the Sports for the week world. Special Halloween NFL games coming up Events This weekend In this issue: - Kendrick Bland & Treyvon Lewers NFL GAMES FOR THE WEEK Entertainment FRIDAY NIGHT LIGHTS SUN, OCT 26 TIME (ET)\ Music Artist 2 High School Football Detroit at Atlanta 9:30 AM Fashion & Gaming 3 in Greenville St. Louis at Kansas City 1:00 PM Minnesota at Tampa Bay 1:00 PM FRIDAY, Oct.24 Seattle at Carolina 1:00 PM Movies: Premieres 4 Emerald @ Berea Baltimore at Cincinnati 1:00 PM and Reviews Miami at Jacksonville 1:00 PM Chapman @ Blue Ridge Chicago at New England 1:00 PM CHS @ Powdersville Local Arts Buffalo at NY Jets 1:00 PM East Side @ Traveler’s Rest Classic Cars Philadelphia at Arizona 4:05 PM 5 Greenville