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Queen Victoria to Belong to Posterity
AREA POPULATION 3500 Guatay ................, ............. 200 Jamul ................................ 952 Pine Valley ...................... 956 Campo .............................. 1256 Descan, o ... .. .. .... .. ...... ....... 776 Jacumba ............................ 852 Harbison Canyon ............ 1208 ALPINE ECHO Total .............................. 9273 Serving a Growing Area of Homes and Ranches VOL. 5-NO. 34 ----~- 36 ALPINE, CALIFORNIA, THURSDAY, AUGUST 30, 1962 PRICE TEN CENTS QUEEN VICTORIA TO BELONG TO POSTERITY Local Historical Society Works To Preserve Landmark A good crowd of members and guests assembled Sun day, August 26, when the Alpine Historical Society met in the Alpine Woman's Club at 2 p .m. As its first definite project in t he program of locating and preserving authentic historical data of local signifi- cance, the society has started to work on the acquisition of the fa Local Schools Lose mous ·old rock, called Queen Vic- toria which stands in the 2700 10 TeaC hterS block on Victoria Hill. Ten cE>rtificated employees have j After a brief discussion, Presi' left the Alpine Schools this sprina dent Ralph Walker appointed Or·· for greener pastures in other dis~ ville Palmer, president of the Vic tricts with mQ.re attractive sched- toria Hiil Civic Association, as ules. chairman in charge of the rock project. He will work with His Frank J<,seph has accepted a full torical Research committee chair· time administrative position in the man, Philip Hall. Mr. Palmer has Lawndale School, Los Angeles contacted owner of the rock and County. Mr. Joseph will have site, Edward Roper of San Diego, charge o:f a school with an enroH who has expressed willingness to ment of 830 pupils and 23 teach deed it to the society for preserva ers. -
Princess Diana, the Musical Inspired by Her True Story
PRINCESS DIANA, THE MUSICAL INSPIRED BY HER TRUE STORY Book by Karen Sokolof Javitch and Elaine Jabenis Music and Lyrics by Karen Sokolof Javitch Copyright © MMVI All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa Professionals and amateurs are hereby warned that this work is subject to a royalty. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All rights to this work of any kind including but not limited to professional and amateur stage performing rights are controlled exclusively by Heuer Publishing LLC. Inquiries concerning rights should be addressed to Heuer Publishing LLC. This work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (by any means) or performing a copyrighted work without permission constitutes an infringement of copyright. All organizations receiving permission to produce this work agree to give the author(s) credit in any and all advertisement and publicity relating to the production. The author(s) billing must appear below the title and be at least 50% as large as the title of the Work. All programs, advertisements, and other printed material distributed or published in connection with production of the work must include the following notice: “Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa.” There shall be no deletions, alterations, or changes of any kind made to the work, including the changing of character gender, the cutting of dialogue, or the alteration of objectionable language unless directly authorized by the publisher or otherwise allowed in the work’s “Production Notes.” The title of the play shall not be altered. -
Smokey Stumps in State, to Be Mugwump Candidate
Our Price — 10c Cheap A)! the news By all the fits thai fits ... that write it. rOLUME LV Virginia Military Institute, Lexington, Virginia. Friday, April 4. 1969 25 "Death" Wilson To Be Smokey Stumps In State, MI Cadet Of Year To Be Mugwump Candidate Second "classman Kenneth R. to go to Africa and "take up the i Wilson has been chosen by the white man's burden" while enjoy- LEXINGTON (Tass)—Democra- VMI, Public Relations Office as ing himself killing the local inhab- tic Party powers were rocked yes- VMI's cadet of the year. Wilson's itants. terday as famed Lexington politi- picture will now replace the statue Excusing himself from the ques- cian B. McCluer Gilliam declared of Virginia Mourning Her Dead on tioning Wilson went over to the his intentions to run in the upcom- the crest of all official Institute window where he blasted, with his ing party gubernatorial primary. publications .357 magnum, a butterfly who's "The time has come for Virginia In the words of the PRO, Wil- noisy flapping had distrubed him. to wake up!" the beloved VMI pro- son best exemplities the ViSII Returning to the interviev/, fessor said, slamming a book onto ideals—he is the Institute's model Death exclaimed that killing had the floor and waking up a few re- cadet. Wilson has so adapted him- always been part of his life—when porters who were nodding in the self to the VMI life that he can four days old, he had beaten his back row. "We must stick to ths truly say "I love it here." Bar- nurse to death with a jar of Beech- subject ot the course," he said, re- racks is not merely his home away nt baby food. -
Sexism and Language
DOCUMENT RESUME ED 136 260 CS 203 230 TEOP Nilsen, Aileen Pace; And Others 7ITLE Sezisi and Language. National Council of Teachers of English, Urbana, 711. PUB LAIE 77 NOTE 206p. AVAILAELE IEOE National Council of Teachers of English, 1111 Kenyon Eoad, Urbana, Illinois 61801 (Stock No. 43733, $5.50 member, $5.95 non-member) ELis EEICE ti-$0.83 BC-$11.37 Plus Postage. LESCRIETGES Childzens Books; Feminism; 'Language; *Language Usage; Legislation; Linguistics; Literature; *Sex Liscrimination; *Sex Stereotypes; *Social Influences; Social Problems AESTEACT :his book contains the following essays regarding sexism and language: "Linguistic Sexism as a Social Issue," "Sexism as Snown through the English vocabulary," "Sexism in the Language of Marriage," and "Sexism in Children's Books and Elementary Teaching Materials" by Aileen Pace Nilsen; °Gender-Marking in American Englisn: Usage and Eeference" by Julia P. Stanley; "Sexisla in the Language of Legislatures and Courts" by Haig Bossajian; °Sexism in the Language of Literature° and °Sexism it Dictionaries and Texts: Omissions and Commissions" by E. Lee Gershuny. The National Council of leachers of English Guidelines for Nonsexist Use of Language are appended. (LL) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not availanle from other sources. ERIC sakes every effort * * to ottain tte Dest copy available. Nevertheless, iteci; of marginal * reproducibility are often encountered and this affects the quality oi the microfiche and hardcopy reproductions ERIC makes available O via the ERIC Document Reproduction Service (EDES). EDES is not * responsible fcr the quality ot the original document. Reproductions * * supplied by ELBE, are the nest that can be 'Rade from the original. -
Understanding Korean Society Through Popular Music
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Hannah N. Bergen (Yonsei University, Seoul) Understanding Korean Society through Popular Music Today one of the most unique aspects of inter-Asian cultural sharing is the hallyu wave. This social phenomenon began in Seoul, South Korea and today accounts for the all pervasive nature of Korean popular entertainment dominating the airwaves of nearly every Asian country. From Japan to Thailand, “K-pop” has conquered the Asian market, and is now turning its attention to the rest of the world. In order to illustrate this current social phenomenon, I have found many sources that all point to the same aspects in K-pop which have allowed one small country to make their entertainment business one of its most lucrative exports. The hallyu wave as a whole has become a blending of uniquely Korean culture with aspects of Western and other Asian cultures which has created a style unique to this particular moment of history. In the words of Sun Jung, author of the article “Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols,” “Transcultural hybridity is one of the most significant aspects of contemporary South Korean popular culture in the postmodern era and is the main driving force behind its overseas popularity” (Jung 166). This combination has allowed the music and film from Korea to be extremely accessible to a wide audience of various nationalities and languages. In order to clearly illustrate the international success of hallyu, I will focus on one specific aspect of current Korean popular culture: music. -
The-Stinging-Fly-42V2-Sampler.Pdf
‘… God has specially appointed me to this city, so as though it were a large thoroughbred horse which because of its great size is inclined to be lazy and needs the stimulation of some stinging fly…’ —Plato, The Last Days of Socrates A sampler of work from Issue 42 Volume Two Summer 2020 Editor: Danny Denton Publisher: Declan Meade Assistant Editor: Sara O’Rourke Poetry Editor: Cal Doyle Eagarthóir Filíochta: Aifric MacAodha Reviews Editor: Lily Ní Dhomhnaill Online Editor: Ian Maleney Contributing Editors: Dan Bolger, Mia Gallagher, Lisa McInerney, Thomas Morris and Sally Rooney The Stinging Fly gratefully acknowledges the support of The Arts Council/An Chomhairle Ealaíon. A Note on Navigation: Please feel free to scroll freely through these pages. From the contents page – coming up next – you can also click through to particular stories, essays or poems. Click on the text in the box below, wherever it appears, and we will return you safely to the contents page. the stinging fly NEW WRITERS, NEW WRITING the stinging fly NEW WRITERS, NEW WRITING CONTENTS Danny Denton Editorial 4 Various Pandemic Notes from Contributors 5 FICTION Aude Enigma Of The Bend (translated by Cristy Stiles) 21 Robin Fuller Chinese Whispers 35 Niamh Campbell This Happy (an extract) 65 Yan Ge The Little House 74 Alex Bell Caledonia Whipping Boy 109 Philip Ó Ceallaigh My Life In The City 118 NONFICTION Ali Isaac The Word & The Kiss Are Born From The Same Body Part 47 Lisa McInerney Fantastic Babies: Notes on a K-pop Music Video 93 POETRY Celia Parra As I said I am (translated by Patrick Loughnane) 34 Dylan Brennan Desertion 64 Michael Dooley Eavesdropping 73 Nidhi Zak/Aria Eipe Featured Poet – Two poems 88 Ruth Wiggins O 92 Katie O’Sullivan Sonnet to a SoftBoy™ (He Microwaved My Heart) 107 Jess McKinney The Good Kind of Green 108 Emily S. -
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Starship Troopers by Robert Heinlein Table of Contents Starship Troopers Chapter 8 Chapter 1 Chapter 9 Chapter 2 Chapter 10 Chapter 3 Chapter 11 Chapter 4 Chapter 12 Chapter 5 Chapter 13 Chapter 6 Chapter 14 Chapter 7 Chapter 1 Come on, you apes! You wanta live forever? — Unknown platoon sergeant, 1918 I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important — it’s just like the trembling of an eager race horse in the starting gate. I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time. At D-minus-thirty, after we had mustered in the drop room of theRodger Young , our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima — a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell. Off duty he wasn’t bad — for a sergeant. -
Interview with DON MCLEAN Was Conducted by the Library of Congress on April 13, 2017
This interview with DON MCLEAN was conducted by the Library of Congress on April 13, 2017. Don McLean LIBRARY OF CONGRESS: There is some debate (some may say controversy) about where you started writing “American Pie.” Would you like to set the record straight now? Don McLean: Yes. When I started writing the song, I lived in a little gate house owned by James Bennenson, Jr. It was in Cold Spring on the Hudson, a little town near Garrison, just north of Peekskill. So, I lived in that gate house because I needed a place to stay, because I had no money at the time. I was working with Pete Seeger’s environmental effort to save the Hudson River. I wrote the first part of the song, from “Long, long time ago” to “The day the music died,” there. The chorus was written in the same houses about a month later. I wrote the remainder in the home of my first wife’s parents in Chestnut Hill, Pennsylvania. LOC: When was the first time you performed the song? DM: The first time I performed it was at Temple University in Philadelphia. I had to have a little girl hold up the lyrics for me. LOC: Where’d you get the little girl from? DM: I called her up from the audience. I was there opening for the great Laura Nyro. LOC: Did the song immediately get a good reaction from that first audience? DM: No. Not really. Though it picked up as it went along. But it only really got recognition after I made the record, when people started to really listen to the song. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
A Multi-Method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the Youtube-Based “It Gets Better Project”
A Multi-method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the YouTube-based “It Gets Better Project” Laurie Marie Phillips A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2013 Approved by: Daniel Riffe Daren Brabham Barbara Friedman George Noblit Terri Phoenix © 2013 Laurie Marie Phillips ALL RIGHTS RESERVED ii ABSTRACT LAURIE MARIE PHILLIPS: A Multi-method Examination of Race, Class, Gender, Sexual Orientation, and Motivations for Participation in the YouTube-based “It Gets Better Project” (Under the direction of Dr. Daniel Riffe) On September 15, 2010, Dan Savage and Terry Miller created a YouTube channel that turned into a global phenomenon: the “It Gets Better Project” (IGBP). This multi-method study employs: 1) Multimodal Critical Discourse Analysis (MCDA) to examine race, class, gender, and sexual orientation within IGBP videos; and 2) video chat-based in-depth interviews for determining participants’ motivations for IGBP participation and production of crowdsourced, social media-based strategic communication. Using sociologist Patricia Hill Collins’ “matrix of domination” as a theoretical framework for understanding structural, disciplinary, hegemonic, and interpersonal oppressions that led to the IGBP’s creation, video production, and video content, this empirical study draws from a sample of 21 videos and 20 interviews. MCDA findings reveal that participants presented a pared-back version of their own racial, class, gender, and sexual identities; projected their identities onto viewers; and created and perpetuated myths through their video narratives. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Saddlebred Sidewalk List.Docx
CH 20TH CENTURY FOX A CHAMPAGNE TOAST A CONVERSATION PIECE A DAY IN THE SUN A DAY IN THE SUN A KINDLING FLAME A LIKELY STORY A LITTLE IMAGINATION A LOTTA LOVIN' CH A MAGIC SPELL A MAGICAL CHOICE A NOTCH ABOVE A PLACE IN THE HEART A RARITY A RICH GIRL A ROYAL QUEST A ROYAL QUEST A SENSATION A SENSATIONAL FOX A SONG IN MY HEART A SPECIAL EVENT A SPECIAL SURPRISE CH A SUPREME SURPRISE CH A SWEET TREAT CH A TOUCH OF CHAMPAGNE CH A TOUCH OF CHAMPAGNE A TOUCH OF PIZZAZZ A TOUCH OF RADIANCE A TOUCH OF TENDERNESS A TRADITION CH A TRAVELIN' MAN A WINNING WONDER ABIE'S IRISH ROSE ABOVE BOARD ABRACADABRA ABSOLUTELY A LADY ABSOLUTELY COURAGEOUS CH ABSOLUTELY EXQUISITE CH ABSOLUTELY FABULOUS ABSOLUTELY NO LIMITS ACCELERATOR ACE HIGH DUKE ACES AND EIGHTS ACE'S FLASHING GENIUS ACE HIGH DUKE ACES AND EIGHTS ACE'S FLASHING GENIUS ACE'S QUEEN ROSE ACE'S REFRESHMENT TIME ACE'S SOARING SPIRIIT ACE'S SWEET LAVENDER ACE'S TEMPTATION ACTIVE SERVICE ADF STRICTLY CLASS ADMIRAL FOX ADMIRAL'S AVENGER ADMIRAL'S BLACK FEATHER ADMIRAL'S COMMAND CH ADMIRAL'S FLEET CH ADMIRAL'S MARK CH ADMIRAL'S MARK ADMIRAL'S SHIPMATE CH ADVANTAGE ME CH ADVANTAGE ME AFFAIR OF THE HEART "JAKE" AFLAME AGLOW AGLOW AHEAD OF THE CLASS AIN'T MISBEHAVIN AIN'T MISBEHAVIN AIR OF ELEGANCE CH ALETHA STONEWALL ALEXANDER THE GREAT ALEXANDER'S EMERAUDE ALEXANDER'S EMERAUDE ALFIE ALICE LOU'S DENMARK CH ALISON MACKENZIE CH ALISON MACKENZIE CH ALL AMERICAN BOY ALL DRESSED UP ALL NIGHT LONG ALL ROSES ALL SHOW ALL THE MONEY ALLEGORY ALLIE COME LATELY "BAH" ALL'S CLEAR ALLSWEET ALLURING LADY ALONG CAME A SPIDER ALTERED IMAGE ALTON BELLE ALONG CAME A SPIDER ALTERED IMAGE ALTON BELLE CH ALVIN'S MR.