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Queen Victoria to Belong to Posterity
AREA POPULATION 3500 Guatay ................, ............. 200 Jamul ................................ 952 Pine Valley ...................... 956 Campo .............................. 1256 Descan, o ... .. .. .... .. ...... ....... 776 Jacumba ............................ 852 Harbison Canyon ............ 1208 ALPINE ECHO Total .............................. 9273 Serving a Growing Area of Homes and Ranches VOL. 5-NO. 34 ----~- 36 ALPINE, CALIFORNIA, THURSDAY, AUGUST 30, 1962 PRICE TEN CENTS QUEEN VICTORIA TO BELONG TO POSTERITY Local Historical Society Works To Preserve Landmark A good crowd of members and guests assembled Sun day, August 26, when the Alpine Historical Society met in the Alpine Woman's Club at 2 p .m. As its first definite project in t he program of locating and preserving authentic historical data of local signifi- cance, the society has started to work on the acquisition of the fa Local Schools Lose mous ·old rock, called Queen Vic- toria which stands in the 2700 10 TeaC hterS block on Victoria Hill. Ten cE>rtificated employees have j After a brief discussion, Presi' left the Alpine Schools this sprina dent Ralph Walker appointed Or·· for greener pastures in other dis~ ville Palmer, president of the Vic tricts with mQ.re attractive sched- toria Hiil Civic Association, as ules. chairman in charge of the rock project. He will work with His Frank J<,seph has accepted a full torical Research committee chair· time administrative position in the man, Philip Hall. Mr. Palmer has Lawndale School, Los Angeles contacted owner of the rock and County. Mr. Joseph will have site, Edward Roper of San Diego, charge o:f a school with an enroH who has expressed willingness to ment of 830 pupils and 23 teach deed it to the society for preserva ers. -
Sexism and Language
DOCUMENT RESUME ED 136 260 CS 203 230 TEOP Nilsen, Aileen Pace; And Others 7ITLE Sezisi and Language. National Council of Teachers of English, Urbana, 711. PUB LAIE 77 NOTE 206p. AVAILAELE IEOE National Council of Teachers of English, 1111 Kenyon Eoad, Urbana, Illinois 61801 (Stock No. 43733, $5.50 member, $5.95 non-member) ELis EEICE ti-$0.83 BC-$11.37 Plus Postage. LESCRIETGES Childzens Books; Feminism; 'Language; *Language Usage; Legislation; Linguistics; Literature; *Sex Liscrimination; *Sex Stereotypes; *Social Influences; Social Problems AESTEACT :his book contains the following essays regarding sexism and language: "Linguistic Sexism as a Social Issue," "Sexism as Snown through the English vocabulary," "Sexism in the Language of Marriage," and "Sexism in Children's Books and Elementary Teaching Materials" by Aileen Pace Nilsen; °Gender-Marking in American Englisn: Usage and Eeference" by Julia P. Stanley; "Sexisla in the Language of Legislatures and Courts" by Haig Bossajian; °Sexism in the Language of Literature° and °Sexism it Dictionaries and Texts: Omissions and Commissions" by E. Lee Gershuny. The National Council of leachers of English Guidelines for Nonsexist Use of Language are appended. (LL) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not availanle from other sources. ERIC sakes every effort * * to ottain tte Dest copy available. Nevertheless, iteci; of marginal * reproducibility are often encountered and this affects the quality oi the microfiche and hardcopy reproductions ERIC makes available O via the ERIC Document Reproduction Service (EDES). EDES is not * responsible fcr the quality ot the original document. Reproductions * * supplied by ELBE, are the nest that can be 'Rade from the original. -
Understanding Korean Society Through Popular Music
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Hannah N. Bergen (Yonsei University, Seoul) Understanding Korean Society through Popular Music Today one of the most unique aspects of inter-Asian cultural sharing is the hallyu wave. This social phenomenon began in Seoul, South Korea and today accounts for the all pervasive nature of Korean popular entertainment dominating the airwaves of nearly every Asian country. From Japan to Thailand, “K-pop” has conquered the Asian market, and is now turning its attention to the rest of the world. In order to illustrate this current social phenomenon, I have found many sources that all point to the same aspects in K-pop which have allowed one small country to make their entertainment business one of its most lucrative exports. The hallyu wave as a whole has become a blending of uniquely Korean culture with aspects of Western and other Asian cultures which has created a style unique to this particular moment of history. In the words of Sun Jung, author of the article “Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols,” “Transcultural hybridity is one of the most significant aspects of contemporary South Korean popular culture in the postmodern era and is the main driving force behind its overseas popularity” (Jung 166). This combination has allowed the music and film from Korea to be extremely accessible to a wide audience of various nationalities and languages. In order to clearly illustrate the international success of hallyu, I will focus on one specific aspect of current Korean popular culture: music. -
The-Stinging-Fly-42V2-Sampler.Pdf
‘… God has specially appointed me to this city, so as though it were a large thoroughbred horse which because of its great size is inclined to be lazy and needs the stimulation of some stinging fly…’ —Plato, The Last Days of Socrates A sampler of work from Issue 42 Volume Two Summer 2020 Editor: Danny Denton Publisher: Declan Meade Assistant Editor: Sara O’Rourke Poetry Editor: Cal Doyle Eagarthóir Filíochta: Aifric MacAodha Reviews Editor: Lily Ní Dhomhnaill Online Editor: Ian Maleney Contributing Editors: Dan Bolger, Mia Gallagher, Lisa McInerney, Thomas Morris and Sally Rooney The Stinging Fly gratefully acknowledges the support of The Arts Council/An Chomhairle Ealaíon. A Note on Navigation: Please feel free to scroll freely through these pages. From the contents page – coming up next – you can also click through to particular stories, essays or poems. Click on the text in the box below, wherever it appears, and we will return you safely to the contents page. the stinging fly NEW WRITERS, NEW WRITING the stinging fly NEW WRITERS, NEW WRITING CONTENTS Danny Denton Editorial 4 Various Pandemic Notes from Contributors 5 FICTION Aude Enigma Of The Bend (translated by Cristy Stiles) 21 Robin Fuller Chinese Whispers 35 Niamh Campbell This Happy (an extract) 65 Yan Ge The Little House 74 Alex Bell Caledonia Whipping Boy 109 Philip Ó Ceallaigh My Life In The City 118 NONFICTION Ali Isaac The Word & The Kiss Are Born From The Same Body Part 47 Lisa McInerney Fantastic Babies: Notes on a K-pop Music Video 93 POETRY Celia Parra As I said I am (translated by Patrick Loughnane) 34 Dylan Brennan Desertion 64 Michael Dooley Eavesdropping 73 Nidhi Zak/Aria Eipe Featured Poet – Two poems 88 Ruth Wiggins O 92 Katie O’Sullivan Sonnet to a SoftBoy™ (He Microwaved My Heart) 107 Jess McKinney The Good Kind of Green 108 Emily S. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
Korean Bodies and the Transnational Imagination さまざまなさらし方ーー韓国の体型美志向と国境をこ える想像力
The Asia-Pacific Journal | Japan Focus Volume 10 | Issue 33 | Number 1 | Aug 13, 2012 Multiple Exposures: Korean Bodies and the Transnational Imagination さまざまなさらし方ーー韓国の体型美志向と国境をこ える想像力 Stephen Epstein, Rachael M. Joo Since the turn of the millennium, emphasis on the “scopic regime” (Metz 1982) that creates ideal bodily perfection has become increasingly masculine and feminine body types through the central to the media industries of South Korea reproduction of images in a variety of visual (henceforth Korea), and a focus on ideal bodies genres and texts. Further, following Debord has permeated popular discourse more (1995: 7) we examine social relations as mediated generally.1 Although views on physical by images: in Korea transcultural, gendered appearance built on longstanding notions of its practices of the body have intersected with the importance in announcing status continue to be imperatives of a globally oriented nationalism, informed by a patriarchal order, a palpably neoliberal policies emphasizing self-care (Rose intensifying commodification of the body in 2001), and widely acknowledged levels of social Korea's media-saturated, consumer capitalist competitiveness to produce growing demands 2 culture is giving rise to newer concepts of for physical perfection. As the omnipresent corporeal self-discipline and reconfiguring not circulation of images subjects individuals to only of how ‘beauty’, ‘masculinity’ and scrutiny in comparison to media representations ‘femininity’ are represented, but how the of ideal bodies, the notion -
October 2012
The Poly Optimist John H. Francis Polytechnic High School Vol. xcviii, No. 3 Serving the Poly Community Since 1913 October 2012 Romney Gains Edible Incentives Ground Perfect attendance By Nam Woo equals pizza party. Staff Writer and Fridays. By Yesenia Carretero & Javier Valdez Republican presidential nominee Staff Writers “We can have books, computers, Mitt Romney turned in a surprisingly fun activities, resources, and copies,” strong performance in the first of Munguia said, “but all of that costs three presidential debates last week. Parrots in five classrooms money. When students miss school, President Obama, on the other recently ate free doughnuts we don’t get the money we were hand, seemed listless and uninter- under Poly’s new Attendance supposed to get from the state.” For example, in August 2011 Poly ested. Improvement Program. The Minutes in to the debate, Tweets, lost $57,522.00 because of absences. Facebook and TV reporters had only catch: 10 days of perfect This year Poly lost $26,129.00 attendance. although. In September 2011 we lost Romney as the winner and Barack Photo by Jasmine Guevara as ineffective, almost immediately $69,835.00 and this year we only AND THE WINNER IS: Idol winner Crystal Cruz (right) and runner up changing Romney’s status from be- “The classes are always very lost $53,163.00, so attendance is Audri Wilson react to the announcement of the voting for Poly Idol. hind in the polls to neck and neck. excited,” said Pupil Service better. The challenger used the debate Attendance (PSA) Counselor An absence without a note is to attack Obama on health care, jobs Maribel Munguia. -
November 2019
Berklee College of Music Music Business Journal Volume 14, Issue 2 www.thembj.org November 2019 Blood Sweat & Tears: Mission Statement A Closer Look at the K-Pop Phenomenon At the Berklee Music Busi- ness Journal we provide in-depth By Ava Roche Before the reforms enacted by the analysis of industry trends, and The “Korean Wave” Sixth Republic, the country had only two follow their effects on both mu- broadcast networks. These networks fre- sic and the world. As a beacon quently featured music competition shows, “Hallyu,” or the “Korean Wave,” of truth, we aim to inform, in- is the term used to describe the spread of through which South Korean audiences South Korean popular culture and media learned about music. After the reforms spire, and provoke discussion on throughout the rest of the world. From cui- were established, more broadcast networks an intellectual level within the formed, followed by a larger music indus- sine to beauty products, Western people Berklee community and beyond. have become obsessed with Korean cul- try. The music industry was still quite new ture. Hallyu began in the mid-nineties with in the early nineties, so the primary means the massive success of the TV drama, What through which people discovered music Inside This Issue Is Love?, which aired in China in 1997 – was through music competition shows. over 150 million Chinese viewers watched These music shows are still extremely pop- the show. Korean pop music was quick to ular today, and many musicians still find The Music follow, as global markets became increas- success through them. -
Perilaku Agresi Online Terhadap Selebriti K-Pop Ditinjau Dari Moral
DAFTAR PUSTAKA ABC News. (2018). Music, fashion, drama: Indonesians “falling in love” with South Korea. ABC News (Australian Broadcasting Corporation). https://www.abc.net.au/news/2016-10-04/indonesians-in-love-with-south- korea/7899628 Almeida, A., Correia, I., & Marinho, S. (2010). Moral disengagement, normative beliefs of peer group, and attitudes regarding roles in bullying. Journal of School Violence, 9(1), 23–36. https://doi.org/10.1080/15388220903185639 Azwar, S. (2014). Dasar-dasar Psikometri. Pustaka Pelajar. Bandura, A. (2016). Moral Disengagement: How People Do Harm and Live With Themselves. Worth Publishers. Bandura, A., Barbaranelli, C., Caprara, G. V., & Pastorelli, C. (1996). Mechanisms of Moral Disengagement in the Exercise of Moral Agency. In Journal of Personality and Social Psychology (Vol. 71, Issue 2). BBC News Indonesia. (2019). Sulli: Perempuan yang memberontak terhadap dunia K-pop. BBC News Indonesia. https://www.bbc.com/indonesia/majalah- 50106537 Belhekar, V. M. (2019). Statistics for Psychology Using R. In Statistics for Psychology Using R. SAGE Publications, Inc. https://doi.org/10.4135/9789353282493 Cha, H., & Kim, S. (2014). A Study on K-POP Strategy: Focused on Digital Music Environment and Social Media. International Information Institute. INFORMATION, 7(3), 911–917. Chia, S. C., & Ling, Y. (2009). Media, Celebrities, and Fans: an Examination of Adolescents’ Media Usage and Involvement with Entertainment Celebrities. Journalism & Mass Communication Quarterly, 86(1), 23–44. Christopherson, K. M. (2007). The positive and negative implications of anonymity in Internet social interactions: “On the Internet, Nobody Knows You’re a Dog.” Computers in Human Behavior, 23(6), 3038–3056. https://doi.org/10.1016/j.chb.2006.09.001 Corcoran, L., Guckin, C., & Prentice, G. -
BROWN's a , ( Lie > ( Piven Away for Thirty Feet at the Most
BEE , TUESDAY, G. 1885. OMAHA DAILY - OCTOBERc - * -y-i J - - - _THE, , i. _ -r. fc- . .1 - -i- " ' drifts arrived nt the other aide of tlio w.-icon tin? nin tires* ttpon which at Inst cinnntl , wbero lie polished off a local operations quietly or to In rttr fro- - , > GE1BHNAL fallen masi. blocking up the gallery.- . rested the dead. - i boxer , named King, Ino Hummln ; Bird , "ressof the work at liort lnt ji . It Thrty soon found that thu ceiling bad When the door otiened ix silcnco fell so neatly and e-fleclivoly Hint ( no l oy.s did not take long 1-eforo th MIIO < ( t.x- BROWN'S A , ( lie > ( piven away for thirty feet at the most- . upon the crowd watlirfeotitsidc. now out there antl Hob Fafrell ninotic wert down into tie giouml. 'Inmt t'.if cortege was formed , thVcarfc , , him workmen > vero reiliforced by de- ¬ Or, the Story of R Great Miners' Strike- . .Ihodmuago was nothing grave. Hut before the It is Suggested that the Champion is number think a hypercorn. They atu.rr IRON their hcnrl.s slopped beating as a, death litter behind , anil the people bringing up are endeavoring to brinjy about a glove tachment until finally thft lortj ( k j%. Kkd itlii Growing Cautions. c* t.-j rattlociHiiu from the shadows.- . the rear. Leaving tnino they slowly contest between him ami young Charley disappeared with the etr-pt.on seoijA.- . wound the road to the alley. The McCoy , of Philadelphia , who fought lifs- old ono who stood oul.i ! P. Pnttill.tj- .nv KMIMJ Kobcrt , leaving liis"train rn.n forward , tip llrst windsof Novcuibei ; were sweeping sparrfiifr partner , Tommy Barnes , of was a movement ) thp kt BITTERS calling- . -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.