Ephemera – Collection Listing PR10914 ART CATALOGUES 2000-2009
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ART ABORIGÈNE, AUSTRALIE — Samedi 7 Mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie
ART ABORIGÈNE, AUSTRALIE — Samedi 7 mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie Samedi 7 mars 2020 Paris — Salle VV, Quartier Drouot 3, rue Rossini 75009 Paris — 16h30 — Expositions Publiques Vendredi 6 mars de 10h30 à 18h30 Samedi 7 mars de 10h30 à 15h00 — Intégralité des lots sur millon.com Département Experts Index Art Aborigène, Australie Catalogue ................................................................................. p. 4 Biographies ............................................................................. p. 56 Ordres d’achats ...................................................................... p. 64 Conditions de ventes ............................................................... p. 65 Liste des artistes Anonyme .................. n° 36, 95, 96, Nampitjinpa, Yuyuya .............. n° 89 Riley, Geraldine ..................n° 16, 24 .....................97, 98, 112, 114, 115, 116 Namundja, Bob .....................n° 117 Rontji, Glenice ...................... n° 136 Atjarral, Jacky ..........n° 101, 102, 104 Namundja, Glenn ........... n° 118, 127 Sandy, William ....n° 133, 141, 144, 147 Babui, Rosette ..................... n° 110 Nangala, Josephine Mc Donald ....... Sams, Dorothy ....................... n° 50 Badari, Graham ................... n° 126 ......................................n° 140, 142 Scobie, Margaret .................... n° 32 Bagot, Kathy .......................... n° 11 Tjakamarra, Dennis Nelson .... n° 132 Directrice Art Aborigène Baker, Maringka ................... -
'Highlights from the Wittenoom Story'
NO. 136 March 2010 ABN 571625138800 Guest speakers Dr Pamela Statham Drew and Jacqueline O’Brien ‘Highlights from the Wittenoom Story’ Rev. John Burdett Wittenoom, Colonial Chaplain c.1850. (Courtesy Battye Library, 150795PD) Our meeting will be held on Great Southern Room, 4th floor Tuesday 9 March 2010 State Library of Western Australia 5.00pm for 5.30pm Please see details on Page 3 Objectives The objectives of the Friends of Battye Library (Inc.) are to assist and promote the interests of the J S Battye Library of West Australian History and the State Records Office, and of those activities of the Library Board of Western Australia concerned with the acquisition, preservation and use of archival and documentary materials. Patron Mrs Ruth Reid Emeritus President Professor Geoffrey Bolton Committee (2009-2010) President Dr Pamela Statham Drew Vice President Mrs Gillian O’Mara Secretary Mrs Lorraine Dearnley Treasurer Mr Nick Drew Committee members Mr Graham Bown, Ms Jennie Carter, Dr Alison Gregg, Mr Jim Gregg, Mr Robert O’Connor, and Mrs Marion Marlow. Ex-Officio Mrs Margaret Allen (CEO & State Librarian) Ms Cathrin Cassarchis (Director, SRO) Dr Sarah Brown (Battye Historian) Newsletter editor Ms Jennie Carter Volunteers Ring (08) 9427 3266 or email: [email protected] All correspondence to: The Secretary, PO Box 216, Northbridge WA 6865 ISSN 1035-8692 Views expressed in this newsletter are not necessarily the views of the Friends of Battye Library Committee, the State Library of WA, or the State Records Office. Our March Meeting Tuesday 9 March 2010 Great Southern Room, 4th floor State Library of Western Australia 5.00pm for 5.30pm. -
Genevieve Felix Reynolds Logic 26 Sep
GENEVIEVE FELIX REYNOLDS LOGIC 26 SEP. TO 14 OCT. 2018 NICHOLAS THOMPSON GALLERY Art Almanac September 2018 $6 Genevieve Felix Reynolds Ken Unsworth Amber Boardman Art Almanac September 2018 We acknowledge and pay our respect to the many Subscribe Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. We present ourselves to the world to assert Visit our website to sign-up for our free weekly eNewsletter. and understand our identity; artists take this feeling and give it form. In very different ways To subscribe go to artalmanac.com.au the paintings of Genevieve Felix Reynolds and or mymagazines.com.au Amber Boardman consider how something meaningful might come from the Internet. Kieran Butler’s photography and drag articulates their non-binary self, whereas Tony Albert’s work challenges the aesthetics of recollection and representation of Indigenous Deadline for October 2018 issue: peoples. Drawing on life, Julia deVille’s Friday 31 August, 2018. taxidermy and holograms augment overlooked creatures whilst Ken Unsworth stages tension from the inside out. Contact Editor – Chloe Mandryk [email protected] Deputy Editor – Kirsty Mulholland [email protected] Art Director – Paul Saint National Advertising – Laraine Deer [email protected] -
A Study of the Leadership Provided by Successive Archbishops of Perth in the Recruitment and Formation of Clergy in Western Australia 1914-2005
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2005 Six Archbishops and their ordinands: A study of the leadership provided by successive Archbishops of Perth in the recruitment and formation of clergy in Western Australia 1914-2005 Brian Kyme Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Religion Commons Recommended Citation Kyme, B. (2005). Six Archbishops and their ordinands: A study of the leadership provided by successive Archbishops of Perth in the recruitment and formation of clergy in Western Australia 1914-2005. https://ro.ecu.edu.au/theses/631 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/631 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). -
KUDDITJI KNGWARREYE Landscapes in the Family Tradition All Images © the Artist, Booker - Lowe Gallery and Hank Ebes, Or the Australian Art Review
Detail, for full image see page 11. KUDDITJI KNGWARREYE Landscapes in the Family Tradition All images © the artist, Booker - Lowe Gallery and Hank Ebes, or the Australian Art Review. KUDDITJI KNGWARREYE Landscapes in the Family Tradition Internationally acclaimed Utopia artist Kudditji and atmospheric Kngwarreye is celebrated worldwide for his energy. dynamic paintings featuring saturated fields of color in vivid, abstract forms. Although Scholars often contemporary in style, Kudditji’s paintings are liken Kudditji’s rich in Aboriginal tradition, depicting the sacred distinctive stories of the Anmatyerre people. He is a revered body of work elder in his community, and is the custodian of to that of Mark stories including the Fig. 2, Kudditji Kngwarreye, My Country (p. 10) Rothko. While Yankirri Jukurrpa Kudditji never attended school, and is certainly (Emu Dreaming). unaware of Rothko and other “modern” artists, Kudditji is the younger a kinship can certainly be made between their half-brother of highly original styles. Kudditji, now in his mid- renowned Aboriginal eighties, spends most of his time in Alice Springs, artist Emily Kame and continues to paint occasionally. His works Kngwarreye. Kudditji have been featured in numerous exhibitions was raised in the bush throughout Australia, in Europe, and in the U.S. northeast of Alice Fig. 1, Kudditji Kngwarreye Springs on the old Utopia cattle station. He worked as a stockman and in the goldmines, before beginning to paint with other Utopia artists in the late 1980s. Kudditji’s early works featured the traditional “dot technique”, but eager to explore new realms, he began loading his brush thick with paint, and creating abstract compositions rife with color 1 KUDDITJI AND HANK Mates Fig. -
THE DEALER IS the DEVIL at News Aboriginal Art Directory. View Information About the DEALER IS the DEVIL
2014 » 02 » THE DEALER IS THE DEVIL Follow 4,786 followers The eye-catching cover for Adrian Newstead's book - the young dealer with Abie Jangala in Lajamanu Posted by Jeremy Eccles | 13.02.14 Author: Jeremy Eccles News source: Review Adrian Newstead is probably uniquely qualified to write a history of that contentious business, the market for Australian Aboriginal art. He may once have planned to be an agricultural scientist, but then he mutated into a craft shop owner, Aboriginal art and craft dealer, art auctioneer, writer, marketer, promoter and finally Indigenous art politician – his views sought frequently by the media. He's been around the scene since 1981 and says he held his first Tiwi craft exhibition at the gloriously named Coo-ee Emporium in 1982. He's met and argued with most of the players since then, having particularly strong relations with the Tiwi Islands, Lajamanu and one of the few inspiring Southern Aboriginal leaders, Guboo Ted Thomas from the Yuin lands south of Sydney. His heart is in the right place. And now he's found time over the past 7 years to write a 500 page tome with an alluring cover that introduces the writer as a young Indiana Jones blasting his way through deserts and forests to reach the Holy Grail of Indigenous culture as Warlpiri master Abie Jangala illuminates a canvas/story with his eloquent finger – just as the increasingly mythical Geoffrey Bardon (much to my surprise) is quoted as revealing, “Aboriginal art is derived more from touch than sight”, he's quoted as saying, “coming as it does from fingers making marks in the sand”. -
Fireworks Gallery Exhibitions | 1993 - 2021
FireWorks Gallery Exhibitions | 1993 - 2021 1993 | George Street, Brisbane Political Works Campfire Group - Featuring Richard Bell, Michael Eather & Marshall Bell 6 May Firebrand Group Exhibition Rebels without a Course David Paulson & his Rebel Art Students 22 Aug - 8 Sept Political Bedrooms Group Exhibition - Installation works 22 Sept - 15 Oct 1994 | George Street, Brisbane Political Boats Group Exhibition - Installation work & mixed media 18 Mar - 9 Apr Cultural Debris Laurie Graham & David Darby Apr Utopia Artists - Featuring Emily Kame Kngwarreye, Sue Elliot & Christopher Dialogue 29 Apr - 17 May Hodges Tiddas Buddas - Works on Paper North Queensland Aboriginal & Torres Strait Islander Artists Jun Indigenous Sculpture and Mixed media North Queensland Aboriginal & Torres Strait Islander Artists Jul Lajamanu - Desert Paintings Group Exhibition Photographs Robert Mercer 22 Jul - 6 Aug Paintings Ruby Abbott Napangardi South West Queensland Stories Featuring Robert White & Joanne Currie Nalingu Aug That's women all over Group Exhibition - Curated by Joyce Watson Sept Prints and Weavings from the Torres Group Exhibition Sept Strait Islands 24 Hours by the Billabong Lin Onus Oct Paintings & Sculptures Laurie Nilsen Paintings Rod Moss Nov Indigenous Prisoners Exhibition Group Exhibition Dec Group Exhibition (touring) - Featuring Ian Burn, Albert Namatjira, Kim A Different View 9 Dec - 1 Jan 1995 Mahood & Joanne Currie Nalingu 1995 | Ann Street, Fortitude Valley Timeless Land Vincent Serico Jun Dwelling in Arrente Country Rod Moss Jul Group -
Kitchen Whiz Twins Launch Cookbook and Cupcake Comp Page 22
October 2011 Da Rin Fence to hits a big stop killer milestone rock falls Page 12 Page 7 Kitchen whiz twins launch cookbook and cupcake comp Page 22 Cover Photo by Caterina Lay new farm | fortitude valley | teneriffe | newstead | kangaroo point | spring hill | petrie bight Call me to discuss any Brisbane City Council issues Your Central Ward candidate for the upcoming Brisbane City Council elections GETTING THE PRIORITIES RIGHT RIVERWALK Must be rebuilt urgently. BACKFLOW VALVES To protect our homes from needless flooding. SUMMER HOUSE CAFE The original cafe needs to be rebuilt in New Farm park for generations to enjoy. OVER-DEVELOPMENT The inner Brisbane suburbs need to be developed in co-operation with the community PROTECTING TREES Vegetation management is a priority. CITYCYCLE This ill planned scheme needs to be reviewed. HOWARD SMITH WHARVES Open public space with cafes and playground Paul Crowther facilities. Part of Ray Smith’s Team PARKING Paul Crowther Before another parking meter is installed we Part of Ray Smith’s Team need to have community consultation. CENTRAL WARD FOOTPATHS AND POTHOLES A greater investment to footpaths and local CENTRAL WARD roads. Getting the priorities right COMMUNITY FACILITIES Call me personally today Childcare, libraries and other community support facilities. Phone: 0411 516635 on 0411 516635 Email: [email protected] PROTECTING OUR HERITAGE We must ensure that the heritage value of our Paul Crowther Facebook. Paul Crowther buildings and the charater of our suburbs are Post: PO Box 1072 Fortitude Valley 4006 Email: [email protected] protected at any cost. Post: PO Box 1072 Fortitude Valley 4006 Web: www.raysmith.com.au PUBLIC TRANSPORT www.raysmith.com.au Ensuring that it meets the needs and Authorised by A Chisholm, 16 Peel St, South Brisbane 4101 expectations of local residents. -
NEWSLETTER No
ANGLICAN MEN’S SOCIETY The National Council in Australia NEWSLETTER No. 98 Thirty Forth Year of publication October, 2012 ISSN 1836-7364 “Fragile Masculinity” At the recent AMS National Conference in Tasmania I shared the decision of the CEBS/BMA National Executive to commission a review and restructure of that organisation. Bishop Michael Challen, known to many of you, who is up-to-date with his interest in Sociology and Social Trends Analysis of Australian culture; has teamed with Dr Ian Lillico the Executive Director of Boys Forward Institute to undertake the review and restructuring of CEBS – Boys Ministry Australia. Because I currently hold positions in the National Executives of CEBS and AMS I have taken a keen interest in the mission of the Anglican Church to Men and Boys. The National Church Life Survey results across this nation tell us that the ratio of females to males in our congregations is 2:1. This objective take on the Mission and Outreach of our church tells us we are twice as effective at outreach to females as males. This was confirmed anecdotally when a rural representative in the Diocese of Perth told me that “religion” and going to church was seen as “sissy” or a “sign of weakness” by a whole generation of men; and yet “deep down they are still hungry for God”! “Yes Bishop, farmers in particular have a lot of time to “think” when they are sitting in a harvester header or rounding up stock on a motorbike! After all they are in the wide open spaces “the wilderness”, with no distractions . -
Fireworks Gallery Exhibitions | 1993 - 2020
FireWorks Gallery Exhibitions | 1993 - 2020 1993 | George Street, Brisbane Political Works Campfire Group - Featuring Richard Bell, Michael Eather & Marshall Bell 6 May Firebrand Group Exhibition Rebels without a Course David Paulson & his Rebel Art Students 22 Aug - 8 Sept Political Bedrooms Group Exhibition - Installation works 22 Sept - 15 Oct 1994 | George Street, Brisbane Political Boats Group Exhibition - Installation work & mixed media 18 Mar - 9 Apr Cultural Debris Laurie Graham & David Darby Apr Utopia Artists - Featuring Emily Kame Kngwarreye, Sue Elliot & Christopher Dialogue 29 Apr - 17 May Hodges Tiddas Buddas - Works on Paper North Queensland Aboriginal & Torres Strait Islander Artists Jun Indigenous Sculpture and Mixed media North Queensland Aboriginal & Torres Strait Islander Artists Jul Lajamanu - Desert Paintings Group Exhibition Photographs Robert Mercer 22 Jul - 6 Aug Paintings Ruby Abbott Napangardi South West Queensland Stories Featuring Robert White & Joanne Currie Nalingu Aug That's women all over Group Exhibition - Curated by Joyce Watson Sept Prints and Weavings from the Torres Group Exhibition Sept Strait Islands 24 Hours by the Billabong Lin Onus Oct Paintings & Sculptures Laurie Nilsen Paintings Rod Moss Nov Indigenous Prisoners Exhibition Group Exhibition Dec Group Exhibition (touring) - Featuring Ian Burn, Albert Namatjira, Kim A Different View 9 Dec - 1 Jan 1995 Mahood & Joanne Currie Nalingu 1995 | Ann Street, Fortitude Valley Timeless Land Vincent Serico Jun Dwelling in Arrente Country Rod Moss Jul Group -
Special Inquiry Into St Andrew's Hostel, Katanning
Special Inquiry into St Andrew's Hostel, Katanning (including St Christopher's Hostel, Northam) Held at: Courtroom 4, Level 18, 111 St Georges Terrace, Perth Friday, 25 May 2012 at 10.06am (Day 33) Before: The Hon Peter Blaxell .25/5/2012 (33) 3452 Transcript produced by Merrill Corporation 1 HIS HONOUR: We will take new appearances. We have 2 Mr Bevilacqua for Bishop Challen; is that right? 3 4 MR BEVILACQUA: Yes. If it pleases your Honour, I seek 5 leave to represent Bishop Challen. 6 7 HIS HONOUR: Certainly. Mr Rafferty, you are back again 8 for Mr Philpott? 9 10 MR RAFFERTY: I am, sir. Mr Philpott, yes. 11 12 HIS HONOUR: Now, Mr Urquhart? 13 14 MR URQUHART: The first witness will in fact be Michael 15 Boyd Challen. I call him now. Thank you. 16 17 <MICHAEL BOYD CHALLEN, sworn: 18 19 <EXAMINATION-IN-CHIEF BY MR URQUHART: 20 21 MR URQUHART: Q. How old are you? 22 A. I beg your pardon? 23 24 Q. How old are you? 25 A. My hearing is not that brilliant. 26 27 Q. Certainly. I will speak up. 28 A. Eighty years minus two days. 29 30 Q. You reside in the Perth Metropolitan area? 31 A. Yes. North Fremantle. 32 33 Q. You are a bishop with the Anglican Church; is that 34 right? 35 A. Retired, but still a bishop. 36 37 Q. You still go by the title of 'Bishop'; is that 38 correct? 39 A. Correct. 40 41 Q. When did you become a clergyman with the Anglican 42 Church? 43 A. -
Auction - Aboriginal Art Auction - Paddington Town Hall 22/12/2019 1:00 PM AEDT
Auction - Aboriginal Art Auction - Paddington Town Hall 22/12/2019 1:00 PM AEDT Lot Title/Description Lot Title/Description 1 JEANNIE MILLS PWERLE "Bush Yam" Acrylic on linen. Painted in 12 MAISIE CAMPBELL NAPALTJARRI "Women's Ceremony" Acrylic on 2019. Comes with Certificate of Authenticity. Artwork is stretched and linen. Painted in 2019. Comes with Certificate of Authenticity. Artwork is ready to hang. 61cm x 80cm stretched and ready to hang. 38cm x 80cm JEANNIE MILLS PWERLE"Bush Yam"Acrylic on linen.Painted in MAISIE CAMPBELL NAPALTJARRI"Women's Ceremony"Acrylic on 2019.Comes with Certificate of Authenticity.Artwork is stretched and linen.Painted in 2019.Comes with Certificate of Authenticity.Artwork is ready to hang.61cm x 80cm stretched and ready to hang.38cm x 80cm Est. 600 - 900 Est. 400 - 800 2 MAVIS JUGADAI NAPALTJARRI "Spirit Trees" Acrylic on linen. Painted 13 THOMAS TJAPALTJARRI "Tingari" Acrylic on Linen. Painted in 2019. in 2019. Comes with Certificate of Authenticity. Artwork is stretched and Comes with Certificate of Authenticity. Artwork is stretched and ready to ready to hang. 58cm x 86cm hang. 88cm x 145cm MAVIS JUGADAI NAPALTJARRI"Spirit Trees"Acrylic on linen.Painted in THOMAS TJAPALTJARRI"Tingari"Acrylic on Linen.Painted in 2019.Comes with Certificate of Authenticity.Artwork is stretched and 2019.Comes with Certificate of Authenticity.Artwork is stretched and ready to hang.58cm x 86cm ready to hang.88cm x 145cm Est. 600 - 900 Est. 2,000 - 3,000 3 GLORIA PETYARRE "Bush Medicine Leaves" Acrylic on linen. Painted 14 LYNETTE CORBY NUNGARRAYI “Tree Root Dreaming” Acrylic on in 2018.