Kitchen Whiz Twins Launch Cookbook and Cupcake Comp Page 22
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Curiocity Brisbane Returns to Spark Imagination, Invention and Innovation in 2020
Curiocity Brisbane returns to spark imagination, invention and innovation in 2020 Curiocity Brisbane will again challenge and inspire visitors of all ages in 2020 following its trailblazing debut in March 2019. A celebration of creativity, innovation, science, technology and art, Curiocity Brisbane returns to the city, bigger and bolder, from 20 March to 5 April 2020. Over three weeks, Curiocity Brisbane will deliver a program of immersive, interactive and multi-sensory experiences as along with the world-leading QODE technology and innovation festival (24 – 25 March), and globally-renowned events World Science Festival Brisbane (25 – 29 March) and the thought provoking and celebratory WOW (Women of the World) Australia 2020 (2 – 5 April), plus two special QAGOMA Water Up Late events (20 – 21 March). More than 325,000 people attended the inaugural Curiocity Brisbane events, boosting Queensland’s reputation as a world leader in science, technology, innovation and the arts. The return of this flagship creative platform has been made possible by significant funding and a close collaboration between the Queensland Government, through Tourism and Events Queensland, and Brisbane City Council, through Brisbane Marketing. Innovation Minister Kate Jones said Curiocity Brisbane would continue to build on the successful 2019 inaugural event. “We invest in events because we know they drive visitation and support local jobs,” Ms Jones said. “We developed this brand-new concept in 2019 to spark visitors’ curiosity and create buzz in Brisbane through the exploration of new innovative technologies and interactive artwork. “Cultural tourism is booming globally. Events like this help to build up Queensland’s reputation globally as a haven for arts and culture. -
THE GARDENS REACH of the BRISBANE RIVER Kangaroo Point — Past and Present [By NORMAN S
600 THE GARDENS REACH OF THE BRISBANE RIVER Kangaroo Point — Past and Present [By NORMAN S. PIXLEY, M.B.E., V.R.D., Kt. O.N., F.R.Hist.S.Q.] (Read at the Society's meeting on 24 June 1965.) INTRODUCTION [This paper, entitied the "Gardens Reach of the Brisbane River," describes the growth of shipping from the inception of Brisbane's first port terminal at South Brisbane, which spread and developed in the Gardens Reach. In dealing briefly wkh a period from 1842 to 1927, it men tions some of the vessels which came here and a number of people who travelled in them. In this year of 1965, we take for granted communications in terms of the Telestar which televises in London an inter view as it takes place in New York. News from the world comes to us several times a day from newspapers, television and radio. A letter posted to London brings a reply in less than a week: we can cable or telephone to London or New York. Now let us return to the many years from 1842 onward before the days of the submarine cable and subsequent inven tion of wireless telegraphy by Signor Marconi, when Bris bane's sole means of communication with the outside world was by way of the sea. Ships under sail carried the mails on the long journeys, often prolonged by bad weather; at best, it was many months before replies to letters or despatches could be expected, or news of the safe arrival of travellers receivd. Ships vanished without trace; news of others which were lost came from survivors. -
Mianjin Crossing 1 1
Mianjin Crossing 1 .........................................................................................................................2 2 .........................................................................................................................8 3 .......................................................................................................................47 4 .......................................................................................................................69 5 .....................................................................................................................108 6 .....................................................................................................................152 7 .....................................................................................................................200 8 .....................................................................................................................244 9 .....................................................................................................................273 10 ...................................................................................................................300 Postscript .......................................................................................................321 1 Mianjin Crossing 1 He was found in the shade of a tree by Worrim Creek. People came and cast their shadows over the miraculous child, then, one by one, they went away, leaving the him in the -
ART ABORIGÈNE, AUSTRALIE — Samedi 7 Mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie
ART ABORIGÈNE, AUSTRALIE — Samedi 7 mars 2020 — Paris, Salle VV Quartier Drouot Art Aborigène, Australie Samedi 7 mars 2020 Paris — Salle VV, Quartier Drouot 3, rue Rossini 75009 Paris — 16h30 — Expositions Publiques Vendredi 6 mars de 10h30 à 18h30 Samedi 7 mars de 10h30 à 15h00 — Intégralité des lots sur millon.com Département Experts Index Art Aborigène, Australie Catalogue ................................................................................. p. 4 Biographies ............................................................................. p. 56 Ordres d’achats ...................................................................... p. 64 Conditions de ventes ............................................................... p. 65 Liste des artistes Anonyme .................. n° 36, 95, 96, Nampitjinpa, Yuyuya .............. n° 89 Riley, Geraldine ..................n° 16, 24 .....................97, 98, 112, 114, 115, 116 Namundja, Bob .....................n° 117 Rontji, Glenice ...................... n° 136 Atjarral, Jacky ..........n° 101, 102, 104 Namundja, Glenn ........... n° 118, 127 Sandy, William ....n° 133, 141, 144, 147 Babui, Rosette ..................... n° 110 Nangala, Josephine Mc Donald ....... Sams, Dorothy ....................... n° 50 Badari, Graham ................... n° 126 ......................................n° 140, 142 Scobie, Margaret .................... n° 32 Bagot, Kathy .......................... n° 11 Tjakamarra, Dennis Nelson .... n° 132 Directrice Art Aborigène Baker, Maringka ................... -
Brisbane Powerhouse Events Guide 02 BRISBANE POWERHOUSE BRISBANE POWERHOUSE 03
Brisbane Powerhouse Events Guide 02 BRISBANE POWERHOUSE BRISBANE POWERHOUSE 03 Brisbane Powerhouse is Queensland’s home for contemporary culture, a magnificent power station of the 1920s reborn as an arts and cultural hub on the Brisbane River. A unique venue with breathtaking river views. With over 1250 performances and events each year, we are one of the busiest arts venues in the Asia-Pacific region. Brisbane Powerhouse has an organisation-wide commitment to creators of all disciplines. We offer a year-round program featuring events across music, comedy, writers + ideas, dance, film, visual arts, digital arts, theatre and music theatre. We also open our doors to independent and emerging artists. We help create events and experiences that couldn’t exist anywhere else, including outstanding dining experiences, the adrenalin rush of a festival’s atmosphere or the joy of witnessing a great performance. Our building is the hero of our story, and its uniqueness is represented in everything our audience encounters. ROOFTOP TERRACE 132m2 RIVERBEND TERRACE 95m2 RIVER STUDIO 165m2 POWERHOUSE THEATRE 458m2 VISY THEATRE STAGE 29m2 TURBINE PLATFORM 120m2 PARK MEZZANINE 56m2 GRAFFITI ROOM 42m2 OUR SPACES PERFORMANCE LAWN 750m2 AT A GLANCE AT POWERHOUSE PLAZA 1320m2 IMAGE: STUDIO IMPRESSIONS 04 OUR VENUES ROOFTOP TERRACE 05 1 3 6 2 5 IMAGES 1, 3 + 5: STUDIO IMPRESSIONS IMAGE 2: TRENT AND JESSIE PHOTOGRAPHERS IMAGE 6: STORIES BY ASH ROOFTOP TERRACE The Rooftop Terrace boasts heritage listed like wedding receptions and cocktail parties, ROOFTOP TERRACE FLOOR SIZE 132m2 DECK 120m2 graffiti walls, bay windows and a covered the venue is sure to impress your guests. -
Local Heritage Register
Explanatory Notes for Development Assessment Local Heritage Register Amendments to the Queensland Heritage Act 1992, Schedule 8 and 8A of the Integrated Planning Act 1997, the Integrated Planning Regulation 1998, and the Queensland Heritage Regulation 2003 became effective on 31 March 2008. All aspects of development on a Local Heritage Place in a Local Heritage Register under the Queensland Heritage Act 1992, are code assessable (unless City Plan 2000 requires impact assessment). Those code assessable applications are assessed against the Code in Schedule 2 of the Queensland Heritage Regulation 2003 and the Heritage Place Code in City Plan 2000. City Plan 2000 makes some aspects of development impact assessable on the site of a Heritage Place and a Heritage Precinct. Heritage Places and Heritage Precincts are identified in the Heritage Register of the Heritage Register Planning Scheme Policy in City Plan 2000. Those impact assessable applications are assessed under the relevant provisions of the City Plan 2000. All aspects of development on land adjoining a Heritage Place or Heritage Precinct are assessable solely under City Plan 2000. ********** For building work on a Local Heritage Place assessable against the Building Act 1975, the Local Government is a concurrence agency. ********** Amendments to the Local Heritage Register are located at the back of the Register. G:\C_P\Heritage\Legal Issues\Amendments to Heritage legislation\20080512 Draft Explanatory Document.doc LOCAL HERITAGE REGISTER (for Section 113 of the Queensland Heritage -
Children in Inner City Suburbia the Case of New Farm, Brisbane
CHILDREN IN INNER CITY SUBURBIA THE CASE OF NEW FARM, BRISBANE DRAFT- WORK IN PROGRESS – “This research report was prepared for and funded by the Creating Child-friendly Cities Conference, Sydney, 30-31 October 2006” Prepared by Phil Crane, Stephanie Wyeth, Mark Brough and Anne Spencer Queensland University of Technology Public Space Research Team October 2006 Australian Research Alliance for Children and Youth www.aracy.org.au 1 Acknowledgements Many thanks to Wayne Delaforce and Bernadette Savage from QUT , to Brisbane City Council and the numerous organisations and individuals who assisted us. Cover photo © Rebecca c/- www.yspace.net , other photos © Phil Crane and Anna Spencer. 1.0 Introduction This case study has been undertaken as one of a series to inform the Child Friendly Cities Symposium conducted in Sydney October 30-31 2006. New Farm, Brisbane was selected for its capacity to throw light on the experience and issues of children in an Australian inner city suburban environment. As with other case study research it does not assume generalisability to other inner city suburban contexts, though it will be suggested there are a range of relevant considerations arising from it. New Farm presents as having some obviously child friendly features. It is home to one of Brisbane’s iconic parks with its’ childrens’ playground woven into grand trees, is surrounded on three sides by the Brisbane River, and has emerged as a hub for fringe arts and performance. From the early 1990’s New Farm and the surrounding are has been the subject of quite intense urban renewal attention. -
Hotel Brochure
TIMELESS LUXURY AWAITS ACCOMMODATION All spacious well-appointed guest rooms create a sense of comfortable style and warmth and provide a superior level of accommodation to suit both the corporate and leisure traveller. The Hotel’s 267 newly renovated guest rooms, including four suites are complete with breathtaking views of the Brisbane River, taking in the Story Bridge and Kangaroo Point Cliffs or the River City skyline. Striking guest room interiors are set in neutral tones that recall the surrounding nature, from the bark-toned headboards and walls to the deep earthy brown details that were inspired by Brisbane’s parks and forests. Textured soft furnishings contrast beautifully against the meticulously restored historic marble in the new guest room design with all bathrooms featuring a separate shower and bath. Sink into plush Sealy bedding and indulge in luxurious in-room amenities. Rooms feature ambient custom mood lighting and sustainable PRESIDENTIAL SUITE ........................1 air conditioning and lighting initiatives. Reserve Executive Level accommodation for EXECUTIVE SUITES ............................3 enhanced space and exclusive Club Lounge access. Enjoy a boutique buffet breakfast EXECUTIVE ROOMS .........................47 and savour evening canapés and cocktails whilst enjoying the Brisbane River view. DELUXE ROOMS .............................216 Just a phone call away is the dedicated ‘At Your Service’ team, ready to ensure your every need is catered for during your stay. KING RIVER VIEW ROOM TWIN CITY VIEW ROOM 33 SQM 33 SQM EXECUTIVE SUITE PRESIDENTIAL SUITE 69 SQM 131 SQM MEETINGS AND EVENTS Further cementing itself as Brisbane’s place to see and be seen, Brisbane Marriott accommodates events for all occasions with twelve versatile spaces over two floors. -
Genevieve Felix Reynolds Logic 26 Sep
GENEVIEVE FELIX REYNOLDS LOGIC 26 SEP. TO 14 OCT. 2018 NICHOLAS THOMPSON GALLERY Art Almanac September 2018 $6 Genevieve Felix Reynolds Ken Unsworth Amber Boardman Art Almanac September 2018 We acknowledge and pay our respect to the many Subscribe Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. We present ourselves to the world to assert Visit our website to sign-up for our free weekly eNewsletter. and understand our identity; artists take this feeling and give it form. In very different ways To subscribe go to artalmanac.com.au the paintings of Genevieve Felix Reynolds and or mymagazines.com.au Amber Boardman consider how something meaningful might come from the Internet. Kieran Butler’s photography and drag articulates their non-binary self, whereas Tony Albert’s work challenges the aesthetics of recollection and representation of Indigenous Deadline for October 2018 issue: peoples. Drawing on life, Julia deVille’s Friday 31 August, 2018. taxidermy and holograms augment overlooked creatures whilst Ken Unsworth stages tension from the inside out. Contact Editor – Chloe Mandryk [email protected] Deputy Editor – Kirsty Mulholland [email protected] Art Director – Paul Saint National Advertising – Laraine Deer [email protected] -
A Brief History of Brisbane's
A brief history of Brisbane's 1885 Horse drawn tram services were introduced in Brisbane by the Metropolitan Tramway and Investment Company. 1897 Electric tram services commenced by the Brisbane Tramways Company with the electrification of the Victoria Bridge to Woolloongabba and the New Farm Wharf horse lines. Paddington, Petrie Tce, Red Hill (Corner of Enoggera Tce.) and Waterworks Rd line opened. 1898 Last horse drawn tram ends with the electrification of the Breakfast Creek, West End, Exhibition, Bulimba Ferry and Logan Road horse lines. West End to Dornoch Tce. and Exhibition to Bowen Bridge extensions opened. 1899 Ascot (Racecourse Road) extension opened. 1900/1 Kelvin Grove, Clayfield and Gladstone Road (Vulture St)extensions opened. 1902/3 Norman Bridge (East Brisbane), Gregory Tce to the Gardens and Wharf St lines opened. 1904/5 Paddington extension to MacGregor St, Toowong, Rosalie, Albion Park siding (Amy St), St Paul's Tce., North Quay loop, Ann St (Valley to Light St depot) and Red Hill extension to Kennedy Tce. lines opened. 1908 Dutton Park extension (Lang St depot)opened. 1912 The Great Tramway Strike triggered by a management decree banning the wearing of Union Badges. Rules preventing the wearing of any badges remained in force until the 1980s 1914 New Farm via Moray St. and Kedron Bridge extension opened. 1915 Paddington Depot opened, Red Hill extension to Paddington Depot, Cracknell Rd extension (Ipswich Rd), Greenslopes extension and Coorparoo lines opened. 1916 Ascot Doomben extension (Magdala St) and Exhibition via St Pauls Tce. opened. 1917 Adelaide St., Grey St. South Brisbane and Ann St. -
Download the City Reach Waterfront Masterplan
City Reach Waterfront Master Plan AUGUST 2020 Contents Introduction to the City Reach Waterfront 4 History 5 Inner-city context 7 Evolving active transport network 10 What makes a great waterfront? 12 Six qualities of great waterfronts 13 The City Reach Waterfront today 14 Analysis of the City Reach Waterfront 15 City Reach Waterfront opportunities 18 City Reach Waterfront Master Plan 20 Vision 21 Port Office section 22 Customs House section 24 Admiralty section 26 Next steps 28 2 City Reach Waterfront Master Plan Background Brisbane City Council is planning for Brisbane’s future and transforming access to the river, to give everyone new ways to explore Brisbane and connect with the places that make our city great. The City Reach Waterfront is one of Brisbane’s iconic riverside locations – bookended by the City Botanic Gardens and Howard Smith Wharves. The area is a popular leisure destination and is one of the city's key economic precincts, known for its concentration of high-value professional services and picturesque riverside dining. The City Reach Waterfront Master Plan (the master plan) is an action from the Brisbane City Centre Master Plan 2014 that establishes an ambitious vision for the waterfront. Achieving the vision of the master plan will take time and will require a collaborative approach between stakeholders, including Council, the Queensland Government and landholders. Council welcomes the opportunity to work with precinct stakeholders to deliver on the master plan’s vision. Community consultation The master plan is based on extensive technical investigations and community consultation. The draft master plan was released for public consultation in late 2019 and Council received more than 400 submissions. -
City Reach Waterfront Master Plan – Draft for Consultation
City Reach Waterfront Master Plan DRAFT FOR CONSULTATION Contents Introduction to the City Reach Waterfront 4 History 5 Inner-city context 7 What makes a great waterfront? 10 Six qualities of great waterfronts 11 The City Reach Waterfront today 12 Analysis of the City Reach Waterfront 13 City Reach Waterfront opportunities 16 City Reach Waterfront Master Plan 18 Vision 19 Port Office section 20 Customs House section 22 Admiralty section 24 Next steps 26 2 City Reach Waterfront Draft Master Plan Background Brisbane City Council is planning for Brisbane’s future and transforming access to the river, to give everyone new ways to explore Brisbane and connect with the places that make our city great. The City Reach Waterfront Master Plan is an action from the Brisbane City Centre Master Plan 2014, and establishes a vision that will inform future development and public works in the waterfront area. The City Reach Waterfront is one of Brisbane’s iconic riverside locations – bookended by the City Botanic Gardens and Howard Smith Wharves. The area is a popular leisure destination and one of the city's key economic precincts. The draft master plan is based on feedback received from residents, property owners, businesses, commuters and visitors who completed the master plan survey in late 2018, as well as responses to the Move Safe Brisbane consultation. In addition, research into international waterfront examples has provided a set of key qualities to ensure future development will transform the City Reach Waterfront into a New World City riverside destination. The master plan will be a non-statutory document that complements Brisbane’s planning scheme (Brisbane City Plan 2014).