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GENEVIEVE FELIX REYNOLDS LOGIC 26 SEP. TO 14 OCT. 2018 NICHOLAS THOMPSON GALLERY Art Almanac September 2018 $6 Genevieve Felix Reynolds Ken Unsworth Amber Boardman Art Almanac September 2018 We acknowledge and pay our respect to the many Subscribe Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. We present ourselves to the world to assert Visit our website to sign-up for our free weekly eNewsletter. and understand our identity; artists take this feeling and give it form. In very different ways To subscribe go to artalmanac.com.au the paintings of Genevieve Felix Reynolds and or mymagazines.com.au Amber Boardman consider how something meaningful might come from the Internet. Kieran Butler’s photography and drag articulates their non-binary self, whereas Tony Albert’s work challenges the aesthetics of recollection and representation of Indigenous Deadline for October 2018 issue: peoples. Drawing on life, Julia deVille’s Friday 31 August, 2018. taxidermy and holograms augment overlooked creatures whilst Ken Unsworth stages tension from the inside out. Contact Editor – Chloe Mandryk [email protected] Deputy Editor – Kirsty Mulholland [email protected] Art Director – Paul Saint National Advertising – Laraine Deer [email protected] Cover Digital Editor – Melissa Pesa Genevieve Felix Reynolds, Everything will melt [email protected] like water, 2018, gouache and acrylic on panel, Editorial Assistant – Penny McCulloch 75 x 60cm [email protected] Courtesy the artist and Nicholas Thompson Editorial Intern – Saira Krishan Gallery, Melbourne Accounts – Penny McCulloch [email protected] T 02 9901 6398 F 02 9901 6116 Locked Bag 5555, St Leonards NSW 1590 art-almanac.com.au 5 Art in Australia News and Books – Art Almanac team 23 Amber Boardman, @jadefad: a social media feed in paint – Eleanor Zeichner 32 Tony Albert, Visible – Tristen Harwood 35 Julia deVille, Wholeness and the Implicit Order – Melissa Pesa 40 Kieran Butler, Queen Size – Chloe Mandryk 42 Genevieve Felix Reynolds, Logic – Elli Walsh 46 Ken Unsworth, Truly, Madly – Julian Day 48 Select exhibition previews – Art Almanac team 54 Art & Industry Artist Opportunities and Awards 63 Submissions and Proposals 66 Internships and Fellowships 66 Materials 68 Services 69 Consultants and Valuers 72 Member Organisations 72 Training 73 Publications 74 What’s On Gallery Index 77 Melbourne 82 Victoria 114 Sydney 122 New South Wales 148 Australian Capital Territory 156 Tasmania 160 South Australia 164 Western Australia 168 Northern Territory 173 Queensland 176 Artist Index 182 6 Koorie Heritage Trust Inc ‘Gnokan Danna Murra Kor-ki’ 8 SEPTEMBER - 4 NOVEMBER 2018 THE 1818 PROJECT ABDUL-RAHMAN ABDULLAH BRINGS TOGETHER SHAN TURNER-CARROLL EIGHT CONTEMPORARY DALE COLLIER LOCAL AND NATIONAL KARLA DICKENS ARTISTS TO ADDRESS FERNANDO DO CAMPO PERSONAL CULTURAL LINDY LEE HISTORIES AND STORIES OF YHONNIE SCARCE AUSTRALIAN MIGRATION JACQUI STOCKDALE NEWCASTLE ART GALLERY Newcastle Art Gallery is supported by: 1 Laman Street Newcastle Open Tuesday to Sunday 10am - 5pm & every day during school holidays nag.org.au | | Subscribe to enews: nag.org.au/enews Image: The 1818 PROJECT featuring Joseph LYCETT Inner View of Newcastle c1818 oil on canvas 61.0 x 91.4cm Purchased 1961 with assistance from the National Art Collections Fund, London, UK Newcastle Art Gallery collection DEBORAH WALKER 99a Carlisle Street St. Kilda RICHARD STRINGER 19 September – 17 October 2018 Paradiso III oil on linen 184 x 184cm DIANA WATSON PARADISO 5 – 23 SEPTEMBER FRANCES KEEVIL GALLERY Bay Village 28 - 34 Cross Street Double Bay NSW 02 9327 2475 franceskeevilgallery.com.au Kurt Brereton Report from the Littoral Zone Mangroves at low tide, oil and embroidery on canvas, 122 x 168cm, 2018 paintings • sculpture • video • installation Sept.8-Nov.25 Open Daily: 10am - 4pm Woollamia Rd, Huskisson (02) 4441 5675 www.kurtbrereton.com Art in Australia 22 Siteworks | MICRO Camp overnight or wander the grounds of Bundanon Homestead for the tenth iteration of ‘Siteworks’ on 29 September. This special one-day event invites artists, scientists and the public to explore the environment with works, performances and talks that consider the miniature and microscopic. ‘Stories and Structures’ is an exhibition that draws parallels between the representations seen in many Indigenous works of art and the microscopic structures hidden in the natural world. Artist, Deborah Kelly’s deity-creatures will haunt the natural amphitheatre whereas Emily Hunt has created a microcosmic fantasy inspired by German Renaissance printmaking. Like the 16th century artists, Hunt uses grotesque and satirical images to critique contemporary notions of morality. Along the Shoalhaven River Anna Madeleine will transform inanimate rocks into an augmented reality artwork. All things ‘micro’ will be covered from another angle by a group of speakers including Zenobia Jacobs who will discuss dating geological and archaeological sites with a grain of sand. Andrew Holmes will open up about his freezer collection of poo and study of human gut microbiota, and Simon Mattsson, a farmer from north Queensland, shares how the awareness of soil microbiology and plant diversity can maintain soil health. A number of dance and performance works will criss-cross the landscape from Patrick Nolan with Dance North, to noir a site-responsive piece from ‘one step at a time like this’ (Suzanne Kersten, Clair Korobacz, Julian Rickert), who put you at the centre of an evolving experience through the night comprised of evocative audio-scapes crafted to place the audience in a dream- like, hyper-responsive state. bundanon.com.au French & Mottershead (Rebecca French and Andrew Mottershead), Woodland, Bristol Photograph: Paul Blakemore Courtesy the artists and Bundanon Trust, New South Wales 23 Desert Mob The annual ‘Desert Mob’ gathering of Desart-member art centres and their artists from remote communities in the Northern Territory, South Australia and Western Australia celebrates new innovations in contemporary Aboriginal arts practice, traditional and experimental works. Featuring the ‘Desert Mob’ exhibition at Araluen Arts Centre opening on 6 September at 5.30pm, a one-day ‘Symposium’ hosting talks and presentations with artists and special guests discussing FXUUHQWSURMHFWVDQGWHOOLQJVWRULHVDVZHOODVSHUIRUPDQFHDQGíOPRQ)ULGD\6HSWHPEHU from 10am to 3.30pm. And on Saturday 8 September between 10am and 2pm visitors to the Top End can buy direct from the makers at ‘MarketPlace’ with over 30 art centres, artists and arts workers presenting a vibrant display of Aboriginal art and culture. araluenartscentre. nt.gov.au Desert Mob 2017 exhibition opening Photograph: Lisa Hatz Courtesy Araluen Arts Centre, Northern Territory John Fries Award A platform for some of the most engaging and experimental works from the next wave of contemporary antipodean artists, the annual $10,000 non-acquisitive John Fries Award received more than 550 submissions this year with 12 íQDOLVWVFKRVHQ&XUDWHGE\&RQVXHOR&DYDQLJOLD the exhibition held at Sydney’s UNSW Galleries from 29 September to 3 November, showcases new work in a cross-section of art practices engaging with sound, scent, sculpture, performance, painting and video. Themes include the impact of social and online media, the reconciliation of political realities on identity and the place of Indigenous voice in today’s world. The panel of guest judges – Consuelo Cavaniglia, Sophia Kouyoumdijian, Mikala Tai, Shannon Te Ao, and Kath Fries will announce the 2018 winner at the opening. johnfriesaward.com Jelena Telecki, Somewheres Nowheres, 2018, installation detail, oil on linen, 2 paintings: both 42 x 30cm, sculpture: various materials, various dimensions © the artist Courtesy the artist and Copyright Agency Limited, Sydney 24 Sydney Contemporary With over 80 Australian and international galleries participating, Sydney Contemporary presents a manifold of creative talent, current trends and emerging practices – as well as the cross-cultural dialogue they inspire. At Carriageworks from 13 to 16 September, this year’s events include engaging panel discussions, guided tours, educational workshops and an extensive VIP Program, LQFOXGLQJDQH[FOXVLYHSUHYLHZRQ6HSWHPEHU7KHRIíFLDORSHQLQJRQ6HSWHPEHULVWKH RXWVHWWRIRXUGD\VíOOHGZLWKSDLQWLQJVFXOSWXUHVRXQGDQGFHUDPLFVWKURXJKWRLQVWDOODWLRQ video and performances. Highlights include Jean Dubuffet’s four-metre-high sculpture L’Incivil (1973/2014) and Patricia Piccinini’s The Field DYDVWODQGVFDSHRIJHQHWLFDOO\PRGLíHG îRZHUVUHLPDJLQHGIRUWKHIDLU$UW$OPDQDFZLOOSDUWLFLSDWHLQDSULQWPHGLDVWDOOSOHDVHFRPH and say hello. sydneycontemporary.com.au Michaela Davies, Duty, 2014, performance documentation, curated by Performance Space, MCA, 2014 © the artists Photograph: Heidrun Löhr Courtesy the artists and Sydney Contemporary, Sydney 25 Bush Women Fremantle Arts Centre In 1994 the Fremantle Arts Centre staged a special exhibition of artworks by women from the fresh-water country of north-west Western Australia and the Ngaanyatjarra lands of the south-east. With distinct, original styles and personal narratives about living and growing up in the bush, artists such as Paji Honeychild Yankkarr, Daisy Andrews,
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