JOHN R. WALKER Space and Time: 10 Years in the Landscape
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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Rick Amor.Docx
Rick Amor Bio Rick Amor was born in Frankston, Victoria in 1948. In 1965 he completed a Certificate of Art at the Caulfield Institute of Technology, and from 1966 to 1968 studied at the National Gallery School, Melbourne where he received an Associate Diploma of Painting. He has been the recipient of several Australia Council studio residencies, which have allowed him to work in London, New York and Barcelona. In 1999 the Australian War Memorial appointed him as the official war artist to East Timor. Amor has held over 50 solo exhibitions since first exhibiting at Joseph Brown Gallery in 1974 and has shown annually at Niagara Galleries since 1983. A major survey exhibition of his paintings was curated by McClelland Gallery in 1990 and toured various regional galleries in Victoria and South Australia. In 1993 an exhibition mounted by Bendigo Art Gallery toured Victoria and Tasmania, presenting his work as a printmaker and graphic artist. An important exhibition of Rick’s bronze sculpture was undertaken by Benalla Art Gallery in 2002, including many maquettes never previously exhibited. In 2005, Robert Lindsay curated Rick Amor: Standing in the Shadows, the second major survey of Amor’s work to be presented at McClelland Gallery+Sculpture Park. In March 2008, Heide Museum of Modern Art presented Rick Amor: A Single Mind, a triumphant survey of Rick’s paintings and works on paper from 1968 – 2008. Gary Catalano’s biography The Solitary Watcher: Rick Amor and his Art, was published by The Miegunyah Press in 2001; and in 2008, The Beagle Press published Gavin Fry’s richly illustrated monograph, Rick Amor. -
Blak Douglas A.K.A Adam Hill
Blak Douglas a.k.a Adam Hill Education 1989 Jamison High School (Penrith) 1994 BA Graphic Design University of Western Sydney, Nepean Awards / Competitions 2016 FINALIST Cossack Art Awards, Karatha W.A. 2015 FINALIST Archibald Prize, FINALIST- Parliament of NSW Aboriginal Art Prize 2014 FINALIST Mosman Art Prize 2004-9/11-14 FINALIST Parliament of NSW Aboriginal Art Prize (Commended) 2009 HIGHLY COMMENDED Cricket Art Prize Sydney, FINALIST- Wynne Prize 2003-8 FINALIST Telstra Aboriginal and Torres Strait Islander Art Award 2008 FINALIST Mil-Pra Art Prize 2007 FINALIST The Xstrata Coal Emerging Indigenous Art Award 2006 WINNER Maria Locke Award, Mil-Pra Art Prize 2005-10 FINALIST Parliament of NSW Indigenous Art Prize 2004 WINNER Mil-Pra Art Prize, Artist in Residence, The Canberra Grammar School 2003 WINNER Mil-Pra Art Prize – Liverpool Council Mayor’s Choice Award 2002 WINNER Blacktown City Art Prize – Inaugural Solo Exhibitions 2017 National an’them Blakspot Gallery ‐ Redfern 2016 OLD STORIES, NEW LIGHT The Glasshouse Gallery (accompanied by Unc. Milton Budge) 2015 MCA Art Bar, WHITEBRED Fontanelle Gallery Adelaide (TARNANTHI festival accompanied by Amanda Radomi) JOIN THE DOTS Boomalli Aboriginal Artists, Leichhardt- Sydney BLAKATTAK S.C.A. Sydney (accompanied by Adam Geczy) 2014 LAWFUL & PERMISSABLE Damien Minton Gallery, Redfern ILLUMINATE Old Parliament House, ACT 2013 BOMB Utrecht Gallery, Netherlands (accompanied by Adam Geczy) SMELLIN’ IT LIKE IT IS Tandanya Adelaide 2012 ONEinFOUR Damien Minton Gallery, NSW 2010 NOT A PROPPER -
Artists Statement for Me the Nature of Colour Is the Colour of Nature
David Aspden Born Bolton, England, arrived Australia 1950 1935 - 2005 COLLECTIONS Aspden is represented in National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, Museums and Galleries of the Northern Territory, National Gallery of Victoria, Art Gallery of South Australia, and other state galleries. His work is found in regional galleries including Bathurst, Newcastle, Wollongong, Gold Coast, Orange, Armidale, Ballarat, Benalla, Muswellbrook, Manly, Stanthorpe and Geelong. Aspden’s paintings are hung in New Parliament House, Canberra and the NSW State Parliament. His work is in the collections of Artbank, Heide, Tarrawarra Museum of Art, Macquarie University, National Bank of Australia, Macquarie Bank, St George Bank, The Australian Club, Festival Hall Adelaide, Allens Arthur Robinson, Clayton Utz, Melbourne Casino, Fairfax, News Limited, University of Western Australia, Monash University, Beljourno Group, Shell Company of Australia Limited, and numerous corporate and private collections. Individual Exhibitions 1965 Watters Gallery, Sydney 1966 Watters Gallery, Sydney - March and November 1967 Watters Gallery, Sydney Strines Gallery, Melbourne 1968 Farmers' Blaxland Gallery, Sydney Gallery A, Melbourne 1970 Rudy Komon Art Gallery, Sydney 1971 Rudy Komon Art Gallery, Sydney 1973 Rudy Komon Art Gallery, Sydney 1974 Rudy Komon Art Gallery, Sydney 1975 Solander Gallery, Canberra 1976 Monash University, Victoria Rudy Komon Art Gallery, Sydney 1977 Rudy Komon Art Gallery, Sydney 1981 Rudy Komon Art Gallery, -
Imants Tillers
IMANTS TILLERS Born Sydney, Australia 1950. EDUCATION 2005 Awarded a Doctor of Letters (Honoris Causa), University of New South Wales, Sydney. 2001 Visiting Fellow, Fine Art Research Centre, Southampton Institute, UK Co-curator with Marketta Seppälä, Empathy: Beyond the Horizon, Pori Art Museum, Finland. Appointed Trustee of the Art Gallery of New South Wales, Sydney. 1976 Cité Internationale des Arts Residency, Paris Owen Tooth Cottage Residency, Vence. 1969 – 72 Bachelor of Science Architecture (First Class Hons, University Medal), University of Sydney. 2010 Collaborated with Janis Balodis on Exile and Fatherland, 53rd Australian Latvian Arts Festival, Melbourne 2011 Appointed a Director of Immigration Place, Australia, Canberra. SELECTED SOLO EXHIBITIONS 2016 Metafisca Australe, ARC ONE Gallery, Melbourne. 2015 Metafisca Australe, Roslyn Oxley9 Gallery, Sydney 2014 Big Storm Between Two Place: Michael Nelson Jagamara and Imants Tillers, Fire works Gallery, Brisbane Latvian Mandala, Australian Latvian Arts Festival, Latvian House, Sydney. Haunted Nation, Bett Gallery, Hobart The Philosopher’s Walk, Greenaway Art Gallery, Adelaide 2013 The Fleeting Self, ARC ONE Gallery, Melbourne 2012 Tabula Rasa, Roslyn Oxley9 Gallery, Sydney The Loaded Ground: Michael Nelson Jagamara and Imants Tillers, Drill Hall Gallery, Australian National University Art Gallery, Canberra. 2011 Nature Speaks, Greenaway Art Gallery, Adelaide. The Journey South, Bett Gallery, Hobart. 2010 The Blossoming World, Arc One Gallery. A Poem of the Land, Roslyn Oxley9 Gallery, Sydney. Dual Worlds: Dadang Christanto and Imants Tillers, Jan Manton Art, Brisbane. 2009 Leap of Faith, Greenaway Art Gallery, Adelaide. Value Added Landscapes, Jan Manton Art, Brisbane. Clouds on a distant horizon, Bett Gallery, Hobart. The Long Poem, Lawrence Wilson Art Gallery, University of Western Australia, Perth. -
Carmel Wallace CV (One Page) August 2019.Pages
th carmel wallace 2012 37 Alice Prize Araluen Arts Centre, Alice Springs NT This is a Maquette Show MARS Gallery Melbourne VIC http://carmelwallace.com https://www.instagram.com/carmelwallace/ ACADEMIC QUALIFICATIONS SymbioticA Adaptation exhibition,INQB8 Gallery, Mandurah WA 1975/6 Bachelor of Arts, Diploma of Education, La Trobe University 4th Forestry SA Wood Sculpture Exh., Riddoch Art Gallery SA 1994 Bachelor of Arts (Fine Art) Honours, Deakin University Sculpture 2012 Brenda May Gallery, Sydney NSW 1999 Doctor of Philosophy, Deakin University Coral: art science life Macleay Museum University of Sydney NSW AWARDS 2011 Waterhouse Natural History Art Prize Adelaide & Canberra ACT 2017/8 Bayside Artist in Residence at Billilla Mansion, Brighton VIC Nature Interrupted:Contemporary Sculpture RedlandGallery QLD 2016 Toolangi Sculpture Trail 20th Anniversary Artist Residency VIC Lorne Sculpture 2011 Lorne VIC 2016 Artist in Residence, Sofitel Melbourne On Collins, Melbourne VIC Wangaratta Contemporary Textile Award Wangaratta Art Gallery 2012 Scope Galleries Art Award – Art Concerning Environment VIC Illuminated by Fire Portland Harbour & Fed.Sq. Melbourne VIC 2011 Highly Commended, Waterhouse Natural History Art Prize Summer Salon Jenny Port Gallery Richmond VIC 2010 Honorable mention, Yering Station Sculpture Exhibition VIC 2010 ABL exhibition of selected Yering finalists Melbourne VIC 2010 SymbioticA Adaptation residency, University of Western Australia Fremantle Arts Centre Print Award WA 2008 Vermont Studio Centre Residency Fellowship, -
Fred Williams
FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art -
Genevieve Felix Reynolds Logic 26 Sep
GENEVIEVE FELIX REYNOLDS LOGIC 26 SEP. TO 14 OCT. 2018 NICHOLAS THOMPSON GALLERY Art Almanac September 2018 $6 Genevieve Felix Reynolds Ken Unsworth Amber Boardman Art Almanac September 2018 We acknowledge and pay our respect to the many Subscribe Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. We present ourselves to the world to assert Visit our website to sign-up for our free weekly eNewsletter. and understand our identity; artists take this feeling and give it form. In very different ways To subscribe go to artalmanac.com.au the paintings of Genevieve Felix Reynolds and or mymagazines.com.au Amber Boardman consider how something meaningful might come from the Internet. Kieran Butler’s photography and drag articulates their non-binary self, whereas Tony Albert’s work challenges the aesthetics of recollection and representation of Indigenous Deadline for October 2018 issue: peoples. Drawing on life, Julia deVille’s Friday 31 August, 2018. taxidermy and holograms augment overlooked creatures whilst Ken Unsworth stages tension from the inside out. Contact Editor – Chloe Mandryk [email protected] Deputy Editor – Kirsty Mulholland [email protected] Art Director – Paul Saint National Advertising – Laraine Deer [email protected] -
Abdul Abdullah
ABDUL ABDULLAH 1986 Born in Perth, Australia 2008 BA Art, Curtin University of Technology, Australia 2017 MFA, UNSW Art and Design SELECTED SOLO EXHIBITIONS 2020 Custodians, presented by Yavuz Gallery at The Armory Show, Presents Section, New York City, USA 2019 Contested Territories, Yavuz Gallery, Sydney, Australia The waiting room, presented by Yavuz Gallery at Art Basel Hong Kong, Kabinett sector, Hong Kong 2018 Jangan Sakiti Hatiku - Don't Break My Heart, Yavuz Gallery, Singapore 2017 Terms of Engagement: Examining the Rhetoric of Radicalisation, UNSW Galleries, Australia 2016 Burden, Fehily Contemporary, Australia Coming to Terms, Fehily Contemporary, Australia 2015 Coming to Terms, Chasm Gallery, New York, USA 2014 I See A Darkness, Future Perfect, Singapore Siege, Fehily Contemporary, Australia 2013 Homeland, Fehily Contemporary, Australia 2012 Mongrel, Fehily Contemporary, Australia 2011 Them and Us, KINGS Artist-Run, Australia SELECTED GROUP EXHIBITIONS 2020 Monster Theatres, Adelaide Biennial of Australian Art, Art Gallery of South Australia 2019-2020 Violent Salt, touring exhibition, Art Space Mackay, Australia; Noosa Regional Gallery, Australia; Toowoomba Regional Art Gallery, Australia STOLEN/WEALTH, Wyndham Art Gallery, Melbourne, Australia Body Politics, Bendigo Art Gallery, Bendigo, Australia Lupercalia, Adelaide Central Gallery, Adelaide, Australia Marriage: Love + Law, Penrith Regional Gallery, Penrith, Australia Weapons for a soldier, Araluen Arts Centre, Alice Springs, Australia National Anthem, Buxton Contemporary, -
Mandy Martin
MANDY MARTIN Mandy Martin’s art has always been thematically concerned with commenting on the environment and those issues which impact on it. Her works have always dealt with a range of socio-political themes with her early works exploring the suburban nature of Canberra and Queanbeyan and the isolation of migrant women living there. In conjunction with these paintings,Mandy began looking at buildings (houses, warehouses, factories) and the sense of alienation that these structures could symbolise. Mandy’s extensive travels in outback Australia since the 1980shave provided the source for some of her most vital and powerful visualstatements and continue to provide inspiration to the present day.From the 1990s onwards, the land, the environment and the layers of Aboriginal and European culture have given her the materials to create her own vision of the human condition andits relationship to the natural world. During this period, Mandy has been coordinating art and environment projects and is currently working on an ongoing project in Arnhem Land, ‘Arnhembrand: Living on Healthy Country. Her current works arise from these art projects and her series about mining and climate change. Mandy Martin has been exhibiting for thirty years and has held numerous exhibitions in Australia and internationally including Mexico, the United States of America, France, Germany and Japan. Born in Adelaide, Mandy studied at the South Australian School of Art before becoming a lecturer at the Australian National University School of Art in the late 1970s. She has held the position of adjunct professor at the School of Environment and Society, Australian National University since 2008. -
2020 Archibad Prize Media
2020 ARCHIBALD PAUSTRALIA’SRIZ FAVOURITEE PORTRAIT PRIZE 26 SEP 2020 – 10 JAN 2021 ARCHIE FACTS ARCHIBALD, WYNNE & 2020 SULMAN ENTRIES 2565 ARCHIBALD, WYNNE & SULMAN FINALISTS 18 50 181 64 1768 107 53 48 59 396 8 FEMALE MALE 27 ARCHIBALD PRIZE FINALISTS ARCHIBALD PRIZE ENTRIES 55 1068 RECORD YEAR WYNNE PRIZE WYNNE PRIZE FINALISTS 782 ENTRIES 34 SULMAN PRIZE ENTRIES SULMAN PRIZE FINALISTS 715 RECORD YEAR 18 OVER YOUNG ARCHIE ENTRIES FINALISTS YOUNG ARCHIE 40 COMPETITION 1800 FIRST-TIME (40%) ARCHIBALD SMALLEST FINALISTS 22 ARCHIBALD PRIZE ENTRY 25 x 20.5 cm Yuri Shimmyo Carnation, lily, Yuri, rose FIRST-TIME (50%) WYNNE FINALISTS 17 LARGEST FIRST-TIME (33%) ARCHIBALD PRIZE ENTRY SULMAN FINALISTS 6 250 x 250 cm Blak Douglas Writing in the sand NUMBER OF ARTISTS WHO ARE FINALISTS IN MORE THAN ONE PRIZE Abdul Abdullah and Benjamin Aitken (Archibald and Sulman) Lucy Culliton and Guy Maestri (Archibald and Wynne) 6 Caroline Rothwell and Gareth Sansom (Wynne and Sulman) SITTERS IN ARCHIBALD PRIZE ARCHIBALD, WYNNE AND SULMAN PRIZE FINALIST WORKS TOP 3 SUBJECTS WORKS BY INDIGENOUS ARTISTS WORKS BY INDIGENOUS ARTISTS 12 SELF-PORTRAITS 26 RECORD YEAR ARCHIBALD PRIZE WORKS WITH 9 OTHER ARTISTS INDIGENOUS SITTERS 10 RECORD YEAR 8 PERFORMING ARTS Join the conversation #archibaldprize Keep up to date on Facebook, Twitter & Instagram @artgalleryofnsw ANNOUNCEMENTS Announcement of the Archibald, Wynne and Sulman Prize 2020 finalists; Young Archie finalists and honourable mentions; and Packing Room Prize winner Thursday 17 September, 11am Announcement of the winners of the Archibald, Wynne and Sulman Prizes 2020 Friday 25 September, 12 noon Announcement of winners of the Young Archie 2020 competition Saturday 24 October, 10am ANZ People’s Choice winner announcement Wednesday 16 December, 11am EXHIBITION DATES Archibald, Wynne and Sulman Prizes 2020 Art Gallery of New South Wales Saturday 26 September 2020 – Sunday 10 January 2021 Ticketed Due to COVID-19 capacity restrictions, tickets are $20 adult dated and timed. -
National Visual Art Education Conference 20–222016 January 2016 21–23 January
National Visual Art Education Conference 20–222016 January 2016 21–23 January 1 Cover image Jim Lambie Sound system (Grid system) 2015 (detail), vinyl, National Gallery of Australia, Canberra, The Poynton Bequest, 2015 2 Dear Delegates The National Gallery of Australia welcomes delegates from across Australia and beyond to the 2016 National Visual Art Education Conference. The program for 2016 focuses on New directions: practice + innovation + learning, creating an interdisciplinary dialogue between galleries, academics and teachers. This program reflects some of the most pertinent issues within visual arts education today, as speakers from renowned institutions such as The Frick Museum, New York, and Harvard University present on current global developmental trends within art education. Practitioners will also present their work and discuss how it is shaped by the current arts milieu. The plenary program ensures that speakers are able to engage with delegates, explore concepts and present their research in an environment that is accessible to all. Additionally, we welcome delegates to explore their personal interests through the breakout sessions. Here, a range of concurrent conference papers, showcases and practical workshops will be on offer, allowing delegates to tailor their experiences to reflect their own professional needs. In particular, the workshops offer an excellent opportunity to expand practical skills in a range of media areas. The workshops are scheduled in a variety of locations around Canberra, providing an opportunity to engage with the NGA’s expansive community of artistic contacts and its world-class collection. Specifically, special viewings of exhibitions such as at Tom Roberts at the NGA and The Last Temptation: the art of Ken + Julia Yonetani at NGA Contemporary allow delegates to engage with diverse and exciting Australian art.