KUDDITJI KNGWARREYE Landscapes in the Family Tradition All Images © the Artist, Booker - Lowe Gallery and Hank Ebes, Or the Australian Art Review

Detail, for full image see page 11. KUDDITJI KNGWARREYE Landscapes in the Family Tradition All images © the artist, Booker - Lowe Gallery and Hank Ebes, or the Australian Art Review. KUDDITJI KNGWARREYE Landscapes in the Family Tradition Internationally acclaimed Utopia artist Kudditji and atmospheric Kngwarreye is celebrated worldwide for his energy. dynamic paintings featuring saturated fields of color in vivid, abstract forms. Although Scholars often contemporary in style, Kudditji’s paintings are liken Kudditji’s rich in Aboriginal tradition, depicting the sacred distinctive stories of the Anmatyerre people. He is a revered body of work elder in his community, and is the custodian of to that of Mark stories including the Fig. 2, Kudditji Kngwarreye, My Country (p. 10) Rothko. While Yankirri Jukurrpa Kudditji never attended school, and is certainly (Emu Dreaming). unaware of Rothko and other “modern” artists, Kudditji is the younger a kinship can certainly be made between their half-brother of highly original styles. Kudditji, now in his mid- renowned Aboriginal eighties, spends most of his time in Alice Springs, artist Emily Kame and continues to paint occasionally. His works Kngwarreye. Kudditji have been featured in numerous exhibitions was raised in the bush throughout Australia, in Europe, and in the U.S. northeast of Alice Fig. 1, Kudditji Kngwarreye Springs on the old Utopia cattle station. He worked as a stockman and in the goldmines, before beginning to paint with other Utopia artists in the late 1980s. Kudditji’s early works featured the traditional “dot technique”, but eager to explore new realms, he began loading his brush thick with paint, and creating abstract compositions rife with color 1 KUDDITJI AND HANK Mates Fig. 3, Kudditji Kngwarreye and Hank Ebes Booker-Lowe organized this exhibition through Now in his mid-eighties and in declining health, Hank Ebes, who has worked with us since Kudditji paints less and is sometimes vulnerable our first Aboriginal exhibition! Born in the to other dealers who offer quick cash for hastily- Netherlands, Hank is a longtime Melbourne produced paintings, just like many well-known gallerist, a recognized expert in Aboriginal art, European and American artists we could name! and founder of the Emily Museum, devoted to the paintings of Kudditji’s half-sister Emily, the Reminiscing about his old friend, Hank said, best-known female Aboriginal artist. “We made a difference in Kudditji’s life, as he did in ours. I rank him with Emily [Kngwarreye], When Kudditji and Hank first met around 1991, Clifford [Possum Tjapaltjarri], Rover Thomas . they immediately connected, and Hank quickly in the top ten of the most brilliant artists we have sensed that Kudditji had a natural vision and discovered in the past four decades. talent. For the past 20+ years, Hank has worked closely with Kudditji, going out bush with him for Kudditji and Emily are the ultimate conceptual weeks at a time, providing financial assistance expressionists because they were born in the and lodging when needed, as well as supplying Stone Age and lived a minimalist existence. Had art materials. In turn, Kudditji paints for Hank they been born 200 years ago, they would have knowing that the standards are high and that painted the same stories about life and creation, less-than-his-best paintings won’t be accepted the Dreamtime . .” for exhibition. 2 Fig. 4, Kudditji Kngwarreye with his wife, Charlotte 3 KUDDITJI KNGWARREYE Selected Biography Born: c. 1928 Gender: Male Region: Utopia, Northern Territory Community: Alhalkere Language: Eastern Anmatyerre Skin: Kngwarreye Themes: Yankirri Jukurrpa (Emu Dreaming), My Country, Men’s Ceremonies Kudditji Kngwarreye was born in Alhalkere on the edge of the Utopia Station in the Northern Territory. Alhalkere is approximately 250 km northeast of Alice Springs (about 155 miles). Kudditji is the younger brother of acclaimed Aboriginal artist Emily Kame Kngwarreye. He was raised in the bush and led a traditional life, working as a stockman and in the goldmines in his later years. He is revered as an elder in his community and is the custodian of stories including the Yankirri Jukurrpa (Emu Dreaming). Kuddtji currently resides and paints in Alice Springs. Like other artists from the Utopia region, Kudditji paints independently, rather than with a regional artists’ cooperative or government-supported Aboriginal art centre. Booker-Lowe organized “Kudditji: Landscapes in the Family Tradition,” through Hank Ebes, founder of the Emily Museum (a private museum devoted to the life and works of Emily Kngwarreye) in Melbourne, and one of Kudditji’s most-trusted and discerning advisors. Booker-Lowe Gallery’s first exhibition in 2002 showcased a collection of paintings sourced from Ebes, including works featured in a groundbreaking exhibition at the WorldBank’s international headquarters in Washington DC, and has worked with him on subsequent exhibitions showcasing Utopia artists. Like many Aboriginal artists, Kudditji initiated his career as a painter at a mature age, his earliest works dating to circa 1986. His early style is very conservative, painting with the traditional “dot” method similar to many Aboriginal artists. Later in his career (c. 1990s), he became known for using a more painterly technique, heavily loading his brush with paint and layering it onto the canvas. Paintings using this method show a heavier “dot” that tends to resemble broad, atmospheric strokes of saturated color melding together in a sophisticated manner. Kudditji is acknowledged as an innovator in the Aboriginal art world for his highly original style. Upon close inspection, vivid textures and layers are revealed, showing the complexity of his compositions. Although his style is contemporary, the subjects of his works are traditional, depicting the Yankirri Jukurrpa and My Country themes. Kudditji revisited his earlier, traditional “dot” style for a brief period in the late 1990s, but by the early 2000s, he had returned to his signature color field works, embarking on an extraordinary path of creativity and color exploration. His works have been included in numerous exhibitions, including group and solo shows in Australia, Europe and the United States. 4 Selected Solo Exhibitions 2013 “Kudditji: Landscapes in the Family Tradition,” Booker-Lowe Gallery, Houston, Texas USA “Kudditji Kngwarreye,” Sofitel Brisbane Central, Brisbane QLD 2011 “Kudditji Kngwarreye,” Kate Owen Gallery, Sydney NSW 2010 “Kudditji Kngwarreye,” Kate Owen Gallery, Sydney NSW 2009 “Kudditji Kngwarreye: Pastels,” Kate Owen Gallery, Sydney NSW “Kudditji Kngwarreye,” Burrinja Gallery, Upwey, Melbourne VIC “Kudditji Kngwarreye-Recent Works,” Japingka Gallery, Fremantle WA 2008 “30 Emu Dreamings,” Kate Owen Gallery, Sydney NSW “My Country,” Japingka Gallery, Perth WA 2006 “New Paintings,” Vivien Anderson Gallery, Melbourne VIC “My Country,” Japingka Gallery, Perth WA 2005 “Waterhole Aboriginal Art,” Danks Street, Sydney NSW “New Paintings,” Vivien Anderson Gallery, Melbourne VIC “Colours in Country,” Art Mob, Hobart TAS 2004 “My Country, New Paintings,” Vivien Anderson Gallery, Melbourne VIC “My Country,” Japingka Gallery, Perth WA “Waterhole Aboriginal Art,” Sofitel Wentworth Hotel Exhibition, Sydney NSW 2003 “New Paintings,” Vivien Anderson Gallery, Melbourne VIC Selected Group Exhibitions 2012 “The Colourists: Kudditji Kngwarreye & Lorna Napurrula Fencer,” Japingka Gallery, Fremantle WA 2010 “Utopia: Eastern Anmatyerre Artists,” Neo Gallery, Brisbane QLD “Ankerrthe – A Tribute to Nancy Petyarre,” Astras Gallery, Gold Coast QLD “Summer Collection,” Japingka Gallery, Perth WA 5 2009 “Aboriginal Art,” Mary Place Gallery, Sydney NSW “Summer Collection,” Kate Owen Gallery, Sydney NSW “Pink,” Art Mob Aboriginal Fine Art, Hobart TAS “Utopia 09,” Neo Gallery, Brisbane QLD “Size Matters,” Kate Owen Gallery, Sydney NSW “Rêves Aborigènes,” Musée Arts et Histoire de Bormes-Les-Mimosas, Bormes-Les-Mimosas, France 2008 “Black & White: Inspired by Landscape,” Kate Owen Gallery, Sydney NSW “Central Australian Aboriginal Art-The Ultimate Collection,” Alice Sundown Aboriginal Art, Alice Springs NT “Utopia,” Art Equity, Sydney NSW 2007 “Contemporary Aboriginal Paintings,” John Leech Gallery, Auckland, NZ 2006 “Artist of Utopia Then & Now,” Outback Alive, Canberra ACT “Togart Contemporary Art Exhibition,” Darwin NT “Masterwork,” Vivienne Anderson Gallery, Melbourne VIC Arken Museum of Modern Art, Copenhagen, Denmark 2005 “Big Country,” Gallery Gondwana, Alice Springs NT “Fresh from the Central Desert,” Outback Alive, Canberra Grammar School, Canberra ACT “Ken Field Memorial Art Exhibition,” Scotch College, Melbourne VIC “Colours in Country,” Art Mob Gallery, Hobart TAS 2004 “Two Senior Men,” Art Mob Gallery, Hobart TAS Australian Exhibition Centre, Chicago, Illinois USA “Spirit of Colour,” Depot Gallery, Sydney NSW “Heartbeat-Living Country,” Wentworth Hotel, Sydney NSW 2002 “The Contemporaries,” Contemporary Artspace, Brisbane QLD 1999 Chapel off Chapel Gallery, Melbourne VIC 1992 “Tjukurrpa,” Museum fur Volkerkunde, Basel, Switzerland 1991 “Central Australian Aboriginal Art & Craft Exhibition,” Araluen Centre, Alice Springs NT 6 1990 “Art Dock, Contemporary Art from Australia,” Noumea, New Caledonia Collections Araluen Art Centre, Alice Springs NT Hank Ebes Collection, Melbourne VIC Macquarie University, NSW Guilleman and Sordello Collection, France R. M. Barokh Antiques, Los Angeles, California Mbantua Gallery Permanent Collection, Alice Springs NT 7

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