DOCSLIB.ORG

Music of Mexico, Date (Inclusive): 1920-1930 Collection Number: 2007.05 Extent: 7 Boxes Repository: University of California, Los Angeles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music of Mexico, Date (Inclusive): 1920-1930 Collection Number: 2007.05 Extent: 7 Boxes Repository: University of California, Los Angeles http://oac.cdlib.org/findaid/ark:/13030/kt3q2nd13k No online items Finding Aid for the Music of Mexico 1920-1930 Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2007 The Regents of the University of California. All rights reserved. Finding Aid for the Music of 2007.05 1 Mexico 1920-1930 Descriptive Summary Title: Music of Mexico, Date (inclusive): 1920-1930 Collection number: 2007.05 Extent: 7 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Includes a collection of 78s acquired from UCLA Special Collections Library. The Collection consists of recordings from throughout South America, Mexico, Europe and Spain. Recorded in the 1920-1930s. Language of Material: Collection materials in Spanish Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. The Ethnomusicology Archive is eager to hear from any copyright owners who are not properly identified so that appropriate information may be provided in the future. Preferred Citation [Identification of item], Music of Mexico, 2007.05, Ethnomusicology Archive, University of California, Los Angeles. Series 1. Mexico Subseries 1. Male Vocalists Box 1, Item Untitled April 7, 1921 2007.05_ar4289 Composer: Ortega, Antonio; Oteo, A. Esparza Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4289: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Corazon Mentiroso--Side B--Cancion del Viento Box 1, Item Untitled 2007.05_ar4290 Composer: Brito, Julio; Curiel, Gonzalo Performer: Julio Flores con Orquestra Publisher: USA/Varsity Physical Description: Original AR 4290: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Amor de Mo Bohio--Side B--Sollozo Finding Aid for the Music of 2007.05 2 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4291 Composer: Farres, Oswaldo; Velazquez, Chelo Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4291: analog, 78 rpm, mono; 10 in. Box 1, Item Untitled 2007.05_ar4292 Composer: Barrera, Carlos Gomez; Palacios, Chucho Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4292: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Un Sueno Fue--Side B--Desperte Llorando Box 1, Item Untitled 2007.05_ar4293 Composer: Ruiz, Gabriel; Curiel, Gonzalo Performer: Julio Flores con la Orquestra de Juan S. Garrido Publisher: Mexico/Peerless Physical Description: Original AR 4293: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--No Se Cuando--Side B--Amargura Box 1, Item Untitled 2007.05_ar4294 Composer: Carreras, Justo; Klose-Lukesch-Roque Performer: Ramon Armengod con la Orquestra de Nano Rodrigo Publisher: USA/Decca Physical Description: Original AR 4294: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cuatro Vidas--Side B--Violeta Box 1, Item Untitled 2007.05_ar4295 Composer: Brito, Julio: Grenet, Eliseo and R. Gomez Kemp Performer: Ramon Armengod con don Gilberto y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4295: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Acurrucasita--Side B--Volvi Box 1, Item Untitled 2007.05_ar4296 Composer: Nunez de Borbon, Alfredo; Curiel, Gonzalo Performer: Ramon Armengod con la Orquestra de Jose Moran Publisher: USA/Decca Physical Description: Original AR 4296: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Hay Que Oldivar--Side B--Sospecha Finding Aid for the Music of 2007.05 3 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4297 Composer: Dominguez, Abel; Oteo, Alfonso Esparza Performer: Ramon Armengod con la Orquestra de Jose Moran Publisher: USA/Decca Physical Description: Original AR 4297: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Frenesi--Side B--Bien Sabes Tu Box 1, Item Untitled 2007.05_ar4298 Composer: Marroquin, Jose Sabre and Jose Antonio Zorilla; Valencia, Arvizu, Pafumy Performer: Ramon Armengod con Noro Morales y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4298: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cancion del Mar--Side B--Desden Box 1, Item Untitled 2007.05_ar4299 Composer: Arcaraz, Luis; Cortazar, Ernesto Performer: Ramon Armengod con Nano Rodrigo y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4299: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Prisionero del Mar--Side B--Que Paso? Box 1, Item Untitled 2007.05_ar4300 Composer: Lara, Agustin Performer: Agustin Lara Su Piano y Su Orquesta con Ramon Armengod Publisher: USA/Decca Physical Description: Original AR 4300: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cuerdas de mi Guitara--Side B--El Organillero Box 1, Item Untitled 2007.05_ar4301 Composer: Cardenas, Guty; Lara, M.T. Performer: Los Portenos; Pedro Vargas Orquestra E. Diaz Publisher: USA/National Hollywood Physical Description: Original AR 4301: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Yo Se Que Nunca--Side B--Janitzio Box 1, Item Untitled 2007.05_ar4302 Composer: Jimenez, T.; Campos, A. Performer: Guty Cardenas y Chalin Publisher: USA/Columbia Physical Description: Original AR 4302: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Pavito real--Side B--La Mancornadora Finding Aid for the Music of 2007.05 4 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4303 Performer: Guty Cardenas Publisher: USA/Brunswick Physical Description: Original AR 4303: analog, 78 rpm, mono; 10 in. Scope and Content Note Side--Flor--Side B--Ojos Tristes Box 1, Item Untitled 2007.05_ar4304 Composer: Grever, Maria; Aviles, Adolfo Performer: Juan Pulido con Orquesta Publisher: USA/Victor Physical Description: Original AR 4304: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Jurame--Side B--Cicatrices Box 1, Item Untitled 2007.05_ar4305 Composer: Kinleiner-Torres;Franchini-Ponte-Bhar Performer: Leo Martini con su Orquesta Publisher: Argentina/Seeco Physical Description: Original AR 4305: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A-- Ha Pasado--Side B--Pacado Note cracked in middle Box 1, Item Untitled 2007.05_ar4306 Composer: Allegre, Antonio; Tinelly-Cadicamo Performer: Dr. Alfonso Ortiz Tirada con Juan S. garrido y so Orquesta Publisher: USA/Okeh Physical Description: Original AR 4306: analog, 78 rpm,mono; 10 in. Scope and Content Note Side A--Crepusculo--Side B--Por La Vuelta Box 1, Item Untitled 2007.05_ar4307 Composer: Valdes, Fernan Silva and Juan de Dios Filiberto; Grenet, Eliseo Performer: Alfonso Ortiz Tirado Publisher: USA/Victor Physical Description: Original AR 4307: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Clavel del Aire--Side B--Las Perlas de tu Boca Box 1, Item Untitled 2007.05_ar4308 Composer: Grever, Maria Performer: Alfonso Ortiz Tirado con Orquesta Publisher: USA/Victor Physical Description: Original AR 4308: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Por si no te vuelvo a ver--Side B--Te Quiero dijiste Finding Aid for the Music of 2007.05 5 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4309 Composer: Lara, Maria Teresa; Lara, Agustin Performer: Alfonso Ortiz Tirado con la Orquesta RCA Victor Publisher: USA/Victor Physical Description: Original AR 4309: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Oracion Caribe--Side B--Sevilla Box 1, Item Untitled 2007.05_ar4310 Composer: Lara, Agustin Performer: Alfonso Ortiz Tirado con Acom. de la Orquesta Radio Splendid Publisher: USA/Victor Physical Description: Original AR 4310: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Granada--Side B--Toledo Box 1, Item Untitled 2007.05_ar4311 Composer: Dominguez, Armando; Hermanos Martinez Gil Performer: Miguel Aceves Mejia con la Orquesta de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4311: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Destino--Side B--Cancion sin Nombre Box 1, Item Untitled 2007.05_ar4312 Composer: Grever, Maria Performer: Carlos Ramirez con Orquesta Publisher: USA/Victor Physical Description: Original AR 4312: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Para Que Recordar--Side B--De Donde Box 1, Item Untitled 2007.05_ar4313 Composer: Grenet, Eliseo; Grever, Maria Performer: Carlos Ramirez and Victor Concert Orchestra Publisher: USA/Victor Physical Description: Original AR 4313: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Rica Pulpa--Side B--Para Que Recordar Box 1, Item Untitled 2007.05_ar4314 Composer: Brown, Forman and Ernesto Lecuona; Dominguez, Alberto Performer: Carlos Ramirez and Victor Concert Orchestra Publisher: USA/Victor Physical Description: Original AR 4314: analog, 78 rpm, mono; 10 in.
Load more

Recommended publications
  • Redalyc.CONSTRUCCIÓN SOCIAL DEL ENGAÑO Y LA MENTIRA A
    Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Sistema de Información Científica Rabazo Méndez, María José CONSTRUCCIÓN SOCIAL DEL ENGAÑO Y LA MENTIRA A TRAVÉS DE LOS CUENTOS MARAVILLOS International Journal of Developmental and Educational Psychology, vol. 4, núm. 1, 2012, pp. 249-259 Asociación Nacional de Psicología Evolutiva y Educativa de la Infancia, Adolescencia y Mayores Badajoz, España Disponible en: http://www.redalyc.org/articulo.oa?id=349832337027 International Journal of Developmental and Educational Psychology, ISSN (Versión impresa): 0214-9877 [email protected] Asociación Nacional de Psicología Evolutiva y Educativa de la Infancia, Adolescencia y Mayores España ¿Cómo citar? Número completo Más información del artículo Página de la revista www.redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Mesa 8 ---MIGUEL--- CONSTRUCCIÓN SOCIAL DEL ENGAÑO Y LA MENTIRA A_M. Jesu?s 28/03/2012 12:48 Página 249 AFRONTAMIENTO PSICOLOGICO EN EL SIGLO XXI CONSTRUCCIÓN SOCIAL DEL ENGAÑO Y LA MENTIRA A TRAVÉS DE LOS CUENTOS MARAVILLOS María José Rabazo Méndez Profesora Asociada en el Departamento de Psicología y Antropología . UEX [email protected] Fecha de recepción: 8 de febrero de 2012 Fecha de admisión: 15 de marzo de 2012 RESUMEN El objetivo de este artículo es resaltar la importancia de la tradición oral, en este caso, de los cuentos maravillosos, en la construcción social del engaño y la mentira. Se han analizado 8 cuentos de contenido engañoso cuyo criterio para su inclusión han sido los considerados por Bennett (1976) para poder hablar de presencia de engaño táctico.
    [Show full text]
  • Baroque Poetics and the Logic of Hispanic Exceptionalism by Allen E
    Baroque Poetics and the Logic of Hispanic Exceptionalism by Allen E. Young A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Hispanic Languages and Literatures in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Francine Masiello, Co-chair Professor Michael Iarocci, Co-chair Professor Robert Kaufman Fall 2012 Abstract Baroque Poetics and the Logic of Hispanic Exceptionalism by Allen Young Doctor of Philosophy in Hispanic Languages and Literatures University of California, Berkeley Professors Francine Masiello and Michael Iarocci, Chairs In this dissertation I study the how the baroque is used to understand aesthetic modernity in twentieth-century Spain and Latin America. My argument is that the baroque, in contemporary Hispanic and Latin American studies, functions as a myth of cultural exceptionalism, letting critics recast avant-garde and postmodern innovation as fidelity to a timeless essence or identity. By viewing much contemporary Spanish-language as a return to a baroque tradition—and not in light of international trends—critics in effect justify Spain and Latin America’s exclusion from broader discussions of modern literature. Against this widespread view, I propose an alternative vision drawn from the work of Gerardo Diego, José Lezama Lima and Severo Sarduy. These authors see the baroque not as an ahistorical, fundamentally Hispanic sensibility located outside the modern, but as an active dialogue with the wider world. In very different ways, they use the baroque to place the Hispanic world decidedly inside global aesthetic modernity. In contrast to most contemporary scholarship on the topic, I do not take the baroque to be a predefined aesthetic practice, readily identifiable in seventeenth- or twentieth- century authors.
    [Show full text]
  • UNMARRIED and WIDOWED WOMEN in GUADALAJARA, MEXICO, 1821-1910 by Andrea Vicente a DISSERTATION Submit
    SINGLENESS AND THE STATE: UNMARRIED AND WIDOWED WOMEN IN GUADALAJARA, MEXICO, 1821-1910 By Andrea Vicente A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY History 2012 ABSTRACT SINGLENESS AND THE STATE: UNMARRIED AND WIDOWED WOMEN IN GUADALAJARA, MEXICO, 1821-1910 By Andrea Vicente This is a study of women who lived without men between 1821 and 1910 in Guadalajara Mexico. In these years single and widowed women consistently outnumbered men in the city. I argue that disproportionate sex ratios created obstacles to legal marriage at a time when Mexican political leaders and reformers promoted marriage and motherhood as an important, idealized part of a solution to political instability in the aftermath of Independence in 1821. The same liberal political philosophies that motivated the fight for national Independence, promoted new economic and social reforms that displaced rural peasants forcing many to seek employment in cities. It was a trend that added to the demographic growth and industrialization of Guadalajara and created a growing class of poor urban workers. Among these new migrants were women who arrived to the city widowed and single. Some women never married, or remarried. Others lived in consensual unions and mothered illegitimate children. City officials grew anxious over the presence of unmarried working women who lived outside the boundaries of traditional marriage and patriarchal control. Increasingly, politicians, clergymen, women’s magazines, police and judges of various political stripes debated the role of unmarried women in their efforts to reform what they believed to be the wayward lifestyle that typified the urban poor.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The charro cantor : a mediation between rural and urban culture Luna de Morris, Talia Magdalena The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 ACADEMIC REG1STRAFJ ROOM 261 OFLONDON 'AALETSTREET LONDONWC1 E71 THE CHARRO CANTOR: A MEDIATION BETWEEN RURAL AND URBAN CULTURE Thesissubmitted for the degreeof Ph.D. in SpanishAmerican Studiesby Talia MagdalenaLuna de Morris King's College London University of London 2004 THESIS CONTAINS CD/DVD ABSTRACT This study is a cultural history of the charro cantor who appeared with the development of the mass media in Mexico: the "talkies" and the radio in the 1930s.
    [Show full text]
  • Coplas Del Carnaval Del Chimborazo
    Coplas SANTIAGO PAEZ del carnaval del Chimborazo Anexos: Washington Barreno IADAP INSTITUTO ANDINO DE ARTES POPULARES DEL CONVENIO ANDRES BELLO - SEDE CENTRAL ECUADOR Santiago Páez COPLAS DEL CARNAVAL DE CHIMBORAZO Formalización y Clasificación de un Fenómeno Poético Popular Anexo de Análisis y Ejecución Musical Por WASHINGTON BARRENO INSTITUTO ANDINO DE ARTES POPULARES DEL CONVENIO ANDRÉS BELLO EDICIONES IADAP INSTITUTO ANDINO DE ARTES POPULARES DEL CONVENIO ANDRÉS BELLO Casilla 91-84 Sucursal 7 Quito — Ecuador Noviembre — 1986 Este documento se realizó en base a un material entregado por el licenciado Alfredo Costales a quien expresamos nuestro profundo agradeci­ miento. DIAGRAMACIÓN Y EDICIÓN: Unidades de Diseño y Difusión del IADAP 1 . CONTENIDO PRESENTACIÓN 7 INTRODUCCIÓN 9 I BREVE DESCRIPCIÓN DE LA FESTIVIDAD DEL CARNAVAL DEL CHIMBORAZO 13 II EL OBJETO DE ESTA RECOPILACIÓN: LAS COPLAS Y SU ESTRUCTURA 15 III UN PRINCIPIO CLASIFICATORIO DE LAS COPLAS 16 IV COPLAS DEL CARNAVAL DEL CHIMBORAZO - COPLAS SOBRE LA RELACIÓN: HOMBRE - MUJER 21 - COPLAS SOBRE LA RELACIÓN: INDIVIDUO-SOCIEDAD 87 - COPLAS SOBRE LA RELACIÓN: INDIVIDUO COMO MIEMBRO DE UNA COMUNIDAD OTRAS COMUNIDADES 120 - COPLAS SOBRE LA RELACIÓN: INDIVIDUO - MUNDO SAGRADO 126 ANEXOS I. ANÁLISIS MUSICAL 133 II. GUIA PARA LA INTERPRETACIÓN DE COPLAS 139 BIBLIOGRAFÍA 145 7 PRESENTACIÓN La incursión en la literatura popular oral ha sido una de las perma­ nentes inquietudes del Instituto Andino de Artes Populares del Con­ venio Andrés Bello, el revalorizar esa fuente de información que tien­ de a ser olvidada o distorsionada, impulsó a ubicarla presente investi­ gación en uno de los contextos socio-geográficos más idóneos en el Ecuador,, como es el caso de la provincia del Chimborazo.
    [Show full text]
  • ISLL Papers the Online Collection of the Italian Society for Law and Literature
    ISLL Papers The Online Collection of the Italian Society for Law and Literature Vol. 4 / 2011 Ed. by ISLL Coordinators Carla Faralli e M. Paola Mittica ISLL Papers The Online Collection of the Italian Society for Law and Literature http://www.lawandliterature.org/index.php?channel=PAPERS © ISLL - ISSN 2035-553X Vol. 4 /2011 ISBN - 9788898010561 Ed. by ISLL Coordinators DOI - 10.6092/unibo/amsacta/5574 C. Faralli & M.P. Mittica Table of Contents José Calvo González, «Odia el delito, y compadece al delincuente». Memoria de Correccionalismo, Antropología cultural y Literatura popular («Despise Crime, and Show Compassion for the Criminal»: Recollection of Correctionalism, Cultural Anthropology, and Popular Literature) Domenico Corradini H. Broussard, Il diritto attraverso lo specchio e quel che Francesca vi trovò (The Law through the Mirror and What Francesca Found There) M. Paola Mittica, Fabbricare il tempo (The Making of Time) Michele Cuccu, Interview with Martha C. Nussbaum Ilenia De Bernardis, Romanzo, natura e diritto. Sul Saggio intorno alla condizione delle donne nello stato civile, ed alle leggi coniugali e sulle Osservazioni intorno alla nuova legge abolitiva de’ delitti di stupro di Galanti (Novels, Nature, and Law: Comments on two Essays by Giuseppe Maria Galanti) Domenico Corradini H. Broussard, Ciò che dice l’Angelo dice la Sibilla (What the Angel Says, So Says the Sibyl) Flavia Marisi, Ermeneutica giuridica ed ermeneutica musicale: una proposta di comparazione (The Interpreter’s Role in Law and in Music: A Comparative View) Francesca Faenza (ed.), Law and Narrations: Issues in Law, Literature, and Other Arts. Abstracts from the Proceedings of the Second National Convention of the Italian Society for Law and Literature, Bologna, June 3–4, 2010 Domenico Sivilli, Anatomia del Mostro.
    [Show full text]
  • La Movilidad De Las Músicas Populares En América Latina En Los Años 30 Del Siglo XX
    Artículos La movilidad de las músicas populares en América Latina en los años 30 del siglo XX. Las voces al unísono* Mobility of the Popular Musics in Latin America during the 1930s. Voices in Unison A mobilidade das músicas populares na América Latina nos anos 30 do século XX. As vozes em uníssono Hugo Andrei Buitrago-Trujillo a DOI: https://doi.org/10.11144/Javeriana.syp38-74.mmpa Universidad Pontificia Bolivariana, Colombia Redalyc: http://www.redalyc.org/articulo.oa?id=86059657003 [email protected] ORCID: http://orcid.org/0000-0002-9460-5064 Fecha de recepción: 28 Marzo 2018 Fecha de aprobación: 06 Diciembre 2018 Fecha de publicación: 18 Junio 2019 Resumen: Articulando estudios recientes de la música popular en diversos países de América Latina con las indagaciones hechas en publicaciones como cancioneros y revistas de farándula, se hace una pesquisa sobre la movilidad de las músicas populares por varios países de la región, identicando el incremento, presencia y diálogo de las músicas viajantes con las consideradas nacionales, en la década de los años 30 del siglo XX, momento en el que la industria cultural de la radio, el disco y el cine, en un proceso intermedial, se consolidan como los espacios de entretenimiento y difusión que, con excepción del cine, trascienden los espacios públicos, para instalarse, también, en los escenarios privados. Palabras clave: música popular, industria cultural, América Latina, radio, discos, intermedialidad, músicas viajantes. Abstract: Articulating, on one hand, some recent studies on popular music from different Latin-American countries and, on the other hand, some searches in publications like song books, and gossip magazines, a research is conducted about the mobility of popular musics through different countries in the region.
    [Show full text]
  • 95/08 (2008) Experiencia Religiosa
    95/08 (2008) Experiencia Religiosa Si Tú Te Vas Por Amarte Enamorado por Primera Vez Sólo en Ti Nunca Te Olvidaré Bailamos Ritmo Total Héroe Mentiroso Quizás Dímelo Dónde Están Corazón? [Tema Inédito] Lloro por Tí [Tema Inédito] Experiencia Religiosa Un poco de ti para sobrevivir Esta noche que viene fria y sola Un aire de extasis en la ventana Para vestirme de fiesta y ceremonia Cada vez que estoy contigo Yo descubro el infinito Tiembla el suelo ENRIQUEIRAN.INFO | 95/08 Exitos La noche se ilumina El silencio se vuelve melodia Y es casi un experiencia religiosa Sentir que resucito si me tocas Subir al firmamento prendido de tu cuerpo es un experiencia religiosa Casi una experiencia religiosa Contigo cada instante en cada cosa Besar la boca tuya merece un aleluya Es una experiencia religiosa Vuelve pronto mi amor te necesito ya Porque esta noche tan honda me da miedo Necesito la musica de tu alegria Para callar los demonios que llevo dentro Cada vez que estoy contigo Yo descubro el infinito Tiembla el suelo La noche se ilumina El silencio se vuelve melodia Y es casi un experiencia religiosa Sentir que resucito si me tocas Subir al firmamento prendido de tu cuerpo es un experiencia religiosa Casi una experiencia religiosa Contigo cada instante en cada cosa Besar la boca tuya merece un aleluya Es una experiencia religiosa Y es casi un experiencia religiosa Sentir que resucito si me tocas Subir al firmamento ENRIQUEIRAN.INFO | 95/08 Exitos prendido de tu cuerpo Es un experiencia religiosa Casi una experiencia religiosa Contigo cada instante
    [Show full text]
  • Repressão, Resistência E Memória Dos Trabalhadores Da Cidade E Do Campo
    REPRESSÃO, RESISTÊNCIA E MEMÓRIA DOS TRABALHADORES DA CIDADE E DO CAMPO organizadores Leonilde Servolo de Medeiros e Marco Antonio S. Teixeira Coleção: Arquivos, Memória, Verdade, Justiça e Reparação Comunicações do 4º Seminário Internacional o Mundo dos Trabalhadores e seus Arquivos volume 3 LEONILDE SERVOLO DE MEDEIROS - MARCO ANTONIO DOS SANTOS TEIXEIRA Organizadores REPRESSÃO, RESISTÊNCIA E MEMÓRIA DOS TRABALHADORES DA CIDADE E DO CAMPO Coleção: Arquivos, Memória, Verdade, Justiça e Reparação Comunicações do 4º Seminário Internacional O Mundo dos Trabalhadores e seus Arquivos Volume 3 Rio de Janeiro – São Paulo 2016 Copyright 2016 Arquivo Nacional – Central Única dos Trabalhadores - CUT- Brasil Arquivo Nacional Praça da República, 173 - 20211-350, Rio de Janeiro - RJ - Brasil Telefone: (21) 2179-1273 Fax: (21) 2179-1297 E-mail: [email protected] www.arquivonacional.gov.br Central Única dos Trabalhadores Rua Caetano Pinto, 575 – 03041-000, São Paulo - SP - Brasil Telefone: (11) 2108-9200 E-mail: [email protected] www.cut.org.br Dados Internacionais de Catalogação na Publicação (CIP) R425 Repressão, resistência e memória dos trabalhadores da cidade e do campo / organizadores Leonilde Servolo de Medeiros e Marco Antonio dos Santos Teixeira. – Rio de Janeiro : Arquivo Nacional ; São Paulo : Central Única dos Trabalhadores, 2016. 223 p. ; il. ; – (Arquivos, Memória, Verdade, Justiça e Reparação. Comunicações do 4º Seminário Internacional o Mundo dos Trabalhadores e seus Arquivos, v. 3). ISBN 978-85-60207-86-2 – ISBN 978-85-89210-63-8 1. Trabalhadores - Memória. 2. Trabalhadores rurais - História. 3. Trabalhadores urbanos - História. 4. Trabalhadores - Repressão. 5. Trabalhadores - Resistência. 6. Trabalhadores - Ditadura. 7. Sindicalismo. I. Medeiros, Leonilde Servolo.
    [Show full text]
  • El Bolero En Colombia, Un Viejo Amor
    El bolero en Colombia UN VIEJO AMOR CESAR PAGANO A Marta Madrigal Vendaval sin rumbo por la vereda tropical Agustin Lara, padre del bolero Bogotá, Mayo-Junio 1989 37 MONOGRAFIA___________ ---'f bramos este ensayo con una aseveración atrevida A pero meditada: ningún género de la música popular ha arraigado en tantas personas, ni se ha propagado y conservado con tanta intensidad en el vasto territorio de América, como el Bo- lero. Desde el New York latino, hasta las repúblicas australes y (1856-1918), quien organizó los la mismísima Patagonia se prodi- perfiles esenciales -que no inven- ga el género. Ni el tango pesimis- tó solitario el género-; miles de ta y de laborioso baile, ni la trági- obras alzaron el bolero a la apo- ca y machista ranchera, ni el ale- teosis alcanzada en los tempra- gramación de radio con espacios gre zamba brasilero, ni las caden- nos años 50s. Sus propias limita'- exclusivos dedicados a difundir- cias encendidas de la cumbia ciones y conservadurismo (sensi- lo; en las reediciones discográfi- colombiana,ni el ritmático y reno- blería romanticotalegona, temas cas de antologías; en las evoca- vador mambo cubano; ni siquiera inactuales, machismo recalcitran- ciones y música televisada que ha la invasión contagiosa de la Salsa, te y la repetición de fórmulas ver- suscitado; en la profusión de artí- ganaron nunca tan amplio predi- bales y sonoras), lo estancaron en culos, folletos y libros sobre el camento en nuestro continente. un mundo que no se detiene. El apasionante tema. 1 En el fondo de cada latinoame- surgimiento de la balada europea ricano hay un bolerista dormido aclimatada para latinoamerica- 1.
    [Show full text]
  • D YHQD Foivlfd GHO EROHUR Urpiqwlfr
    81,9(56,'$'$87Ï120$'(/$&,8'$''(0e;,&2 &2/(*,2'(+80$1,'$'(6<&,(1&,$662&,$/(6 /DYHQDFOiVLFDGHOEROHURURPiQWLFR 48(3$5$2%7(1(5(/7Ë78/2'( /,&(1&,$'2(1$57(<3$75,021,2&8/785$/ 325/$23&,Ï1'(75$%$-25(&(3&,21$/ 3 5 ( 6 ( 1 7$ /8,6(<'(5520È1,%$55$ ',5(&725$ 'UD-XGLWK/RUHQD0pQGH]%DUULRV &LXGDGGH0p[LFRPD\RGH SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores.
    [Show full text]
  • Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medell´In, Colombia, 1930–1953
    BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 by Carolina Santamar¶³aDelgado B.S. in Music (harpsichord), Ponti¯cia Universidad Javeriana, 1997 M.A. in Ethnomusicology, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of the Department of Music in partial ful¯llment of the requirements for the degree of Doctor of Philosophy in Ethnomusicology University of Pittsburgh 2006 BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 Carolina Santamar¶³aDelgado, PhD University of Pittsburgh, 2006 This dissertation explores the articulation of music, identity, and class struggles in the pro- duction, reception, and consumption of sound recordings of popular music in Colombia, 1930- 1953. I analyze practices of cultural consumption involving records in Medell¶³n,Colombia's second largest city and most important industrial center at the time. The study sheds light on some of the complex connections between two simultaneous historical processes during the mid-twentieth century, mass consumption and socio-political strife. Between 1930 and 1953, Colombian society experienced the rise of mass media and mass consumption as well as the outbreak of La Violencia, a turbulent period of social and political strife. Through an analysis of written material, especially the popular press, this work illustrates the use of aesthetic judgments to establish social di®erences in terms of ethnicity, social class, and gender. Another important aspect of the dissertation focuses on the adoption of music gen- res by di®erent groups, not only to demarcate di®erences at the local level, but as a means to inscribe these groups within larger imagined communities.
    [Show full text]