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Music of Mexico, Date (Inclusive): 1920-1930 Collection Number: 2007.05 Extent: 7 Boxes Repository: University of California, Los Angeles

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http://oac.cdlib.org/findaid/ark:/13030/kt3q2nd13k No online items Finding Aid for the Music of Mexico 1920-1930 Processed by Ethnomusicology Archive staff.. Ethnomusicology Archive UCLA 1630 Schoenberg Music Building Box 951657 Los Angeles, CA 90095-1657 Phone: (310) 825-1695 Fax: (310) 206-4738 Email: [email protected] URL: http://www.ethnomusic.ucla.edu/Archive/ ©2007 The Regents of the University of California. All rights reserved. Finding Aid for the Music of 2007.05 1 Mexico 1920-1930 Descriptive Summary Title: Music of Mexico, Date (inclusive): 1920-1930 Collection number: 2007.05 Extent: 7 boxes Repository: University of California, Los Angeles. Library. Ethnomusicology Archive Los Angeles, California 90095-1490 Abstract: Includes a collection of 78s acquired from UCLA Special Collections Library. The Collection consists of recordings from throughout South America, Mexico, Europe and Spain. Recorded in the 1920-1930s. Language of Material: Collection materials in Spanish Access Collection is open for research. Publication Rights Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.) and/or by the copyright or neighboring-rights laws of other nations. Additionally, the reproduction of some materials may be restricted by terms of Ethnomusicology Archive gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of protected items beyond that allowed by fair use requires the written permission of the copyright owners. The nature of historical archival collections means that copyright or other information about restrictions may be difficult or even impossible to determine. Whenever possible, the Ethnomusicology Archive provides information about copyright owners and other restrictions in the finding aids. The Ethnomusicology Archive provides such information as a service to aid patrons in determining the appropriate use of an item, but that determination ultimately rests with the patron. The Ethnomusicology Archive is eager to hear from any copyright owners who are not properly identified so that appropriate information may be provided in the future. Preferred Citation [Identification of item], Music of Mexico, 2007.05, Ethnomusicology Archive, University of California, Los Angeles. Series 1. Mexico Subseries 1. Male Vocalists Box 1, Item Untitled April 7, 1921 2007.05_ar4289 Composer: Ortega, Antonio; Oteo, A. Esparza Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4289: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Corazon Mentiroso--Side B--Cancion del Viento Box 1, Item Untitled 2007.05_ar4290 Composer: Brito, Julio; Curiel, Gonzalo Performer: Julio Flores con Orquestra Publisher: USA/Varsity Physical Description: Original AR 4290: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Amor de Mo Bohio--Side B--Sollozo Finding Aid for the Music of 2007.05 2 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4291 Composer: Farres, Oswaldo; Velazquez, Chelo Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4291: analog, 78 rpm, mono; 10 in. Box 1, Item Untitled 2007.05_ar4292 Composer: Barrera, Carlos Gomez; Palacios, Chucho Performer: Julio Flores con la Orquestra de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4292: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Un Sueno Fue--Side B--Desperte Llorando Box 1, Item Untitled 2007.05_ar4293 Composer: Ruiz, Gabriel; Curiel, Gonzalo Performer: Julio Flores con la Orquestra de Juan S. Garrido Publisher: Mexico/Peerless Physical Description: Original AR 4293: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--No Se Cuando--Side B--Amargura Box 1, Item Untitled 2007.05_ar4294 Composer: Carreras, Justo; Klose-Lukesch-Roque Performer: Ramon Armengod con la Orquestra de Nano Rodrigo Publisher: USA/Decca Physical Description: Original AR 4294: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cuatro Vidas--Side B--Violeta Box 1, Item Untitled 2007.05_ar4295 Composer: Brito, Julio: Grenet, Eliseo and R. Gomez Kemp Performer: Ramon Armengod con don Gilberto y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4295: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Acurrucasita--Side B--Volvi Box 1, Item Untitled 2007.05_ar4296 Composer: Nunez de Borbon, Alfredo; Curiel, Gonzalo Performer: Ramon Armengod con la Orquestra de Jose Moran Publisher: USA/Decca Physical Description: Original AR 4296: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Hay Que Oldivar--Side B--Sospecha Finding Aid for the Music of 2007.05 3 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4297 Composer: Dominguez, Abel; Oteo, Alfonso Esparza Performer: Ramon Armengod con la Orquestra de Jose Moran Publisher: USA/Decca Physical Description: Original AR 4297: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Frenesi--Side B--Bien Sabes Tu Box 1, Item Untitled 2007.05_ar4298 Composer: Marroquin, Jose Sabre and Jose Antonio Zorilla; Valencia, Arvizu, Pafumy Performer: Ramon Armengod con Noro Morales y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4298: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cancion del Mar--Side B--Desden Box 1, Item Untitled 2007.05_ar4299 Composer: Arcaraz, Luis; Cortazar, Ernesto Performer: Ramon Armengod con Nano Rodrigo y su Orquestra Publisher: USA/Decca Physical Description: Original AR 4299: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Prisionero del Mar--Side B--Que Paso? Box 1, Item Untitled 2007.05_ar4300 Composer: Lara, Agustin Performer: Agustin Lara Su Piano y Su Orquesta con Ramon Armengod Publisher: USA/Decca Physical Description: Original AR 4300: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Cuerdas de mi Guitara--Side B--El Organillero Box 1, Item Untitled 2007.05_ar4301 Composer: Cardenas, Guty; Lara, M.T. Performer: Los Portenos; Pedro Vargas Orquestra E. Diaz Publisher: USA/National Hollywood Physical Description: Original AR 4301: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Yo Se Que Nunca--Side B--Janitzio Box 1, Item Untitled 2007.05_ar4302 Composer: Jimenez, T.; Campos, A. Performer: Guty Cardenas y Chalin Publisher: USA/Columbia Physical Description: Original AR 4302: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Pavito real--Side B--La Mancornadora Finding Aid for the Music of 2007.05 4 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4303 Performer: Guty Cardenas Publisher: USA/Brunswick Physical Description: Original AR 4303: analog, 78 rpm, mono; 10 in. Scope and Content Note Side--Flor--Side B--Ojos Tristes Box 1, Item Untitled 2007.05_ar4304 Composer: Grever, Maria; Aviles, Adolfo Performer: Juan Pulido con Orquesta Publisher: USA/Victor Physical Description: Original AR 4304: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Jurame--Side B--Cicatrices Box 1, Item Untitled 2007.05_ar4305 Composer: Kinleiner-Torres;Franchini-Ponte-Bhar Performer: Leo Martini con su Orquesta Publisher: Argentina/Seeco Physical Description: Original AR 4305: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A-- Ha Pasado--Side B--Pacado Note cracked in middle Box 1, Item Untitled 2007.05_ar4306 Composer: Allegre, Antonio; Tinelly-Cadicamo Performer: Dr. Alfonso Ortiz Tirada con Juan S. garrido y so Orquesta Publisher: USA/Okeh Physical Description: Original AR 4306: analog, 78 rpm,mono; 10 in. Scope and Content Note Side A--Crepusculo--Side B--Por La Vuelta Box 1, Item Untitled 2007.05_ar4307 Composer: Valdes, Fernan Silva and Juan de Dios Filiberto; Grenet, Eliseo Performer: Alfonso Ortiz Tirado Publisher: USA/Victor Physical Description: Original AR 4307: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Clavel del Aire--Side B--Las Perlas de tu Boca Box 1, Item Untitled 2007.05_ar4308 Composer: Grever, Maria Performer: Alfonso Ortiz Tirado con Orquesta Publisher: USA/Victor Physical Description: Original AR 4308: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Por si no te vuelvo a ver--Side B--Te Quiero dijiste Finding Aid for the Music of 2007.05 5 Mexico 1920-1930 Series 1.Mexico Subseries 1.Male Vocalists Box 1, Item Untitled 2007.05_ar4309 Composer: Lara, Maria Teresa; Lara, Agustin Performer: Alfonso Ortiz Tirado con la Orquesta RCA Victor Publisher: USA/Victor Physical Description: Original AR 4309: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Oracion Caribe--Side B--Sevilla Box 1, Item Untitled 2007.05_ar4310 Composer: Lara, Agustin Performer: Alfonso Ortiz Tirado con Acom. de la Orquesta Radio Splendid Publisher: USA/Victor Physical Description: Original AR 4310: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Granada--Side B--Toledo Box 1, Item Untitled 2007.05_ar4311 Composer: Dominguez, Armando; Hermanos Martinez Gil Performer: Miguel Aceves Mejia con la Orquesta de Noe Fajardo Publisher: Mexico/Peerless Physical Description: Original AR 4311: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Destino--Side B--Cancion sin Nombre Box 1, Item Untitled 2007.05_ar4312 Composer: Grever, Maria Performer: Carlos Ramirez con Orquesta Publisher: USA/Victor Physical Description: Original AR 4312: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Para Que Recordar--Side B--De Donde Box 1, Item Untitled 2007.05_ar4313 Composer: Grenet, Eliseo; Grever, Maria Performer: Carlos Ramirez and Victor Concert Orchestra Publisher: USA/Victor Physical Description: Original AR 4313: analog, 78 rpm, mono; 10 in. Scope and Content Note Side A--Rica Pulpa--Side B--Para Que Recordar Box 1, Item Untitled 2007.05_ar4314 Composer: Brown, Forman and Ernesto Lecuona; Dominguez, Alberto Performer: Carlos Ramirez and Victor Concert Orchestra Publisher: USA/Victor Physical Description: Original AR 4314: analog, 78 rpm, mono; 10 in.
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    El bolero en Colombia UN VIEJO AMOR CESAR PAGANO A Marta Madrigal Vendaval sin rumbo por la vereda tropical Agustin Lara, padre del bolero Bogotá, Mayo-Junio 1989 37 MONOGRAFIA___________ ---'f bramos este ensayo con una aseveración atrevida A pero meditada: ningún género de la música popular ha arraigado en tantas personas, ni se ha propagado y conservado con tanta intensidad en el vasto territorio de América, como el Bo- lero. Desde el New York latino, hasta las repúblicas australes y (1856-1918), quien organizó los la mismísima Patagonia se prodi- perfiles esenciales -que no inven- ga el género. Ni el tango pesimis- tó solitario el género-; miles de ta y de laborioso baile, ni la trági- obras alzaron el bolero a la apo- ca y machista ranchera, ni el ale- teosis alcanzada en los tempra- gramación de radio con espacios gre zamba brasilero, ni las caden- nos años 50s. Sus propias limita'- exclusivos dedicados a difundir- cias encendidas de la cumbia ciones y conservadurismo (sensi- lo; en las reediciones discográfi- colombiana,ni el ritmático y reno- blería romanticotalegona, temas cas de antologías; en las evoca- vador mambo cubano; ni siquiera inactuales, machismo recalcitran- ciones y música televisada que ha la invasión contagiosa de la Salsa, te y la repetición de fórmulas ver- suscitado; en la profusión de artí- ganaron nunca tan amplio predi- bales y sonoras), lo estancaron en culos, folletos y libros sobre el camento en nuestro continente. un mundo que no se detiene. El apasionante tema. 1 En el fondo de cada latinoame- surgimiento de la balada europea ricano hay un bolerista dormido aclimatada para latinoamerica- 1.
  • D YHQD Foivlfd GHO EROHUR Urpiqwlfr

    D YHQD Foivlfd GHO EROHUR Urpiqwlfr

    81,9(56,'$'$87Ï120$'(/$&,8'$''(0e;,&2 &2/(*,2'(+80$1,'$'(6<&,(1&,$662&,$/(6 /DYHQDFOiVLFDGHOEROHURURPiQWLFR 48(3$5$2%7(1(5(/7Ë78/2'( /,&(1&,$'2(1$57(<3$75,021,2&8/785$/ 325/$23&,Ï1'(75$%$-25(&(3&,21$/ 3 5 ( 6 ( 1 7$ /8,6(<'(5520È1,%$55$ ',5(&725$ 'UD-XGLWK/RUHQD0pQGH]%DUULRV &LXGDGGH0p[LFRPD\RGH SISTEMA BIBLIOTECARIO DE INFORMACIÓN Y DOCUMENTACIÓN UNIVERSIDAD AUTÓNOMA DE LA CIUDAD DE MÉXICO COORDINACIÓN ACADÉMICA RESTRICCIONES DE USO PARA LAS TESIS DIGITALES DERECHOS RESERVADOS© La presente obra y cada uno de sus elementos está protegido por la Ley Federal del Derecho de Autor; por la Ley de la Universidad Autónoma de la Ciudad de México, así como lo dispuesto por el Estatuto General Orgánico de la Universidad Autónoma de la Ciudad de México; del mismo modo por lo establecido en el Acuerdo por el cual se aprueba la Norma mediante la que se Modifican, Adicionan y Derogan Diversas Disposiciones del Estatuto Orgánico de la Universidad de la Ciudad de México, aprobado por el Consejo de Gobierno el 29 de enero de 2002, con el objeto de definir las atribuciones de las diferentes unidades que forman la estructura de la Universidad Autónoma de la Ciudad de México como organismo público autónomo y lo establecido en el Reglamento de Titulación de la Universidad Autónoma de la Ciudad de México. Por lo que el uso de su contenido, así como cada una de las partes que lo integran y que están bajo la tutela de la Ley Federal de Derecho de Autor, obliga a quien haga uso de la presente obra a considerar que solo lo realizará si es para fines educativos, académicos, de investigación o informativos y se compromete a citar esta fuente, así como a su autor ó autores.
  • Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medell´In, Colombia, 1930–1953

    Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medell´In, Colombia, 1930–1953

    BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 by Carolina Santamar¶³aDelgado B.S. in Music (harpsichord), Ponti¯cia Universidad Javeriana, 1997 M.A. in Ethnomusicology, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of the Department of Music in partial ful¯llment of the requirements for the degree of Doctor of Philosophy in Ethnomusicology University of Pittsburgh 2006 BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 Carolina Santamar¶³aDelgado, PhD University of Pittsburgh, 2006 This dissertation explores the articulation of music, identity, and class struggles in the pro- duction, reception, and consumption of sound recordings of popular music in Colombia, 1930- 1953. I analyze practices of cultural consumption involving records in Medell¶³n,Colombia's second largest city and most important industrial center at the time. The study sheds light on some of the complex connections between two simultaneous historical processes during the mid-twentieth century, mass consumption and socio-political strife. Between 1930 and 1953, Colombian society experienced the rise of mass media and mass consumption as well as the outbreak of La Violencia, a turbulent period of social and political strife. Through an analysis of written material, especially the popular press, this work illustrates the use of aesthetic judgments to establish social di®erences in terms of ethnicity, social class, and gender. Another important aspect of the dissertation focuses on the adoption of music gen- res by di®erent groups, not only to demarcate di®erences at the local level, but as a means to inscribe these groups within larger imagined communities.