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MLP46 Digital Booklet

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MLP46 Digital Booklet Nos Années Pop ? Ou pour les beaux yeux de Pascale Ogier ! « Le rock français, c’est comme le vin anglais » disait ironiquement John Lennon. Les années 77 à 87 en France sont-elles symboliques de nos illusions perdues ? Charnières entre l’ère de la droite hautaine, au pouvoir depuis plusieurs générations, représentée par Valérie Giscard d’Estaing et celle de la gauche machiavélique incarnée par François Mitterrand. L’éphémère « révolution » de 68 avait finalement envoyé le vieux général de Gaule à la retraite, voire au cimetière. Celui même qui, en son temps, avait appris à nos pères à résister et avait permis à André Malraux de créer le Ministère de la Culture. Mais malgré l’utopiste printemps, l’après 68 devait accoucher d’un sursaut « républicain » en le personne de son premier ministre Georges Pompidou dont l’un des mérites est d’avoir gratifié Paris d’un nouveau musée d’art moderne portant son nom et justement inauguré en 77. Entre 1974 et 1975, de l’autre côté de l’atlantique à New York, une petite demi douzaine de groupes : Patti Smith, Television, The Ramones, Talking Heads, The Hearbreakers et Blondie, va donner un sévère coup de vieux au Rock’n’roll ambiant. Le top des albums dans le Billboard US est alors squatté par John Denver, Elton John, The Captain & Tennille et autres Eagles.... qui à part Elton John et « Hotel California », n’ont pas enthousiasmé le public Français ! New York va donc amener un souffle nouveau sur une industrie du disque qui ronronne tranquillement. La traînée de poudre va se propager en Angleterre grâce à Malcom McLaren, qui manager des New York Dolls en 1974 ne parviendra pas à sauver le groupe coincé entre deux générations. Par contre il comprendra très vite que Television, le petit groupe qui fait les premières parties des Dolls à New York à cette époque, porte en lui le futur immédiat du Rock. Malcom voulu emmen- er Richard Hell, le bassiste du groupe, à Londres, mais celui-ci déclina l’offre. Il exporta le concept et les épingles à nourrices des T. Shirts de Richard et manufactura les Sex Pistols avec le bonheur éphémère que l’on sait... De ce côté du chanel, dans notre beau pays giscardien plombé par le choc pétrolier de 74 et la crise économique qui en découla, la morosité est de mise et le nihiliste « No Future » pistolien d’une jeunesse désenchantée en passe de devenir également le slogan de l’année. Londres, une nouvelle fois, va donner le la et le modèle à suivre. Juste retour des choses, McLaren ayant largement emprunté /détourné ses théories Marketing à celles de Guy Debord et des situationnistes de la génération précédente. Le “Do it yourself” de la perfide Albion va inspirer une poignée de groupes français qui vont aller chercher dans l’esthétique Nouvelle Vague Godardienne un look de « jeunes gens modernes » qui les différenciera notoirement de leurs homologues britons costumés « Punk » par Vivian Westwood. Nous ne sommes, à priori, pas naturellement doués pour la musique en France, mais pour l’élégance et l’esthétisme, nous n’avons de leçons à recevoir de personne et c’est toute l’ironie de l’histoire… Cette compilation n’est pas exhaustive de la production Pop ou New Wave Française de l’époque, mais reflète celle des groupes d’origine française de notre label ZE Records et de mes propres productions,donc un regard obligatoirement subjectif et partial. Viennent accompagner ces groupes, d’autres qui auraient très bien pu faire partie du team ZE, comme Elli et Jacno, Modern Guy, Mathématiques Modernes ou Artefact. Tous signés sur le label Dorian / Celluloid de notre vieux compère, complice et ami, le regretté Jean Karakos. Tous trainaient ou répétaient dans la cave du magasin Harry Cover dans les Halles, un des premiers « concept store » parisien et QG français de ZE Records. Cette compilation reflète une vision singulière de cette époque, mais n’est-ce pas le propre de tout franc tireur qui se respecte. Un peu le contraire de la soi-disant démocratie en vigueur dans les shows télévisuels sensé apporter au bon peuple, les nouvelles « stars » de demain... Cette « parenthèse enchantée » prometteuse ne s’est pas concrétisée, même si des personnalités comme Etienne Daho, petit frère, héritier de cette génération, ont su populariser avec talent ce souffle nouveau. D’autres, aujourd’hui, se réfèrent à certains de ces groupes et c’est le propres de toute génération de se nourrir de la précédente, à elle de faire avancer le bouchon un peu plus loin. Malgré tout, force est de constater que si la plupart de ces titres sortaient de nos jours, soit au bas mot, 30 ans plus tard, et ils ne dépareilleraient pas de la production hexagonale actuelle soit-disant… faut-il s’en réjouir… ? Michel Esteban TRACK LIST DISC A A01 • Marie et Les Garçons • Re Bop Produced by John Cale Original Sound Made by Michel Esteban © 1977 A02 • Lizzy Mercier Descloux • Jim On The Move Produced by Michel Esteban Original Sound Made by ZE Records © 1979 A03 • Artefact • Be Bop Logic Produced by Artefact Original Sound Made by Dorain / Celluloid © 1979 A04 • Elli & Jacno • Je T'aime Tant Produced by Jacno Original Sound Made by Dorain / Celluloid © 1982 A05 • Mathematiques Modernes • Disco Rough Produced by Jacno Original Sound Made by Dorain / Celluloid © 1980 A06 • Caroline Loeb - A Malibu Produced by Ron Rogers Original Sound Made by ZE Records © 1983 A07 • Lio • Veste du Soir Produced by Michel Esteban Original Sound Made by Overseas Unlimited © 1986 A08 • Jacno • Rectangle Produced by Jacno Original Sound Made by Dorain / Celluloid © 1979 A09 • Bella Vista • Mister Wong Produced by Michel Esteban Original Sound Made by Michel Esteban © 1982 A10 • Casino Music • Amour Sauvage Produced by Chris Stein & Casino Music Original Sound Made by ZE Records © 1979 A11 • Guillaume Serp • Toi et Moi à Rome Produced by Goddard /Le Ker /Serp / Esteban Original Sound Made by Michel Esteban © 1981/83 A12 • Suicide Roméo • Moderne Romance Produced by Alex Sadkin Original Sound Made by ZE Records © 1980 TRACK LIST DISC B B01 • Lio • Seules les Filles Pleurent Produced by Michel Esteban Original Sound Made by Overseas Unlimited © 1987 B02 • Helena Noguerra • Lunettes Noires Produced by Michel Esteban Original Sound Made by Overseas Unlimited © 1987 B03 • Modern Guy • Electrique Sylvie Produced by John Cale Original Sound Made by Dorain / Celluloid © 1980 B04 • Lizzy Mercier Descloux • Mission Impossible Produced by Michel Esteban Original Sound Made by ZE Records © 1979 B05 • Marie et Les Garçons • Attitudes Produced by John Cale Original Sound Made by Michel Esteban © 1977 B06 • Suicide Romeo • Suicide Roméo Produced by Alex Sadkin Original Sound Made by ZE Records © 1980 B07 • Octobre • Nos Amis d’Europe Produced by Octobre / Michel Esteban Original Sound Made by Michel Esteban © 1982 B08 • Guillaume Serp • Danser à Berlin Produced by Goddard /Le Ker /Serp / Esteban Original Sound Made by Michel Esteban © 1981/83 B09 • Casino Music • Burger city Produced by Chris Stein & Casino Music Original Sound Made by ZE Records © 1979 B10 • Cristina • La Poupée qui fait Non Produced by August Darnell Original Sound Made by ZE Records © 1980 B11 • Caroline Loeb • Narcissique Produced by Ron Rogers Original Sound Made by ZE Records © 1983 B12 • Corazon Rebelde • De quoi j’me mèle Produced by Michel Esteban Original Sound Made by Overseas Unlimited © 1987 A compilation Selected and Produced by Michel Esteban Art Cover by Michel Esteban Inspired by Peter Klasen ℗ & © ZE Records 2017 Lio, Michel Esteban, Guillaume Serp & John Cale, Los Angeles 1986.
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