DOCSLIB.ORG

Download PDF Booklet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download PDF Booklet www.zerecords.com UNDERCOVER Adapting someone else’s composition is a heady challenge and an almost obli- gatory step in an artist’s career but one which is not without risk in certain cases. The stimulation may come from a sort of gauntlet of style being thrown down or from the great pleasure of reworking, reviewing a work that one has loved. Whatever the trigger, adaptation is always a test of an artist’s taste and the limits of his or her creativity and talent even. Certain new versions become even more famous than their originals, pushing the initial artist into obscurity. A recent example of this is the adaptation of Torn by NATALIE IMBRUGLIA which immediately became an international hit. But who remembers the original ver- sion by EDNASWAP on their “Wacko Magneto” album? Covering is often an opportunity to play with the style of a composition, which proves that the original was a good song and that with the injection of different talent, it can be adapted to any given style. A famous example of this is the exceptional adventure of « My Way ». It was written by French man Jacques Revaux under the title « For Me », it was then presented to Claude François who adapted it with Gilles Thibaut to produce « Comme d’Habitude ». The song was relatively successful in France in 1967 but then PAUL ANKA heard it and adapted it into English two years later under the title of « My Way ». He offered the song to « THE VOICE », Mister FRANK SINATRA himself. This was the start of the song’s fabulous international career. Over one thousand versions of « My Way » have since been recorded, the best known being those by EL- VIS PRESLEY, EDDIE COCHRAN, TOM JONES, THE PLATTERS, LUCIANO PAVAROTTI, RAY CHARLES, NINA HAGEN… the version by NINA SIMONE is, in my opinion, one of the best covers while SID VICIOUS’ atomic production perfectly illustrates the theory of a good song being adaptable to any style. All the artists that record for ZE Records have made at least one cover version. It was a natural step forward to bring them together on this compilation. COATI to my Head, also interpreted famously by Billie Holiday, her version though MUNDI has adapted Tropical Hot Dog Night, one of the most joyous songs ever remains fresh and visionary even. The newcomers to ZE in 2004 also rose to written by Don Van Vliet for his band CAPTAIN BEEFHEART. RUEBEN BLADES the challenge with pleasure. Miss OD backed by Gentleman’s League pour is present as a Latino guest star. ALAN VEGA pays a tribute to GENE VINCENT out a very smooth version of Dindi by Jobim, originally interpreted by Astrud with his version of Be Bop a Lua. CRISTINA revives her French roots and of- Gilberto and also sung magnificently by Sinatra. BOHEMIANS Vs COW BOYS fers us a highly personal, Latin version of La Poupée qui fait Non produced by featuring Miss OD and Shuuko electrify Money, the Tamla Motown classic by August Darnell from Michel Polnareff’s first success. CASINO MUSIC, whose Barret Strong. Finally LISI, a daughter of Cuban exiles in Miami rips into (with leader GILLES RIBEROLLES parodies the French Lover on the previous track great class and style) Johnny Mercer and Harold Harlen’s American classic by CRISTINA offers an excellent cover of The Beat Goes On, written by Salva- Come Rain or Come Shine, made popular by numerous artists including Judy tore Bono & Cherilyn LaPiere, better known as Sonny & Cher. Their Frenchy Garland, Sinatra and Billie Holiday. compatriots SUICIDE ROMEO have lent their influence to Needle in a Camel’s The difficulty in adapting a song lies in the capacity of breaking with its past his- Eye by Brian Eno, in a version that is cleverly close to the original. tory, its origins in order to take a hold of it, breathe a different life into it, reinvent James White took up the challenge with a version of (Tropical) Heatwave by it, even revolutionize it…injecting new emotion to a song that has already made Irving Berlin (with Anya Phillips as the platinum blond) made popular by Marilyn its mark: what a challenge!! Monroe in the film « There’s No Business Like Show Business ». Lili Marlene by Marlene Dietrich is reviewed and adopted by Kid Creole & the Coconuts, sung Michel Esteban in German by Adriana, accompanied on the piano by Stony Browder Jr., August Paris, October 2004 Darnell’s brother and co-founders of Dr Buzzard’s Original Savannha Band. AU- RAL EXCITERS, Bob Blank’s After Hours Party Band offer their version of My Boy Lollipop, originally created by Jamaican teenager Millie Small, who brought the first N°1 in the British charts (N°2 in the USA) to a young producer called Chris Blackwell on his then new label, Island Records. My Boy Lollipop is still today one of the top selling Reggae singles in the world. Lizzy Mercier Descloux gives her offbeat version of Marvin Gaye’s Let’s Get it On, recorded in Rio de Janeiro during sessions for her « One for the Soul » album. Sweet Pea Atkinson in a duo with Caroll Hall, supported by WAS (NOT WAS), cover Anyone who had a Heart by Burt Bacharach, originally made fa- mous by Dionne Warwick. In 1980 LIO recorded Gillespie and Coots’ You go CREDITS 01 • Miss OD & GENTLEMEN LEAGUE • Dindi • 3:05 (Antonio Carlos Jobim / Aloysio de Oliveira) Published by Rondor Originally popularised by Astrud Gilberto Recorded at South Factory Studio, 2004 All instruments, Arrangements & Mix by Michel Bassignani Produced by M & M Original sound recording made by ZE records © 2004 02 • JAMES WHITE & THE BLACKS • (Tropical) Heatwave • 3:50 (Irving Berlin) Published by Warner Chappell Originally popularised by Marilyn Monroe Recorded at Blank Tapes, NYC 1978. Produced by James Chance Original sound recording made by ZE records © 1979 03 • LIO • You Go to My Head • 2:35 (Coots / Gillespie) Published by Warner Chappell Origally popularised by Billie Holiday Recorded in Bruxelles 1980. Produced by Marc Moulin & Dan Lacksman Original sound recording made by OVERSEAS UNLIMITED © 1980 04 • LISI • Come Rain or Come Shine • 2:40 (Johnny Mercer / Harold Harlen) Published byWarner Chappell Originally popularised by Judy Garland & Frank Sinatra Recorded in Miami, 2004. Overdub & Mix by Michel Bassignani Produced by Lisi and M & M Original sound recording made by ZE records © 2004 05 • CASINO MUSIC • The Beat Goes On • 3:53 (Sony Bono) Published by PECF Originally popularised by Sony & Cher Recorded in Paris 1981 Produced by Casino Music & Michel Esteban Original sound recording made by ZE records © 1981 06 • SUICIDE ROMEO • Needle in a Camel Eye • 4:18 (Brian Eno) Published byEG Music Originally popularised by Brian Eno Recorded at Compass point Studios, Nassau - Bahamas 1981 Produced by Alex Sadkin & Michel Esteban Original sound recording made by ZE records © 1981 07 • ALAN VEGA • Be Bop a Lua • 2:21 (Gene Vincent / Sheriff Tex Davis) Published by Hill & Range Songs Inc. Originally popularised by Gene Vincent Recorded at Skyline Studio, NYC 1980 Produced by Alan Vega Original sound recording made by ZE records © 1980 08 • AURAL EXCITERS • My Boy Lollipop • 5:09 (Johnny Roberts / Morris Levy) Published by Nom Music Inc. Originally popularised by Millie Small Recorded at Blank Tapes, NYC 1979. Produced by Bob Blank. Original sound recording made by ZE records © 1979 09 • BOHEMIANS VS COW BOYS Feat. SHUUKO & Miss OD • Money • 3:53 • (Berry Gordy / Janie Bradford) Published by EMI Music Publishing Originally popularised by Barrett Strong & The Flying Lizart Recorded at South Factory Studio. All instruments by Albin de la Simone & Michel Bassignani. Mixed 2004 by Michel Bassignani Produced by M & M Original sound recording made by ZE records © 2004 10 • CRISTINA • La Poupée Qui Fait Non • 5:10 (Michel Polnareff / F. Gerald) Published Ma music Inc Semi Originally popularised by Michel Polnareff Recorded at Blank Tapes, NYC 1980 Produced by August Darnell Original sound recording made by ZE records © 1980 11 • COATI MUNDI • Tropical Hot Dog Night • 5:46 (Don Van Vliet) Published by Singing Ink Music B.M.I Originally popularised by Captain Beefheart Recorded at Planet Sound NYC 1983 Special Cameo Appearance Ruben Blades Produced by “Sugar-Coated” Andy Hernandez Original sound recording made by Coati Mundi Productions © 1983 12 • LIZZY MERCIER DESCLOUX • Let’s Get It On • 4:57 (Marvin Gaye/ Ed Thownsend) Published byJobete Music Originally popularised by Marvin Gaye Recorded at Polygram Studios, RIO de Janeiro, 1985 Remixed 2004 at South Factory Studio by Michel Bassignani Produced by Michel Esteban Original sound recording made by Polydor © 1985 13 • KID CREOLE & THE COCONUTS • Lili Marlene • 3:54 (Norbert Scultze /HansLeip) Published by EMI Music Publishing Originally popularised by Marlene Dietrich Recorded at Blank Tapes, NYC 1980. Produced by August Darnell Mixed by August Darnell & Bob Blank Original sound recording made by ZE records © 1980 14 • SWEAT PEA ATKINSON & CAROL HALL • Anyone Who Had a Heart • 3:05 (Burt Bacharach / H. David) Published by MCA Music LTD Originally popularised by Dione Warwick Recorded in Detroit 1982. Produced by Don Was, David Was & Jack Tann Mixed by Michael H. Bauer Original sound recording made by ZE records © 1982 This 2004 Compilation Selected and Produced by Michel Esteban P & © ZE Records Mundo Ltda 2004 Remastered by Charlus de la Salle at Sounth Factory Studio DESIGN Art cover & Booklet & Desing by Michel Esteban .
Load more

Recommended publications
  • The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
    The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
    [Show full text]
  • The Music of Antonio Carlos Jobim
    FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Samba Jazz Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^ Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m. *CCM Student *CCM Student ^Guest Artist ^Guest Artist CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita The Girl from Ipanema Bonita The Girl from Ipanema Brigas Nunca Mais One Note Samba Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph Chega de Saudade So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Desafinado Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents.
    [Show full text]
  • Mood Music Programs
    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
    [Show full text]
  • Outsiders' Music: Progressive Country, Reggae
    CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s Chapter Outline I. The Outlaws: Progressive Country Music A. During the late 1960s and early 1970s, mainstream country music was dominated by: 1. the slick Nashville sound, 2. hardcore country (Merle Haggard), and 3. blends of country and pop promoted on AM radio. B. A new generation of country artists was embracing music and attitudes that grew out of the 1960s counterculture; this movement was called progressive country. 1. Inspired by honky-tonk and rockabilly mix of Bakersfield country music, singer-songwriters (Bob Dylan), and country rock (Gram Parsons) 2. Progressive country performers wrote songs that were more intellectual and liberal in outlook than their contemporaries’ songs. 3. Artists were more concerned with testing the limits of the country music tradition than with scoring hits. 4. The movement’s key artists included CHAPTER TWELVE: OUTSIDERS’ MUSIC: PROGRESSIVE COUNTRY, REGGAE, SALSA, PUNK, FUNK, AND RAP, 1970s a) Willie Nelson, b) Kris Kristopherson, c) Tom T. Hall, and d) Townes Van Zandt. 5. These artists were not polished singers by conventional standards, but they wrote distinctive, individualist songs and had compelling voices. 6. They developed a cult following, and progressive country began to inch its way into the mainstream (usually in the form of cover versions). a) “Harper Valley PTA” (1) Original by Tom T. Hall (2) Cover version by Jeannie C. Riley; Number One pop and country (1968) b) “Help Me Make It through the Night” (1) Original by Kris Kristofferson (2) Cover version by Sammi Smith (1971) C.
    [Show full text]
  • Lounge SONG LIST
    JAZZ SWING BLUE MOON NAT KING COLE BYE BYE BLACKBIRD ELLA FITZGERALD DON’T WAIT TOO LONG MADELINE PEYROUX DREAM A LITTLE DREAM MAMAS AND PAPAS FLY ME TO THE MOON FRANK SINATRA I GET A KICK FRANK SINATRA IT’S A WONDERFUL WORLD LOUIS ARMSRONG LOVE NINA SIMONE LULLABY OF BIRDLAND ELLA FITZGERALD ROUTE 66 NAT KING COLE SUMMERTIME BILLY HOLIDAY LOUNGE & BOSSA NOVA BESAME MUCHO NAT KING COLE GIRL FROM IPANEMA ASTRUD GILBERTO IM YOURS JASON MRAZ MASQUENADA ASTRUD GILBERTO SO DANCO SAMBA JAO GILBERTO SPOOKY CLASSICS 4 SWAY JULIE LONDON DESAFINADO ASTRUD GILBERTO FELICIDADE JAO GILBERTO THE LOOK OF LOVE BERT BACHARACH WAVE SEGIO MENDEZ ROCK N ROLL GREAT BALLS OF FIRE JERRY LEE LEWIS HALLELUJAH I LOVE HIM SO RAY CHARLES HOUND DOG ELVIS PRESELY IM READY FATS DOMINO IVE GOT A WOMAN RAY CHARLES MESS ARPOUND RAY CHARLES SHAKE RATTLE N ROLL LITTLE RICHARD SHAKE YOUR TAIL FEATHER BLUES BROTHERS STAND BY ME BEN.E KING TWISTING THE NIGHT AWAY SAM COOKE WHAT ID SAY RAY CHARLES YOU SEND ME SAM COOKE GROOVE & SOUL AINT NO SUNSHINE BILL WITHERS AT LAST ETTA JAMES CANT TAKE MY EYES OFF YOU FRANKIE VALLI CANTELOUPE US 3 COPA COBANA BARRY MANILOW EVIL GAL BLUES ETTA JAMES FEEL LIKE MAKING LOVE BAD COMPANY HIGHER GROUND STEVIE WONDER I CAN SEE CLEARLY NOW JOHNNY NASH LIVING IN THE CITY STEVIE WONDER I FEEL GOOD JAMES BROWN I WISH STEVIE WONDER ISNT SHE LOVELY STEVIE WONDER IT MUST BE LOVE MADNESS MOONDANCE VAN MORRISSON OYO COMO VAS SANTANA SIGNED SEALED DELIVERED STEVIE WONDER SMOOTH OPERATOR SADE SUNNY BOBBY HEBB WHATS GOING ON MARVIN GAY THE LOUNGE.
    [Show full text]
  • Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga:
    [Show full text]
  • Scarlet and Cream to Erderiam Troops UNL's Scarlet and Cream Singers Will Spend Part of Their Summer Entertaining U.S
    18, 1934 Pano 10 Daily Nebraskan Wednesday, April Aits i !! II II ll Scarlet and Cream to erderiam troops UNL's Scarlet and Cream Singers will spend part of their summer entertaining U.S. troops "over there" or "up there " to be more accurate. Eight members of the 14 member troupe will per- form for military personnel stationed in St. Johns, : Newfoundland, Thulie, Greenland and Sondistrom, x Greenland. Barb Wright, director ofstudent programs for the university Alumni Association said the armed for- ces professional entertainment department, which is the would mem- organizing tour, allow only eight S e bers to visit. 1 v., X' J "We narrowed the group down solely on seniori- 4. r'l ty," she said. There are 14 in Scarlet and f normally singers L Cream, in addition to a four-piec- e band and three full-tim- e technicians. Since all the people making the trip are vocalists, the band will pre-tap- e some music to accompany the singing, she said. 1 The eight making the trip are Julie Beranek. a t - sophomore from Lincoln; Ellen Kollars, a sopho- more from Arlington; Julie Chadwick, a junior from Lincoln; Anna Baker, a junior from Lincoln; Mark Thornburg, a sophomore from Beatrice; Rod Weber, a freshman from Blair; John Kahle, a freshman from Kearney, and Rob Reeder, a sophomore from Lin- coln. Wright said this is the first time in the group's 1 history they have been asked to perform for the military. However, it is not the first time the troupe has performed overseas.
    [Show full text]
  • View Profile
    The Bahamas Vegetation: The soil is thin, and generally infertile, but cultivation has produced exotic flowers (as well as subtropical fruit and vegetables) on the more developed islands. Some islands have large areas of pine forests. Forest covers 51 per cent of the land area and there was no significant loss of forest cover during 1990–2011. Wildlife: Animal life is restricted to small species, such as agouti, frogs, iguanas and bats. The Inagua National Park on Great Inagua Island is the home of more than 50,000 flamingos, the largest flock in the world and The Bahamas’ national bird. Main towns: Nassau (capital, pop. 241,200 in 2010) on New Providence; Freeport (44,300), West End (13,100) and High Rock (3,900) on Grand Bahama; Cooper’s Town (9,300) and Marsh Harbour (5,800) on Abaco; Freetown (4,300) and Spanish Wells (1,800) on Eleuthera; Andros Town (2,300) on Andros; and Clarence Town (1,700) on Long Island. Transport: The total road system extends to some 2,700 km, about 60 per cent of it paved. There are almost 1,000 km of roads on New Providence (some of which are privately owned), 209 km of roads on KEY FACTS city of Freeport. The other islands are known Eleuthera, 156 km on Grand Bahama, and collectively as the Family Islands or Out Joined Commonwealth: 1973 more than 885 km on the Out Islands. Islands. The islands lie on a submarine shelf Population: 377,000 (2013) which rises steeply from deep waters in the Main ports are Nassau (New Providence), Freeport (Grand Bahama) and Matthew Town GDP p.c.
    [Show full text]
  • Boarh to Increase Corporate-Scliool Pannersmps Ne
    ARCHIVES Wednesday, October 21,1998 new federal ^| boarH to increase corporate-scliool pannersMps critics worry about wHo'li call the shots seepagel2 ne BCIT Ubrary implements new computer system seepage^ Arts&Culture ] A load of fiiffl. theatre, : concerts & CD revieuvs to sink your entertainments famished teeth into. seepagesStoM The Student Newspaper of the British Coiumbi Campus Events. Link 311432-8974: This Calendar column is open for notices of evenls on all BCIT campuses. Submissions can be faxed to 431-7619. sent by campus mail or dropped off at The Link office in the SA Campus Centre (down the corridor between the video arcade and the vacant store) Unclassifieds] nelink Wednesday, October 21 Friday, October 30 4' X 4' SOLID PINE DRAFTING | BACCHUS TABLE with some equipment $175. Legal Aid. Free Consullation. 1:30 Electronics: Term A Courses End. 739-7390. to 3:30pm. By appoinlment. By Alcohol Awareness phone consultation 432-8600. Save the Tiger Walk '98. Is the Student newspaper of Week Events the British Columbia Counselling Workshop: Writing Saturday, October 31 Institute of Technology. October 26-30 Published bi-weckly by Successful Exams. Noon- 1:30pm. the BCIT Student Association, SWI 1125 (near Employment Hallowe'en The Ltnk circulates 3,500 copies Services). Information Tables in the to over 16,000 sludents and slaff. Great HaU. MADD, AA, BCIT Tap into Monday, November 2 Saturday, October 10 Health Services, The Driving American Marketing Association Alternative, BACCHUS and BCIT's United Nations Day. Meeting. 7:15am. SA Boardroom, ICBC. Contributors: SA Campus Centre. David Lai. Greg Hehen, October 26-30.
    [Show full text]
  • Adéla Jonášová
    Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud
    [Show full text]
  • Gramofon, 1998 (3. Évfolyam, 1-12. Szám)
    Csalog Gábor Starker János Fotó: promóció Fotó: Günter Wand Don Cherry Diana Krall Aziza Mustafa Zadeh MAR TÖBB MINT EMBER HALLGATJA BUDAPESTEN! ------ # 1 «------ BUDAPEST RÁDIÓ □ F 3 V C STBBiEQ 1022 BUDAPEST, BIMBÓ ÚT 7. FAX: 2 1 2 -4 9 6 8 TELEFON: 2 1 2 -4 5 0 7 The Hungarian CD Review , • ■ . Retkes Attila Főszerkesztő Bősze Adóm lapigazgató Zipernovszky Kornél Jazzrovat-vezető Trochilus Grafikai Bt. lapterv és tipográfia A szerkesztőség Budapest Mandula utca 3 Tel./Fax: 212-4782 Internet-cím: Http:/ / www. bmc. Hu/ gramofon <7, Diana Kralt Amfisz Kft. Iványi Margó Felelős kiadó Aziza Mustafa ZadeH 1025 Budapest Mandula utca 31. Tel./fax: 212-4782 Örömmel jelentjük: Joe Zawinul és Paul McCartney után idén már a Harma­ dik világsztár nyilatkozott a Gramofonnak. A kortárs jazz megHatározó alak­ Terjeszti: ja, a nagyszerű gitáros, Pat M etHeny- aki április 28-án, saját együttesével Bu­ dapesten is bemutatja Imaginary Day című albumát - A Hónap interjújában a Hírker Rt., az NHE, vall pályafutásáról, stiláris és műfaji kötődéseiről. Áprilisi számunkban több A hónap interjúja: Pat MetHeny a Kiadói lapterjesztő Kft., más, megítélésünk szerint izgalmas és különleges művészportré is olvasHató: Kiadói panoráma: Erato 5 ElisabetH Leonskaya zongoraművész a Budapesti Tavaszi Fesztivál keretében járt Magyarországon; míg a csembaló virtuóza, a magyar származású Pierre Oldal Gábor: Kis magyar gromofonológia XIII. 8 Hantái a francia fővárosban osztotta meg gondolatait munkatársainkkal. Antológia: Haydn: Az évszakok 10 Lindner András sorozata, a Kiadói panoráma áprilisban a francia nemzeti Pierre Hanta'i: Egy magyar származású Hanglemezkiadás büszkeségét, az Eratót mutatja be; Oldal Gábor Kis magyar MediaTrade Bt. csembalistasztár Párizsban 12 gramofonológiája a Hatvanas évek - immár a tömegkultúrára épülő - Hangle­ Tel./fax: 342-2362 Beszélgetés Elisabeth Leonskayával 14 mezkiadását vizsgálja.
    [Show full text]
  • UT28 Angel Face.P65
    Lost Sounds From A Wild Odyssey Laurent Bigot unveils a tale of Parisien proto-punk ‘electric music’ from the 1970s y esteemed colleague Johan Some may think they didn’t achieve much in me if I knew this band, the Rolling Stones: I had Kugelberg has already mentioned their prime (less than ten shows in two years, no idea who he was talking about. He played me Angel Face a couple of times in no records), losing singers and drummers at a “The Last Time” and I was hooked. I went to see M Spinal Tap pace. Still, they were a pretty unique them at the Olympia theater. Outside, there were the pages of Ugly Things. When, by a stroke bunch of rock & roll lovers that only did what a few police trucks all around the place. That of luck, I ended up on bassist Pascal Regoli’s they wanted, refusing to bend in front of any made people nervous and they started to harass website, I jumped at the occasion to ask him trend. They belong to that short period of time the cops. So the police charged and everybody to tell their tale. Thanks to him, I got in touch when punk rock wasn’t a cliché yet, when the did a runner. What a mess! I didn’t see much with Riton Angel Face, who had formed the blank generation was building something new else back then, I was a real homebody. band with Pascal’s brother, Julien, and with instead of being enslaved to their own form of Around 1968, I started to live with a friend in Henri Flesh who was one of their (too many) conformism.
    [Show full text]