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Home , Astrud Gilberto, A felicidade, Chega de Saudade, Desafinado, Dindi, Jazz Samba

FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS

THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^

Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m.

*CCM Student *CCM Student ^Guest Artist ^Guest Artist

CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita Bonita The Girl from Ipanema Brigas Nunca Mais Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro

Antonio Carlos Jobim was born in , , to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents. His father was a diplomat, and his mother founded a cultured parents. His father was a diplomat, and his mother founded a primary school. He began formal music studies in his teens, eventually primary school. He began formal music studies in his teens, eventually foregoing the idea of becoming an architect. His early influences were foregoing the idea of becoming an architect. His early influences were the big bands of the ‘40s, West Coast jazz of the ‘50s, composers such the big bands of the ‘40s, West Coast jazz of the ‘50s, composers such as Debussy, Stravinsky, Chopin, Villa-Lobos (introduced to him by his as Debussy, Stravinsky, Chopin, Villa-Lobos (introduced to him by his German piano teacher), and, of course, the Brazilian samba. German piano teacher), and, of course, the Brazilian samba. Jobim played piano in nightclubs and made his first recording in 1954, Jobim played piano in nightclubs and made his first recording in 1954, backing a vocalist as “Tom” and His Band. With poet backing a vocalist as “Tom” and His Band. With poet Vinicius de Moraes and vocalist/guitarist Joao Gilberto, Jobim created a new musical style and vocalist/guitarist Joao Gilberto, Jobim created a new musical style which became known as the . It borrowed from the samba, which became known as the bossa nova. It borrowed from the samba, jazz rhythms, and European harmonies. He scored de Moraes’ play Orfeu jazz rhythms, and European harmonies. He scored de Moraes’ play Orfeu do Carnaval in 1956 which became the film in 1959, scored do Carnaval in 1956 which became the film Black Orpheus in 1959, scored by Jobim and Luis Bonfa. It won both the Academy Award and Golden by Jobim and Luis Bonfa. It won both the Academy Award and Golden Globe for Best Foreign Film and the Cannes Film Festival Palme d’Or for Globe for Best Foreign Film and the Cannes Film Festival Palme d’Or for its director Marcel Camus. Most importantly, its music fueled the bossa its director Marcel Camus. Most importantly, its music fueled the bossa nova fad. nova fad. In the meantime Gilberto had recorded Jobim’s songs to popular acclaim In the meantime Gilberto had recorded Jobim’s songs to popular acclaim in 1958, and Jobim’s “Desafinado” from by and in 1958, and Jobim’s “Desafinado” from Jazz Samba by Stan Getz and became a hit in America in 1962. Jobim was among several Charlie Byrd became a hit in America in 1962. Jobim was among several to perform that year at Carnegie Hall. The following year Brazilians to perform that year at Carnegie Hall. The following year , Joao’s wife, scored a mega hit with Jobim’s “The Girl Astrud Gilberto, Joao’s wife, scored a mega hit with Jobim’s “The Girl from Ipanema.” from Ipanema.” Jobim’s gentle guitar, romantic rhythms, and warm vocal style epitomized Jobim’s gentle guitar, romantic rhythms, and warm vocal style epitomized the sensuality of his music. He recorded with orchestrators Claus the sensuality of his music. He recorded with orchestrators and Nelson Riddle, vocalist , and several jazz Ogerman and Nelson Riddle, vocalist Frank Sinatra, and several jazz musicians. Many of his songs became well-established in the jazz musicians. Many of his songs became well-established in the jazz repertoire and were given English lyrics by various writers: “Corcovado” repertoire and were given English lyrics by various writers: “Corcovado” (“Quiet Nights of Quiet Stars”), “Wave,” “Chega de Saudade” (“No More (“Quiet Nights of Quiet Stars”), “Wave,” “Chega de Saudade” (“No More Blues”), “One Note Samba”, “Amor Em Paz” (“Once I Loved”), “How Blues”), “One Note Samba”, “Amor Em Paz” (“Once I Loved”), “,” “Triste,” “,” “,” and “A Felicidade.” Insensitive,” “Triste,” “Waters of March,” “Dindi,” and “A Felicidade.” When interest in the bossa nova waned at the end of the ‘60s, Jobim When interest in the bossa nova waned at the end of the ‘60s, Jobim turned to scoring Brazilian films. A resurgence of interest in the music turned to scoring Brazilian films. A resurgence of interest in the music brought him back to the international scene in the mid-‘80s when he brought him back to the international scene in the mid-‘80s when he toured with his own group that included his wife, son, and daughter. Just toured with his own group that included his wife, son, and daughter. Just before his death in 1994, he recorded collaboration with pop star Sting. before his death in 1994, he recorded collaboration with pop star Sting.