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Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected]
Classical Persian Literature Bahman Solati (Ph.D), 2015 University of California, Berkeley [email protected] Introduction Studying the roots of a particular literary history enables us to better understand the allusions the literature transmits and why we appreciate them. It also allows us to foresee how the literature may progress.1 I will try to keep this attitude in the reader’s mind in offering this brief summary of medieval Persian literature, a formidable task considering the variety and wealth of the texts and documentation on the subject.2 In this study we will pay special attention to the development of the Persian literature over the last millennia, focusing in particular on the initial development and background of various literary genres in Persian. Although the concept of literary genres is rather subjective and unstable,3 reviewing them is nonetheless a useful approach for a synopsis, facilitating greater understanding, deeper argumentation, and further speculation than would a simple listing of dates, titles, and basic biographical facts of the giants of Persian literature. Also key to literary examination is diachronicity, or the outlining of literary development through successive generations and periods. Thriving Persian literature, undoubtedly shaped by historic events, lends itself to this approach: one can observe vast differences between the Persian literature of the tenth century and that of the eleventh or the twelfth, and so on.4 The fourteenth century stands as a bridge between the previous and the later periods, the Mongol and Timurid, followed by the Ṣafavids in Persia and the Mughals in India. Given the importance of local courts and their support of poets and writers, it is quite understandable that literature would be significantly influenced by schools of thought in different provinces of the Persian world.5 In this essay, I use the word literature to refer to the written word adeptly and artistically created. -
The Sanskrit Epics
The Sanskrit Epics The Sanskrit Epics, J. L. Brockington, BRILL, 1998, 1998, 9004102604, 9789004102606, 596 pages, Mah bh rata (including Harivam a) and R m yan a, the two great Sanskrit Epics central to the whole of Indian Culture, form the subject of this new work.The book begins by examining the relationship of the epics to the Vedas and the role of the bards who produced them. The core of the work, a study of the linguistic and stylistic features of the epics, precedes the examination of the material culture, the social, economic and political aspects, and the religious aspects. The final chapter presents the wider picture and in conclusion even looks into the future of epic studies.In this long overdue survey work the author synthesizes the results of previous scholarship in the field. Herewith a coherent view is built up of the nature and the significance of these two central epics, both in themselves, and in relation to Indian culture as a whole. file download hehezu.pdf Danielle Feller, This is an introduction to philosophy but with a difference. Through out the book metaphysical issues are shown to be rooted in the history of philosophy. At the same time the, ISBN:8120820088, 369 pages, Jan 1, 2004, Gods, Hindu, in literature, Sanskrit Epics Sanskrit pdf file This volume brings together John Brockington's articles on the Ramayana and Mahabharata, relating them to wider issues in the study of the Sanskrit epics, Epic poetry, Sanskrit, Epic Threads, John Brockington on the Sanskrit Epics, 366 pages, J. L. Brockington, Mary Brockington, Greg Bailey, 2000, IND:30000087943290 Anna S. -
Towards a Critical Edition of Śaṅkara's 'Longer' Aitareyopaniṣadbhāṣya: a Preliminary Report Based on Two Cambridg
Hugo David Towards a Critical Edition of Śaṅkara’s ‘Longer’ Aitareyopaniṣadbhāṣya: a Preliminary Report based on two Cambridge Manuscripts Abstract: This article presents a fresh assessment of evidence for the existence of Śaṅkara’s ‘longer’ commentary on the Aitareyopaniṣad, a sub-section of the Aitar- eyāraṇyaka (AiĀ). While most printed editions of the Bhāṣya consider that it covers only three adhyāyas of the Āraṇyaka (AiĀ 2.4-6/7), a much more comprehensive work, bearing on the whole of AiĀ 2 and 3, is preserved in manuscripts. In the first part of the article, I argue that the ascription of this ‘longer’ gloss to Śaṅkara is likely to be justified, building on previous scholarship (A.B. Keith, S.K. Belvalkar) as well as on my own inspection of two manuscripts of the work, newly identified in the Cambridge University Library. Questions are also raised as to the constitution of the Upaniṣadic canon(s) and the role of commentaries in that process. The second part of the essay provides a comprehensive survey of the material (manuscript and print) available for a first critical edition of this important, though mostly neglected work by the great Vedāntin. || Research for the present study was started during my stint in Cambridge in 2013–14, for which I benefitted of the generous support of the British Royal Society (Newton International Fellow- ship), and during which I had the privilege to participate as a regular external collaborator in the Sanskrit Manuscripts Project. I thank the three editors of this volume for facilitating me access to the Cambridge collection in innumerable ways, for sharing their knowledge and expertise of Sanskrit manuscripts, and for allowing me to take part in their endeavour. -
A Communication for Students of Folklore
FOLKLORE FORUM A COMMUNICATION FOR STUDENTS OF FOLKLORE FOLKLORE FORUM A Conlrnunication for Students of Folklore Bibliographic and Special Series, No. 9 1972 ~ - Table of Contents Foreword Introduction...... ~..c.........................,...................... i Maps of Folklore and Folklife.........................................l Bibliographies$ Dictionaries, Indexes, ad a Guide to Fieldwork ..................1............................2 Peoples, Cultures, and CUS~O~S........................................~ Hik~y-e................................................................. 7 Drma................................................,...............l 3 Epic and Romance .....................................................14 Proverbs and Riddles.. ................... .......................... .18 Magic, Superstition, and Medicine....................................21 Islam, Sufism and Philosophy .........................................28 Folktale CoZlections.................................................30 Author Inde~..................................~.................~....3~ Area Index ........................................................... 38 Chief Editor: John M. Vlach Manuscript Editors: Ben Adam Kroup, Dick Sweterlitsch Reviews Editor : Howard Wight Marshall Managing Editor: Janet Gilmore Bibliographic and Special Series Editor: W. K. McNeil " Corresponding Editors : R. Gerald Alvey (University of ~ennsylvania) Bruce Giuliano (UCWL) Advisory Board: Gerald Cashion, Philip Brandt George, Andrea Greenberg The Folklore -
Vidura Speaks: a Study of the Viduranīti and Its Reception History
Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2019 Committee: Richard Salomon Heidi Pauwels Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2019 Sravani Kanamarlapudi University of Washington Abstract Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi Chair of the Supervisory Committee: Richard Salomon Department of Asian Languages and Literature This thesis offers a close reading of an important yet neglected didactic text from the Indian epic Mahābhārata, namely the Viduranīti, which is a nocturnal politico-moral counsel of Vidura to Dhr̥ tarāṣṭra. Adopting the currently prevalent trend in Mahābhārata scholarship, the received epic is approached as a work of literature by treating its didactic segments as constitutive parts of the unfolding narrative, rather than simply viewing the received epic as an outcome of later didactic accretions on a supposed earlier core narrative. As such, the Viduranīti is juxtaposed thematically with the epic’s story, particularly with the epic’s portrayal of Vidura, and structurally with other didactic portions of the epic and the entire epic as a whole. The former analysis reveals that both Vidura and the Viduranīti are centered around the categories of dharma and artha, while the latter exposes similarities in the literary architectonics of the Viduranīti and other didactic tracts. Finally, a case study investigates why the Viduranīti was canonized in a modern Hindu community. Situating this textual reframing in the modern socio-historical context, I argue for the need to focus on reception histories of early South Asian texts. -
The Impact of Shahnamafirdausi in Contemporary Literature
International Conference on Arts, Culture, Literature, Languages, Gender Studies/ Sexuality, Humanities and Philosophy for Sustainable Societal Development The Impact of Shahnamafirdausi in Contemporary Literature Mumtaz Ahmed Deptt of Persian Aligarh Muslim University Aligarh, U.P India E-mail: [email protected] Abstract—There is not an iota of doubt, that Shahnameh (the book Persian-speaking people would be the publication of a critical of kings) is the consequence of 30 years of indefatigable and resolute and reliable edition of the Shahnameh. The Borūḵīm endeavor by the master of Persian language and literature, Hakim Publishing House in Tehran has tried to address this matter Abulqasim Firdausi who is known to the Iranian people and the and published the entire text of the Šāh-nāma, based on Persian speaking nations as the reviver of Persian language and Vullersversion under the supervision of MojtabaMinovi, literature. Firdausi Tusi started writing shahnama in 977 A.D and completed in 8 March 1030 A.D. Iranians owe to Firdausi to Abbas Eqbal, SolaymanHaïm and Said Nafisi. invigorate their language and literature and that is why Firdausi is Fritz Wolff, made a lasting contribution with the considered to be the most prominent Persian poet of all times. though publication of his glossary of Ferdowsi'sShahnameh some scholar have their own notions that Firdausi's work, in literary and formational context, cannot be compared to those of (GlossarzuFerdosisSchahname), which was offered as a gift to Hafiz, Sa'di, Rumi and Rudaki as the nature of Firdausi's work is the Persian people by the German ambassador in the first day essentially different from what other notable Persian poets have of the congress. -
Firdawsi: a Scholium
Firdawsi: A Scholium by Burzine Waghmar and Sunil Sharma Hakim Abu’l-Qasim Mansur b. al-Hasan al-Firdawsi al-Tusi (ca. 940/41-ca. 1020/25), a middle- ranking aristocrat recognised by his nom de plume, Firdawsi (‘paradisiacal’), was a central figure in the history of classical Persian literature.1 His monumental epic poem, Shahnama (‘Book of Kings’), conjures Homeric as well as Miltonic associations to the Iranian mind thus ensuring him a niche in the universal literary canon.2 This mytho-poetic masterpiece, dealing with Persian legendary and recorded history from the first man to the Arab conquest in AD 652, has been continuously read, recited, remembered, and re-enacted across the Iranian-speaking oecumene straddling West, Central and South Asia for over a millennium.3 Starting from the nineteenth century, a virtual school of Shahnama studies has flourished as successive generations of scholars interpreted and contextualised the text in published abridgements, translations and new editions. Animated productions of Rustam’s adventures, as those of Hercules, are keenly enjoyed by adults and children in contemporary Iran and the diaspora.4 Although Firdawsi dedicated his work to Sultan Mahmud of Ghazni (r. 998-1030), his life was spent in the town of Tus, Khurasan, away from the courts of princes and paladins. For almost a generation, about thirty years, he quietly worked on his magnum opus and interspersed it with brief vignettes of his personal life for the reader. As Shahpur Shahbazi has noted: Much has been written on Ferdowsī and his work, but even learned studies have given inharmonious results for the simple reasons that our sources are late, uncritical and contradictory, and that … [t]he best authority is the Šāhnāma itself as the poet frequently breaks his narrative to insert a few lines about his age, work and thoughts.5 Firdawsi belonged to the traditional squirearchy or dihqan class emotively tied to its land and ancient Persian culture. -
A History of Persian Literature Volume XVII Volumes of a History of Persian Literature
A History of Persian Literature Volume XVII Volumes of A History of Persian Literature I General Introduction to Persian Literature II Persian Poetry in the Classical Era, 800–1500 Panegyrics (qaside), Short Lyrics (ghazal); Quatrains (robâ’i) III Persian Poetry in the Classical Era, 800–1500 Narrative Poems in Couplet form (mathnavis); Strophic Poems; Occasional Poems (qat’e); Satirical and Invective poetry; shahrâshub IV Heroic Epic The Shahnameh and its Legacy V Persian Prose VI Religious and Mystical Literature VII Persian Poetry, 1500–1900 From the Safavids to the Dawn of the Constitutional Movement VIII Persian Poetry from outside Iran The Indian Subcontinent, Anatolia, Central Asia after Timur IX Persian Prose from outside Iran The Indian Subcontinent, Anatolia, Central Asia after Timur X Persian Historiography XI Literature of the early Twentieth Century From the Constitutional Period to Reza Shah XII Modern Persian Poetry, 1940 to the Present Iran, Afghanistan, Tajikistan XIII Modern Fiction and Drama XIV Biographies of the Poets and Writers of the Classical Period XV Biographies of the Poets and Writers of the Modern Period; Literary Terms XVI General Index Companion Volumes to A History of Persian Literature: XVII Companion Volume I: The Literature of Pre- Islamic Iran XVIII Companion Volume II: Literature in Iranian Languages other than Persian Kurdish, Pashto, Balochi, Ossetic; Persian and Tajik Oral Literatures A HistorY of Persian LiteratUre General Editor – Ehsan Yarshater Volume XVII The Literature of Pre-Islamic Iran Companion Volume I to A History of Persian Literature Edited by Ronald E. Emmerick & Maria Macuch Sponsored by Persian Heritage Foundation (New York) & Center for Iranian Studies, Columbia University Published in 2009 by I. -
GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES
GHAREHGOZLOU, BAHAREH, Ph.D., August 2018 TRANSLATION STUDIES A STUDY OF PERSIAN-ENGLISH LITERARY TRANSLATION FLOWS: TEXTS AND PARATEXTS IN THREE HISTORICAL CONTEXTS (261 PP.) Dissertation Advisor: Françoise Massardier-Kenney This dissertation addresses the need to expand translation scholarship through the inclusion of research into different translation traditions and histories (D’hulst 2001: 5; Bandia 2006; Tymoczko 2006: 15; Baker 2009: 1); the importance of compiling bibliographies of translations in a variety of translation traditions (Pym 1998: 42; D’hulst 2010: 400); and the need for empirical studies on the functional aspects of (translation) paratexts (Genette 1997: 12–15). It provides a digital bibliography that documents what works of Persian literature were translated into English, by whom, where, and when, and explores how these translations were presented to Anglophone readers across three historical periods—1925–1941, 1942–1979, and 1980–2015— marked by important socio-political events in the contemporary history of Iran and the country’s shifting relations with the Anglophone West. Through a methodical search in the library of congress catalogued in OCLC WorldCat, a bibliographical database including 863 editions of Persian-English literary translations along with their relevant metadata—titles in Persian, authors, translators, publishers, and dates and places of publication—was compiled and, through a quantitative analysis of this bibliographical data over time, patterns of translation publication across the given periods -
1-14 the Invention of Jainism a Short History of Jaina St
International Journal of Jaina Studies (Online) Vol. 1, No. 1 (2005) 1-14 THE INVENTION OF JAINISM A SHORT HISTORY OF JAINA STUDIES Peter FlŸgel It is often said that Jains are very enthusiastic about erecting temples, shrines or upāśrayas but not much interested in promoting religious education, especially not the modern academic study of Jainism. Most practising Jains are more concerned with the ’correct’ performance of rituals rather than with the understanding of their meaning and of the history and doctrines of the Jain tradition. Self-descriptions such as these undoubtedly reflect important facets of contemporary Jain life, though the attitudes toward higher education have somewhat changed during the last century. This trend is bound to continue due to the demands of the information based economies of the future, and because of the vast improvements in the formal educational standards of the Jains in India. In 1891, the Census of India recorded a literacy rate of only 1.4% amongst Jain women and of 53.4% amongst Jain men.1 In 2001, the female literacy rate has risen to 90.6% and for the Jains altogether to 94.1%. Statistically, the Jains are now the best educated community in India, apart from the Parsis.2 Amongst young Jains of the global Jain diaspora University degrees are already the rule and perceived to be a key ingredient of the life-course of a successful Jain. However, the combined impact of the increasing educational sophistication and of the growing materialism amongst the Jains on traditional Jain culture is widely felt and often lamented. -
1 Pāṇini: Catching the Ocean in a Cow's Hoofprint Vikram Chandra I
Pāṇini: Catching the Ocean in a Cow’s Hoofprint Vikram Chandra Originally published at https://blog.granthika.co/panini, January 28, 2019. © Granthika Co. 2019, all rights reserved. I should begin with a disclaimer: I am not a Sanskritist. I took a couple of years of compulsory Sanskrit in middle school, was bored witless by the rote memorization of verb conjugations and by the anodyne assigned texts, and so ran away from the language as soon as I was afforded an opportunity. A lifetime of reading pre-modern Indian texts in translation, many of them tantalizingly dazzling even in English and Hindi, has led me to back to Sanskrit, and so for some years I’ve worked with a tutor between teaching and writing and parenting. For the past few months, with the infinitely patient help of my teacher, I’ve been struggling through the Paṇcatantra (“Five Treatises,” circa 300 BCE), a collection of dark, didactic tales about realpolitik and effective action. The stories are written in elegant but simple Sanskrit considered suitable for the beginner, but that is as far as my proficiency extends. So you must think of me as a sort of analogue to the popularizing science reporter who brings the research of actual specialists to a large lay audience. My thanks to Dr. Satyam Dwivedi and Sanhita Joshi for their help and many contributions; any mistakes in what follows are entirely mine. The transliteration scheme used here is the International Alphabet of Sanskrit Transliteration (IAST), which allows for the lossless Romanization of Sanskrit and related Indic scripts. -
Ganesha-Sanskrit.Pdf
Ganesha “Vinayaka” and “Vinayakudu” redirect here. For other uses, see Vinayaka (disambiguation). “Ganapati” and “Ganapathy” redirect here. For other uses, see Ganapati (disambiguation). For other uses, see Ganesha (disambiguation) and Ganesa (disambiguation). Ganesha (/ɡəˈneɪʃə/; Sanskrit (IAST): Gaṇeśa; listen ), also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon.[2] His image is found throughout India.[3] Hindu sects worship him regardless of affiliations.[4] De- votion to Ganesha is widely diffused and extends to Jains, Buddhists, and beyond India.[5] Although he is known by many attributes, Ganesha’s elephant head makes him easy to identify.[6] Ganesha is widely revered as the remover of obstacles,[7] the pa- tron of arts and sciences and the deva of intellect and wisdom.[8] As the god of beginnings, he is honoured at the start of rituals and ceremonies. Ganesha is also in- voked as patron of letters and learning during writing Ganesha as 'Shri Mayureshwara' with consorts Buddhi and Sid- [9][10] sessions. Several texts relate mythological anecdotes dhi, Morgaon (the central shrine for the regional Ashtavinayak associated with his birth and exploits and explain his dis- complex)[13] tinct iconography. Ganesha emerged as a distinct deity in the 4th and 5th centuries CE, during the Gupta Period, although he in- or Shree) is often added before his name. One popular [11] herited traits from Vedic and pre-Vedic precursors. way Ganesha is worshipped is by chanting a Ganesha Sa- He was formally included among the five primary deities hasranama, a litany of “a thousand names of Ganesha”.