Ganesha-Sanskrit.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ashtavinayaka Temples, the Yatra Vidhi and More
Newsletter Archives www.dollsofindia.com Ashtavinayaka - the Eight Holy Abodes of Ganesha Copyright © 2018, DollsofIndia Sri Ganesha, also known as Vinayaka, is one of the most popular deities of the Hindu pantheon. Highly revered as the Harbinger of Success and the Remover of Obstacles, this Elephant- Headed son of Shiva and Parvati is venerated not only by Hindus, but also by people from all religions and all walks of life; from all over the world. One can find innumerable Ganesha temples all over the globe. In fact, all Hindu temples; irrespective of who the main deity is; necessarily have at least one shrine dedicated to Vighnavinayaka. Devotees first visit this shrine, pray to Ganesha to absolve them of their sins and only then proceed to the main sanctum. So exalted is the position of this God in Hindu culture. Shola Pith Ganapati Sculpture There are eight forms of Vinayaka, collectively referred to as Ashtavinayaka ('Ashta' in Sanskrit means 'eight'). The Ashtavinayaka Yatra implies a pilgrimage to the eight Vinayaka temples, which can be found in the Indian State of Maharashtra, situated in and around the city of Pune. The Yatra follows a particular route, in a pre-ascertained sequence. Each of these ancient Ashtavinayaka temples features a distinct murti (idol) of Ganesha and has a different legend behind its existence. Not only that; the appearance of each murti; even the angle of his trunk; are all distinct from one another. In this post, we bring you all the details on the Ashtavinayaka temples, the Yatra vidhi and more. Resin Ashtavinayak with Shloka on Wood - Wall Hanging The Ashtavinayaka Temples The eight temples of Ashtavinayaka, in their order, are as follows: 1. -
Dharma Neri) Cbaw Wabc
Path to Dharma c N c Cba W (DharmaWa Neri) b C 50 Sri Kanagathurkai Amman temple,Ealing,London Sri Sankar Publications Kshethra Vinayakac Temple, Sri Munneswaram,Chilaw, Sri Lanka.c f f Author - B.S.Sarma hot mail; [email protected]; [email protected] February egd 2012 dge CCCCCCCCCCC CCCCCCCCCCC Editorial. The monthly publication, ‘ Path to Darma’ published by Kshethra Vinayaka Temple, Sri Munneswaram, Chilaw, Sri Lanka, is presenting the 50th issue this month. The fundamental theme of this magazine is to converse the concepts related to Hinduism and its ceremonial rituals,customs and dharma, to the anxious readers. The clarifications and scrutiny from the readers are appreciated. B.S.Sarma, Kshethra Vinayaka Temple, Sri Munneswaram, Chilaw, Sri Lanka.February, 2012 b b Suggestions from the readers Dear .B.S.Sarma, Author, ‘Path to Dharma’ We are very much appreciative to receive the monthly magazine ‘Path to Dharma’ and at the same time happy in the manner where the concepts of thesubject areas are presented. Thank you very much for giving a brief accounts on the’ significance of navagraha in astronomy and in astrology in relation to Hinduism’which carries a lot of informations. May almighty bless you. K.Mohan Lal, Malaysia. 13th January, 2012 Dear Mr.B.S.Sarma, ‘Path to Dharma’ I am receiveing the monthly magazine ‘Path to Dharma regularly.Thanks very much.I sent you a lot of quaries regarding Hindu religious practices and Hindu ritualistic uncertinities expecting a correct answers for those inquests. With kind regards, L.H.Patel, United Kingdom 16th January 2012 Path to Dharma -50- Sri Sankar Publications – February 2011 1. -
The Sanskrit Epics
The Sanskrit Epics The Sanskrit Epics, J. L. Brockington, BRILL, 1998, 1998, 9004102604, 9789004102606, 596 pages, Mah bh rata (including Harivam a) and R m yan a, the two great Sanskrit Epics central to the whole of Indian Culture, form the subject of this new work.The book begins by examining the relationship of the epics to the Vedas and the role of the bards who produced them. The core of the work, a study of the linguistic and stylistic features of the epics, precedes the examination of the material culture, the social, economic and political aspects, and the religious aspects. The final chapter presents the wider picture and in conclusion even looks into the future of epic studies.In this long overdue survey work the author synthesizes the results of previous scholarship in the field. Herewith a coherent view is built up of the nature and the significance of these two central epics, both in themselves, and in relation to Indian culture as a whole. file download hehezu.pdf Danielle Feller, This is an introduction to philosophy but with a difference. Through out the book metaphysical issues are shown to be rooted in the history of philosophy. At the same time the, ISBN:8120820088, 369 pages, Jan 1, 2004, Gods, Hindu, in literature, Sanskrit Epics Sanskrit pdf file This volume brings together John Brockington's articles on the Ramayana and Mahabharata, relating them to wider issues in the study of the Sanskrit epics, Epic poetry, Sanskrit, Epic Threads, John Brockington on the Sanskrit Epics, 366 pages, J. L. Brockington, Mary Brockington, Greg Bailey, 2000, IND:30000087943290 Anna S. -
Ashta Vinayaka
ASHTA VINAYAKA Ashtavinayaka means "eight forms of Lord Ganesha". Ganesha is the deity of unity, prosperity, learning and remover of obstacles. The Ashtavinayaka yatra or pilgrimage covers the eight ancient holy temples of Ganesha which are situated around Pune, Maharashtra. Each of these temples has its own individual legend and history, as distinct from each other as the murtis in each temple. The form of each murti of Ganesha and His trunk are distinct from one another. Ashtavinayak Temples 1 Moreshwar Temple Morgaon, Pune district 2 Siddhivinayak Temple Siddhatek, Ahmednagar district 3 Ballaleshwar Temple Pali, Raigad district 4 Varadavinayak Temple Madh, near Khopoli, Raigad district 5 Chintamani Temple Theur, Pune district 6 Girijatmaj Temple Lenyadri, Pune district 7 Vighnahar Temple Ozar, Pune district 8 Mahaganapati Temple Ranjangaon, Pune district � Proud to be a Hindu� ASHTAVINAYAKA -1 of 8 - Moreshwar Shri Moreshwar or Mayureshwar Temple is situated along the Karha River in the Morgaon village in the Baramati Taluka of Pune district in Maharashtra. This region is also known as the Bhuswananda. Moregaon Village is said to have received its name as once upon a time the shape of this place was like a peacock and there was an abundance of peacock birds in this region. Literally Moregoan means ‘Village of Peacocks’ and is a combination of two words (more which means Peacock and goan means village). As per the legend Lord Ganesha riding a peacock in the form of Mayureshwara slew the demon Sindhu in response to pleas from the Gods. This is the first Temple to be visited during the Ashtavinayaka Temple Pilgrimage. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Towards a Critical Edition of Śaṅkara's 'Longer' Aitareyopaniṣadbhāṣya: a Preliminary Report Based on Two Cambridg
Hugo David Towards a Critical Edition of Śaṅkara’s ‘Longer’ Aitareyopaniṣadbhāṣya: a Preliminary Report based on two Cambridge Manuscripts Abstract: This article presents a fresh assessment of evidence for the existence of Śaṅkara’s ‘longer’ commentary on the Aitareyopaniṣad, a sub-section of the Aitar- eyāraṇyaka (AiĀ). While most printed editions of the Bhāṣya consider that it covers only three adhyāyas of the Āraṇyaka (AiĀ 2.4-6/7), a much more comprehensive work, bearing on the whole of AiĀ 2 and 3, is preserved in manuscripts. In the first part of the article, I argue that the ascription of this ‘longer’ gloss to Śaṅkara is likely to be justified, building on previous scholarship (A.B. Keith, S.K. Belvalkar) as well as on my own inspection of two manuscripts of the work, newly identified in the Cambridge University Library. Questions are also raised as to the constitution of the Upaniṣadic canon(s) and the role of commentaries in that process. The second part of the essay provides a comprehensive survey of the material (manuscript and print) available for a first critical edition of this important, though mostly neglected work by the great Vedāntin. || Research for the present study was started during my stint in Cambridge in 2013–14, for which I benefitted of the generous support of the British Royal Society (Newton International Fellow- ship), and during which I had the privilege to participate as a regular external collaborator in the Sanskrit Manuscripts Project. I thank the three editors of this volume for facilitating me access to the Cambridge collection in innumerable ways, for sharing their knowledge and expertise of Sanskrit manuscripts, and for allowing me to take part in their endeavour. -
Upanishad Vahinis
Upanishad Vahini Stream of The Upanishads SATHYA SAI BABA Contents Upanishad Vahini 7 DEAR READER! 8 Preface for this Edition 9 Chapter I. The Upanishads 10 Study the Upanishads for higher spiritual wisdom 10 Develop purity of consciousness, moral awareness, and spiritual discrimination 11 Upanishads are the whisperings of God 11 God is the prophet of the universal spirituality of the Upanishads 13 Chapter II. Isavasya Upanishad 14 The spread of the Vedic wisdom 14 Renunciation is the pathway to liberation 14 Work without the desire for its fruits 15 See the Supreme Self in all beings and all beings in the Self 15 Renunciation leads to self-realization 16 To escape the cycle of birth-death, contemplate on Cosmic Divinity 16 Chapter III. Katha Upanishad 17 Nachiketas seeks everlasting Self-knowledge 17 Yama teaches Nachiketas the Atmic wisdom 18 The highest truth can be realised by all 18 The Atma is beyond the senses 18 Cut the tree of worldly illusion 19 The secret: learn and practise the singular Omkara 20 Chapter IV. Mundaka Upanishad 21 The transcendent and immanent aspects of Supreme Reality 21 Brahman is both the material and the instrumental cause of the world 21 Perform individual duties as well as public service activities 22 Om is the arrow and Brahman the target 22 Brahman is beyond rituals or asceticism 23 Chapter V. Mandukya Upanishad 24 The waking, dream, and sleep states are appearances imposed on the Atma 24 Transcend the mind and senses: Thuriya 24 AUM is the symbol of the Supreme Atmic Principle 24 Brahman is the cause of all causes, never an effect 25 Non-dualism is the Highest Truth 25 Attain the no-mind state with non-attachment and discrimination 26 Transcend all agitations and attachments 26 Cause-effect nexus is delusory ignorance 26 Transcend pulsating consciousness, which is the cause of creation 27 Chapter VI. -
Ranjangaon Ganpati Trust
F. Y. 2012-13 A.Y. 2013-14 SHREE KSHETRA RANJANGAON GANPATI DEVSTHAN TRUST SCHEDULE-"A" EXPENDITURE IN RESPECT OF PROPERTY PARTICULARS AMOUNT Repairs and maintanance 1,160,015.00 Insurance 429,208.00 Rent Taxes & Cess 9,894.00 TOTAL RS 1,599,117.00 F. Y. 2012-13 A.Y. 2013-14 SCHEDULE-"B" ESTABLISHMENT EXPENSES PARTICULAR AMOUNT Accounts Written Off 9,396.00 Advertisement 169,998.00 Bank charges 5,632.00 ISO Certification Charges 16,854.00 Legal Expenses 105,000.00 Meeting Allowance Expenses 52,500.00 Miscellaneous Expenses 27,365.00 News Papers and Periodicals 9,276.00 Postage and stamp expenses 3,060.00 Printing and stationary 264,518.00 Professional Fees 89,158.00 Security and Cleaning Service Expenses 4,444,975.00 Sweeping and Cleaning Expenses 161,974.00 Tea and Welfare Expenses 88,808.00 Telephone Charges 69,444.00 Travelling and Conveyance 111,963.00 TOTAL RS 5,629,921.00 F. Y. 2012-13 A.Y. 2013-14 SCHEDULE "C" EXPENDITURE ON OBJECT OF THE TRUST PARTICULAR AMOUNT Empolyees salary and allowances Ex-Gratia Expenses 198,250.00 Provident Fund Employer's Contribution 124,299.00 Salary and Wages Expenses 2,360,898.00 Trainning and Seminar Expenses 4,550.00 Worker Walefare Expenses 286,511.00 Sub Total (a) 2,974,508.00 Welfare Expenses Ranjangaon Grampanchayat Water Pipeline Contri 3,000,000.00 Welfare Expenses 29,926.00 Welfare for Schools Expenses 586,479.00 Welfare Free/Nominal Ambulance 114,463.00 Welfare- Medical Assistance for Poor People 399,139.00 Welfare - Public 271,800.00 Sub Total (b) 4,401,807.00 Yatra and Function Expenses Bhadrapad Yatra Expenses 1,461,759.00 Function and Festival Expenses 887,115.00 Ganesh Puran Utsav 552,592.00 Jeshthi Mangalmurti Yatra 80,038.00 Kirtan Expenses - Babamaharaj Satarkar 527,407.00 Magh Yatra Expenses 162,663.00 Mahaganpati Purashkar 1,146,319.00 Navratra Utsav Expenses 106,942.00 Ramayan Programme Expenses 1,209,574.00 Tripuri Pornima Expenses 60,170.00 Sub Total (c) 6,194,579.00 Abhishek Exps 98,867.00 Annachatra Expenses 2,234,333.00 Boiler Expenses 21,425.00 Diesel Expenses 48,708.00 Electricity Exp. -
The Upanishads
The Upanishads The Breath of the Eternal A free download book compiled from the best sources on the web Hotbook and Criaturas Digitais Studio Rio de janeiro - Brazil Index 01 Brief Introduction to the Upanishads 02 Vedas and the Upanishads 03 The 15 principals Upanishads ---------------------------------------------------- 04 KATHA Upanishad 05 ISHA Upanishad 06 KENA Upanishad 07 MAITRAYANA-BRAHMAYA Upanishad 08 Kaivalya Upanishad 09 Vajrasuchika Upanishad 10 MANDUKYA Upanishad 11 MUNDAKA Upanishad 12 Brihadaranyaka Upanishad 13 KHANDOGYA Upanishad 14 KAUSHITAKI Upanishad 15 PRASHNA Upanishad 16 SHVETASHVATARA Upanishad 17 AITAREYA Upanishad 18 TAITTIRIYA Upanishad -------------------------------------------------------- 19 Atman - The Soul Eternal 20 Upanishads: Universal Insights 21 List of 108 Upanishads Brief Introduction to the Upanishads Collectively, the Upanishads are known as Vedanta (end of the vedas). The name has struck, because they constitute the concluding part of the Vedas. The word 'upanishad' is derived from a combination of three words, namely upa+ni+sad. 'Upa' means near, 'ni' means down and 'sad' means to sit. In ancient India the knowledge of the Upanishads was imparted to students of highest merit only and that also after they spent considerable time with their teachers and proved their sincerity beyond doubt. Once the selection was done, the students were allowed to approach their teachers and receive the secret doctrine from them directly. Since the knowledge was imparted when the students sat down near their teachers and listened to them, the word 'Upanishad', became vogue. The Upanishads played a very significant role in the evolution of ancient Indian thought. Many schools of Hindu philosophy, sectarian movements and even the later day religions like Buddhism and Jainism derived richly from the vast body of knowledge contained in the Upanishads. -
Yajur Veda to Vaisampayana, the Sama Veda to Jaimini and the Atharva Veda to Sumantu
Introduction to Vedic Knowledge second volume: The Four Original Vedas Samhitas, Brahmanas, Aranyakas and Upanishads by Parama Karuna Devi Copyright © 2012 Parama Karuna Devi All rights reserved. ISBN-10: 1482598299 ISBN-13: 978-1482598292 published by Jagannatha Vallabha Research Center PAVAN House, Siddha Mahavira patana, Puri 752002 Orissa Web presence: http://www.jagannathavallabha.com http://www.facebook.com/ParamaKarunaDevi http://jagannathavallabhavedicresearch.wordpress.com/ When, How and by Whom the Vedas Were Written In the previous chapters we have seen how Vedic knowledge has been perceived in the West and in India in the past centuries, and which misconceptions have developed because of the superimposition of various influences and motivations. We have also seen how Vedic knowledge transcends time and applies to reality itself, and how at each age it is again presented in the modalities and in the dimensions required to cater for the needs of the people of that age. Therefore when we speak of Vedic scriptures we refer not only to the original manuscripts that bear witness to the great antiquity of Hinduism in this age, but also to the previous versions of which we do not have copies, and also to the later texts compiled by self-realized souls that explain the original knowledge in harmony with the same eternal conclusions. For example in the case of the Puranas ("ancient stories") we see that the original version is presented and elaborated by a series of realized teachers. In the Bhagavata purana the two most prominent speakers are Sukadeva and Suta; Suta had received the knowledge of this Purana from Sukadeva when Sukadeva was speaking to King Parikshit and the Parama Karuna Devi other great sages assembled on the bank of the Ganges, and later he transmitted it to Saunaka and the other sages assembled at Naimisharanya. -
Review of Research Journal:International Monthly
Review Of Research Impact Factor : 5.7631(UIF) UGC Approved Journal No. 48514 ISSN: 2249-894X Volume - 8 | Issue - 5 | fEBRUARY - 2019 __________________________________________________________________________________________________________________________ SHAKTI DIETIES IN KALABURAGI DISTRICT-A STUDY ON BHANKUR KARIYAMMA DEVI AND CHINCHANSUR MAHAPURATAI Maheshkumar Shivasharanappa1 and Dr. Birdar Shrishail2 1Research Student Dept. History & Research Centre Gulbarga University Kalaburagi. 2 M.A.,M.Phil.,Ph.D Associate Professor Research Guide Dept. History & Research Centre Nrupatunga First Grade College, Sedam Dist: Kalaburagi, Karnataka. ABSTRACT : Shakti cult is one of the major traditions of Hinduism followed in India since ancient times. It is considers metaphysical reality as metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, who are considered as different aspects of the same supreme goddess.1 It has different sub-traditions that range from those focused on gracious Parvati to that of fierce and horrifying Kali.2 KEYWORDS : Shakti cult , supreme godhead. INTRODUCTION : Sruti and Smriti literatures are important sources that deal with the Shakti tradition. In addition, it reveres the texts like Devi Mahatmya, Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads like the Devi Upanishad.3 The Devi Mahatmya particularly, is considered in Shaktism to be as important as the Bhagavad Gita.4 Shaktism is popular for its various sub-traditions of Tantra,5 and a number of goddesses -
Vidura Speaks: a Study of the Viduranīti and Its Reception History
Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2019 Committee: Richard Salomon Heidi Pauwels Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2019 Sravani Kanamarlapudi University of Washington Abstract Vidura Speaks: A Study of the Viduranīti and its Reception History Sravani Kanamarlapudi Chair of the Supervisory Committee: Richard Salomon Department of Asian Languages and Literature This thesis offers a close reading of an important yet neglected didactic text from the Indian epic Mahābhārata, namely the Viduranīti, which is a nocturnal politico-moral counsel of Vidura to Dhr̥ tarāṣṭra. Adopting the currently prevalent trend in Mahābhārata scholarship, the received epic is approached as a work of literature by treating its didactic segments as constitutive parts of the unfolding narrative, rather than simply viewing the received epic as an outcome of later didactic accretions on a supposed earlier core narrative. As such, the Viduranīti is juxtaposed thematically with the epic’s story, particularly with the epic’s portrayal of Vidura, and structurally with other didactic portions of the epic and the entire epic as a whole. The former analysis reveals that both Vidura and the Viduranīti are centered around the categories of dharma and artha, while the latter exposes similarities in the literary architectonics of the Viduranīti and other didactic tracts. Finally, a case study investigates why the Viduranīti was canonized in a modern Hindu community. Situating this textual reframing in the modern socio-historical context, I argue for the need to focus on reception histories of early South Asian texts.