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Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
Gone Postal! by Staff Writers Tragic Loss, Stop Motion Service to Be Announced
The Wall of Lies Number 133 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA Final FINAL Adelaide, November--December 2011 WEATHER: Summer Free Gone Postal! by staff writers Tragic loss, stop motion service to be announced. An upset “Postman” Pat Clifton has wounded seven other puppets in a spree shooting, before turning the shotgun on himself. The BAFTA nominated BBC Children’s entertainer was reportedly distraught at being forced to relocate from London to Salford in the current BBC shake-up. Television Centre was formally placed on the property market on 13 June 2011. Friend and colleague “Fireman” Sam Peyton-Jones said “People thought he really lived in Greendale Village, which of course is fictional. He had a flat right in White City and couldn’t face having to move North.” Long time partner Jess the Cat had recently joined O Pat in a civil union, not recognised outside of ut t N No France. Calls to his agent were not immediately ow Pat announcing the loss of returned. ! Royal Mail sponsorship in 2000. Dr Who in crisis for 2012 by staff writers While the brand is strong, ratings are thinning and the future uncertain. The average ratings for Doctor Who on ABC have fallen from over a million in 2008 Chameleon Factor # 80 to 689,000 in 2011 (five capitals, rounded to nearest thousand). ABC has declined to circulate ratings information for the show this year. The BBC refused to comment and O u were unable to clarify there wouldn’t be a full series next year, but ABC said they did N t No ow not expect any more content until 2013. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Editor's Exodus
• EVENTS • LETTERS • FEATURES • MOVIES • REVIEWS • BOOKS • LISTINGS • NEWS • Five of Ken • Page Editor’s Exodus New Shows • Page ! Book Review • Page # Who Brief • Page THE OFFICIAL NEWSLETTER OF THE WEST COAST SCIENCE FICTION ASSOCIATION Vol. 28 Issue 11 Number 329 November 2000 • $2.50 Clickable item. Click on me to see where I take you! WCSFActivities Contributor’s Deadline - Dec. BCSFA GENERAL MEETING Saturday, Novem- WCSFA 15th. ber 25th, , beginning 6:00 PM, at R. Graeme & Memberships F.R.E.D. - Every Friday Alyx’s house, 86 Warrick Street in Coquitlam. The weekly gathering of BCSFAns and all Theme: Showing of Walt Disney space program New ...................................... $26.00 proposals from the 1950s. By #154 bus from 22nd New Family .......................... $32.00 others interested in joining us for an Skytrain or Lougheed mall, get off at Mundy & Renewal ................................ $25.00 evening of conversation and relaxation, Family (2 Votes) ................... $31.00 with pool table option. At the Burrard Cape Horn, walk downhill (East) along Cape Horn (Above prices includes subscription to Motor Inn opposite St. Paul’s Hospital to Warrick, turn left, #86 is third house on the left. BCSFAzine. Please e-mail (Downtown Vancouver) 6 blocks south of By car, follow Brunette Ave. till it turns into Cape [email protected] if you wish to Burrard Skytrain Station. 3 blocks west Horn, past Mundy as above. (Do not park in drive- receive the magazine by e-mail.) of Granville (where many buses run). #22 way.) Note: multiple pets, so allergy alert! BYOB Make checks payable to WCSFA Knight/McDonald bus along Burrard. -
130 International Conference 2005 Fiesta in San Antonio, Texas!!
International Conference 2005 Fiesta in San Antonio, Texas!! 130 AUG. 2005/ SEPT. 2005 Jill Rayburn collecting EC autographs for the charity auction. Your EC hard at work at the IC! (from left to right): Sal Lizard, Sunnie Planthold, Bob Fillmore (back), Mandi Livingston, Todd Brugmans, Jerry Tien, Jack “Towaway” Eaton, and Pat Spillers. Sean Fillmore checks out a member of the Ferengi delegation. Chrissy Killian (head of the western membership processing team) mugs for the camera (and the kid taking the picture, Sean Fillmore). Expecto Patronum! Students awaiting their next lesson at Hogwarts. Robby and Sean Fillmore face down a Dementor (thanks to Dean Rogers!). USPS 017-671 STARFLEET SSTARFLEETTARFLEET SSTARFLEETTARFLEET 113030 Society 113030 STARFLEET Communiqué Volume I, No. 130 Contents ‘FLEET Birth/days Published by: STARFLEET, The International IC 2005 1 Star Trek Fan Association, Inc. USS HEIMDAL 3 102 Washington Drive USS POLARIS VISITS 3 Ladson, SC 29456 THE KANSAS CITY ZOO 3 USS ALIOTH PICNIC 4 AWARENESS GROWS ABOUT CANCER IN R7 4 Publisher: Bob Fillmore USS INFERNO R7 PICNIC 5 Editor in Chief: Wendy Fillmore USS INFERNO: ST:RoS 5 Layout Editor: Wendy FIllmore USS RUBICON HONORED 6 Interim Graphics Editor: REAL STAR TREK COINS 6 Johnathan “Gumby” Simmons USS JEANNETTE MADDOX 7 Submissions Coord: Gary Hollifi eld REGION 15 SUMMIT 8 Copy Editors: Kimberly Donohoe, REGION 12 SUMMIT 9 Mike Klufas, Tracy Lilly, Bruce AAR: OPUSCON 10 Sherrick AAR: FEDCON 11 I DARE YOU!!! 12 Send Submissions to: STARFLEET CHARITIES 12 RETENTION & RECRUITING 12 STARFLEET COMMUNIQUÉ CASTING CALL 12 OCPM 12 6770 E. Judson Avenue IS CANADA READY...? 13 Las Vegas, NV 89156 FROM THE US ARMY 13 cq@sfi .org IN MEMORY.. -
The X-Files Mythology Volume 2 – Black Oil
The X-Files Mythology Volume 2 – Black Oil PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 18 May 2014 19:28:27 UTC Contents Articles Overview 1 The X-Files Mythology, Volume 2 – Black Oil 1 Episodes 6 "Nisei" 6 "731" 11 "Piper Maru" 16 "Apocrypha" 21 "Talitha Cumi" 25 "Herrenvolk" 30 "Tunguska" 34 "Terma" 38 "Memento Mori" 41 "Tempus Fugit" 45 "Max" 49 "Zero Sum" 53 "Gethsemane" 57 "Redux" 61 References Article Sources and Contributors 67 Image Sources, Licenses and Contributors 68 Article Licenses License 69 1 Overview The X-Files Mythology, Volume 2 – Black Oil The X-Files Mythology Volume 2 – Black Oil Region 1 DVD cover Country of origin United States No. of episodes 15 Home video release DVD release Region 1 August 2, 2005 Series chronology ← Previous Volume 1 – Abduction Next → Volume 3 – Colonization Volume 2 of The X-Files Mythology collection is the second DVD release containing selected episodes from the third to the fifth seasons of the American science fiction television series The X-Files. The episodes collected in the release form the middle of the series' mythology, and are centered on the discovery of a mind-altering extraterrestrial "black oil". The collection contains five episodes from the third season, eight from the fourth season, and two from the fifth. The episodes follow the investigations of paranormal-related cases, or X-Files, by FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson). Mulder is a believer in the paranormal, while the skeptical Scully has been assigned to debunk his work. -
Autonomous Vehicle Technology: a Guide for Policymakers
Autonomous Vehicle Technology A Guide for Policymakers James M. Anderson, Nidhi Kalra, Karlyn D. Stanley, Paul Sorensen, Constantine Samaras, Oluwatobi A. Oluwatola C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/rr443-2 This revised edition incorporates minor editorial changes. Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-0-8330-8398-2 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2016 RAND Corporation R® is a registered trademark. Cover image: Advertisement from 1957 for “America’s Independent Electric Light and Power Companies” (art by H. Miller). Text with original: “ELECTRICITY MAY BE THE DRIVER. One day your car may speed along an electric super-highway, its speed and steering automatically controlled by electronic devices embedded in the road. Highways will be made safe—by electricity! No traffic jams…no collisions…no driver fatigue.” Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions.html. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
Adventures in Hostels Staying in an Eco-Hostel Page 16
ISSN 0 309 8451 Volume 98 Autumn 2011 The journal of the National Association for Environmental Education (UK) Promoting education for Sustainable Development Adventures in hostels Staying in an eco-hostel page 16 Experience Science Page 18 On board an eco-bus Spending time Page 12 Page 11 Soil Searching | EE in Pakistan and China | Bulletin | Hedgehogs National Association for Autumn 2011 Volume 98 Environmental Education (UK) Page 22 Contents NAEE UK has, for over fifty years, provided support for educators and Page education professionals to supply and deliver all aspects of environmental Comment education across all levels of the curriculum. An interactive environment 4 Professor Mick Waters, NAEE Vice President Letter from the NAEE Chairpersons 5 NAEE (UK) is a voluntary organisation, with no state funding, run by Gabrielle Back and Henricus Peters experienced teachers from a wide variety of educational institutions. Letter to the Chairpersons 6 We use funds raised from subscriptions and donations to promote the Page 18 New NAEE Bulletin 7 teaching of environmental education across the curriculum as well as Henricus Peters President Co-Chairs education for sustainable development. Prof. William Scott Gabrielle Back Time Well Spent 11 Henricus Peters Caroline Addy Vice Presidents Vice-Chair Membership Prof. G. Ashworth Nina Hatch Community Eco Bus 12 Membership is open to those directly involved Lord Briggs of Lewes Hon. Treasurer Sofia (Constantinou) Antoniou in environmental education or those with a Prof. T. Brighouse David Fellows Notice of Special Hedgehog Street 14 related interest. Viscountess Cobham Hon. Secretary Prof. Sir F. Holiday Katie Scanlan Laura Bower General Meeting Prof. -
X-Files: Seasons 10 and 11 Trading Cards Checklist
X-Files: Seasons 10 and 11 Trading Cards Checklist Base Cards # Card Title [ ] 01 My Struggle [ ] 02 My Struggle [ ] 03 My Struggle [ ] 04 My Struggle [ ] 05 My Struggle [ ] 06 My Struggle [ ] 07 Founder's Mutation [ ] 08 Founder's Mutation [ ] 09 Founder's Mutation [ ] 10 Founder's Mutation [ ] 11 Founder's Mutation [ ] 12 Founder's Mutation [ ] 13 Mulder & Scully Meet the Were-Monster [ ] 14 Mulder & Scully Meet the Were-Monster [ ] 15 Mulder & Scully Meet the Were-Monster [ ] 16 Mulder & Scully Meet the Were-Monster [ ] 17 Mulder & Scully Meet the Were-Monster [ ] 18 Mulder & Scully Meet the Were-Monster [ ] 19 Home Again [ ] 20 Home Again [ ] 21 Home Again [ ] 22 Home Again [ ] 23 Home Again [ ] 24 Home Again [ ] 25 Babylon [ ] 26 Babylon [ ] 27 Babylon [ ] 28 Babylon [ ] 29 Babylon [ ] 30 Babylon [ ] 31 My Struggle II [ ] 32 My Struggle II [ ] 33 My Struggle II [ ] 34 My Struggle II [ ] 35 My Struggle II [ ] 36 My Struggle II [ ] 37 My Struggle III [ ] 38 My Struggle III [ ] 39 My Struggle III [ ] 40 My Struggle III [ ] 41 My Struggle III [ ] 42 My Struggle III [ ] 43 This [ ] 44 This [ ] 45 This [ ] 46 This [ ] 47 This [ ] 48 This [ ] 49 Plus One [ ] 50 Plus One [ ] 51 Plus One [ ] 52 Plus One [ ] 53 Plus One [ ] 54 Plus One [ ] 55 The Lost Art of Forehead Sweat [ ] 56 The Lost Art of Forehead Sweat [ ] 57 The Lost Art of Forehead Sweat [ ] 58 The Lost Art of Forehead Sweat [ ] 59 The Lost Art of Forehead Sweat [ ] 60 The Lost Art of Forehead Sweat [ ] 61 Ghouli [ ] 62 Ghouli [ ] 63 Ghouli [ ] 64 Ghouli [ ] 65 Ghouli [ ] 66 Ghouli -
Audio Publishers Association Announces 2018 Audie Award® Finalists in 26 Categories
FOR IMMEDIATE RELEASE Contact: Rachel Tarlow Gul Over the River Public Relations 201-503-1321, [email protected] Audio Publishers Association announces 2018 Audie Award® finalists in 26 categories Winners to be honored at the Audies® Gala in New York City on May 31st New York, NY – The Audio Publishers Association (APA) has announced finalists for the 23rd annual Audie Awards® competition, the premier awards program in the United States recognizing distinction in audiobooks and spoken word entertainment. Winners will be revealed at the Audies® Gala on May 31, 2018, at the New-York Historical Society in New York City. “We are excited to announce all of our Audie Awards® finalists for 2018,” says APA President Linda Lee. “It seems that each year the sky is the limit as we see an increase in submissions of incredibly high quality works. This year’s Audies promises to be more exciting than ever as the judges work hard to pick the winners out of such an august field of finalists. We hope to see you there to join in the excitement!” “Audiobook aficionados and industry insiders alike have a heightened excitement about the amazing range of genres and production styles of the finalists and ultimate winners of the Audies,” adds Mary Burkey, Audie Awards® Competition Chair. “Our team of expert judges debating the winner of the Audiobook of the Year award must choose a single audio that combines the very best in narration and production quality with significant sales impact and marketing outreach to be the standard bearer of excellence for the format and audio publishing industry. -
Transmedia Storytelling Strategy
Transmedia Storytelling Strategy How and why producers use transmedia storytelling for competitive advantage. Cameron Cliff Bachelor of Film and Screen Media, Bachelor of Creative Industries (Honours) Principal Supervisor: Dr Jon Silver Associate Supervisor: Distinguished Professor Stuart Cunningham Submitted in fulfilment of the requirements for the degree of a Doctor of Philosophy School of Media, Entertainment and Creative Arts Faculty of Creative Industries Queensland University of Technology 2017 1 Keywords Transmedia, storytelling, strategy, competitive advantage, multiplatform, Hollywood, Lizzie Bennet Diaries, Pride and Prejudice, Sofia’s Diary, Doctor Who, BBC ii Abstract Storytelling in contemporary media production exists in a landscape of rapid and continuous change. Practitioners and scholars alike have been exploring different methods for success within this landscape, fixating on multiplatform strategies that blend together novel and traditional methods of telling their stories. As a result, transmedia storytelling, the strategy of creating an immersive world through the coordination of multiple, unique narratives, has enjoyed a place of prominence within media production research for the better part of the last decade. However, the concept of transmedia storytelling has become clouded by ‘semantic chaos’ (Scolari 2009). Investigations from different disciplines and industries have formed separate silos of research that have divided transmedia and left professionals questioning the relevance of transmedia storytelling to their practice. Using strategic management theory to coordinate research from across different disciplinary silos (media and cultural studies, marketing and advertising), this thesis conducts an original, interdisciplinary study of transmedia storytelling. It develops an audience engagement framework specific to transmedia projects and a lens for assessing the competitive advantage of different transmedia strategies.