Gone Postal! by Staff Writers Tragic Loss, Stop Motion Service to Be Announced

Total Page:16

File Type:pdf, Size:1020Kb

Gone Postal! by Staff Writers Tragic Loss, Stop Motion Service to Be Announced The Wall of Lies Number 133 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA Final FINAL Adelaide, November--December 2011 WEATHER: Summer Free Gone Postal! by staff writers Tragic loss, stop motion service to be announced. An upset “Postman” Pat Clifton has wounded seven other puppets in a spree shooting, before turning the shotgun on himself. The BAFTA nominated BBC Children’s entertainer was reportedly distraught at being forced to relocate from London to Salford in the current BBC shake-up. Television Centre was formally placed on the property market on 13 June 2011. Friend and colleague “Fireman” Sam Peyton-Jones said “People thought he really lived in Greendale Village, which of course is fictional. He had a flat right in White City and couldn’t face having to move North.” Long time partner Jess the Cat had recently joined O Pat in a civil union, not recognised outside of ut t N No France. Calls to his agent were not immediately ow Pat announcing the loss of returned. ! Royal Mail sponsorship in 2000. Dr Who in crisis for 2012 by staff writers While the brand is strong, ratings are thinning and the future uncertain. The average ratings for Doctor Who on ABC have fallen from over a million in 2008 Chameleon Factor # 80 to 689,000 in 2011 (five capitals, rounded to nearest thousand). ABC has declined to circulate ratings information for the show this year. The BBC refused to comment and O u were unable to clarify there wouldn’t be a full series next year, but ABC said they did N t No ow not expect any more content until 2013. ! ABC wants to repeat their Christmas special success of 2010, with a spokesperson saying; “We are planning to screen it (The Doctor, the Widow and the Wardrobe) Boxing Day.” Despite expressing an interest in the Red Nose Day specials Time and Space, they have not bought the rights to them. Sci Fi Channel say Doctor Who is rating well, and the run will end when they finish the Tom Baker episodes. They do not have any other Doctor Who material. Ten confirmed Torchwood: Miracle Day will screen on Eleven, but have not scheduled it yet. They said it would not be broadcast until the new year. Ten intends to purchase K-9 series two, but have no current information on its completion or repeats for the SFSA magazine # 28 second half of series one. q Continued Page 2 First Carpenter scare, page 2. Archive, page 3. Dr Who in crisis for 2012 q from Page 1 Ratings Date Title 5 City Sydney Melbourne Brisbane Adelaide Perth O E S 3/9 Let's Kill Hitler 792,000 221,000 250,000 137,000 75,000 109,000 M C : 10/9 Night Terrors 660,000 199,000 185,000 114,000 79,000 82,000 t i 17/9 The Girl Who Waited d e 513,000 155,000 149,000 89,000 59,000 61,000 r C 24/9 The God Complex 591,000 187,000 141,000 89,000 83,000 91,000 1/10 Closing Time 691,000 194,000 219,000 121,000 60,000 96,000 8/10 The Wedding of River Song 708,000 231,000 180,000 138,000 67,000 91,000 2011 average 689,000 Chinese government illustration of Tiangong 2010 average 920,000 1 (left) and Shenzou 8 docking. 2009 average 834,000 (specials) 2008 average 1,097,000 2007 average 846,000 Sky Watch 2006 average 933,000 2005 average 938,000 Source: TV Tonight (2011), all others ABC First Chinese docking Preservation Issues ON 2 NOVEMBER 2011 the Chinese space program successfully automatically docked two craft for the Horrible film sees light of day first time. The Tiangong-1 station was launched on by staff writers 29 September, and is intended to be visited by three Contacts missions. The first of these was the remotely con- JUST IN TIME FOR Halloween, an trolled Shenzhou 8, launched 31 October. Jamie Stidiford archivist at the University of Southern California has recovered The stated intent of the Tiangong program is to (President) horror director John Carpenter’s launch a large modular space station for long term [email protected] student film. Captain Voyeur (1969) habitation by 2020. has an eight minute duration, with a The first successful American docking was similar plot to Carpenter’s later fea- between Gemini 8 and an Agena missile on 17 Martin Dunne ture Halloween (1978). March 1966. The first successful Soviet docking (The Wall of Lies editor) Dino Everett told The Hollywood was between Soyuz 4 and 5 on 15 January, 1969. [email protected] Reporter he had heard rumours Carpenter had stolen his films from Are physical laws inconsistent? the archive, so went to check. One Tammy Vogel negative print bore a handwritten A DECADE OLD quasar survey has suggested a sur- credit for Carpenter, so he knew he (Magazine editor) prising challenge to conventional assumptions had made a valuable discovery. [email protected] He also noted the film was made about the universe. James Webb et al suggest the from the perspective of the stalker, value of alpha, or the fine-structure constant which describes the strength of electromagnetic interac- Postal address: who wore glasses over his mask and the victim strongly resembled tion, may change across space. This was first PO Box 3227 Jamie Lee Curtis, all similar to defined by Arnold Sommerfeld in 1916. Rundle Mall SA 5000 Halloween. Webb’s survey suggests alpha is slightly weaker in The National Film Preservation ancient quasars, where a later study suggests it Foundation has given the University may be strnonger in another region. If alpha were a $1,000 grant to restore the print. 4% stronger, stars would be unable to produce car- Mailing list John Carpenter had not been bon, and life could not be based upon this element. subscription: informed of the recovery by USC at The paper, ‘Indications of a spatial variation of the the time of printing. fine structure constant?’ was published in Physical [email protected] Review Letters on 31 October 2011. This is a publication of SFSA: the South Australian Doctor Who Fan Club Inc., a non profit organisation. No attempt has been made to supersede the copyright of any holders of trademark or copyrighted 19/11, 21/1/2012, 18/2 images, text, or information. Whilst every care has been taken to ensure that the contents of the newsletter is accurate at the time of printing, SFSA cannot accept any liability for inaccura- cies that may appear. Meeting details are subject to change at short notice. 2 www.sfsa.org.au November-December 2011 Printed by the Federal Printing House Wall of Lies No 73 December 01/January 02 [Editor: Matthew Fazakerley] Transmission schedule From Watcher to Warlord! November to December 2011 Anthony Stewart Head, Giles Doctor Who 2011 Christmas special from Buffy the Vampire Slayer, is set to appear in three new Archive Doctor Who audio plays. Head, ~ The Doctor, the Widow and the Chameleon 2, November 1981 who auditioned for the part of Wardrobe 26/12 Chamelleon 2, November 1981 the Doctor in the 1996 TV [Editors: Paul Snarksis/Grant Whittingham] Movie of the series, will play Double episodes daily on Sci Fi Channel Warlord Grayvorn in three 19th SEASON audio plays in the upcoming Check local and daily program listings Excelis trilogy. Story #1 - “Castrovalva” Story #3 - “Kinda” [Head had already been in the Club Story #5 - “Black Orchid” audio Death Comes to Time,and Story # 6 - “The Sentinel” went on to narrate the BBC Membership Story # 7 - “Xanadin” Radio 2 Project: WHO?, and the Annual membership rates are $15. third and fourth series of Doctor This entitles you to one year’s subscrip- Who Confidential. In 2006 he tion to the club’s publications: bimonthly NEWS-SHEET appeared as Mr. Finch in the The Wall of Lies and SFSA magazine, [News-Sheet 10 is missing. Can you help?] episode School Reunion. In and the Doctor Who themed yearbook NO: 11 DECEMBER OF 1991 2007 he played Baltazar in the Chameleon Factor. Also included are [Editors: Jarren Gallaway & Glen Smith]] animated Totally Doctor Who discounted entry fees to SFSA meet- segment The Infinite Quest.] ings, and discounts at various stores OTHER NEWS around Adelaide. The BBC radio collection are planning next year to release audio recordings of lost sto- ries from the 60’s era, similar to the Discounts “Genesis of the Daleks” and “Slipback” Pulp Fiction tapes. The first two likely to be released are 10% off comics and graphic novels “Tomb of the Cybermen” and “The Macra Terror”, with linking segments by Jon Pertwee and Colin Baker respectively. Events [The planned release of the Tomb audio was delayed until 1993 due to the recovery In September we played Apples for of all four episodes from Asia Television, Hong Kong, in late 1991.] Apples and Carcassonne. In October we SFSA 5, Summer 2001/2 enjoyed Doctor Who: Closing Time. Fandom November 5 Pub meeting 17.00 Culture Shock Events Venue: Buckingham Arms Hotel presents November 19 General meeting 15.00 Venue: Adelaide High School Mark Sheppard Live December 3 Pub meeting 17.00 February 2012 Venue: Buckingham Arms Hotel Two shows :Sydney and Brisbane December picnic TBA Check dates and times close to January 7 Pub meeting 17.00 the event Venue: Buckingham Arms Hotel January 21 General meeting 15.00 Tickets via Venue: Adelaide High School cultureshockevents.com SFSA 5, Summer 2001/2 www.sfsa.org.au November-December 2011 3 Subscription due if Noodle Warriors, SFSA 5, 2001 a red dot appears [Fazakerley/Cooke] in this box Art by Steven Cooke, Script by Cooke and Matthew Fazakerley 4 www.sfsa.org.au November-December 2011.
Recommended publications
  • On Religion and Doctor Who</Em>
    Butler University Digital Commons @ Butler University Scholarship and Professional Work - LAS College of Liberal Arts & Sciences 10-2014 Professor McGrath Offers a Scholarly Take On Religion and Doctor Who Marc Allen Butler University James F. McGrath Butler University, [email protected] Follow this and additional works at: https://digitalcommons.butler.edu/facsch_papers Part of the Religion Commons, and the Television Commons Recommended Citation Allen, Marc and James McGrath. "Professor McGrath Offers a Scholarly Take On Religion and Doctor Who." Nonprofit Communications Report 12.10 (2014): 4. doi: 10.1002/npcr.20022. Available from: http://digitalcommons.butler.edu/facsch_papers/442 This Article is brought to you for free and open access by the College of Liberal Arts & Sciences at Digital Commons @ Butler University. It has been accepted for inclusion in Scholarship and Professional Work - LAS by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. ! Professor McGrath Offers a Scholarly Take On Religion and Doctor Who Take TV viewers on trips through time and space for 50 years and you’re going to pick up some admirers—including some scholarly ones. That’s what’s happened with Doctor Who, the British !series that is celebrating 50 years this month. Two of the show’s fans—Butler University Professor of Religion James McGrath and Andrew Crome, a lecturer in the history of modern Christianity at the University of Manchester (England)—have compiled a new book, Time and Relative Dimensions in Faith: Religion and Doctor Who, in which 19 scholars who also are Doctor Who fans weigh in on how the longest- !running science fiction series in television history deals with religious topics.
    [Show full text]
  • Dr Who Pdf.Pdf
    DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e.
    [Show full text]
  • Doctor Who and the Genesis of the Daleks
    DOCTOR WHO AND THE GENESIS OF THE DALEKS By Terrance Dicks 1 SECRET MISSION It was a battlefield. The ground was churned, scarred, ravaged. Nothing grew there, nothing lived. The twisted, rusting wrecks of innumerable war machines littered the landscape. There were strands of ragged, tangled wire, collapsed dugouts, caved-in trenches. The perpetual twilight was made darker by fog. Thick, dank and evil, it swirled close to the muddy ground, hiding some of the horrors from view. Something stirred in the mud. A goggled, helmeted head peered over a ridge, surveyed the shattered landscape. A hand beckoned, and more shapes rose and shambled forward. There were about a dozen of them, battle-weary men in ragged uniforms, their weapons a strange mixture of old and new, their faces hidden by gas masks. A star shell burst over their heads, bathing them for a moment in its sickly green light before it sputtered into darkness. The thump of artillery came from somewhere in the distance, with the hysterical chatter of automatic weapons. But the firing was some distance away. Too tired even to react, the patrol shambled on its way. A man materialized out of the fog and stood looking in bewilderment after the soldiers. He was a very tall man, dressed in comfortable, old tweed trousers and a loosely hanging jacket. An amazingly long scarf was wound round his neck, a battered, broad-rimmed hat was jammed onto a tangle of curly brown hair. Hands deep in his pockets, he pivoted slowly on his heels, turning in a complete circle to survey the desolate landscape.
    [Show full text]
  • THE TWO JACKS! We Bring You EXCLUSIVE Interviews with JOHN and CAROLE BARROWMAN and the Real Captain Jack, MATT RIPPY!
    Issue Seven Hey folks? You miss me? THE TWO JACKS! We bring you EXCLUSIVE interviews with JOHN AND CAROLE BARROWMAN and the real Captain Jack, MATT RIPPY! PLUS! We talk to Trevor Baxendale about his Torchwood novels! EDITORIAL CONTENTS “Hey Jack: is that a missile in your 4-5: Inside the Hub- All the latest Torchwood news pocket or are you just pleased to see me?” 6-11: TORCHWOOD TALES: The Barrowmans Welcome to one of the most exciting 12-13: A Salute to Jack issues of The Hub I’ve ever produced. Firstly, apologies we did not release on the previously ad- vertised date of 1st September. I have been in Devon for a week and didn’t get as 14-17: TORCHWOOD TALES: Matt Rippy much time to edit as I thought. It probably didn’t help I purchased “The Walking Dead Season Two” on DVD… And the large amount of reading 18-21: Episode Guide: Captain Jack Harkness The Hub Issue Seven I had for some Sixth Form courses I’m taking… Editor (Captain Jack): Matt Powell Assistant Producers (Gwen and Ianto): 22-28: Fiction: 21st January. 1941 This issue has been such fun to produce and it all started with the Bar- Louise Mills, Debs Forrest Copy Editor: Lisa Moran rowman’s interview. I remember the night when I had Debs email me saying she’d got them. We were over the moon. I couldn’t believe that we’d 30-37: Trevor Baxendale Article Writers: got them at first! Jack is a character we all love and adore.
    [Show full text]
  • Editor's Exodus
    • EVENTS • LETTERS • FEATURES • MOVIES • REVIEWS • BOOKS • LISTINGS • NEWS • Five of Ken • Page Editor’s Exodus New Shows • Page ! Book Review • Page # Who Brief • Page THE OFFICIAL NEWSLETTER OF THE WEST COAST SCIENCE FICTION ASSOCIATION Vol. 28 Issue 11 Number 329 November 2000 • $2.50 Clickable item. Click on me to see where I take you! WCSFActivities Contributor’s Deadline - Dec. BCSFA GENERAL MEETING Saturday, Novem- WCSFA 15th. ber 25th, , beginning 6:00 PM, at R. Graeme & Memberships F.R.E.D. - Every Friday Alyx’s house, 86 Warrick Street in Coquitlam. The weekly gathering of BCSFAns and all Theme: Showing of Walt Disney space program New ...................................... $26.00 proposals from the 1950s. By #154 bus from 22nd New Family .......................... $32.00 others interested in joining us for an Skytrain or Lougheed mall, get off at Mundy & Renewal ................................ $25.00 evening of conversation and relaxation, Family (2 Votes) ................... $31.00 with pool table option. At the Burrard Cape Horn, walk downhill (East) along Cape Horn (Above prices includes subscription to Motor Inn opposite St. Paul’s Hospital to Warrick, turn left, #86 is third house on the left. BCSFAzine. Please e-mail (Downtown Vancouver) 6 blocks south of By car, follow Brunette Ave. till it turns into Cape [email protected] if you wish to Burrard Skytrain Station. 3 blocks west Horn, past Mundy as above. (Do not park in drive- receive the magazine by e-mail.) of Granville (where many buses run). #22 way.) Note: multiple pets, so allergy alert! BYOB Make checks payable to WCSFA Knight/McDonald bus along Burrard.
    [Show full text]
  • Inside Outside in 2: an Outside in Extra!
    INSIDE OUTSIDE IN 2: AN OUTSIDE IN EXTRA! Inside Outside In 2 as a compilation is ©2018 Robert Smith? All essays are ©2018 their respective authors. Outside In inside outside in 2 robert smith? (Originally published in the Nethersphere fanzine) Outside In Who The first two books cover Classic and New reviews, but with a twist. Well, technically a gimmickDoctor Who and storiesa twist. (including The gimmick Shada is). that, In the in second each volume, (recently there out is precisely one reviewer per story. So, in the first volume,Who there were 160 writers covering 160 Classic from ATB Publishing), that meant 125 writers Space/Timefor 125 New to Rainstories. Gods to How Time did Crash we toget Music to 125? of theWe Spherescounted. Notpretty to mentionmuch everything! all the televised So if it had stories a title of andcourse. a narrative, then it was included. Which meant everything from However, while a logistical triumph/headache/nightmareDoctor Who collection(delete asin appropriate), the gimmick is simply that: a way to anchor the collectionDoctor Who — making it, incidentally the most diverse professionally published existence — meaning that there are multiple styles. Much like itself, if you don’t like this week’s offering, somethingWho stories else will saying be along the shortly.same old things. So The twist though, is rather more delicious. The first volume was created as a hard.reaction Doctor to so Who many reviews of Classic the aim with that oneThe was Seeds to sayof Doom something different. Which, in a way, wasn’t that , like the weather, is endlessly discussable.
    [Show full text]
  • Doctor Who's Feminine Mystique
    Doctor Who’s Feminine Mystique: Examining the Politics of Gender in Doctor Who By Alyssa Franke Professor Sarah Houser, Department of Government, School of Public Affairs Professor Kimberly Cowell-Meyers, Department of Government, School of Public Affairs University Honors in Political Science American University Spring 2014 Abstract In The Feminine Mystique, Betty Friedan examined how fictional stories in women’s magazines helped craft a societal idea of femininity. Inspired by her work and the interplay between popular culture and gender norms, this paper examines the gender politics of Doctor Who and asks whether it subverts traditional gender stereotypes or whether it has a feminine mystique of its own. When Doctor Who returned to our TV screens in 2005, a new generation of women was given a new set of companions to look up to as role models and inspirations. Strong and clever, socially and sexually assertive, these women seemed to reject traditional stereotypical representations of femininity in favor of a new representation of femininity. But for all Doctor Who has done to subvert traditional gender stereotypes and provide a progressive representation of femininity, its story lines occasionally reproduce regressive discourses about the role of women that reinforce traditional gender stereotypes and ideologies about femininity. This paper explores how gender is represented and how norms are constructed through plot lines that punish and reward certain behaviors or choices by examining the narratives of the women Doctor Who’s titular protagonist interacts with. Ultimately, this paper finds that the show has in recent years promoted traits more in line with emphasized femininity, and that the narratives of the female companion’s have promoted and encouraged their return to domestic roles.
    [Show full text]
  • The Helmholtz, the Doctor, the Minotaur, and the Labyrinth
    Volume 34 Number 2 Article 7 4-15-2016 The Helmholtz, the Doctor, the Minotaur, and the Labyrinth Buket Akgün Istanbul University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Akgün, Buket (2016) "The Helmholtz, the Doctor, the Minotaur, and the Labyrinth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 2 , Article 7. Available at: https://dc.swosu.edu/mythlore/vol34/iss2/7 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Compares the use and resolution of Minotaur and Labyrinth themes and imagery, and the identification of the Theseus hero-figure with the monster, in Victor Pelevin’s novel The Helmet of Horror and the sixth season Doctor Who episode “The God Complex.” Additional Keywords Doctor Who (television show); Labyrinths in literature; Minotaur (Greek myth); Pelevin, Victor.
    [Show full text]
  • Autonomous Vehicle Technology: a Guide for Policymakers
    Autonomous Vehicle Technology A Guide for Policymakers James M. Anderson, Nidhi Kalra, Karlyn D. Stanley, Paul Sorensen, Constantine Samaras, Oluwatobi A. Oluwatola C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/rr443-2 This revised edition incorporates minor editorial changes. Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-0-8330-8398-2 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2016 RAND Corporation R® is a registered trademark. Cover image: Advertisement from 1957 for “America’s Independent Electric Light and Power Companies” (art by H. Miller). Text with original: “ELECTRICITY MAY BE THE DRIVER. One day your car may speed along an electric super-highway, its speed and steering automatically controlled by electronic devices embedded in the road. Highways will be made safe—by electricity! No traffic jams…no collisions…no driver fatigue.” Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions.html. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous.
    [Show full text]
  • Technologies Journal of Research Into New Media
    Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus.
    [Show full text]
  • Adventures in Hostels Staying in an Eco-Hostel Page 16
    ISSN 0 309 8451 Volume 98 Autumn 2011 The journal of the National Association for Environmental Education (UK) Promoting education for Sustainable Development Adventures in hostels Staying in an eco-hostel page 16 Experience Science Page 18 On board an eco-bus Spending time Page 12 Page 11 Soil Searching | EE in Pakistan and China | Bulletin | Hedgehogs National Association for Autumn 2011 Volume 98 Environmental Education (UK) Page 22 Contents NAEE UK has, for over fifty years, provided support for educators and Page education professionals to supply and deliver all aspects of environmental Comment education across all levels of the curriculum. An interactive environment 4 Professor Mick Waters, NAEE Vice President Letter from the NAEE Chairpersons 5 NAEE (UK) is a voluntary organisation, with no state funding, run by Gabrielle Back and Henricus Peters experienced teachers from a wide variety of educational institutions. Letter to the Chairpersons 6 We use funds raised from subscriptions and donations to promote the Page 18 New NAEE Bulletin 7 teaching of environmental education across the curriculum as well as Henricus Peters President Co-Chairs education for sustainable development. Prof. William Scott Gabrielle Back Time Well Spent 11 Henricus Peters Caroline Addy Vice Presidents Vice-Chair Membership Prof. G. Ashworth Nina Hatch Community Eco Bus 12 Membership is open to those directly involved Lord Briggs of Lewes Hon. Treasurer Sofia (Constantinou) Antoniou in environmental education or those with a Prof. T. Brighouse David Fellows Notice of Special Hedgehog Street 14 related interest. Viscountess Cobham Hon. Secretary Prof. Sir F. Holiday Katie Scanlan Laura Bower General Meeting Prof.
    [Show full text]
  • The Blue Box White Paper
    The Blue Box White Paper Doctor Benjamin K. Tippetta Gallifrey Polytechnic Institute Doctor David Tsangb Gallifrey Institute of Technology (GalTech) (Dated: October 31, 2013) This white paper is an explanation of Ben and Dave’s TARDIS time machine, written for laypeople who are interested in time travel, but have no technical knowledge of Einstein’s Theory of General Relativity. The first part of this paper is an introduction to the pertinent ideas from Einstein’s theory of curved spacetime, followed by a review of other popular time machine spacetimes. We begin with an intro- duction to curvature and lightcones. We then explain the Alcubierre Warp Drive, the Morris-Thorne wormhole, and the Tipler cylinder. We then describe the Traversable Achronal Retrograde Domain in Spacetime (TARDIS), and ex- plain some of its general properties. Our TARDIS is a bubble of spacetime curvature which travels along a closed loop in space and time. A person travelling within the bubble will feel a constant acceleration. A person outside of the TARDIS will see two bubbles: one which is evolving forwards in time, and one which is evolving backwards in time. We then discuss the physical limitations which may prevent us from ever constructing a TARDIS. Finally, we discuss the method through which a TARDIS can be used to travel between arbitrary points in space and time, and the possible dangers involved with exiting a TARDIS from the wrong side. Before we begin, would you like a Jelly Baby? arXiv:1310.7983v1 [physics.pop-ph] 29 Oct 2013 a email: [email protected] b email: [email protected] 2 Figure 1: We ask K9 to steer straight-ahead as he moves over the curved ground of an old quarry in Wales.
    [Show full text]