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Universidade Federal De Juiz De Fora Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files PPGCOM/UFJF Fevereiro de 2017 Daiana Maria Veiga Sigiliano SOCIAL TV: o laço social no backchannel de The X-Files Dissertação apresentada ao Programa de Pós Graduação em Comunicação, área de concentração Comunicação e Sociedade, da Universidade Federal de Juiz de Fora, como requisito parcial para obtenção do grau de Mestre. Orientadora: Profª. Dra. Gabriela Borges Martins Caravela PPGCOM/UFJF Fevereiro de 2017 AGRADECIMENTOS Esse trabalho é norteado por desafios e um deles é encontrar uma forma de agradecer a minha orientadora, a professora Gabriela Borges, por todo o aprendizado ao longo desses anos. Entretanto, qualquer agradecimento feito aqui será ínfimo perto da sua importância na minha trajetória. Obrigada por em 2013, durante uma aula da especialização em Jornalismo Multiplataforma, ter me perguntado se eu gostaria de fazer mestrado e desde então ter estado ao meu lado. Obrigada pela confiança depositada em cada projeto, é sempre uma honra poder fazer parte das suas pesquisas e dos seus cronogramas que na hora parecem impossíveis de serem cumprimos, mas que no final sempre dão certo. Obrigada por toda generosidade com que conduziu não só essa dissertação, mas cada pesquisa que fizemos juntas (eu vou sentir saudades de falar no plural). Obrigada pelo incentivo e por acreditar que tudo isso seria possível desde o início. Obrigada por mostrar que o conhecimento é sempre construído com a ajuda do outro e que o aprendizado é constante. Serei sempre grata por tudo! À professora Soraya Ferreira por todo o aprendizado, carinho, abraços apertados e pelas digressões. -
Press Contacts for the Television Academy: 818-264
FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent -
Sarah A. Tejeda (951) 233-9185 [email protected]
Sarah A. Tejeda www.sarahtejeda.com (951) 233-9185 [email protected] PROFILE A creative and enthusiastic animator, with experience in various forms of animation. A quick-thinking, problem solver who gives 100% to all projects. Adept in written and oral communication, and works well independently or with a team. Thrives in fast-paced environments, and can adapt to meet deadlines and handle multiple tasks. EDUCATION University of Southern California Los Angeles, CA BA Animation and Digital Arts 2014 EXPERIENCE Animator Stoopid Buddy Stoodios July 2017-Sept 2018 Robot Chicken Season 9, Supermansion Season 3 ● Animated various characters, props, and cameras while perfecting the animation styles of various shows. Lead Animation Assistant/Track Reader/ Jr. Animator Stoopid Buddy Stoodios May 2015-June 2017 Supermansion Seasons 1 & 2, Buddy Thunderstruck, Robot Chicken Seasons 8 & 9, Verizon Bumpers ● Acted as a fill-in animator for studio projects. Supported and assisted animators and crews by helping with rigging, anticipating and solving problems, and keeping areas and materials well-stocked and organized. Proficient track reader for all studio projects. Animation Assistant Hello! & Company November 2014 McDonald’s Spot: Morning Song ● Provided support to director and animators for a location shoot. Assisted with the preparation of sets and props. Senior Thesis Film USC Jan 2013-May 2014 Expiration Date ● Created original concept art through extensive pre-production. Developed script, hired and directed voice-over talent. Molded, fabricated, and painted over 30 puppets, including facial expressions. Fabricated multiple props and sets. Animation Intern Shadow Machine Jan -May 2012 Hell and Back ● Supported animation, puppet, and art departments through the building of sets and props. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
11Eyes Achannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air
11eyes AChannel Accel World Acchi Kocchi Ah! My Goddess Air Gear Air Master Amaenaideyo Angel Beats Angelic Layer Another Ao No Exorcist Appleseed XIII Aquarion Arakawa Under The Bridge Argento Soma Asobi no Iku yo Astarotte no Omocha Asu no Yoichi Asura Cryin' B Gata H Kei Baka to Test Bakemonogatari (and sequels) Baki the Grappler Bakugan Bamboo Blade Banner of Stars Basquash BASToF Syndrome Battle Girls: Time Paradox Beelzebub BenTo Betterman Big O Binbougami ga Black Blood Brothers Black Cat Black Lagoon Blassreiter Blood Lad Blood+ Bludgeoning Angel Dokurochan Blue Drop Bobobo Boku wa Tomodachi Sukunai Brave 10 Btooom Burst Angel Busou Renkin Busou Shinki C3 Campione Cardfight Vanguard Casshern Sins Cat Girl Nuku Nuku Chaos;Head Chobits Chrome Shelled Regios Chuunibyou demo Koi ga Shitai Clannad Claymore Code Geass Cowboy Bebop Coyote Ragtime Show Cuticle Tantei Inaba DFrag Dakara Boku wa, H ga Dekinai Dan Doh Dance in the Vampire Bund Danganronpa Danshi Koukousei no Nichijou Daphne in the Brilliant Blue Darker Than Black Date A Live Deadman Wonderland DearS Death Note Dennou Coil Denpa Onna to Seishun Otoko Densetsu no Yuusha no Densetsu Desert Punk Detroit Metal City Devil May Cry Devil Survivor 2 Diabolik Lovers Disgaea Dna2 Dokkoida Dog Days Dororon EnmaKun Meeramera Ebiten Eden of the East Elemental Gelade Elfen Lied Eureka 7 Eureka 7 AO Excel Saga Eyeshield 21 Fight Ippatsu! JuudenChan Fooly Cooly Fruits Basket Full Metal Alchemist Full Metal Panic Futari Milky Holmes GaRei Zero Gatchaman Crowds Genshiken Getbackers Ghost -
Home Mcr. Org Box Office 0161 200 1500
home box office mcr. 0161 200 1500 org home film . OCT – Peterloo, 2018 NOV 1 NEW RELEASES Event Event Tehran Taboo (15) Kusama: Infinity (12A) Anchor and Hope (15) Columbus (12A) 1945 (12A) Pili (CTBA) From Fri 5 Oct From Fri 5 Oct From Fri 5 Oct From Fri 12 Oct From Fri 12 Oct From Fri 12 Oct Dir Ali Soozandeh/AT DE 2017/96 mins/Persian Dir Heather Lenz/US 2018/77 mins Dir Carlos Marques-Marcet/ES 2017/113 mins/ Dir Kogonada/US 2017/104 mins/English and Dir Ferenc Török/HU 2017/91 mins/Hungarian Dir Leanne Welham/GB TZ 2017/83 mins/Swahili wEng ST An exploration of Yayoi Kusama’s fierce English and Spanish with partial EngST Korean with partial EngST wEng ST wEng ST Farhad Abadinejad, Jasmina Ali, Rozita Assadollahy Oona Chaplin, Natalia Tena, Geraldine Chaplin John Cho, Haley Lu Richardson, Parker Posey Péter Rudolf, Bence Tasnádi, Tamás Szabó Kimmel, Bello Rashid, Sekujua Rashid, Mwanaidi Omari Sefi determination to become a world- Dóra Sztarenki Tehran is a city of strict restrictions renowned artist after being born into Eva and Kat enjoy a carefree existence Jin, son of a renowned architecture In rural Tanzania, Pili works for less and religious laws. Yet, the lust for until Eva’s dream of becoming a mother scholar, strikes up a friendship with 12 August 1945. The arrival of two than £1 a day. Offered the chance to a conservative family in rural Japan. Orthodox Jewish men to a rural village life in young people who seek to live Making her way to America after is reignited. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru
Flute Repertoire from Japan: An Analysis of Twentieth-Century Flute Sonatas by Ikuma Dan, Hikaru Hayashi, and Akira Tamba D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Daniel Ryan Gallagher, M.M. Graduate Program in Music The Ohio State University 2019 D.M.A. Document Committee: Professor Katherine Borst Jones, Advisor Dr. Arved Ashby Dr. Caroline Hartig Professor Karen Pierson 1 Copyrighted by Daniel Ryan Gallagher 2019 2 Abstract Despite the significant number of compositions by influential Japanese composers, Japanese flute repertoire remains largely unknown outside of Japan. Apart from standard unaccompanied works by Tōru Takemitsu and Kazuo Fukushima, other Japanese flute compositions have yet to establish a permanent place in the standard flute repertoire. The purpose of this document is to broaden awareness of Japanese flute compositions through the discussion, analysis, and evaluation of substantial flute sonatas by three important Japanese composers: Ikuma Dan (1924-2001), Hikaru Hayashi (1931- 2012), and Akira Tamba (b. 1932). A brief history of traditional Japanese flute music, a summary of Western influences in Japan’s musical development, and an overview of major Japanese flute compositions are included to provide historical and musical context for the composers and works in this document. Discussions on each composer’s background, flute works, and compositional style inform the following flute sonata analyses, which reveal the unique musical language and characteristics that qualify each work for inclusion in the standard flute repertoire. These analyses intend to increase awareness and performance of other Japanese flute compositions specifically and lesser- known repertoire generally. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
130 International Conference 2005 Fiesta in San Antonio, Texas!!
International Conference 2005 Fiesta in San Antonio, Texas!! 130 AUG. 2005/ SEPT. 2005 Jill Rayburn collecting EC autographs for the charity auction. Your EC hard at work at the IC! (from left to right): Sal Lizard, Sunnie Planthold, Bob Fillmore (back), Mandi Livingston, Todd Brugmans, Jerry Tien, Jack “Towaway” Eaton, and Pat Spillers. Sean Fillmore checks out a member of the Ferengi delegation. Chrissy Killian (head of the western membership processing team) mugs for the camera (and the kid taking the picture, Sean Fillmore). Expecto Patronum! Students awaiting their next lesson at Hogwarts. Robby and Sean Fillmore face down a Dementor (thanks to Dean Rogers!). USPS 017-671 STARFLEET SSTARFLEETTARFLEET SSTARFLEETTARFLEET 113030 Society 113030 STARFLEET Communiqué Volume I, No. 130 Contents ‘FLEET Birth/days Published by: STARFLEET, The International IC 2005 1 Star Trek Fan Association, Inc. USS HEIMDAL 3 102 Washington Drive USS POLARIS VISITS 3 Ladson, SC 29456 THE KANSAS CITY ZOO 3 USS ALIOTH PICNIC 4 AWARENESS GROWS ABOUT CANCER IN R7 4 Publisher: Bob Fillmore USS INFERNO R7 PICNIC 5 Editor in Chief: Wendy Fillmore USS INFERNO: ST:RoS 5 Layout Editor: Wendy FIllmore USS RUBICON HONORED 6 Interim Graphics Editor: REAL STAR TREK COINS 6 Johnathan “Gumby” Simmons USS JEANNETTE MADDOX 7 Submissions Coord: Gary Hollifi eld REGION 15 SUMMIT 8 Copy Editors: Kimberly Donohoe, REGION 12 SUMMIT 9 Mike Klufas, Tracy Lilly, Bruce AAR: OPUSCON 10 Sherrick AAR: FEDCON 11 I DARE YOU!!! 12 Send Submissions to: STARFLEET CHARITIES 12 RETENTION & RECRUITING 12 STARFLEET COMMUNIQUÉ CASTING CALL 12 OCPM 12 6770 E. Judson Avenue IS CANADA READY...? 13 Las Vegas, NV 89156 FROM THE US ARMY 13 cq@sfi .org IN MEMORY..