Performs the Baby Face Song- Book (Rendezvous) Was the Top Gainer on the Album Chart

Total Page:16

File Type:pdf, Size:1020Kb

Performs the Baby Face Song- Book (Rendezvous) Was the Top Gainer on the Album Chart JazzWeek with airplay data powered by jazzweek.com • Nov. 28, 2005 Volume 2, Number 2 • $7.95 In This Issue: IAJE 2006 Set HOLIDAY RELEASES 2005 for Manhattan in January. 4 19 new CDs Drummer Roy Brooks, 67 . 6 reviewed, Marsalis Music including Announces New Honors Diana Krall Series . 7 page 10 Reiner Schwarz Joins CJRT . 8 December and Reviews and Picks . 18 Jazz Make a Jazz Radio . 21 Great Recipe Smooth Jazz page 16 Radio. 28 Radio Panels. 27, 32 News. 4 Charts: #1 Jazz Album – Joe Locke #1 Smooth Album – Brian Culbertson #1 Smooth Single – Brian Culbertson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger MUSIC EDITOR enjoy hearing Christmas music – once it’s close to the Tad Hendrickson holiday. Around the country there are stations already CONTRIBUTING EDITORS I playing all holiday music, and they’ve been doing it for Keith Zimmerman weeks, in some cases. Now that Thanksgiving is past us, Kent Zimmerman CONTRIBUTING WRITER/ it’s time to start including some music of the season for PHOTOGRAPHER many stations, and there’s a pretty nice selection of new Tom Mallison holiday releases this year. We’ve got our capsule reviews PHOTOGRAPHY Barry Solof of 19 of them starting on page 10. And if you’re looking for more ideas about how to program music of the season Founding Publisher: Tony Gasparre on your station, check out Tom Mallison’s second annual ADVERTISING: Devon Murphy Call (866) 453-6401 ext. 3 or look at holiday favorites on page 16. email: [email protected] SUBSCRIPTIONS: ••• Free to qualified applicants Premium subscription: $149.00 per year, w/ Industry Access: $249.00 per year Qualified people in the industry are now able to sign To subscribe using Visa/MC/Discover/ AMEX/PayPal go to: up to receive this publication free of charge, and we’ve had http://www.jazzweek.com/account/ a lot of people take advantage of this already. But there are subscribe.html a lot more people we’d like to reach. AIRPLAY MONITORING BY Please encourage those you know in the business to sign up at jazzweek.com. We hope to make a bigger im- pact in several areas: in radio, where more broadcasters Mediaguide will have access; at retail, where buyers and store owners 1000 Chesterbrook Blvd. Suite 150 will see what’s hot on radio; and among musicians, who Berwyn, PA 19312 will have access to industry information. With the larger circulation, we’ve added Devon Mur- JazzWeek (ISSN 1554-4338) is published weekly by phy as our advertising manager. As you plan your buys for 2006, please feel free to contact him at (866) 453-6401 extension 3, or at [email protected]. – Ed Trefzger, Editor 2117 Buffalo Road Suite 317 Rochester, NY 14624 phone/fax: (866) 453-6401 [email protected] Copyright ©2005 Yellow Dog Communications Inc. jazzweek.com • Nov. 28, 2005 JazzWeek 2 Contents Nov. 28, 2005 News . 4 IAJE: World’s Largest Jazz Conference Returns to Manhattan Jan. 11-14, 2006 . 4 Drummer Roy Brooks, 67 . 6 Marsalis Music Launches Honors Series With Drummers Cobb, Carvin. 7 Tower, Other Businesses Reopen in New Orleans . 7 Reiner Schwarz Joins Toronto’s JAZZ.FM91 . 8 Birthdays . 9 6 Features Holiday Music Roundup 2005 . 10 December and Jazz Make a Great Recipe for Radio Programming . 16 Reviews . 18 Arthur Kell . 18 Moacir Santos . 18 Dr. John And The Lower 911 . 18 10 Jazz Charts . 21 Jazz Album Chart . 22 Jazz Add Dates . 23 Jazz Current CDs . 24 Jazz Radio Panel . 27 Smooth Jazz Charts . 28 Smooth Album Chart . 29 Smooth Singles Chart. 30 21 Smooth Current CDs . 31 Smooth Radio Panel . 32 Classifieds . 20 Cover photo: Diana Krall by Sam Taylor Wood/Verve Music Group 28 JazzWeek Volume 2 Number 2 jazzweek.com • Nov. 28, 2005 JazzWeek 3 News IAJE: World’s Largest Jazz Conference Returns to Manhattan Jan. 11-14, 2006 MANHATTAN, Kan. – The Inter- two performances. On Thursday, Jan. Song; Jazz Big Band Graz featuring national Association for Jazz Educa- 12, with Djangology, a tribute to Djan- Theo Bleckmann and the music of tion (IAJE) returns to New York City go Reinhart featuring gypsy guitarist John Hollenbeck; John Fedchock NY for its 33rd Annual Conference Jan. 11- Bireli Lagrene. And on Saturday, Jan. Sextet; Jim Cullum Jazz Band; Kar- 14, 2006. The Hilton New York and 14, with the world premiere of rin Allyson; EST; Sheraton New York Hotels will serve a clarinet concerto written Robert Glasp- as the headquarters for the largest an- and arranged by Mi- er; Stefon Harris nual gathering of the global jazz com- chael Abene for spe- & Blackout; Andy Milne & munity, with over 7,000 educators, mu- cial guest Paquito Dapp Theory; Dave McMurdo Jazz sicians, industry executives, exhibitors, D’Rivera (broadcast Orchestra; I Am Three Mingus Big media and students from 35 countries live on German Public Radio.) Band/Orchestra/Dynasty; Bob Mint- expected to attend. New York is com- Nordic Now, a consortium of pro- zer Big Band; Nimmons ‘N’ Nine... mitted to host the conference again in fessional and student groups from Now!; Kitty Margolis; The Millenni- 2007 and in 2010. IAJE heads north Norway, Sweden, Denmark and Fin- um Jazz Orchestra & Fay Claasen; Li- to Toronto, Ontario, Canada in 2008. land will showcase the vibrant Scan- onel Loueke’s Gilfema Trio; Jean-Mi- Education, teacher training and dinavian jazz community. A highlight chel Pilc Trio; Dafnis Prieto Quintet; networking will be firmly at the will be a closing night performance by Kenny Werner Trio; Christian Scott; heart of the conference agenda, com- Norway’s Trondheim Jazz Orchestra Andy Scott-Dave Hassell Duo; Curti! bined with an impressive performance with special guest, Grammy winning s Stigers; U.S. Army Blues Jazz En- schedule. In addition, the conference pianist-composer Chick Corea. Corea, semble with Buddy DeFranco; Uni- will feature a 75,000 square-foot in- who is set to receive an NEA Jazz Mas- versity of North Texas One O’Clock dustry exposition, commission pre- ters Award during the conference, will Lab Band; Javon Jackson Band, and mieres, technology presentations, re- also perform that evening with Jack many more. search papers, award ceremonies, and DeJohnette and Eddie Gomez (their The IAJE Conference will host top school groups from Europe, Aus- first time together as a trio.) the National Endowment for the Arts tralia, Croatia, Peru, Israel, Canada, The No Name Horses Jazz Or- Jazz Masters Awards Concert for the and the United States. chestra directed by Makoto Ozone, 16th consecutive year on Friday, Jan. IAJE Executive Director Bill Mc- comprised of first call studio jazz mu- 13. Initiated in 1982, the NEA Jazz Farlin said, “It’s a program suited for a sicians based in Japan, are among the Master title is the highest honor pre- city that has served as the vanguard of musical highlights of the evening con- sented by the American government jazz for more than 50 years and is a re- certs. Also performing at the confer- to the nation’s jazz artists. In addition flection of how far IAJE has come as ence: Ravi Coltrane Quartet; Maria to the coveted designation, each NEA the association officially representing Schneider Orchestra; Oscar Castro- Jazz Master will receive a fellowship the jazz field.” Neves; Monty Alexander Trio featur- award of $25,000 and be invited to The WDR Big Band from Co- ing Hassan Shakur and Herlin Ri- participate in outreach efforts, includ- logne, Germany returns to IAJE with ley; Jane Ira Bloom/Like Silver, Like continued ... jazzweek.com • Nov. 28, 2005 JazzWeek 4 News IAJE 2006 Set for Manhattan (continued) ing broadcasts and NEA Jazz Masters in 2004, Dr. Oscar Peterson in 2003, The conference host radio station On Tour. The awards concert will fea- Quincy Jones in 2002 and Ken Burns WBGO Jazz 88 FM will have daily ture performances by The Count Basie in 2001. live broadcasts on site. Orchestra with special guest Nnenna The International Jazz Festivals Other conference highlights will Freelon and the Jon Faddis Jazz Or- Organization (IJFO) and the IAJE include the world premiere of the Herb chestra. The seven fellowship award will present the 5th annual Internation- Alpert Endowment Fund Gil Evans recipients for 2006 are: percussionist al Jazz Award for New Talent, which Commission and the ASCAP/IAJE Ray Barretto, the most widely record- recognizes a rising artist who has yet to Commissions honoring Ornette Cole- ed conguero in jazz history; vocalist ex- sign a major record contract. The 2006 man; a performance by winners of the traordinaire Tony Bennett, who infus- award will be presented to Norwegian Montreux Jazz Festival piano and sax- es his passion for jazz in every phrase; saxophonist Kjetil Møster. A Graduate ophone competition; a SOCAN spon- arranger-composer Bob Brookmey- of the Trondheim Music Conservato- sored premiere of works by Canadi- er, the master orchestrator of modern ry, Møster has participated in a large an jazz composer Phil Nimmons; and jazz ensembles, small and large; pia- number of groups in Norway, from the performances by IAJE talent recogni- nist-composer Chick Corea, who has Trondheim Jazz Orchestra with Chick tion ensembles including the Sisters in dazzled audiences in every idiom from Corea and Pat Metheny, to free explo- Jazz Collegiate All-Stars, the IAJE/ acoustic avant-garde to samba-tinged rations with Paal Nilssen-Love and NFAA Clifford Brown/Stan Getz Fel- fusion; clarinet virtuoso Buddy De- Maja Ratkje. Møster will also perform lowship All-Stars, the AAJC/HBCU Franco, who triumphantly spans the during the conference. Student All-Star Big Band, and the swing and bebop eras; blazing trum- The 2006 IAJE Conference indus- Community College All-Star Student peter Freddie Hubbard, one of the de- try track, under the auspices of Jazz Big Band.
Recommended publications
  • P:\Pag\20220528\Summer\Section\T\15
    TRAVERSE CITY RECORD-EAGLE SUMMER GUIDE 2004 15 NITELIFE GUIDE Jazz composer expands creations, talents BY MARTA HEPLER DRAHOS theme to the ‘70s television myself,” he says — it did Record-Eagle staff writer show “Taxi,” two Grammys inspire his latest venture, and a Lifetime Achievement With his international The Bob James Art of Wine Award from the Smooth career firmly entrenched, Collection. Launched in Jazz Association of Bob James could live any- 2002 after a chance meeting America, and several Gold where in the world. with Australian beverage Records. But Traverse City is where entrepreneur Chris Payne, These days he spends the jazz pianist and compos- the signature collection fea- about half his time perform- er feels a creative vibe. tures James’ distinctive art ing in the U.S., Europe and “We like privacy, peace on its labels. Asia, and the other half and quiet,” said James, who So far the collection con- recording in various set- has vacationed in the area sists of three wines from tings. Never one to focus on for more than 20 years. “I Down Under, including a single project when he think there’s a feeling we “Smooth Chardonnay,” win- could be working on three get here, there’s an escape ner of a silver medal at the or four, he laid down tracks aspect to it.” first U.S. Starwine for a new album with his Since purchasing part of International Wine jazz super-group Fourplay the Long Lake retreat estate Competition in in February, the same of meat company magnate J. Philadelphia in March.
    [Show full text]
  • The New York City Jazz Record
    BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 THE NEW YORK CITY JAZZ RECORD BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 BEST OF 2020 MUSICIANS OF THE YEAR ALBUMS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR LAKECIA BENJAMIN (saxophone) JUHANI AALTONEN, JONAS KULLHAMMAR, JUHANI AALTONEN, JONAS KULLHAMMAR, TIM BERNE (saxophone) CHRISTIAN MEAAS SVENDSEN, CHRISTIAN MEAAS SVENDSEN, SOLO RECORDINGS BOXED SETS UNEARTHED GEMS ILMARI HEIKINHEIMO— ILMARI HEIKINHEIMO— MATS GUSTAFSSON (saxophone) CHRIS CORSANO—Mezzaluna (Catalytic Sound) PAUL DESMOND—The Complete 1975 Toronto Recordings ART BLAKEY & THE JAZZ MESSENGERS— The Father, the Sons & The Junnu (Moserobie) The Father, the Sons & The Junnu (Moserobie) (Mosaic) Just Coolin’ (Blue Note) JAMES BRANDON LEWIS (saxophone) SIGURD HOLE—Lys / Mørke ( Light / Darkness ) (s/r) DANIEL BINGERT—Berit in Space (Moserobie) PETER EVANS—Into the Silence (More is More-Old Heaven) HERMIONE JOHNSON—Tremble (Relative Pitch) CHARLES LLOYD—8: Kindred Spirits (Live From the Lobero) ELLA FITZGERALD—The Lost Berlin Tapes (Verve) CHARLES LLOYD (saxophone) (Blue Note) LUCA T. MAI—Heavenly Guide (Trost) LONDON JAZZ COMPOSERS ORCHESTRA— COLLOCUTOR—Continuation (On The Corner) FIRE! ORCHESTRA—Actions (Rune Grammofon) MODERN JAZZ QUINTET KARLSRUHE/ That Time (Not Two) MATTHEW SHIPP—The Piano Equation (Tao Forms) FOUR MEN ONLY—Complete Recordings (NoBusiness) CHARLES MINGUS—@ Bremen 1964 & 1975 (Sunnyside) ANDREA KELLER—Journey Home (s/r) DAVID KRAKAUER/KATHLEEN TAGG— UP-AND-COMERS OF THE YEAR CHARLIE PARKER—The Mercury & Clef 10-Inch LP ALAN WAKEMAN—The Octet Broadcasts (1969 and 1979) Breath & Hammer (Table Pounding) Collection (Verve) EMMET COHEN (piano) JON-ERIK KELLSO—Sweet Fruits Salty Roots (Jazzology) LATIN RELEASES (Gearbox) CHARLES LLOYD VARIOUS ARTISTS—Not Two..
    [Show full text]
  • November/December 2005 Issue 277 Free Now in Our 31St Year
    jazz &blues report november/december 2005 issue 277 free now in our 31st year www.jazz-blues.com Sam Cooke American Music Masters Series Rock & Roll Hall of Fame & Museum 31st Annual Holiday Gift Guide November/December 2005 • Issue 277 Rock and Roll Hall of Fame and Museum’s 10th Annual American Music Masters Series “A Change Is Gonna Come: Published by Martin Wahl The Life and Music of Sam Cooke” Communications Rock and Roll Hall of Fame Inductees Aretha Franklin Editor & Founder Bill Wahl and Elvis Costello Headline Main Tribute Concert Layout & Design Bill Wahl The Rock and Roll Hall of Fame and sic for a socially conscientious cause. He recognized both the growing popularity of Operations Jim Martin Museum and Case Western Reserve University will celebrate the legacy of the early folk-rock balladeers and the Pilar Martin Sam Cooke during the Tenth Annual changing political climate in America, us- Contributors American Music Masters Series this ing his own popularity and marketing Michael Braxton, Mark Cole, November. Sam Cooke, considered by savvy to raise the conscience of his lis- Chris Hovan, Nancy Ann Lee, many to be the definitive soul singer and teners with such classics as “Chain Gang” Peanuts, Mark Smith, Duane crossover artist, a model for African- and “A Change is Gonna Come.” In point Verh and Ron Weinstock. American entrepreneurship and one of of fact, the use of “A Change is Gonna Distribution Jason Devine the first performers to use music as a Come” was granted to the Southern Chris- tian Leadership Conference for ICON Distribution tool for social change, was inducted into the Rock and Roll Hall of Fame in the fundraising by Cooke and his manager, Check out our new, updated web inaugural class of 1986.
    [Show full text]
  • You're Invited to Play Your Part!
    ONLINE JAZZ PARTY & FUNDRAISER SPONSOR PACKAGES You’re Invited to Play your Part! The Nashville Jazz Workshop (NJW) is a nonprofit organization dedicated to enriching people’s lives through jazz education and performance. For 20 years the NJW has delivered world class performances and music education to Nashville audiences and jazz fans around the country and the world. 2020 has been a challenging year for cultural institutions everywhere as they seek to fulfill their missions and remain financially viable. Fortunately, the internet has enabled the NJW to continue serving audiences and students – over 20,000 people have subscribed to the NJW’s YouTube channel to view live and archived performances and hundreds have enrolled in virtual classes since social distancing restrictions began in March. Jazzmania is the NJW’s annual jazz party and fundraiser. As a live event it has been “the jazz party of the year” and one of the city’s most engaging and fun charity events. As with other charity events, the event is moving online this year as a virtual event. On October 24, 2020 the Workshop will host Jazzmania as an online jazz party and evening of world class jazz performances. We will share our love of jazz, celebrate the Workshop’s 20th anniversary and ask our devoted fans to open their hearts and wallets to support the Workshop. The streaming event will also be targeted to a global audience, to build awareness of the NJW and engagement with jazz fans around the world. Proceeds from the event will support the NJW’s Music Education, Performance Series and Community Outreach.
    [Show full text]
  • Having It All
    Having It All How Public Radio Stations Can Provide Great Service and Live Within Their Means A report on the financial health of Public Radio, commissioned by the Corporation for Public Broadcasting BWB SOLUTIONS Table of Contents Executive Summary. 5 Methodology . 8 System-Wide Financial Health Trends . 9 Analysis of Financial and Audience Data. 10 Programming Expenses . 13 Financial Health Strategies. 15 Impact of Producing Programs Distributed Nationally . 17 Recommendations for Action . 19 Areas for Further Exploration . 21 Appendix A: National Producers . 22 Appendix B: Benchmark Studies . 23 Notes . 25 Having It All, Page 3 Acknowledgements This paper summarizes the work of many people Mark Handley, New Hampshire Public Radio and organizations in the public radio field. We would Earl Johnson, WABE-FM have been unable to complete this work without the Roger Johnson and Karen Olstad, KWSU-FM/AM generous commitments of time and information sup- John McCormack and Bill Miller, WUTC-FM plied by so many public radio industry leaders, con- Bill McGinley, WOI-AM sultants, heads of national organizations, and station Deborah Onslow, WMHT-FM managers. We would especially like to acknowledge Joan Rose, WUNC-FM the contributions of the members of the Project Greg Schnirring, Wisconsin Public Radio (now at CPB) Team at the Corporation for Public Broadcasting: Quyen Shanahan, WXPN-FM Vincent Curren, Duffy Winters, Jay Youngclaus, and Cary Smith, WBJC-FM Ted Coltman. Bruce Theriault of Bolder Strategies, John Stark, KNAU-FM Inc. provided valuable advice and counsel to the JoAnn Urofsky, WUSF-FM Project Team. Their collective insightful comments Stewart Vanderwilt, KUT-FM and careful guidance helped shape the study and the JoAnne Wallace, KQED-FM paper.
    [Show full text]
  • Charles Mcpherson Leader Entry by Michael Fitzgerald
    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
    [Show full text]
  • A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact
    CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences.
    [Show full text]
  • Sparrow Records Discography
    Sparrow Discography by Mike Callahan, David Edwards & Patrice Eyries © 2018 by Mike Callahan Sparrow Records Discography Sparrow is a Contemporary Christian label founded in 1976 by Billy Ray Hearn. Hearn was the A&R Director for Word Records’ Myrrh label, founded a few years earlier also as a Contemporary Christian label. Sparrow also released records under their Birdwing subsidiary. Hearn’s Sparrow label was in competition with Hearn’s old boss, Word Records, and was quite successful. Even today, Sparrow is among the top Christian labels. Hearn sold the label to EMI in 1992, and it was placed under the Capitol Christian Music Group. Sparrow signed a distribution agreement with MCA in April, 1981 to release their product in the secular market while the regular Sparrow issues were distributed to Christian stores and Christian radio stations. The arrangement with MCA lasted until October, 1986, when Sparrow switched distribution to Capitol. Sparrow SPR-1001 Main Series: SPR-1001 - Through a Child’s Eyes - Annie Herring [1976] Learn A Curtsey/Where Is The Time/Wild Child/Death After Life/Grinding Stone/Hand On Me//Dance With You/Love Drops/Days Like These/First Love/Some Days/Liberty Bird/Fly Away Burden SPR-1002 - SPR-1003 - John Michael Talbot - John Michael Talbot [1976] He Is Risen/Jerusalem/How Long/Would You Crucify Him//Woman/Greewood Suite/Hallelu SPR-1004 - Firewind - Various Artists [1976] Artists include Anne Herring, Barry McGuire, John Talbot, Keith Green, Matthew Ward, Nelly Ward, and Terry Talbot (In other words, Barry McGuire, The Talbot Brothers, Keith Green, and The 2nd Chapter of Acts).
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • Waya&R People Do Their
    THE MOST TRUSTED NAME IN RADIO ISSUE 1985 DECEMBER 17 1993 This Week The future is in your hands. At least, i:'s the future as a group of record executives, along with a gaggle of Gavin types, see it. Hey, if Jeane Dixon and the Amazing Peskin can do it, why can't we? And so we get the jump on '94 from Craig LAW! (above), who sees less virtual "I predict that the reality than simple reality com- ing to the music business. On the GAVIN side of the crystal hall, Album Adult Alternative CEO David Dalton sees and hears free -form radio in the new year-or he'll reduce subscrip- tion rates (Just kidding!). And format will change the Ron Fel has a disturbing vision about Billy Joel wayA&R people do their (right). Our Newss.ection is given cver to a wrap-up of a o G.qey'll be ableto phat and crazy year, as managing editor Ben Fong -Torres steals liberally from ook at a4C 50year hisrootsgROMMIlle(which or stole liberally from Esquire) to do the honors. Re -live such great moments as Prince's old artist and think earth -shaking name change and a certa n pretty woman making Lyle Lovett (below) an honest man. F nally, we predict a sea- about workIng with sonal feature in the Gavin Yellow Pages them." of Radio, as Natalie Duitsman canvasses THESE AND OTHER PREDICTIONS, several radio stations- MINX-Amherst, Mass., WHAI- Greenfield, Mass., and Live 105 - BY RECORD INDUSTRY SEERS, ARE San Francisco-to learn how they handle Christmas music.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]