À Ne Pas Manquer/ Not to Be Missedjuillet/Août

Total Page:16

File Type:pdf, Size:1020Kb

À Ne Pas Manquer/ Not to Be Missedjuillet/Août sm26-8_BI_p01_coverV1_sm26-8BI 2021-07-13 5:25 AM Page 1 sm26-8_BI_p02_ADS_Production10_sm23-5_BI_pXX 2021-07-12 11:18 PM Page 1 sm26-8_BI_p03_ADS_sm26-5_BI_pXX 2021-07-12 11:24 PM Page 1 JUILLET/AOÛT À NE PAS MANQUER/ NOT TO BE MISSED JULY/AUGUST GRATUIT ET OUVERT À TOUT LE MONDE ! e 3 ÉDITION OCTOBRE 2021 ACTIVITÉS VARIÉES DANS LE ADVERSTISE VILLAGE ET LE QUARTIER LATIN your event here! NOUVELLE PROGRAMMATION EXTÉRIEURE CETTE ANNÉE, DÉTAILS À VENIR POUR DEVENIR PARTENAIRE OFFICIEL, Annoncez votre événement ici! OU ORGANISME PARTICIPANT, OU BÉNÉVOLE : 2021-22 • Canada www.mySCENA.org partenaires en date d’AVRIL 2021 6-22 août 2021 SERVICE À LA FAMILLE CHINOISE DU GRAND MONTRÉAL Opéra RigOlettO 22 AOÛT - graphisme et vidéo sur notre chaîne Youtube multimédia et Facebook Live ÉVÉNEMENT COMMUNAUTAIRE /italfestMTL ORGANISÉ PAR italfestmtl.ca sm26-8_BI_p04_TOCv3web_sm23-5_BI_pXX 2021-07-13 10:16 PM Page 4 Sommaire/Contents LSM VOL 26-8 Juillet-Août 2021 July-Aug 6 Éditorial / Editorial 8 Festivals d’été / Summer Festivals 10 Brott Music 10 Elora Festivals 11 Festival de Lanaudière 11 Festival d’Opéra de Québec 12 Concerts au BIC 12 Carrefour d’accordéon 14 Industry News 16 Jeanne Lamon 18 LMMC 20 Orchestre classique de Montréal 22 Albertine en cinq temps - L’opéra 26 Albertine : Catherine Major 28 Albertine : Michel Tremblay 30 Jazz : Projets spéciaux 31 Jazz : Au rayon du disque 31 Audio 32 Did you know? 33 Nouveautés / New Releases 34 Critiques / Reviews CATHERINE MAJOR 38 Erlkönig 26 42 Calendrier régional / Regional Calendar RÉDACTEURS FONDATEURS / ÉDITEUR / PUBLISHER PUBLICITÉ / ADVERTISING LA SCENA MUSICALE and reviews as well as calendars. LSM is FOUNDING EDITORS Wah Keung Chan Adrian Sterling, Dino Spaziani 5409, rue Waverly, Montréal published by La Scène Musicale, a non- Wah Keung Chan, Philip Anson CORÉDACTEURS EN CHEF / TECHNICIEN COMPTABLE / (Québec) Canada H2T 2X8 profit organization. La Scena Musicale is the CO-EDITORS-IN-CHIEF BOOKKEEPING Tél. : (514) 948-2520 Italian translation of The Music Scene. La Scena Musicale Wah Keung Chan, Arthur Kaptainis Mourad Ben Achour [email protected], Le contenu de LSM ne peut être VOL. 26-8 RÉDACTEUR JAZZ EDITOR CALENDRIER / CALENDAR www.mySCENA.org reproduit, en tout ou en partie, sans JUILLET - AOÛT 2021 Marc Chénard Marc Chénard, Justin Bernard Production : [email protected] autorisation de l’éditeur. La direction n’est JULY - AUGUST 2021 COORDONNATRICE À LA SITE WEB Ver :2021-07-13 © La Scène Musicale responsable d’aucun document soumis à RÉDACTION / COORDINATING Brenden Bissessar, Olivier Bergeron, la revue. / All rights reserved. No part of ÉDITEUR / PUBLISHER EDITOR Ryan Kelley ABONNEMENTS / SUBSCRIPTIONS this publication may be reproduced La Scène Musicale Mélissa Brien, Andréanne Venne COLLABORATEURS L’abonnement postal (Canada) coûte 39$ / without the written permission of LSM. CONSEIL D’ADMINISTRATION / RÉVISEURS / PROOFREADERS Olivier Bergeron, Justin Bernard, an (taxes incluses). Veuillez envoyer nom, ISSN 1486-0317 Version imprimée/ BOARD OF DIRECTORS Olivier Bergeron, Justin Bernard, Wah Keung Chan, Marc Chénard, adresse, numéros de téléphone, télécopieur Print version (La Scena Musicale); Wah Keung Chan (prés.), Martin Margaret Britt, Alain Cavenne, Pierre Chénier, Mario Gagnon, et courrier électronique. Tous les dons ISSN 1913-8237 Version imprimée/ Duchesne, Sandro Scola, CN Marc Chénard, Tom Holzinger, Arthur Nathasha Gauthier, Arthur Kaptainis, seront appréciés et sont déductibles Print version (La SCENA); COMITÉ CONSULTATIF / Kaptainis, Adrian Rodriguez, Dino Robert Markow, Andréanne Venne d’impôt (no 14199 6579 RR0001). ISSN 1206-9973 Version Internet/ ADVISORY COMMITTEE Spaziani, Jacqueline Vanasse, TRADUCTEURS / TRANSLATORS Online version. Gilles Cloutier, Pierre Corriveau, Andréanne Venne Mélissa Brien, Alain Cavenne, Marc LA SCENA MUSICALE, publiée sept fois par Envois de publication canadienne / Jean-Sébastien Gascon, Julius Grey, COUVERTURE / COVER Chénard, Véronique Frenette, Arthur année, est consacrée à la promotion de la Canada Post Publication Mail Sales Virginia Lam, Margaret Lefebvre, Tom Inoue, photo: Alain Lefort Kaptainis, Lina Scarpellini, Andréanne musique classique et jazz. Chaque numéro Agreement, Contrat de vente No.40025257 Stephen Lloyd, Constance V. Pathy, GRAPHISME / GRAPHICS Venne contient des articles et des critiques ainsi C.Q., Jacques Robert, Bernard Hefka, Vincent-Louis Apruzzese BÉNÉVOLES / VOLUNTEERS que des calendriers. LSM est publiée par La Stotland, FCA, Maral Tersakian, [email protected] Wah Wing Chan, Lilian I. Liganor, Scène Musicale, un organisme sans but CFRE, Mike Webber FINANCEMENT / FUNDRAISING Robin Mader lucratif. La Scena Musicale est la traduction Jacqueline Vanasse italienne de La Scène Musicale. / LA SCENA ADJOINTS ADMINISTRATIFS / MUSICALE, published 7 times per year, is ABONNEMENT dedicated to the promotion of classical and Andréanne Venne, Marc Chénard jazz music. Each edition contains articles 4 JUILLET/AOÛT 2021 JULY/AUGUST sm26-8_BI_p05_ADS_LMMC_sm23-5_BI_pXX 2021-07-13 11:21 AM Page1 e/th saison/season 130 2021 / 2022 BLAKE POULIOT 12 sept. 2021 / Sept. 12, 2021 violon / violin DORIC STRING QUARTET 3 oct. 2021 / Oct. 3, 2021 cordes / strings Quartetto di Cremona©Nikolaj Lund Fauré Quartett©Mat Hennek MATT HAIMOVITZ 24 oct. 2021 / Oct. 24, 2021 violoncelle / cello QUARTETTO DI CREMONA 14 nov. 2021 / Nov. 14, 2021 cordes / strings STEWART GOODYEAR 5 déc. 2021 / Dec. 5, 2021 Doric String Quartet©George Garnier Matt Haimovitz©Steph Mackinnon piano LISE DE LA SALLE 6 fév. 2022 / Feb. 6, 2022 piano GOLDMUND QUARTETT 27 fév. 2022 / Feb. 27, 2022 cordes / strings Goldmund Quartett©Nikolai Lund Stewart Goodyear©Anita Zvonar FAURÉ QUARTETT 20 mars 2022 / March 20, 2022 piano et cordes/ piano quartet PAVEL KOLESNIKOV 10 avril 2022 / April 10, 2022 piano Lise de la Salle©Stéphane Gallois Blake Pouliot©Jeff Fasano HAN-SETZER-FINCKEL TRIO 1 mai 2022 / May 1, 2022 piano et cordes / piano trio SALLE POLLACK 555, rue Sherbrooke Ouest les dimanches à 15 h 30 Pavel Kolesnikov©Eva Vermandel Han-Setzer-Finckel Trio©Daniel Ashworth Sundays at 3:30 p.m. Abonnement : 300 $ / Étudiants (26 ans) : 80 $ Subscription: $300 / Students (26 yrs.): $80 Non remboursable - Taxes incluses • Non-refundable - Taxes included LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 INFO: [email protected] sm26-8_BI_p06_Editorial_sm23-5_BI_pXX 2021-07-13 11:40 AM Page 6 Éditorial DE LA RÉDACTION FROM THE EDITOR es dernières semaines ont été agitées ! Les hat a whirlwind the last few weeks have Canadiens de Montréal ont entraîné les par- been! The Montreal Canadiens took fans tisans au Canada et à l’étranger dans une in Canada and abroad on a wild ride that course folle qui s’est arrêtée juste avant d’ac- Wstopped short of their 25th Stanley Cup. L e céder à la 25 coupe Stanley. Après l’hymne Thanks to some stirring singing from national émouvant du ténor Marc Hervieux, le tenor Marc Hervieux, the Habs won the anthem Tricolore a remporté le volet musical, mais mal- portion of the finals, but unfortunately, it wasn’t heureusement, cela n’a pas suffi à les maintenir enough to carry the day on the ice. en position de force dans la durée. The other positive has been the rising numbers of Autre point positif : le nombre croissant de double COVID vaccinations across Canada, which Canadiens ayant reçu leurs deux doses de vac- bode well for the reopening of the arts. According to cin contre la COVID donne espoir pour la a survey by Nanos (see p. 9), arts administrators réouverture du secteur des arts. Selon un son- across Canada feel that vaccination is the key to a re- dage de Nanos (voir p. 9), les administra- turn to normalcy. Just before we went to press, On- teurs d’organisations artistiques à travers le tario announced the acceleration of its reopening to Canada estiment que la vaccination est la clé July 16, the day this issue comes out. With talk of a vac- d’un retour à la normale. Juste avant la mise cination passport required for dining out and live per- sous presse, l’Ontario a annoncé qu’elle formances in the event of another wave, we encourage all devançait la date de sa réouverture au 16 to get vaccinated. juillet, jour de la parution de ce numéro. Avec les discus- Our festival guide for advertisers is on p. 8. We profile sions entourant la nécessité d’un passeport de vaccination pour aller several festivals that are still active this summer. Please au restaurant ou assister à des spectacles en cas d’une nouvelle vague, check our events calendar (p. 42), our online calendar at nous encourageons tout le monde à se faire vacciner. mySCENA.org and the organization’s website for access to the latest Vous trouverez, en p. 8, notre guide du festival pour les annonceurs. info. And some arts organizations, such as the LMMC (p. 18) and the Nous y présentons plusieurs festivals encore actifs cet été. Veuillez Orchestre Classique de Montréal (p. 20) have already announced their consulter notre calendrier des événements (p. 42), notre calendrier en 2021-22 seasons. ligne sur maSCENA.org et notre site web pour accéder aux dernières informations. Et certains organismes artistiques, comme le LMMC (p. COVER AND CONTENT 18) et l’Orchestre classique de Montréal (p. 20) ont déjà annoncé leur Our cover spotlights the operatic version of Albertine, en cinq temps, saison 2021-2022. Michel Tremblay’s famous play. Our extensive seven-page feature in- cludes interviews with Tremblay, composer Catherine Major, and the COUVERTURE ET CONTENU five singers (Chantal Lambert, Monique Pagé, Chantal Dionne, Notre couverture porte sur la version lyrique d’Albertine, en cinq Michèle Losier, and Catherine St-Arnaud) who portray Albertine at temps, la célèbre pièce de Michel Tremblay. Notre long dossier de sept different stages of her life. pages comprend des entrevues avec Tremblay, la compositrice Tafelmusik’s music director emerita Jeanne Lamon passed away on Catherine Major et les cinq chanteuses (Chantal Lambert, Monique June 20.
Recommended publications
  • Charles Mcpherson Leader Entry by Michael Fitzgerald
    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
    [Show full text]
  • Stylistic Evolution of Jazz Drummer Ed Blackwell: the Cultural Intersection of New Orleans and West Africa
    STYLISTIC EVOLUTION OF JAZZ DRUMMER ED BLACKWELL: THE CULTURAL INTERSECTION OF NEW ORLEANS AND WEST AFRICA David J. Schmalenberger Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Percussion/World Music Philip Faini, Chair Russell Dean, Ph.D. David Taddie, Ph.D. Christopher Wilkinson, Ph.D. Paschal Younge, Ed.D. Division of Music Morgantown, West Virginia 2000 Keywords: Jazz, Drumset, Blackwell, New Orleans Copyright 2000 David J. Schmalenberger ABSTRACT Stylistic Evolution of Jazz Drummer Ed Blackwell: The Cultural Intersection of New Orleans and West Africa David J. Schmalenberger The two primary functions of a jazz drummer are to maintain a consistent pulse and to support the soloists within the musical group. Throughout the twentieth century, jazz drummers have found creative ways to fulfill or challenge these roles. In the case of Bebop, for example, pioneers Kenny Clarke and Max Roach forged a new drumming style in the 1940’s that was markedly more independent technically, as well as more lyrical in both time-keeping and soloing. The stylistic innovations of Clarke and Roach also helped foster a new attitude: the acceptance of drummers as thoughtful, sensitive musical artists. These developments paved the way for the next generation of jazz drummers, one that would further challenge conventional musical roles in the post-Hard Bop era. One of Max Roach’s most faithful disciples was the New Orleans-born drummer Edward Joseph “Boogie” Blackwell (1929-1992). Ed Blackwell’s playing style at the beginning of his career in the late 1940’s was predominantly influenced by Bebop and the drumming vocabulary of Max Roach.
    [Show full text]
  • Reparations, Rhetoric, and Revolution
    Journal of Civil Rights and Economic Development Volume 25 Issue 4 Volume 25, Summer 2011, Issue 4 Article 5 From Radical to Practical (and Back Again?): Reparations, Rhetoric, and Revolution Kaimipono David Wenger Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. FROM RADICAL TO PRACTICAL (AND BACK AGAIN?): REPARATIONS, RHETORIC, AND REVOLUTION KAIMIPONO DAVID WENGER* The story of reparations advocacy is a story of ideas. The language of slavery reparations varies widely - it can be radical or practical, framed in dry legalese or soaring moral sermons. These rhetorical choices are more than just semantic differences; they illuminate reparations goals, shape the debate, and ultimately create or close off possibilities for reparations action. Framing is especially important because of the unusual position of the reparations movement, with signs of both danger and promise. Federal courts recently dismissed two different cases seeking different kinds of reparations for slavery, effectively bringing to a close the possibility of achieving reparations through the courts in the near future.1 A lawsuit- propelled settlement, like those in the tobacco or Holocaust cases, is also now unlikely. Public support for reparations, particularly among non- Blacks, 2 remains alarmingly low, with some recent surveys placing white * Associate Professor of Law, Thomas Jefferson Law School.
    [Show full text]
  • Convert Finding Aid To
    Fred Fehl: A Preliminary Inventory of His Dance Collection at the Harry Ransom Center Descriptive Summary Creator: Fehl, Fred, 1906-1995 Title: Fred Fehl Dance Collection 1940-1985 Dates: 1940-1985 Extent: 122 document boxes, 19 oversize boxes, 3 oversize folders (osf) (74.8 linear feet) Abstract: This collection consists of photographs, programs, and published materials related to Fehl's work documenting dance performances, mainly in New York City. The majority of the photographs are black and white 5 x 7" prints. The American Ballet Theatre, the Joffrey Ballet, and the New York City Ballet are well represented. There are also published materials that represent Fehl's dance photography as reproduced in newspapers, magazines and other media. Call Number: Performing Arts Collection PA-00030 Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available in this inventory. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. For selected dance companies, digital images with detailed item-level descriptions are available on the Ransom Center's Digital Collections website. Administrative Information Acquisition: Purchases and gift, 1980-1990 (R8923, G2125, R10965) Processed by: Sue Gertson, 2001; Helen Adair and Katie Causier, 2006; Daniela Lozano, 2012; Chelsea Weathers and Helen Baer, 2013 Repository: Harry Ransom Center, The University of Texas at Austin Fehl, Fred, 1906-1995 Performing Arts Collection PA-00030 Scope and Contents Fred Fehl was born in 1906 in Vienna and lived there until he fled from the Nazis in 1938, arriving in New York in 1939.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Chestnut Filly Barn 3 Hip No
    Consigned by Parrish Farms, Agent Barn Hip No. 3 Chestnut Filly 613 Storm Bird Storm Cat ......................... Terlingua Bluegrass Cat ................... A.P. Indy She's a Winner ................. Chestnut Filly Get Lucky February 4, 2008 Fappiano Unbridled.......................... Gana Facil Unbridled Lady ................. (1996) Assert (IRE) Assert Lady....................... Impressive Lady By BLUEGRASS CAT (2003). Black-type winner of $1,761,280, Haskell In- vitational S. [G1] (MTH, $600,000), Remsen S. [G2] (AQU, $120,000), Nashua S. [G3] (BEL, $67,980), Sam F. Davis S. [L] (TAM, $60,000), 2nd Kentucky Derby [G1] (CD, $400,000), Belmont S. [G1] (BEL, $200,000), Travers S. [G1] (SAR, $200,000), Tampa Bay Derby [G3] (TAM, $50,000). Brother to black-type winner Sonoma Cat, half-brother to black-type win- ner Lord of the Game. His first foals are 2-year-olds of 2010. 1st dam UNBRIDLED LADY, by Unbridled. 4 wins at 3 and 4, $196,400, Geisha H.-R (PIM, $60,000), 2nd Carousel S. [L] (LRL, $10,000), Geisha H.-R (PIM, $20,000), Moonlight Jig S.-R (PIM, $8,000), 3rd Maryland Racing Media H. [L] (LRL, $7,484), Squan Song S.-R (LRL, $5,500). Dam of 6 other registered foals, 5 of racing age, 5 to race, 2 winners-- Forestelle (f. by Forestry). 3 wins at 3 and 4, 2009, $63,654. Sun Pennies (f. by Speightstown). Winner in 2 starts at 3, 2010, $21,380. Mared (c. by Speightstown). Placed at 2 and 3, 2009 in Qatar; placed at 3, 2009 in England. 2nd dam ASSERT LADY, by Assert (IRE).
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Klassisk Musik / Konstmusik Kulturbibliotekets Vinylsamling
    Kulturbibliotekets vinylsamling: Klassisk musik / Konstmusik ABEL, Karl Friedrich (1723-1787) K 4612 Konsert för flöjt och orkester nr 1 C-dur (Wiesner - Knape) K 4612 Konsert för flöjt och orkester nr 2 e-moll (Wiesner - Knape) K 5606 Kvartett för oboe, violin, viola och violoncell A-dur (Feit - Trio à cordes M. de Paris) K 5606 Kvartett för oboe, violin, viola och violoncell G-dur (Feit - Trio à cordes M. de Paris) K 4612 Sinfonia nr 07 D-dur op.4:1 (Knape) K 4612 Sinfonia nr 17 C-dur op.7:5 (Knape) K 4612 Sinfonia nr 19 E-dur op.10:1 (Knape) ABRAHAM, Paul (1892-1960) K 4327 Blomman från Hawaii, operett - tvärsnitt (Schöner, Staal m.fl - dirigent okänd) K 3337 Viktorias husar, operett - tvärsnitt (Dellert, Funck, Wikström - Waldimir) K 4327 Viktorias husar, operett - tvärsnitt (Schöner, Staal m.fl - dirigent okänd) ABRAHAMSEN, Hans (f. 1952) K 6814 Walden för blåsare (Danska blåsarkvintetten) ACHATZ, Dag, piano K 4189 Ackompanjerar Birgit Finnilä, alt. Schumann, Vivaldi, Rangström mm. K 6571 Stravinsky: Våroffer i eget pianoarrangemang ADAM, Adolphe (1803-1856) K 3165 Giralda, uvertyr (Bonynge) K 1981 Giselle, balettmusik. Förkortad version (Karajan) K 1394 Giselle, balettmusik. Förkortad version (Martinon) K 2100 Giselle, balettmusik. Komplett (Bonynge) K 5307 Julsång "O holy night" (B. Nilsson, sopran) K 4804 Julsång "O holy night" (Döse, sopran) K 5696 Julsång "O holy night" (E. Hagegård, tenor) K 4803 Julsång "O holy night" (H. Hagegård, baryton) K 2698 Julsång "O holy night" (J. Björling, tenor) K 5795 Julsång "O holy night" (Mellnäs, sopran) K 2095 Julsång "O holy night" (Price, sopran) K 4809 Julsång "O holy night" (St.
    [Show full text]
  • UNIVERSITY of CALIFORNIA SAN DIEGO Max Roach and M'boom
    UNIVERSITY OF CALIFORNIA SAN DIEGO Max Roach and M’Boom: Diasporic Soundings in American Percussion Music A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Musical Arts in Contemporary Music Performance by Sean Leah Bowden Committee in charge: Professor Steven Schick, Chair Professor Amy Cimini Professor Anthony Davis Professor Stephanie Richards Professor Emily Roxworthy 2018 The Dissertation of Sean Leah Bowden is approved, and it is acceptable in quality and form for publication on microfilm and electronically: __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ Chair University of California San Diego 2018 iii TABLE OF CONTENTS Signature Page…………………………………………………………………………………… iii Table of Contents………………………………………………………………………………… iv Acknowledgements………………………………………………………………………………. v Vita…………………………………………………………………………………………………. vi Abstract of the Dissertation……………………………………………………………………… vii Introduction………………………………………………………………………………………... 1 Jazz Drumming: Possibilities, Limitations……………………………………………………… 7 Spatial Eruptions in the Space Age……………………………………………………. 9 Freedom From/ Freedom To: The Multiple Avant-Gardes of 1970s Jazz………………….. 20 Searching for the Sound of Diaspora…………………………………………………………..
    [Show full text]
  • Dolly HAAS: Bobby HACKETT
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Dolly HAAS: Dolly Haas und Paul Godwin Orchester; recorded September 1932 in Berlin 108045 ACH WIE IST DAS LEBEN SCHÖN 2.46 4951 Gram 24764 aus dem Tonfilm "Scampolo" ------------------------------------------ Bobby HACKETT: Bobby Hackett -co; George Brunies -tb; Pee Wee Russell -cl,ts; Bernie Billings -ts; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Johnny Blowers -d; Lola Bard -vo; recorded February 16, 1938 in New York 57864 YOU, YOU AND ESPECIALLY YOU 2.57 M754-1 Voc/Okeh 4142 57865 IF DREAMS COME TRUE 2.52 M755-1 Voc/Okeh 4047 57866 THAT DA-DA STRAIN 2.44 M757-1 Voc/Okeh 4142 57867 AT THE JAZZ BAND BALL 2.34 M756-1 Voc/Okeh 4047 "The Saturday Night Swing Club is On The Air" Bobby Hackett -co; Brad Gowans -vtb; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman -p; Eddie Condon -g; Clyde Newcomb -b; George Wettling -d; recorded June 25, 1938 in Broadcast, New York 70029 AT THE JAZZ BAND BALL 3.06 Fanfare LP17-117 Bobby Hackett -co; Brad Gowans -vtb,as; Pee Wee Russell -cl; Ernie Caceres -bs; Dave Bowman - p; Eddie Condon -g; Clyde Newcomb -b; Andy Picard -d; Linda Keene -vo; recorded November 04, 1938 in New York 57860 GHOST OF A CHANCE 2.55 M917-1 Voc/Okeh 4499 57861 POOR BUTTERFLY 2.22 M918-1 --- 57862 BLUE AND DISILLUSIONED 2.25 M916-1 Voc/Okeh 4565 57863 DOIN' THE NEW LOW-DOWN 2.29 M919-1 --- "Bobby Hackett and his Rhythm Cats" Bobby Hackett -co; Brad Gowans
    [Show full text]
  • South African Jazz and Exile in the 1960S: Theories, Discourses and Lived Experiences
    South African Jazz and Exile in the 1960s: Theories, Discourses and Lived Experiences Stephanie Vos In fulfilment of the requirements for the degree of Doctor of Philosophy in Music Royal Holloway, University of London September 2015 Declaration of Authorship I, Stephanie Vos, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 August 2016 2 Abstract This thesis presents an inquiry into the discursive construction of South African exile in jazz practices during the 1960s. Focusing on the decade in which exile coalesced for the first generation of musicians who escaped the strictures of South Africa’s apartheid regime, I argue that a lingering sense of connection (as opposed to rift) produces the contrapuntal awareness that Edward Said ascribes to exile. This thesis therefore advances a relational approach to the study of exile: drawing on archival research, music analysis, ethnography, critical theory and historiography, I suggest how musicians’ sense of exile continuously emerged through a range of discourses that contributed to its meanings and connotations at different points in time. The first two chapters situate South African exile within broader contexts of displacement. I consider how exile built on earlier forms of migration in South Africa through the analyses of three ‘train songs’, and developed in dialogue with the African diaspora through a close reading of Edward Said’s theorization of exile and Avtar Brah’s theorization of diaspora. A case study of the Transcription Centre in London, which hosted the South African exiles Dorothy Masuku, Abdullah Ibrahim, and the Blue Notes in 1965, revisits the connection between exile and politics, broadening it beyond the usual national paradigm of apartheid politics to the international arena of Cold War politics.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]