Catch of the Day Pack 12350 • 22 Designs

Total Page:16

File Type:pdf, Size:1020Kb

Catch of the Day Pack 12350 • 22 Designs CATCH OF THE DAY Pack 12350 • 22 Designs Note: Some designs in this collection may have been created using unique special stitches and/or techniques. To preserve design integrity when rescaling or rotating designs in your software, always rescale or rotate designs using the handles directly on-screen. NB992_48 Nautilus NB993_48 Blue Crab NB994_48 Large Blue Crab NB995_48 Large Lobster 2.81 X 2.22 in. 3.13 X 2.40 in. 4.42 X 3.88 in. 2.91 X 5.49 in. 71.37 X 56.39 mm 79.50 X 60.96 mm 112.27 X 98.55 mm 73.91 X 139.45 mm 8,136 St. 8,462 St. 14,523 St. 14,708 St. L NB996_48 Red Snapper NB997_48 Bigeye Tuna NB998_48 Lobster NB999_48 Tilapia 3.02 X 2.33 in. 3.44 X 2.58 in. 3.29 X 2.68 in. 3.39 X 2.64 in. 76.71 X 59.18 mm 87.38 X 65.53 mm 83.57 X 68.07 mm 86.11 X 67.06 mm 5,821 St. 6,368 St. 4,809 St. 5,259 St. NC001_48 Mermaid NC002_48 Sand Dollar NC003_48 Seashells 1 NC004_48 Seashells 2 2.02 X 2.73 in. 2.56 X 2.63 in. 2.99 X 3.71 in. 3.78 X 3.34 in. 51.31 X 69.34 mm 65.02 X 66.80 mm 75.95 X 94.23 mm 96.01 X 84.84 mm 6,082 St. 1,346 St. 2,040 St. 1,623 St. It is a violation of Copyright law to make and distribute copies of software or artwork. Software is licensed to the original purchaser for use at one location. ©2011 OESD, LLC. All rights reserved. CATCH OF THE DAY Pack 12350 • 22 Designs Note: Some designs in this collection may have been created using unique special stitches and/or techniques. To preserve design integrity when rescaling or rotating designs in your software, always rescale or rotate designs using the handles directly on-screen. NC005_48 Seashell 1 NC006_48 Seashell 2 NC007_48 Coral Corner NC008_48 Coral Border 2.01 X 2.01 in. 2.94 X 2.39 in. 3.88 X 4.24 in. 2.54 X 5.38 in. 51.05 X 51.05 mm 74.68 X 60.71 mm 98.55 X 107.70 mm 64.52 X 136.65 mm 764 St. 1,043 St. 6,417 St. 5,562 St. L NC009_48 Nautical Border NC010_48 Lobster Lettering NC011_48 Crab Lettering NC012_48 Catch of the Day .73 X 3.71 in. 2.08 X 3.92 in. 2.69 X 1.72 in. 2.14 X 5.51 in. 18.54 X 94.23 mm 52.83 X 99.57 mm 93.73 X 43.69 mm 54.36 X 139.95 mm 960 St. S 1,953 St. 1,330 St. 17,164 St. L NC013_48 Fresh Fish Appliqué 3.37 X 3.99 in. 85.60 X 100.33 mm 14,838 St. NC014_48 Jumbo Coral 7.94 X 10.42 in. 201.68 X 264.67 mm 3,435 St. L It is a violation of Copyright law to make and distribute copies of software or artwork. Software is licensed to the original purchaser for use at one location. ©2011 OESD, LLC. All rights reserved. CATCH OF THE DAY Pack 12350 • 22 Designs Listings below indicate color sample, stitching order and suggested thread color number in Isacord, YLI Fine Metallic, Yenmet or YLI Variegated threads. NB992_48 Nautilus NB998_48 Lobster NC010_48 Lobster Lettering n 1. Light Green in Shell ............................... 4250 n 1. Background ............................................ 3650 n 1. Single Color Design ............................... 3641 n 2. White in Shell ......................................... 0015 n 2. Light Red on Lobster ............................. 1521 n 3. Light Shell Shading ................................ 3650 n 3. Legs & Highlights ................................... 1532 NC011_48 Crab Lettering n 4. Medium Blue Stripes .............................. 3641 n 4. Red on Lobster ...................................... 1725 n 1. Single Color Design ............................... 3641 n 5. Dark Blue Stripes ................................... 3620 n 5. Dark Red Lobster Details ....................... 1514 n 6. Design Outlines ..................................... 3652 NC012_48 Catch of the Day NB999_48 Tilapia n 1. Dark Blue Shadow ................................. 4133 NB993_48 Blue Crab n 1. Background ............................................ 3650 n 2. Light Blue Letters ................................... 3652 n 1. Light Blue on Shell ................................. 3650 n 2. White on Fish ......................................... 0101 n 3. Letter Outlines ....................................... 3641 n 2. Light Blue Shading ................................. 3652 n 3. Light Blue Fish Highlights ...................... 4250 n 3. Medium Blue Shading ............................ 3641 n 4. Medium Blue on Fish ............................. 4332 NC013_48 Fresh Fish Appliqué n 4. Dark Blue on Shell ................................. 3620 n 5. Medium Blue on Fish Middle ................. 3641 n 1. Placement Stitch .................................... 0832 n 5. Dark Blue Shading & Outlines ............... 3743 n 6. Darker Blue Shading .............................. 4032 n 2. Cut Line & Tackdown ............................. 0832 n 7. Dark Blue Outlines & Details ................. 4133 n 3. Cover Stitch ........................................... 0832 NB994_48 Large Blue Crab n 8. White Details .......................................... 0101 n 4. Fresh Letters Shadow ............................ 3971 n 1. Light Brown on Crab .............................. 0761 n 5. Fresh Letters .......................................... 0015 n 2. Light Blue on Crab ................................. 3650 NC001_48 Mermaid n 6. Letter Outlines ....................................... 1311 n 3. Medium Blue Shading ............................ 3652 n 1. Light Blue Body ...................................... 4071 n 7. Seafood Letters ..................................... 4032 n 4. Tan Shading ........................................... 0832 n 2. Oyster, Face & Body Shading ................ 3652 n 8. Served Daily Letters .............................. 0932 n 5. Light Brown Highlights ........................... 1172 n 3. Medium Blue Fin, Hair & Details ............ 3641 n 9. Light Red on Fish ................................... 1730 n 6. Red Brown Shading ................................1115 n 4. Tail & Oyster .......................................... 3620 n 10. Medium Red .......................................... 1805 n 7. Outlines .................................................. 0945 n 5. Hair & Shading ....................................... 3743 n 11. Light Pink Highlights .............................. 1755 n 6. Tail Highlights ......................................... 3641 n 12. Pink Highlights ....................................... 1753 NB995_48 Large Lobster n 7. Tail Highlights & Pearl ............................ 3650 n 13. Dark Red Outlines & Shading ................ 1902 n 1. Red on Lobster ...................................... 1521 n 14. Light Pink Outline Details ....................... 2171 n 2. Pink Highlights ....................................... 1532 NC002_48 Sand Dollar n 3. Medium Red Shading ............................ 1725 n 1. Single Color Design ............................... 3641 NC014_48 Jumbo Coral n 4. Dark Red Lobster Outlines .................... 1514 n 1. Single Color Design ............................... 3641 NC003_48 Seashells 1 NB996_48 Red Snapper n 1. Single Color Design ............................... 3641 n 1. Background ............................................ 3650 n 2. Light Pink Lower Fish ............................ 2170 NC004_48 Seashells 2 n 3. Pink Middle of Fish ................................ 1755 n 1. Single Color Design ............................... 3641 n 4. Pink Face Shading & Fins ..................... 1840 n 5. Light Red Fins & Shading ...................... 1730 NC005_48 Seashell 1 n 6. Medium Red Shading ............................ 1805 n 1. Single Color Design ............................... 3641 n 7. Dark Red Outlines & Shading ................ 1902 n 8. Light Pink Fin Details & Eye .................. 2170 NC006_48 Seashell 2 n 1. Single Color Design ............................... 3641 NB997_48 Bigeye Tuna n 1. Background ............................................ 3650 NC007_48 Coral Corner n 2. Light Blue on Lower Fish ....................... 4071 n 1. Single Color Design ............................... 0781 n 3. Light Blue Highlights .............................. 3761 n 4. Yellow on Fish ........................................ 0221 NC008_48 Coral Border n 5. Dark Yellow Shading .............................. 0542 n 1. Single Color Design ............................... 0781 n 6. Gray Fins and Outlines .......................... 0108 n 7. Fin Details ...............................................0111 NC009_48 Nautical Border n 8. Blue Upper Fish ..................................... 3743 n 1. Single Color Design ............................... 3641 n 9. Dark Blue Shading ................................. 3444 n 10. White Highlights ..................................... 0101 It is a violation of Copyright law to make and distribute copies of software or artwork. Software is licensed to the original purchaser for use at one location. ©2011 OESD, LLC. All rights reserved. cut in Place aPPliqué instructions 1. Hoop your fabric and backing. 2. Sew the pattern/placement. PHOTO 1 3. Place a piece of appliqué fabric over the pattern/placement so that it is completely covered. 4. Sew the trim stitch/tackdown. 5. Carefully cut away the excess appliqué fabric.PHOTO 2 6. Sew the reminder of the design and repeat for any remaining pieces. PHOTO 3 1 2 3 It is a violation of Copyright law to make and distribute copies of software or artwork. Software is licensed to the original purchaser for use at one location. ©2011 OESD, LLC. All rights reserved..
Recommended publications
  • Nautical Pack #13 Visit Us At: Dakota Collectibles • 2000 Schafer St
    ROPE LIGHTHOUSE SEASHELLS* 4. Med. Mauve SAILBOAT* ANCHORS AWAY* 4. Periwinkle File: NT0977 (09) 7. Gray File: NT0978 (09) 5. Lt. Lt. Flesh (Some Areas Light Fill) 4. Lt. Lt. Gold File: NT0980 (09) 5. Lt. Flesh 5.02"W X 5.00"H 8. Pearl 6.99"W X 4.28"H 6. Med. Flesh File: NT0979 (09) 5. Lt. Lt. Umber 6.96"W X 5.00"H 6. Med. Taupe ST: 27,569 (40) 9. Umber ST: 21,349 (40) 7. Dk. Dk. Blush 5.00"W X 6.21"H 6. Gold ST: 21,472 (40) 7. Med. Gray Colors: 16 10. Lt. Lt. Umber Colors: 11 8. Pearl ST: 42,807 (40) 7. Lt. Umber Colors: 11 8. Lt. Lt. Umber 1. Lt. Blue 11. Lt. Yellow 1. Lt. Lt. Mauve 9. Flesh Colors: 11 8. Blue7 1. Lt. Blue2 9. Lt. Flesh 2. White 12. Dk. Umber 2. Lt. Mauve 10. Dk. Flesh 1. Blue7 9. Dk. Blue7 2. Med. Gold 10. Med. Taupe 3. Gray 13. Brown2 3. Lt. Lt. Mauve 11. Blue Gray 2. Lt. Blue2 10. White 3. Lt. Blue Gray 11. Dk. Red 4. Lt. Yellow 14. Lt. Brown 3. White 11. Med. Gold 5. Dk. Yellow 15. Dk. Brown 6. White 16. Gold SEASHELL 4. Lt. Brown2 WHALES* 6. Med. Gold SHELL W/BORDER* SEASHELLS ON BEACH* File: NT0981 (09) 5. Dk. Dk. Tan File: NT0982 (09) 7. Lt. Lt. Mauve File: NT0983 (09) 3. Dk. Dk. Red File: NT0984 (09) 6. Lt. Lt. Mauve 4.99"W X 7.00"H 6.
    [Show full text]
  • Question Answer Equation Joan Found 70 Seashells on the Beach
    Question Answer Equation Joan found 70 seashells on the beach . she gave Sam some of her seashells . She has 27 seashell . How many seashells did she give to Sam ? 43 X = 70 - 27 There were 28 bales of hay in the barn . Tim stacked bales in the barn today . There are now 54 bales of hay in the barn . How many bales did he store in the barn ? 26 X = 54 - 28 Mary is baking a cake . The recipe wants 8 cups of flour . She already put in 2 cups . How many cups does she need to add ? 6 X = 8 - 2 Sara 's high school played 12 basketball games this year . The team won most of their games . They were defeated during 4 games . How many games did they win ? 8 X = 12 - 4 There are 22 walnut trees currently in the park . Park workers will plant walnut trees today . When the workers are finished there will be 55 walnut trees in the park . How many walnut trees did the workers plant today ? 33 X = 55 - 22 Mike had 34 peaches at his roadside fruit dish . He went to the orchard and picked peaches to stock up . There are now 86 peaches . how many did he pick ? 52 X = 86 - 34 There were 6 roses in the vase . Mary cut some roses from her flower garden . There are now 16 roses in the vase . How many roses did she cut ? 10 X = 16 - 6 Joan went to 4 football games this year . She went to 9 games last year .
    [Show full text]
  • 3-In-1 Flexibility Shades & Families Color Attachment
    Distributed by © DAVEXLABS LLC Santa Monica, CA 90401 USA • LHC048 • USA 90401 CA Monica, Santa LLC DAVEXLABS © by Distributed FOR COLORING ASSISTANCE, PLEASE CALL THE L’ANZA HEALING COLOR HOTLINE (888) 831-5325 WORLDWIDE 831-5325 (888) HOTLINE COLOR HEALING L’ANZA THE CALL PLEASE ASSISTANCE, COLORING FOR * | | x Comple d l e i Sh r e Flow m Syste ing l ea H n i at r Ke y g o echnol T Attachment or l o C MIX TONE ADDITIONS COLOR ATTACHMENT TECHNOLOGY Featuring classic shades and color concepts color and shades classic Featuring ENHANCEMENT OF TONE KERATIN HEALING SYSTEM • Replenishes essential protein, moisture and minerals Healing Actives + Damage - BLUE MIX VIOLET MIX RED MIX COPPER MIX GOLD MIX SILVER MIX PEARL MIX • Improves color attachment LEVEL 3 4 5 7 8 8 9 • Ensures even color results 10 up to 5 g Keratin Healing System consists of Healing Actives: 9 up to 3 g up to 3 g up to 5 g • Keratin Amino Acids 8 up to 3 g up to 5 g up to 5 g up to 5 g up to 5 g • Meadowfoam Flower Seed Complex Healing Actives are attracted directly to the damage sites, • Moisture Retain Complex 7 up to 5 g up to 9 g up to 9 g up to 7 g up to 5 g restoring hair health exactly where it’s needed. 6 up to 5 g up to 5 g up to 9 g up to 9 g up to 9 g up to 7 g 5 up to 5 g up to 9 g up to 9 g up to 9 g up to 9 g up to 9 g 4 up to 5 g up to 9 g up to 9 g up to 9 g up to 9 g up to 9 g up to 9 g FLOWER SHIELD COMPLEX 3 up to 9 g up to 9 g up to 9 g Haircolor fades as it is exposed to 2 up to 9 g up to 9 g up to 9 g environmental aggressors.
    [Show full text]
  • RGB Color Nº Color Name RGB HEX # Sample 1 Snow 255,250,250
    RGB Color Nº Color Name RGB HEX # Sample 1 Snow 255,250,250 fffafa 2 Snow 2 238,233,233 eee9e9 3 Snow 3 205,201,201 cdc9c9 4 Snow 4 139,137,137 8b8989 5 Ghost White 248,248,255 f8f8ff 6 White Smoke 245,245,245 f5f5f5 7 Gainesboro 220,220,220 dccdc 8 Floral White 255,250,240 fffaf0 9 Old Lace 253,245,230 fdf5e6 10 Linen 240,240,230 faf0e6 11 Antique White 250,235,215 faebd7 12 Antique White 2 238,223,204 eedfcc 13 Antique White 3 205,192,176 cdc0b0 14 Antique White 4 139,131,120 8b8378 15 Papaya Whip 255,239,213 ffefd5 16 Blanched Almond 255,235,205 ffebcd 17 Bisque 255,228,196 ffe4c4 18 Bisque 2 238,213,183 eed5b7 19 Bisque 3 205,183,158 cdb79e 20 Bisque 4 139,125,107 8b7d6b 21 Peach Puff 255,218,185 ffdab9 22 Peach Puff 2 238,203,173 eecbad 23 Peach Puff 3 205,175,149 cdaf95 24 Peach Puff 4 139,119,101 8b7765 25 Navajo White 255,222,173 ffdead 26 Moccasin 255,228,181 ffe4b5 27 Corn silk 255,248,220 fff8dc 28 Corn silk 2 238,232,205 eee8dc 29 Cornsilk 3 205,200,177 cdc8b1 30 Corn silk 4 139,136,120 8b8878 31 Ivory 255,255,240 fffff0 32 Ivory 2 238,238,224 eeeee0 33 Ivory 3 205,205,193 cdcdc1 34 Ivory 4 139,139,131 8b8b83 35 Lemon Chiffon 255,250,205 fffacd 36 Seashell 255,245,238 fff5ee 37 Seashell 2 238,229,222 eee5de 38 Seashell 3 205,197,191 cdc5bf 39 Seashell 4 139,134,130 8b8682 40 Honeydew 240,255,240 f0fff0 41 Honeydew 2 244,238,224 e0eee0 42 Honeydew 3 193,205,193 c1cdc1 43 Honeydew 4 131,139,131 838b83 44 Mint Cream 245,255,250 f5fffa 45 Azure 240,255,255 f0ffff 46 Alice Blue 240,248,255 f0f8ff 47 Lavender 230,230,250 e6e6fa
    [Show full text]
  • Distinct Designs RUBBER TILE + TREAD a Complete Color System, All in One Place
    Distinct Designs RUBBER TILE + TREAD A complete color system, all in one place 100227-2 1219 ©2019 FLEXCO® Distinct Designs RUBBER TILE + TREAD Palettes, sizes and profiles that make coordination simple This is a color system created especially for commercial designers. A complete family of palettes, sizes and profiles that give you more freedom in every way. No more hunting down “that color you can’t find” or “that tile or tread you need.” There’s no searching. Just solutions. And they’re all right here. Match color, tone and profile for a completely coordinated look throughout a room or entire building. Specify coordinating color for stair treads, risers, stringers and landing tiles. • PVC-Free • Phthlate-Free • Red List Free • Fungal resistant in accordance with ASTM G21 standards • No anti-bacterial additives • No coatings, finishes or sealers applied or required • Lower lifecycle cost when compared to other resilient flooring • Made in the USA from premium raw materials FlexTones® SpexTones™ 57 solid colors set you up for success. Speckled coloration ideal or high-traffic areas. FlexTones coordinate across tile, tread, wall base This palette coordinates with FlexTones and is and accessories. It’s perfect for healthcare facilities, designed to conceal dirt and subsurface irregularities. airport terminals, retail stores and more. SpexTones add performance and durability while providing a wide range of color options. Evolving Styles® Creative Elements Evolving Styles® Wood Elements Unique colors and combinations that bring A distinctive wood look with the a new dimension of aesthetic appeal. durability and comfort of rubber. A beautiful selection of contemporary colors and Available in an array of rubber tile and roll options, combinations.
    [Show full text]
  • Under Ultraviolet Light, Chalky White Fossil Seashells from Florida Reveal
    Under ultraviolet light, chalky white fossil ago in a world as yet without fish, amphi- commonly beautiful color patterns, when seashells from Florida reveal fluorescent bians, reptiles, birds, mammals, or land seen in the proper kind of light. colors that are remains of former color pat- plants. These little fossil seashells are That kind of light is ultraviolet light. It terns. without traces of any colors but exception- seems unnecessary to go here into the Nowhere is beauty more parsimonious ally rare specimens of a similar kind and physics of this phenomenon, and so I sim- with its kisses than in the fossil record. antiquity found elsewhere in the world have ply point out that this is the same kind of Once glorious seashells that might have dull patterns that prove seashells had col- light called "black" light used for advertis- made colorful showpieces for a collector's ors even this long ago. ing, parties, and elsewhere to make cabinet generally become uniformly pallid Major museums — among which ours is fluorescent objects glow. "Black" lights and and aesthetically drear, although not with- included — maintain large collections of strobe lights were necessary components out appeal as curiosities, within a few tens such fossil seashells and the myriad other of the light shows that until recently accom- of thousands of years or so after death and kinds of invertebrates for current and future panied rock concerts. burial. Fossil seashells usually excite only research and as voucher specimens from These fossil seashells are found in de- paleontologists who see them as clues in past studies.
    [Show full text]
  • Colores RGB Carlos Balenzuela Blancos Y Pasteles Color Name
    Colores RGB Carlos Balenzuela Blancos y Pasteles Color Name RGB CODE Sample Snow 255-250-250 Snow 2 238-233-233 Snow 3 205-201-201 Snow 4 139-137-137 Ghost White 248-248-255 White Smoke 245-245-245 Gainsboro 220-220-220 Floral White 255-250-240 Old Lace 253-245-230 Linen 240-240-230 Antique White 250-235-215 Antique White 2 238-223-204 Antique White 3 205-192-176 Antique White 4 139-131-120 Papaya Whip 255-239-213 Blanched Almond 255-235-205 Bisque 255-228-196 Bisque 2 238-213-183 Bisque 3 205-183-158 Bisque 4 139-125-107 Peach Puff 255-218-185 Peach Puff 2 238-203-173 Peach Puff 3 205-175-149 Peach Puff 4 139-119-101 Navajo White 255-222-173 Moccasin 255-228-181 Cornsilk 255-248-220 Cornsilk 2 238-232-205 Cornsilk 3 205-200-177 Cornsilk 4 139-136-120 Ivory 255-255-240 Ivory 2 238-238-224 Ivory 3 205-205-193 Ivory 4 139-139-131 Lemon Chiffon 255-250-205 Seashell 255-245-238 1-5 Colores RGB Carlos Balenzuela Seashell 2 238-229-222 Seashell 3 205-197-191 Seashell 4 139-134-130 Honeydew 240-255-240 Honeydew 2 244-238-224 Honeydew 3 193-205-193 Honeydew 4 131-139-131 Mint Cream 245-255-250 Azure 240-255-255 Alice Blue 240-248-255 Lavender 230-230-250 Lavender Blush 255-240-245 Misty Rose 255-228-225 White 255-255-255 Grises Color Name RGB CODE Sample Black 0-0-0 Dark Slate Gray 49-79-79 Dim Gray 105-105-105 Slate Gray 112-138-144 Light Slate Gray 119-136-153 Gray 190-190-190 Light Gray 211-211-211 Azules Color Name RGB CODE Sample Midnight Blue 25-25-112 Navy 0-0-128 Cornflower Blue 100-149-237 Dark Slate Blue 72-61-139 Slate Blue 106-90-205
    [Show full text]
  • RGB to Color Name Reference
    RGB to Color Name Reference grey54 138;138;138 8A8A8A DodgerBlue1 30;144;255 1E90FF blue1 0;0;255 0000FF 00f New Tan 235;199;158 EBC79E Copyright © 1996-2008 by Kevin J. Walsh grey55 140;140;140 8C8C8C DodgerBlue2 28;134;238 1C86EE blue2 0;0;238 0000EE 00e Semi-Sweet Chocolate 107;66;38 6B4226 http://web.njit.edu/~walsh grey56 143;143;143 8F8F8F DodgerBlue3 24;116;205 1874CD blue3 0;0;205 0000CD Sienna 142;107;35 8E6B23 grey57 145;145;145 919191 DodgerBlue4 16;78;139 104E8B blue4 0;0;139 00008B Tan 219;147;112 DB9370 Shades of Black and Grey grey58 148;148;148 949494 170;187;204 AABBCC abc aqua 0;255;255 00FFFF 0ff Very Dark Brown 92;64;51 5C4033 Color Name RGB Dec RGB Hex CSS Swatch grey59 150;150;150 969696 LightBlue 173;216;230 ADD8E6 cyan 0;255;255 00FFFF 0ff Shades of Green Grey 84;84;84 545454 grey60 153;153;153 999999 999 LightBlue1 191;239;255 BFEFFF cyan1 0;255;255 00FFFF 0ff Dark Green 47;79;47 2F4F2F Grey, Silver 192;192;192 C0C0C0 grey61 156;156;156 9C9C9C LightBlue2 178;223;238 B2DFEE cyan2 0;238;238 00EEEE 0ee DarkGreen 0;100;0 006400 grey 190;190;190 BEBEBE grey62 158;158;158 9E9E9E LightBlue3 154;192;205 9AC0CD cyan3 0;205;205 00CDCD dark green copper 74;118;110 4A766E LightGray 211;211;211 D3D3D3 grey63 161;161;161 A1A1A1 LightBlue4 104;131;139 68838B cyan4 0;139;139 008B8B DarkKhaki 189;183;107 BDB76B LightSlateGrey 119;136;153 778899 789 grey64 163;163;163 A3A3A3 LightCyan 224;255;255 E0FFFF navy 0;0;128 000080 DarkOliveGreen 85;107;47 556B2F SlateGray 112;128;144 708090 grey65 166;166;166 A6A6A6 LightCyan1 224;255;255
    [Show full text]
  • Extending LATEX's Color Facilities: the Xcolor Package
    Extending LATEX’s color facilities: the xcolor package Dr. Uwe Kern v2.11 (2007/01/21) ∗ Abstract xcolor provides easy driver-independent access to several kinds of colors, tints, shades, tones, and mixes of arbitrary colors by means of color expres- sions like \color{red!50!green!20!blue}. It allows to select a document- wide target color model and offers tools for automatic color schemes, conver- sion between twelve color models, alternating table row colors, color blending and masking, color separation, and color wheel calculations. Contents 1 Introduction 4 1.1 Purposeofthispackage ........................ 4 1.2 Color tints, shades, tones, and complements . 5 1.3 Colormodels .............................. 5 1.4 Color wheels and color harmony . 5 2 The User Interface 7 2.1 Preparation............................... 7 2.1.1 Package installation . 7 2.1.2 Package options . 7 2.1.3 Executing additional initialisation commands . 8 2.2 Colormodels .............................. 8 2.2.1 Supported color models . 8 2.2.2 Substituting individual color models . 11 2.2.3 Changing the target color model within a document . 11 2.3 Arguments and terminology . 12 2.3.1 Additional remarks and restrictions on arguments . 12 2.3.2 Meaning of standard color expressions . 15 2.3.3 Meaning of extended color expressions . 16 2.3.4 Color functions . 16 2.4 Predefined colors . 17 2.4.1 Colors that are always available . 17 ∗This package can be downloaded from CTAN/macros/latex/contrib/xcolor/. There is also an xcolor homepage: www.ukern.de/tex/xcolor.html. Please send error reports and suggestions for improvements to the author: [email protected].
    [Show full text]
  • Summer Beach Decor Design Pack
    SUMMER BEACH DECOR DESIGN PACK Summertime means fun in the sun! You can use these designs to accent your beach towels, hand towels, or any of your favorite beach apparel. You can even sew them on your table cloth for a picnic at the park or beach. www.starbirdstockdesigns.com 1 SUMMER BEACH DECOR DESIGN PACK Summer Beach Sand Pail Small CD062006FA Stitches: 3357 1.35" H X 2.31" W 34 mm x 58 mm Color Stops: 1 Teal Seaweed [m1052] 2 Yellow Pail [m1171] 3 White Pail handle [m1001] 4 Red Shovel [m1037] 5 Lt Mauve Seashell fill [m1015] 6 Mauve Seashell outlines & detail [m1218] 7 Orange Starfish fill [ 1155] 8 Dark Orange Starfish [m1379] Summer Beach Snorkel Small CD062006FB Stitches: 4785 1.75" H X 2.97" W 44 mm x 75 mm Color Stops: 1 Light Blue Wave [m1274] 2 Med Blue Flippers fill [[m1177] 3 Dark Blue Flippers detail & mask fill [m1166] 4 Med Blue Mask outline & strap [m1177] 5 Dark Blue Snorkel [m1166] 6 Orange Fish fill [m1155] 7 White Fish eye & bubbles [m1001] www.starbirdstockdesigns.com 2 SUMMER BEACH DECOR DESIGN PACK Summer Beach Sky Small CD062006FC Stitches: 3245 0.88" H X 3.20" W 22 mm x 81 mm Color Stops: 1 Light Blue Clouds [m1274] 2 Dark Grey Kite string [m1164] 3 Yellow Sun fill [m1171] 4 Burnt Orange Sun [m1221] 5 Dark Orange Kite fill [m1379] 6 Orange Kite details beaks & feet [m1379] 7 White Seagulls [m1001] 8 Grey Seagulls [m1041] Summer Beach Bikini Small CD062006FD Stitches: 7026 1.47" H X 3.45" W 37 mm x 87 mm Color Stops: 1 Bright Yellow Towel fringe [m1223] 2 Lt Yellow Towel fill [m1066] 3 Black Bottle fill [m1000]
    [Show full text]
  • Angela's Ashes a Memoir of a Childhood by Frank
    Angela's Ashes A Memoir of a Childhood By Frank McCourt This book is dedicated to my brothers, Malachy, Michael, Alphonsus. I learn from you, I admire you and I love you. A c k n o w l e d g m e n t s This is a small hymn to an exaltation of women. R'lene Dahlberg fanned the embers. Lisa Schwarzbaum read early pages and encouraged me. Mary Breasted Smyth, elegant novelist herself, read the first third and passed it on to Molly Friedrich, who became my agent and thought that Nan Graham, Editor-in-Chief at Scribner, would be just the right person to put the book on the road. And Molly was right. My daughter, Maggie, has shown me how life can be a grand adventure, while exquisite moments with my granddaughter, Chiara, have helped me recall a small child's wonder. My wife, Ellen, listened while I read and cheered me to the final page. I am blessed among men. I My father and mother should have stayed in New York where they met and married and where I was born. Instead, they returned to Ireland when I was four, my brother, Malachy, three, the twins, Oliver and Eugene, barely one, and my sister, Margaret, dead and gone. When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
    [Show full text]
  • Thomas Davies (1737 -1812 ) €
    Artist's Page Artist's Gallery Thomas Davies (1737 -1812 ) A View near Point Levy opposite A North View of Fort Frederick Built by A South-east View of the Lower Quebec with an Indian Order of the Honourable Colonel Robert Cataract on the Casconchiagon or Monckton, on the Entrance of the St. Encampment, Taken in 1788 Little Seneca River, on Lake A View Near Morni's House, John's River in the Bay of Fundy, Nova Ontario Looking Down Harlem Creek Scotia towards New York A View of Château-Richer Church A View of Fort La Galette, Indian near Quebec in Canada, Taken in Castle, and Taking a French Ship of 1788 War on the River St. Lawrence, by A View of Brunswick Town Looking Up Four Boats of One Gun Each of the A View of Fort Washington Red the River Royal Artillery Commanded by Redpath and Part of Harlem Creek Captain Streachy A View of Montreal in Canada, A View of Quebec, Taken near A View of Halifax in Nova Scotia, Taken Taken from Isle St. Helena in 1762 from Cornwallis Island, with a Squadron Beauport Ferry in 1787 Going off to Louisbourg, in the Year 1757 A View of Pastora, One of ye Spanish Junk Ships A View of the Bridge on the River A View of the Casconchiagon or A View of the Château-Richer, La Puce near Quebec in Canada, Great Seneca Falls, Lake Ontario, Cape Torment, and Lower End of Taken in 1790 North America, Taken on the Spot the Isle of Orleans near Quebec A View of the Attack Against Fort 1766 Washington and Rebel Redpath near New York A View of the Falls of Chaudière near Quebec in Canada, Taken in 1787 A View of the Hill with the Rebel A View of the Hudson River A View of the Hudson River Army A View of the Montmorency Falls near Quebec, Taken in 1790 A View of the King's Wharf at Brunswick A View of the Lines and Part of the A View of the Lower Part of the in New Jersey Encampment of the Rebel Army on Falls of St.
    [Show full text]