RGB to Color Name Reference
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Color Specification Rules
FDM COLOR SPECIFICATION RULES COLOR STANDARDS The FDM has established a set of 24 standard colors to use in titles and descriptors. By using standard titles, it helps the entries in the galleries sort so that similar discs appear together. It also assists users when trying to search. Instead of having to guess if the disc is described as blue, teal, turquoise, aquamarine, cyan or blue-green, using the FDM standard color name (turquoise in this example) makes it easier to search by color for a disc or other museum item. The FDM Color Standards guide can be found at www.flyingdiscmuseum.com/colorstandards. The following is a set of rules for how to apply the color standards to titles and descriptors. 1. If a manufacturer or vendor has defined explicit color names for its discs or other items, those names should be used. Examples: Ancient Alien Green, Peach, Aqua Blue Glow 2. For color hues that are not represented by the color wheel: a. If the color is a synonym for a color on the wheel, use the color from the wheel in the title and descriptor. Example: Violet disc—Purple in the title and descriptor. b. If the color is a different hue than the color wheel name, use the closest color wheel name in the title. In the descriptor, follow the standard color with the alternate color name in parentheses. Example: Peach disc—Orange in title, Orange (Peach) in descriptor. Page 1 of 4 3. For discs that need an adjective to properly describe the color (e.g. -
Color Team # W/L Royal Blue EB 1 3-5 Red EB 2 1-7 Kelly Green EB 3
Color Team # W/L EB BOYS: 3rd/4th Grade Royal Blue EB 1 3-5 Red EB 2 1-7 Kelly Green EB 3 7-1 Yellow EB 4 7-0 Light Blue EB 5 5-3 Tennessee Orange EB 6 2-6 Forest Green EB 7 6-3 Navy Blue EB 8 5-3 Light Grey EB 9 5-3 Black EB 10 3-6 White EB 11 0-8 Color Team # W/L IB BOYS: 5th/6th Grade Royal Blue IB 1 1-7 Red IB 2 6-1 Kelly Green IB 3 6-1 Yellow IB 4 0-7 Light Blue IB 5 2-5 Tennessee Orange IB 6 6-3 Forest Green IB 7 4-3 Navy Blue IB 8 4-4 Light Grey IB 9 2-5 Black IB 10 2-6 White IB 11 5-3 Charcoal IB 12 3-4 Tan IB 13 5-2 Maroon IB 14 7-0 Salmon IB 15 3-4 Purple IB 16 3-4 Medium Brown IB 17 2-5 Burnt Orange IB 18 5-2 Pink IB 19 3-4 Color Team # W/L MB BOYS: 7th/8th Grade Royal Blue MB 1 6-3 Red MB 2 5-3 Kelly Green MB 3 6-1 Yellow MB 4 2-5 Light Blue MB 5 3-5 Tennessee Orange MB 6 5-3 Forest Green MB 7 8-0 Navy Blue MB 8 3-4 Light Grey MB 9 4-4 Black MB 10 6-3 White MB 11 4-3 Charcoal MB 12 4-3 Tan MB 13 1-6 Maroon MB 14 0-8 Salmon MB 15 6-2 Purple MB 16 2-4 Medium Brown MB 17 7-1 Burnt Orange MB 18 2-4 Pink MB 19 0-8 Color Team # W/L HSB BOYS: 9th/10th Grade Royal Blue HSB 1 7-1 Red HSB 2 3-6 Kelly Green HSB 3 1-7 Yellow HSB 4 3-5 Light Blue HSB 5 5-2 Tennessee Orange HSB 6 3-4 Forest Green HSB 7 4-4 Navy Blue HSB 8 4-4 Light Grey HSB 9 1-7 Black HSB 10 2-5 White HSB 11 3-5 Charcoal HSB 12 4-4 Tan HSB 13 8-0 Maroon HSB 14 1-7 Salmon HSB 15 7-2 Purple HSB 16 2-6 Medium Brown HSB 17 3-5 Burnt Orange HSB 18 2-6 Pink HSB 19 4-4 Lavender HSB 20 6-2 Color Team # W/L SB BOYS: 11th/12th Grade Royal Blue SB 1 1-6 Red SB 2 4-2 Kelly Green SB -
HP Indigo 7K Digital Press Press Digital 7K Indigo HP The
Add premium HP Indigo printing and watch your business grow. business your watch and printing Indigo HP premium Add ONE PRESS, ENDLESS OPPORTUNITIES. ENDLESS PRESS, ONE truly robust press. robust truly volumes day in, day out with this this with out day in, day volumes offset-matching quality and high high and quality offset-matching automated tools while printing printing while tools automated Simplify production with smart, smart, with production Simplify and over 20 specialty inks. inks. specialty 20 over and the widest range of media media of range widest the and customer satisfaction—with satisfaction—with customer and enables endless applications— endless enables The HP Indigo 7K Digital Press Press Digital 7K Indigo HP The HP Indigo 7K Digital Press Technical specifications Printing speed 120 four-color 8.5 x 11 (A4) pages per minute - two-up 160 color 8.5 x 11 (A4) pages per minute in EPM - two-up 240 two-color or monochrome 8.5 x 11 (A4) pages per minute - two-up Image resolution 812 dpi at 8 bit; addressability: 2438 x 2438 dpi HDI (High Definition Imaging) Line screens 144, 160, 175, 180, 180m, 210, HMF200 lpi Sheet size 13 x 19 in (330 x 482 mm) maximum Image size 12.48 x 18.26 in (317 x 464 mm) maximum Paper weight and thickness* Coated: 55 lb text to 130 lb cover (80 to 350 gsm); Uncoated: 40 lb text to 130 lb cover (60 to 350 gsm); Thickness 3 to 16 pt. (70 to 400 microns) Feeder Four drawers: Three drawers with 6 in (150 mm) each, 1500 sheets of 80 lb text (120 gsm) each One special jobs drawer: 2.5 in (70mm), 700 sheets of 80 lb text, (700 sheets of 120 gsm) A total of 5200 sheets of 80 lb text (120 gsm). -
Lacryl Is a Translucent Air Dry Acrylic Lacquer for the Plastic Sign Industry, for Spray and Screen
Lacryl is a translucent air dry acrylic lacquer for the plastic sign industry, for spray and screen. Intermix Toners 403 White 432 Permanent Red 452 Pale Brown 470 Fir Green 406 Super White 440 Magenta ZZ460 Midnight Blue 471 Shamrock Green 416 Lemon Yellow 443 Deep Red 461 Ocean Blue 480 Black 417 Buttercup 446 Deep Plum 462 Carib Blue 491 Clear Matte 425 Pumpkin 451 Light Brown 463 Bright Blue Clears Additional Colors (not shown) 490 Clear Gloss / 890 404 Blue White 491 Clear Matte / 891 L510002 Ivory - MTO 492 UV-Gloss 481 Black Matte 493 UV-Matte 482 HI-Hiding Black / 882 Thinner Recommendations for 400 Series Spray and 800 Series Screen Paint Products Spray Paints Dry Time** Paints Polycarbonate Styrene Vinyl Acrylics ZZ205 Thinner Fast Lacryl Series 400 • • • • ZZ215 Thinner Slow Lacryl Series 400 • • • • Screen Inks ZZ208 Thinner Very Slow Lacryl Series 800 • • • • ZZ218 Screen Retarder Very Slow Lacryl Series 800 • • • • Cleaner or Remover ZZ206 Cleaner / Remover • • • • **Retarders should be added at the 5-10% level. Additional amounts will affect drying. Retarders will eliminate dry spray and blushing. Dry spray can also be eliminated by blending various amounts of ZZ205 with ZZ215. See Sign Strip/Lacryl Technical Manual for full details. For safety information, please refer to website. 417 Buttercup 432 Permanent Red ZZ460 Midnight Blue 456 Dark Bronze 424 Sun Orange 832 860 416 Lemon Yellow 440 Magenta 461 Ocean Blue 496 Metallic Silver 444 Apple Red 840 ZZ861 896 425 Pumpkin 443 Deep Red 462 Carib Blue 497 Metallic Gold 437 Unique Red 843 862 837 453 Dark Brown 446 Deep Plum 463 Bright Blue 498 Silver Gray 447 Unique Red 846 863 898 455 Medium Bronze 451 Light Brown 470 Fir Green 406 Super White 438 Dark Red 851 870 806 480 Black 452 Pale Brown 471 Shamrock Green 403 White 439 Flame Red 880 852 871 801 839 400 Spray Viscosities • 800 Screen Viscosities All colors shown on this card approximate actual paint colors as accurately as possible. -
First Last Team Color Specific Note: Sofia Vasquez BLUE Please Bring
Costumes looked great today! We really appreciate everyone's hard work and creativity! Please reference the notes below and make adjustments as needed. If your name is not listed, please continue wearing the same costume. EVERYONE - Arrive to camp in FULL costume (including white socks and black or white shoelaces) on Thursday for our dress rehearsal! If you have any questions or concerns, please contact Brittny at [email protected] First Last Team Color Specific Note: Sofia Vasquez BLUE Please bring Khaki bottoms Kennedy Wiehle BLUE Please tuck/tie up/etc your shirt Jada Andre GREEN Please bring Khaki bottoms and black shoes Emily Ogden GREEN Please switch your black belt for a brown one Emma Livingston AQUAMARINE Please bring shorts or white leggings for under skirt Charolette Bonell AQUAMARINE Please bring and wear your black shoes Jayden Castle AQUAMARINE Please remove bracelets Maureigh Cantu AQUAMARINE Please bring Khaki bottoms and lose cardigan ZHENGSHI(Jerry) XIE AQUAMARINE Please bring khaki bottoms Noah Wilson AQUAMARINE Please bring your khaki pants and black shoes Ana Sofia Jimenez Quiroga YELLOW Please bring black shoes and remove jacket Alonna Neyhart YELLOW Please bring black or white shoe laces Yaset Soto YELLOW Please use the white cardigan Liam Caulfield YELLOW Please bring black shoes Grace Salvaggio LILAC Please bring white socks. Sabella Carr LILAC Please bring khaki bottoms. Alexa Onorato LILAC Please bring black shoes that fit you well Rachel Stephens LILAC Please bring black laces. Josh Wilson LILAC Please do not wear blue beenie Asia Spurell ORANGE Please bring white socks and black or white laces Nicola Renegar ORANGE Please bring black shoes and remove your watch Maddox Martin ORANGE Please bring white socks Abigail Jones PURPLE Please bring black shoes w/ black or white laces Francesca Fontanesi PURPLE Please bring khaki pants and black shoes. -
The Great Tekhelet Debate—Blue Or Purple? Baruch and Judy Taubes Sterman
archaeological VIEWS The Great Tekhelet Debate—Blue or Purple? Baruch and Judy Taubes Sterman FOR ANCIENT ISRAELITES, TEKHELET WAS writings of rabbinic scholars and Greek and Roman God’s chosen color. It was the color of the sumptu- naturalists had convinced Herzog that tekhelet was a ous drapes adorning Solomon’s Temple (2 Chroni- bright sky-blue obtained from the natural secretions cles 3:14) as well as the robes worn by Israel’s high of a certain sea snail, the Murex trunculus, known to priests (Exodus 28:31). Even ordinary Israelites produce a dark purple dye.* were commanded to tie one string of tekhelet to But the esteemed chemist challenged Herzog’s the corner fringes (Hebrew, tzitzit) of their gar- contention: “I consider it impossible to produce a ments as a constant reminder of their special rela- pure blue from the purple snails that are known to Tekhelet was tionship with God (Numbers 15:38–39). me,” Friedländer said emphatically.1 But how do we know what color the Biblical writ- Unfortunately, neither Herzog nor Friedländer God’s chosen ers had in mind? While tekhelet-colored fabrics and lived to see a 1985 experiment by Otto Elsner, a color. It colored clothes were widely worn and traded throughout the chemist with the Shenkar College of Fibers in Israel, ancient Mediterranean world, by the Roman period, proving that sky-blue could, in fact, be produced the drapes donning tekhelet and similar colors was the exclusive from murex dye. During a specific stage in the dyeing of Solomon’s privilege of the emperor. -
U8 Soccer Fall 2016 Updated 8/12/16 Team Color Coach 1 Royal Todd
U8 Soccer Fall 2016 Updated 8/12/16 Team Color Coach 1 Royal Todd Egan 2 Red Adam Loch 3 Maroon Joe Soss 4 Gold Jason Beadke 5 Orange John Scott 6 Silver Nick Kohn 7 Purple Eddie Gonzalez 8 Aqua Chris Scholer 9 Lt. Blue Tom Boniak 10 Navy Marc Klemencic 11 Forest Green Julie Filipek 12 Kelly Green Amanda Quiroz 13 Black Joe Cerny 14 Lemon Jeph Jeanlouis Adam 1-Royal Bumgardner 14-Lemon Almodovar 12-Kelly Green Bumgardner 14-Lemon Alvarez 11-Forest Green Caddick 4-Gold Amu 10-Navy Carrasco 12-Kelly Green Andresen 1-Royal Casper 6-Silver Angelilli 6-Silver Cazalet 13-Black Arevalo 1-Royal Cerny 13-Black Baedke 4-Gold Chakraborty 4-Gold Balovich 2-Red Chan 11-Forest Green Balseca 7-Purple Chandler 6-Silver Benedetti 8-Aqua Chanwongse 2-Red Bennett 13-Black Chase 6-Silver Bergren 3-Maroon Cianciarulo 7-Purple Black 14-Lemon Ciesla 4-Gold Blazen 2-Red Claudio 4-Gold Bollman 10-Navy L. Corso 3-Maroon Bondi 3-Maroon T. Corso 8-Aqua Boniak 9- Lt. Blue Cortes 12-Kelly Green Borchardt 1-Royal Croft 6-Silver Brayer 2-Red Crowe 2-Red Breon 2-Red Czesak 7-Purple Bromann 9-Lt. Blue Dajani 7-Purple Brown 11-Forest Green Dalessandro 12-Kelly Green Dase 9- Lt. Blue Dassie 13-Black Manning 12-Kelly Green Davis 6-Silver Marx 8-Aqua Debolt 2-Red McConnell 1-Royal Demonica 5-Orange McNally 3-Maroon Dias 6-Silver McReynolds 11-Forest Green Eagan 2-Red Mendez 4-Gold C. -
Blue Water Navy Vietnam Veterans Act of 2019
PUBLIC LAW 116–23—JUNE 25, 2019 BLUE WATER NAVY VIETNAM VETERANS ACT OF 2019 VerDate Sep 11 2014 06:12 Sep 30, 2019 Jkt 089139 PO 00023 Frm 00001 Fmt 6579 Sfmt 6579 E:\PUBLAW\PUBL023.116 PUBL023 dkrause on DSKBC28HB2PROD with PUBLAWS 133 STAT. 966 PUBLIC LAW 116–23—JUNE 25, 2019 Public Law 116–23 116th Congress An Act To amend title 38, United States Code, to clarify presumptions relating to the June 25, 2019 exposure of certain veterans who served in the vicinity of the Republic of Vietnam, [H.R. 299] and for other purposes. Be it enacted by the Senate and House of Representatives of Blue Water Navy the United States of America in Congress assembled, Vietnam Veterans Act SECTION 1. SHORT TITLE. of 2019. 38 USC 101 note. This Act may be cited as the ‘‘Blue Water Navy Vietnam Veterans Act of 2019’’. SEC. 2. CLARIFICATION OF PRESUMPTIONS OF EXPOSURE FOR VET- ERANS WHO SERVED IN VICINITY OF REPUBLIC OF VIETNAM. (a) IN GENERAL.—Chapter 11 of title 38, United States Code, is amended by inserting after section 1116 the following new section: 38 USC 1116A. ‘‘§ 1116A. Presumptions of service connection for veterans who served offshore of the Republic of Vietnam Time period. ‘‘(a) SERVICE CONNECTION.—For the purposes of section 1110 of this title, and subject to section 1113 of this title, a disease covered by section 1116 of this title becoming manifest as specified in that section in a veteran who, during active military, naval, or air service, served offshore of the Republic of Vietnam during the period beginning on January 9, 1962, and ending on May 7, 1975, shall be considered to have been incurred in or aggravated by such service, notwithstanding that there is no record of evidence of such disease during the period of such service. -
Explore the Limitless Possibilities of Coloured Glass Decorative
Explore the limitless possibilities of coloured glass Decorative This laminated product consists of a range Features and benefits DécorColour™ of ‘base’ coloured interlayers that can be . Wide range of colour options available combined to result in thousands of coloured by combining base interlayers* laminate options. DécorColour can be combined with Viridian Seraphic Design™ for a patterned Description coloured option The Viridian DécorColour™ range consists of 11 . Custom made to size only transparent colours – shades of blue, pink, yellow . Wide range of applications and grey. The foundation colours are Sapphire, Aquamarine, Ruby Red, Coral Rose, Sahara Sun, Colour codes are represented by the following 0001 Coral Rose Golden Light, Evening Shadow, Smoke Grey, Deep 0002 Aquamarine Red, True Blue and Tangerine. The translucent 0003 Smoke Grey 0004 Sahara Sun colours available are Cool White and Arctic Snow. 0005 Ruby Red There are also opaque options in Pure White and 0006 Sapphire Black (refer to colour chart insert). The interlayers 0007 Evening Shadow 0008 Golden Light are manufactured using heat and light-stable 0009 Arctic Snow Applications pigments, not dyes, which enables you to use 000A Cool White . colour that is lightfast. As the colour is laminated 000C Deep Red Internal partitions 000D True Blue . Wall panelling between two sheets of glass, the product is easy 000E Tangerine . Lift lobbies to clean and maintain. Being laminated, it is also 000F Polar White 000G Absolute Black . Fully framed doors Grade A safety glass. 000H Ocean Grey . Feature panelling in schools, restaurants and offices . Furniture such as table tops, Colours for designer laminate DécorColour™ desks, shelves, display cases . -
Page 1 of 5 Printed 2/1/2014
E:\My Documents Zipped\Colorwork Deck The Halls\Deck_the_halls_DST Page 1 of 5 Printed 2/1/2014 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Rust (Sul-R:1181) 5. Nile Green (Sul-R:1274) 5. Nile Green (Sul-R:1274) 6. Garden Green (Sul-R:569) 6. Garden Green (Sul-R:569) 7. Xmas Green (Sul-R:1051) 7. Xmas Green (Sul-R:1051) 8. Drab Green (Sul-R:1228) 8. Drab Green (Sul-R:1228) 9. Toast (Sul-R:1266) 9. Toast (Sul-R:1266) 10. Brick (Sul-R:1081) 10. Brick (Sul-R:1081) 11. Putty (Sul-R:1508) 11. Putty (Sul-R:1508) 12. Med. Dk. Ecru (Sul-R:1054) 12. Med. Dk. Ecru (Sul-R:1054) 13. (Sul-R:1290) 13. (Sul-R:1290) 14. Duck Wing Blue (Sul-R:1250) 14. Duck Wing Blue (Sul-R:1250) Deck_the_halls_01-5x7.dst Deck_the_halls_01-6x10.dst 5.00x6.91 inches; 27,935 stitches 5.82x8.08 inches; 32,504 stitches 14 thread changes; 14 colors 14 thread changes; 14 colors 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Garden Green (Sul-R:569) 5. Nile Green (Sul-R:1274) 5. Drab Green (Sul-R:1228) 6. Garden Green (Sul-R:569) 6. -
Davie Blue Route and Times
TOWN OF DAVIE REVISED BLUE ROUTE (WEST) 1 2 3 4 2 5 6 7 8 7 9 10 11 12 11 13 14 15 1 West West Regional Terminal Shenandoah 136th Ave & SR 84 Orange Park Sunshine Villiage Western Hills Shenandoah Paradise Village Kings of 84Manor/South Winn 84Dixie/Plaza Rexmere Villiage Winn 84Dixie/Plaza Publix Pine Island Plaza Nob Hill RD/SR 84 Indian Ridge Middle School Publix Pine Island Plaza Pine Ridge Condos Publix Pine Island Plaza City Mobile Park Home Estates Tower Shops/Best Buy Westfield Mall West Regional Terminal 8:00 AM 8:13 AM 8:15 AM 8:18 AM 8:28 AM 8:34 AM 8:38 AM 8:45 AM 8:52 AM 8:55 AM 8:58 AM 9:06 AM 9:10 AM 9:15 AM 9:23 AM 9:30 AM 8:45 AM 8:57 AM 9:00 AM 9:09 AM 9:14 AM 9:19 AM 9:27 AM 9:30 AM 9:37 AM 9:40 AM 9:48 AM 9:51 AM 9:55 AM 10:00 AM 10:08 AM 10:15 AM 9:30 AM 9:43 AM 9:45 AM 9:48 AM 9:58 AM 10:04 AM 10:08 AM 10:15 AM 10:22 AM 10:25 AM 10:28 AM 10:36 AM 10:40 AM 10:45 AM 10:53 AM 11:00 AM 10:15 AM 10:27 AM 10:30 AM 10:39 AM 10:44 AM 10:49 AM 10:57 AM 11:00 AM 11:07 AM 11:10 AM 11:18 AM 11:21 AM 11:25 AM 11:30 AM 11:38 AM 11:45 AM 11:00 AM 11:13 AM 11:15 AM 11:18 AM 11:28 AM 11:34 AM 11:38 AM 11:45 AM 11:52 AM 11:55 AM 11:58 AM 12:06 PM 12:10 PM 12:15 PM 12:23 PM 12:30 PM 12:45 PM 12:58 PM 1:00 PM 1:03 PM 1:13 PM 1:19 PM 1:23 PM 1:30 PM 1:37 PM 1:40 PM 1:43 PM 1:51 PM 1:55 PM 2:00 PM 2:08 PM 2:15 PM 1:30 PM 1:42 PM 1:45 PM 1:54 PM 1:59 PM 2:04 PM 2:12 PM 2:15 PM 2:22 PM 2:25 PM 2:33 PM 2:36 PM 2:40 PM 2:45 PM 2:53 PM 3:00 PM 2:15 PM 2:28 PM 2:30 PM 2:33 PM 2:43 PM 2:49 PM 2:53 PM 3:00 PM 3:07 PM 3:10 PM 3:13 PM 3:21 PM 3:25 PM 3:30 PM 3:38 PM 3:45 PM 3:00 PM 3:12 PM 3:15 PM 3:24 PM 3:29 PM 3:34 PM 3:42 PM 3:45 PM 3:52 PM 3:55 PM 4:03 PM 4:05 PM 4:10 PM 4:15 PM 4:23 PM 4:30 PM 3:45 PM 3:58 PM 4:00 PM 4:03 PM 4:13 PM 4:19 PM 4:23 PM 4:30 PM 4:37 PM 4:40 PM 4:43 PM 4:51 PM 4:55 PM 5:00 PM 5:08 PM 5:15 PM Ride The Town of Davie Blue Route (West) Davie Community Bus BCT Route WEST REGIONAL 2 Dr. -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern.