DOCSLIB.ORG

Explore the Limitless Possibilities of Coloured Glass Decorative

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Explore the Limitless Possibilities of Coloured Glass Decorative Explore the limitless possibilities of coloured glass Decorative This laminated product consists of a range Features and benefits DécorColour™ of ‘base’ coloured interlayers that can be . Wide range of colour options available combined to result in thousands of coloured by combining base interlayers* laminate options. DécorColour can be combined with Viridian Seraphic Design™ for a patterned Description coloured option The Viridian DécorColour™ range consists of 11 . Custom made to size only transparent colours – shades of blue, pink, yellow . Wide range of applications and grey. The foundation colours are Sapphire, Aquamarine, Ruby Red, Coral Rose, Sahara Sun, Colour codes are represented by the following 0001 Coral Rose Golden Light, Evening Shadow, Smoke Grey, Deep 0002 Aquamarine Red, True Blue and Tangerine. The translucent 0003 Smoke Grey 0004 Sahara Sun colours available are Cool White and Arctic Snow. 0005 Ruby Red There are also opaque options in Pure White and 0006 Sapphire Black (refer to colour chart insert). The interlayers 0007 Evening Shadow 0008 Golden Light are manufactured using heat and light-stable 0009 Arctic Snow Applications pigments, not dyes, which enables you to use 000A Cool White . colour that is lightfast. As the colour is laminated 000C Deep Red Internal partitions 000D True Blue . Wall panelling between two sheets of glass, the product is easy 000E Tangerine . Lift lobbies to clean and maintain. Being laminated, it is also 000F Polar White 000G Absolute Black . Fully framed doors Grade A safety glass. 000H Ocean Grey . Feature panelling in schools, restaurants and offices . Furniture such as table tops, Colours for designer laminate DécorColour™ desks, shelves, display cases . Facades . Skylights . Atriums SahaSSahaSahaaharar rasunra a sunsun sun S SS S GGolGGoldololenddenden enlight lightlight light N NSN NSSS TrTueTrTruerue ueb lue bb lueblueluelue N NSN NSSS SaSSpaSaphirepapphirepphirephire S SS S AAquaAAquaquaquammammraineararineinerineine S SS S ArcticArcticArcticArctic sn snosn snwoowo wNw NSN NSSS Sahara Sun Golden Light True Blue Sapphire Aquamarine Arctic Snow Absolute Black Maximum size SSahaSahaSahaaharraar asunrsun asun sun SS S S GGGololGolddolendenden en lightlight light light NN NS SNSS TTrTrueueTruer ue bb lueblue bluelue NN NS SNSS SSaSapSpaphirepaphirepphirephire SS S S AAAquaquaAquaquammmaamrraineinerainerine SS S S ArcticArcticArcticArctic snsn sn oosnwowow NwN NS SNSS . Maximum width @ 2440mm Thickness . 6.38mm to 13.52mm (dependant on number of interlayers required) Deep Red Ruby Red Coral Rose Evening Shadow Smoke Grey Cool White Polar White DeepDeepDeepDeep red redred red N NSN NSSS RuRuRubRuybb ybry edy rr edred edS SS S CCoCCrooalorral ralroseal roserose rose N NSN NSSS EvEEeningvEveningveningening shad shadshad shadowoowo wSw SS S SmSSmSommkooeokk ekgreye e greygrey grey N NSN NSSS CoolCoolCoolCool white whitewhite white S SS S PuPPruPeuru rewhitere e whitewhite white N NSN NSSS How to specify DeepDeepDeepDeep redred red red NN NS SNSS RuRuRuRubbyby b yrred yedr edr ed SS S S CCCooCroraloalral r roseroseal rose rose NN NS SNSS EEvEveningEeningveningvening shadshad shad shadoowowow SwS S S SSmSmSmoomkokeoek ek greygreye grey grey NN NS SNSS CoolCoolCoolCool whitewhite white white SS S S PPuPurPureeur e rwhitewhitee white white NN NS SNSS . Select glass name Viridian DécorColour . Select thickness – process 6.38mm to 13.52mm – Laminated Tangerine Ocean Grey 7.52mm to 13.52mm – Toughened/Laminate PolkaPPolkaPolkaolka dot dotdot dot N NS NNSSS MiniMiniMiniMini dot dot dotdot N NS NNSSS WideWideWideWide band band bandband N NS NNSSS NaNaNaNarrrorrrrworowo wbandw band bandband N NS NNSSS MiniMiniMiniMini band band bandband N NS NNSSS SquareSquareSquareSquare N NS NNSSS MiniMiniMiniMini hole hole holehole N NS NNSSS PPolkaPolkaPolkaolka dotdot dot dot NN NS SNSS MiniMiniMiniMini dotdot dot dot NN NS SNSS WideWideWideWide bandband band band NN NS SNSS NaNaNaNarrrrroorrwowrow bandwband band band NN NS SNSS MiniMiniMiniMini bandband band band NN NS SNSS SquareSquareSquareSquare NN NS SNSS MiniMiniMiniMini holehole hole hole NN NS SNSS CrossCrossCrossCross N NSN NSSS WWWeWaeevaeeavav evNe e NSN NSSS LinenLinenLinenLinen N NSN NSSS HHoneycomHHoneycomoneycomoneycomb bNb b NSN NSSS SandstoneSandstoneSandstoneSandstone N NS NNSSS CrossCrossCrossCross NN NS SNSS WWWeWeaeavveaeeva ev NNe NS SNSS LinenLinenLinenLinen NN NS SNSS HHHoneycomoneycomHoneycomoneycombb b NNb NS SNSS SandstoneSandstoneSandstoneSandstone NN NS SNSS This colour swatch is to be used as a guide only. The final glass colour may differ from these printed swatches. *Subject to volume requirements..
Load more

Recommended publications
  • Color Specification Rules
    FDM COLOR SPECIFICATION RULES COLOR STANDARDS The FDM has established a set of 24 standard colors to use in titles and descriptors. By using standard titles, it helps the entries in the galleries sort so that similar discs appear together. It also assists users when trying to search. Instead of having to guess if the disc is described as blue, teal, turquoise, aquamarine, cyan or blue-green, using the FDM standard color name (turquoise in this example) makes it easier to search by color for a disc or other museum item. The FDM Color Standards guide can be found at www.flyingdiscmuseum.com/colorstandards. The following is a set of rules for how to apply the color standards to titles and descriptors. 1. If a manufacturer or vendor has defined explicit color names for its discs or other items, those names should be used. Examples: Ancient Alien Green, Peach, Aqua Blue Glow 2. For color hues that are not represented by the color wheel: a. If the color is a synonym for a color on the wheel, use the color from the wheel in the title and descriptor. Example: Violet disc—Purple in the title and descriptor. b. If the color is a different hue than the color wheel name, use the closest color wheel name in the title. In the descriptor, follow the standard color with the alternate color name in parentheses. Example: Peach disc—Orange in title, Orange (Peach) in descriptor. Page 1 of 4 3. For discs that need an adjective to properly describe the color (e.g.
    [Show full text]
  • Sports Publishing Fall 2018
    SPORTS PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway,
    [Show full text]
  • First Last Team Color Specific Note: Sofia Vasquez BLUE Please Bring
    Costumes looked great today! We really appreciate everyone's hard work and creativity! Please reference the notes below and make adjustments as needed. If your name is not listed, please continue wearing the same costume. EVERYONE - Arrive to camp in FULL costume (including white socks and black or white shoelaces) on Thursday for our dress rehearsal! If you have any questions or concerns, please contact Brittny at [email protected] First Last Team Color Specific Note: Sofia Vasquez BLUE Please bring Khaki bottoms Kennedy Wiehle BLUE Please tuck/tie up/etc your shirt Jada Andre GREEN Please bring Khaki bottoms and black shoes Emily Ogden GREEN Please switch your black belt for a brown one Emma Livingston AQUAMARINE Please bring shorts or white leggings for under skirt Charolette Bonell AQUAMARINE Please bring and wear your black shoes Jayden Castle AQUAMARINE Please remove bracelets Maureigh Cantu AQUAMARINE Please bring Khaki bottoms and lose cardigan ZHENGSHI(Jerry) XIE AQUAMARINE Please bring khaki bottoms Noah Wilson AQUAMARINE Please bring your khaki pants and black shoes Ana Sofia Jimenez Quiroga YELLOW Please bring black shoes and remove jacket Alonna Neyhart YELLOW Please bring black or white shoe laces Yaset Soto YELLOW Please use the white cardigan Liam Caulfield YELLOW Please bring black shoes Grace Salvaggio LILAC Please bring white socks. Sabella Carr LILAC Please bring khaki bottoms. Alexa Onorato LILAC Please bring black shoes that fit you well Rachel Stephens LILAC Please bring black laces. Josh Wilson LILAC Please do not wear blue beenie Asia Spurell ORANGE Please bring white socks and black or white laces Nicola Renegar ORANGE Please bring black shoes and remove your watch Maddox Martin ORANGE Please bring white socks Abigail Jones PURPLE Please bring black shoes w/ black or white laces Francesca Fontanesi PURPLE Please bring khaki pants and black shoes.
    [Show full text]
  • Indigo: Sources, Processes and Possibilities for Bioregional Blue
    Indigo: Sources, processes and possibilities for bioregional blue Nicholas Wenner and Matthew Forkin November 2017 Photo by Kalie Cassel-Feiss by Kalie Photo Table of Contents Introduction . .3 Indigo . .4 The Indigo Process . 11 Conclusions . 15 Photo by Paige Green Green by Paige Photo Indigo Overview 2 Introduction his report was completed with funding generously provided by the Jena and Michael King TFoundation as part of Fibershed’s True Blue project . It is one project of many that support Fibershed’s larger mission: “Fibershed develops regional and regenerative fiber systems on behalf of independent working producers, by expanding opportunities to implement carbon farming, forming catalytic foundations to rebuild regional manufacturing, and through connecting end-users to farms and ranches through public education.” In this report we present the various sources of blue dye and of indigo, and motivate the use of plant-based indigo in particular . We also identify the limitations of natural dyes like indigo and the need for larger cultural and systemic shifts . The ideal indigo dye production system would be a closed-loop system that moves from soil to dye to textiles and back to soil . The indigo process has three basic steps: planting, harvesting, and dye extraction . In this document, we provide an overview of each, and detailed explorations are given in two separate documents that will be available through Fibershed by the end of 2017 . This report is based on a literature review of academic research, natural dye books, online content, and personal interviews . It benefited greatly from conversations with (and the generosity of) many skilled artisans and natural dyers, including Rowland Ricketts, Jane Palmer, and Kori Hargreaves .
    [Show full text]
  • Named Colors – Antenna House, Inc
    Named colors XSL 1.1 defines 16 color keywords: ‘aqua’, ‘black’, ‘blue’, ‘fuchsia’, ‘gray’, ‘green’, ‘lime’, ‘maroon’, ‘navy’, ‘olive’, ‘purple’, ‘red’, ‘silver’, ‘teal’, ‘white’, and ‘yellow’. AH Formatter also supports the 131 extended color names from CSS Color Module Level 3 (and SVG 1.0) plus ‘rebeccapurple’ that is defined in CSS Color Module Level 4. The rows in the following table show each named color used as the background color for black, gray, and white text and as the text color with black, gray, and white backgrounds. ‘aliceblue’ aliceblue aliceblue aliceblue aliceblue aliceblue aliceblue ‘antiquewhite’ antiquewhite antiquewhite antiquewhite antiquewhite antiquewhite antiquewhite ‘aqua’ aqua aqua aqua aqua aqua aqua ‘aquamarine’ aquamarine aquamarine aquamarine aquamarine aquamarine aquamarine ‘azure’ azure azure azure azure azure azure ‘beige’ beige beige beige beige beige beige ‘bisque’ bisque bisque bisque bisque bisque bisque ‘black’ black black black black black black ‘blanchedalmond’ blanchedalmond blanchedalmond blanchedalmond blanchedalmond blanchedalmond blanchedalmond ‘blue’ blue blue blue blue blue blue ‘blueviolet’ blueviolet blueviolet blueviolet blueviolet blueviolet blueviolet ‘brown’ brown brown brown brown brown brown ‘burlywood’ burlywood burlywood burlywood burlywood burlywood burlywood ‘cadetblue’ cadetblue cadetblue cadetblue cadetblue cadetblue cadetblue ‘chartreuse’ chartreuse chartreuse chartreuse chartreuse chartreuse chartreuse ‘chocolate’ chocolate chocolate chocolate chocolate chocolate chocolate
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • Colours of England 30 1930S 50 1950S 60 1960S 70 1970S These ‘Root‘ Colours Appear in Both Sections of the Colour Card
    Period Key G Georgian R Regency V Victorian CS Colour Scales original. Colours of England 30 1930s 50 1950s 60 1960s 70 1970s These ‘root‘ colours appear in both sections of the colour card. Shirting. 129. Slaked Lime. 105. CS First Light. 49. Rusling. 9. Gauze. 106. CS Creamerie. 42. Welcome. 109. CS Echo. 98. Clockface. 81. Stock. 37. CS White Lead. 74. CS G Old Paper II. 146. Starling‘s Egg. 97. Linnet. 89. Mirage II. 4. Drizzle. 217. Linen Wash. 33. Joanna. 130. Whitening. 41. G China Clay. 1. CS Acre. 76. Woodbine. 134. Whisper. 5. Mono. 218. French Grey. 113. CS V Hammock. 38. Hollyhock. 25. 50s Magnolia. 28. 50 Portland Stone. 77. CS V Ivory. 62. 30 Dorchester Pink. 213. 60 Celestial Blue. 101. R Lead Colour. 117. G Mushroom. 142. Stone-Pale-Cool. 65. G Julie‘s Dream. 26. Stone-Mid-Cool. 66. G Aged Ivory. 131. Light Peachblossom. 3. R Bone China Blue. 107. CS 30 Mid Lead Colour. 114. G Rolling Fog. 143. CS Clay. 39. CS Stone-Pale-Warm. 34. G Stone-Dark-Cool. 67. G Stone-Mid-Warm. 35. G Ashes of Roses. 6. V James. 108. Dark Lead Colour. 118. G Silt. 40. Bath Stone. 64. V Beauvais Lilac. 29. 30 Chamois. 132. Sunlight. 135. Callaghan. 214. 70 Juniper Ash. 115. Attic II. 144. Felt. 145. Stone-Dark-Warm. 36. G Roman Plaster. 31. Oak Apple. 63. Yellow-Pink. 46. R Adventurer. 7. Hicks‘ Blue. 208. 60 Period Key G Georgian R Regency V Victorian CS Colour Scales original. Colours of England 30 1930s 50 1950s 60 1960s 70 1970s These ‘root‘ colours appear in both sections of the colour card.
    [Show full text]
  • For DMC Embroidery Floss Color Each Box Using the Color Listed, from Top Left to Lower Right Using Light to Heavy Pressure
    SKU: 271F Retail: $5.99 Instructions For DMC Embroidery Floss Color each box using the color listed, from top left to lower right using light to heavy pressure. DMC floss chosen is the closet match in the middle of the color hue. For lighter projects use a shade lighter. For darker projects use a shade darker. Some colors maybe repeated. Use DMC floss to fill in the “DMC” square. CRAYON DMC CRAYON DMC CRAYON DMC scarlet canary neon carrot 3801 V DK Melon 3078 V LT Golden 3825 Pale Pumpkin Yellow red unmellow yellow vivid tangerine 321 Red 744 Pale Yellow 740 Tangerine brick red laser lemon macaroni & 221 V DK Shell Pink 445 LT Lemon cheese 970 LT Pumpkin maroon green yellow yellow orange 3685 V DK Mauve 472 Ultra LT 741 MD Tangerine Avocado Green razzmatazz yellow orange 326 V DK Rose 307 Lemon 971 Pumpkin blush banana mania burnt orange 3804 DK Cyclamen 743 MED Yellow 947 Burnt Orange Pink mauvelous dandelion bittersweet 3687 Mauve 973 Bright Canary 900 DK Burnt Orange pink sherbet goldenrod red orange 602 MD Cranberry 444 DK Lemon 720 DK Orange Spice salmon sunglow sunset orange 3712 Salmon 3855 LT Autumn 351 Coral Gold wild strawberry apricot mango tango 956 Geranium 3341 Apricot 3705 DK Melon tickle me pink peach outrageous orange 603 Cranberry 722 LT Orange 608 Bright Orange Spice pink flamingo atomic tangerine melon 3805 Cyclamen 3340 MD Apricot 3706 MD Melon Pink www.designsbytana.com © 2012 All Rights Reserved For Personal Use Only 1 For DMC Embroidery Floss Instructions Color each box using the color listed, from top left to lower right using light to heavy pressure.
    [Show full text]
  • The Truth About “The Truth About True Blue”
    The Truth about “The Truth about True Blue” Jonathan Cohen, C. L. Hardin, and Brian P. McLaughlin∗ 1 Color, Variation, and Tye’s “Solutions” It can happen that a single surface S, viewed in normal conditions, looks pure blue (“true blue”) to observer John but looks blue tinged with green to a second observer, Jane, even though both are normal in the sense that they pass the standard psychophysical tests for color vision. Tye (2006a) finds this situation prima facie puzzling, and then offers two different “solutions” to the puzzle.1 The first is that at least one observer misrepresents S’s color because, though normal in the sense explained, she is not a Normal color observer: her color de- tection system is not operating in the current condition in the way that Mother Nature intended it to operate. His second solution involves the idea that Mother Nature designed our color detection systems to be reliable with respect to the detection of coarse-grained colors (e.g., blue, green, yellow, orange), but our capacity to represent the fine-grained colors (e.g., true blue, blue tinged with green) is an undesigned spandrel. On this second solution, it is consistent with the variation between John and Jane that both represent the color of S in a way that complies with Mother Nature’s intentions: both represent S as exemplify- ing the coarse-grained color blue, and since (we may assume) S is in fact blue, both represent it veridically. Of course, they also represent fine-grained colors of S, and, according to Tye, at most one of these representations is veridical (Tye says that only God knows which).
    [Show full text]
  • INKTENSE Pencil to Ink in Just One Wash
    INKTENSE Pencil to ink in just one wash LF LF 0100 Sherbert Lemon V 7 1210 Dark aquamarine V 8 0200 Sun Yellow V 8 1220 Green aquamarine V 8 0210 Cadmium yellow V 7 1230 Mallard green V 8 0220 Scilian yellow V 7 1300 Teal Green V 8 0230 Golden yellow V 5 1310 Iron green V 8 0240 Sienna gold V 6 1320 Ionian green V 6 0250 Cadmium orange V 6 1330 Vivid green V 8 0260 Burnt orange V 7 1400 Apple Green V 8 0300 Tangerine V 7 1500 Field Green V 8 0310 Mid vermillion V 6 1510 Beech green V 7 0320 Scarlet pink V 6 1520 Hookers green V 7 0400 Poppy Red V 4 1530 Felt green V 7 0410 Hot red V 4 1540 Light olive V 7 0500 Chilli Red V 4 1550 Spring green V 6 0510 Cherry V 3 1560 Fern V 7 0520 Carmine pink V 4 1600 Leaf Green V 8 0530 Crimson V 2 1700 Mustard V 8 0600 Shiraz V 6 1710 Amber V 3 0610 Red violet V 6 1720n Ta V 8 0700 Fuchsia V 8 1730 Oak V 8 0710 Deep rose V 6 1740 Saddle brown V 8 0720 Thistle V 6 1800 Baked Earth V 8 0730 Dusky purple V 7 1900w Willo V 7/8 0740e Mauv V 7 1910 Oxide red V 6 0750 Dark purple V 8 1920 Madder brown V 6 0760 Deep violet V 7 1930 Dark chocolate V 7 0800 Violet V 7 2000 Bark V 8 0810 Lagoon V 8 2010 Sepia ink V 7 0820 Peacock blue V 8 2020 Indian ink V 8 0830 Navy blue V 8 2030 Chinese ink V 8 0840 Iron blue V 8 2100 Charcoal Grey V 8 0850 Deep blue V 8 2110 Paynes grey V 8 0900 Iris Blue V 5 2120 Neutral grey V 8 1000 Bright Blue V 8 2200 Ink Black V 8 1100 Deep Indigo V 8 2300 Antique White V 8 1200 Sea Blue V 8 2400 Outliner V 8 Blister of 6 Tin of 12 Wooden box of 18 Tin of 24 Tin of 36 Wooden box of 48 Tin of 72 Wooden box of 72 Please note that the contents may be substituted at any time with a product equal or superior to that specified.
    [Show full text]
  • Color Options
    Color Options Decks, Bridges, and Stairs Rotationally Molded Colors Green* Brown Light Yellow Yellow Orange Red Fuchsia Red* Blue* *Have an additional 4–6 week lead time. Purple Burgundy Cobalt Blue Blue Sky Blue Recycled Decks & Posts Teal Blue Teal Green Spring Green Green Brown Cedar Dark Brown* Gray* *May affect delivery lead time. Terracotta Tan Gray White HDPE Panel Colors Yellow Spring Green Powder Coat Colors Orange Green Yellow Blue Brown* Red Terracotta Butterscotch Sky Blue Tan* Purple Brown Orange Mystic Blue Sandstone* Burgundy Tan Red *Teal Gray* Blue Gray Fuchsia Spring Green Black* Teal Purple Green* White Burgundy* Sage* Sandwich HDPE Panel Colors Mariner Blue* Terracotta* Yellow/Black/Yellow Green/White/Green All colors marked with asterisk (*) have a semi-gloss finish. Yellow/Red/Yellow Green/Tan/Green Yellow/Blue/Yellow Brown/Tan/Brown Shade Colors | More colors available! Red/White/Red Tan/Green/Tan Sun Bottle Navy Yellow Blaze True Blue Green Blue Lime Red/Yellow/Red Gray/Black/Gray Red/Blue/Red Black/White/Black Forest Rivergum Blue/White/Blue White/Black/White Green Green Beige Cream Purple Charcoal Blue/Yellow/Blue White/Red/White Blue/Red/Blue All fabric is California Fire Marshal certified (highest standard for flame resistance), with the exception of Rivergum Green. More colors are available. Ask your SRP Certified Partner for more details. Colors shown are representations only. Ask your SRP Certified Partner to view actual color samples before ordering. Popular Color Schemes Colors Rain Forest Circus Sky Blue Red Green Yellow Spring Green Royal Blue Royal Blue Fresco Midnight Jazz Gray Mariner Blue Teal Red Gray Black Autumn Robin Egg Brown Red Ta n Ta n Teal Orange Adventure Nature Trail Gray Terracotta White Ta n Red Spring Green Orange Forest Aquamarine Burgundy Teal Ta n White Green Mariner Blue Brown Plum Fortress Purple Cobalt Butterscotch Butterscotch Ta n Ta n Terracotta.
    [Show full text]
  • Oldest Indigodyed Fabric Found
    12/25/2016 Oldest indigo­dyed fabric found | Science News News: Archaeology,Chemistry Oldest indigo­dyed fabric found Long before Egyptians, Peruvians made blue­hued cotton 6,000 years ago ByBruce Bower 2:00pm, September 14, 2016Citations TRUE BLUE A strand of blue yarn from a 6,200­ to 6,000­year­old patch of woven cotton (right) excavated in Peru contains the oldest evidence in the world of the colorfast dye known as indigo blue, researchers say. Diagram at left denotes parts of the recovered material containing blue dye. Lauren A. Badams, J. Splitstoser Further Reading Magazine issue: Vol. 190, No. 8, October 15, 2016, p. 8 Ancient South Americans made blue fabrics to dye for. A piece of approximately 6,000­year­old woven cotton material from Peru gets its blue hue from indigo dye, making it the oldest known example of the colorfast dye’s use anywhere, researchers find. Until now, the earliest indigo­dyed fabrics dated to around 4,400 years ago in Egypt and about 3,000 years ago in what’s now western China, say archaeologist Jeffrey Splitstoser of George Washington University in Washington, D.C., and his colleagues. Chemical analyses of fabric unearthed at Huaca Prieta, an ancient site on Peru’s northern coast, unveiled the presence of indigo dye roughly 1,600 years before this fabric coloring showed up in Egypt, Splitstoser’s team reports online September 14 in Science Advances. Huaca Prieta was first excavated in the 1940s. Radiocarbon dating of charcoal from hearths and other material indicates that people occupied Huaca Prieta from around 14,500 to 4,000 years ago.
    [Show full text]