Lightfast Color Chart
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APPROVED PLANT LIST Midtown Alliance Tree Well Adoption Program
APPROVED PLANT LIST Midtown Alliance Tree Well Adoption Program Midtown Alliance launched the Tree Well Adoption program with the primary goal of enriching the experience of Midtown’s workers and residents while encouraging sustainability through the use of low-water, urban tolerant plant species. This list of plants was created to aid individuals and organizations in selecting plant material to plant in their adopted tree wells. This plant list is intended to encourage individual character in the tree wells, rather than restrict creativity in the selection of plants. The plants on the approved list were selected based on the following criteria: • Perennial. All plants listed are perennial, meaning they last for two or more growing seasons. Once established, these plants will require less water to maintain than annuals. • Heat tolerant. Plants in tree wells are exposed to high temperatures caused by vehicles and heat reflected from surrounding buildings, asphalt, and other urban surfaces. They must also be tolerant to high daytime temperatures, typical of Atlanta’s summer months, and cold hardy in the winter months. Atlanta is located in USDA Plant Hardiness Zone 7b/8a. • Water wise. Urban tree wells are surrounded by impervious surfaces and thus, are highly susceptible to periods of drought. Suitable plants must be able to survive periods of low rainfall. • Pollution tolerant. Vehicle exhaust may leave deposits and pollutants on plant foliage, which can kill sensitive plants. • Encourage wildlife. Flowering plants attract insects such as butterflies while others provide food sources for birds and other wildlife. • Grown locally. Many of the plants listed are native to the Atlanta area, and all can be found at local nurseries. -
Color Specification Rules
FDM COLOR SPECIFICATION RULES COLOR STANDARDS The FDM has established a set of 24 standard colors to use in titles and descriptors. By using standard titles, it helps the entries in the galleries sort so that similar discs appear together. It also assists users when trying to search. Instead of having to guess if the disc is described as blue, teal, turquoise, aquamarine, cyan or blue-green, using the FDM standard color name (turquoise in this example) makes it easier to search by color for a disc or other museum item. The FDM Color Standards guide can be found at www.flyingdiscmuseum.com/colorstandards. The following is a set of rules for how to apply the color standards to titles and descriptors. 1. If a manufacturer or vendor has defined explicit color names for its discs or other items, those names should be used. Examples: Ancient Alien Green, Peach, Aqua Blue Glow 2. For color hues that are not represented by the color wheel: a. If the color is a synonym for a color on the wheel, use the color from the wheel in the title and descriptor. Example: Violet disc—Purple in the title and descriptor. b. If the color is a different hue than the color wheel name, use the closest color wheel name in the title. In the descriptor, follow the standard color with the alternate color name in parentheses. Example: Peach disc—Orange in title, Orange (Peach) in descriptor. Page 1 of 4 3. For discs that need an adjective to properly describe the color (e.g. -
Rouen Velvets, New for Aw19
For further information, images or productROUEN requests, please contact: VELVETS Style Library Press Office T: +44(0)1895 221005 E: [email protected] PRESS RELEASE A/W 2019 INSPIRED BY THE COLOUR INFUSED CATHEDRAL INTERIORS OF WILLIAM MORRIS’S EARLY TRAVELS TO FRANCE, MORRIS & CO. INTRODUCE ROUEN VELVETS, NEW FOR AW19. “Less than forty years ago, about thirty, I first saw the city of Rouen, then still in its outward aspect a piece of the Middle Ages: no words can tell you how its mingled beauty, history and romance took hold of me; I can only say that, looking back on my past life, I find it was the greatest pleasure I have ever had.” William Morris ‘The Aims of Art’ (1887) The beauty of northern France’s gothic cathedrals left a powerful imprint on William Morris’s imagination. It is well documented that Morris’s deep-rooted passion for the preservation of ancient buildings and the celebration of medieval art played a significant role throughout his life, profoundly influencing the direction of his company, Morris & Co. Like Ruskin before him, Morris found a special beauty at Rouen Cathedral, where glorious stained-glass windows shone a colourful light on its hand-crafted interiors. Morris’s early trips to France were formative on his designs for woven and printed textiles and his lifelong commitment to promoting craftmanship of the highest order, the founding principle of Morris & Co. and the Arts and Crafts movement. Inspired by the colour-infused cathedral interiors of Morris’s travels to France, Morris & Co. introduce Rouen Velvets, a stunning collection of six luxurious velvets, new for AW19. -
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart
Derivan Matisse Flow to Americana Acrylics Color Conversion Chart Derivan Americana Derivan Americana Matisse Flow Acrylics Matisse Flow Acrylics Alpine Green 2 - DAO82 Evergreen Brilliant Alizarine 2 - DA179 Alizarin Crimson 1 - DA144 Yellow Light 1 - DA159 Cherry Red Antique Blue 1 - DAO38 Wedgewood Blue Burgundy 1 - DA140 Red Violet 1 - DA166 Deep Midnight Blue 1 - DA165 Napa Red 1 - DA172 Black Plum Antique Gold 1 - DA146 Antique Gold Deep Burnt Sienna DA223 Traditional Burnt Sienna ato - DAO67 Lamp (Ebony) Black Antique Green 2 - DA105 Blue Grey Mist Burnt Umber 2 - DA221 Traditional Burnt Umber 1 - DAO84 Midnite Green 1 - DA160 Antique Maroon Antique White 2 - DA239 Warm White Cadmium Orange 8 - DA228 Bright Orange 1 - DAO3 Buttermilk 1 - DAO10 Cadmium Yellow Aqua Green Light 2 - DAO1 Snow (Titanium) White Cadmium Red Medium DAO15 Cadmium Red 1 - DAO47 Bluegrass Green Ash Pink 4 - DA164 Light Buttermilk Cadmium Yellow Light DA144 Yellow Light 3 - DA189 Summer Lilac 2 - DA186 French Mauve Aureolin Yellow 4 - DA144 Yellow Light Cadmium Yellow Medium DA227 Bright Yellow 1 - DA146 Antique Gold Deep 1 - DAO10 Cadmium Yellow Australian Olive Green 10 - DA113 Plantation Pine Carbon Black DAO67 Lamp (Ebony) Black 1 - DAO67 Lamp (Ebony) Black Australian Red Violet DA140 Red Violet Cerulean Blue DAO36 True Blue Australian Sap Green 2 - DA113 Plantation Pine Chromium Green Oxide 2 - DAO51 Leaf Green 1 - DA144 Yellow Light 1 - DAO53 Mistletoe Australian Sienna 1 - DA223 Traditional Burnt Sienna Cobalt Blue 2 - DA141 Blue Violet 1 - DA194 Marigold -
First Last Team Color Specific Note: Sofia Vasquez BLUE Please Bring
Costumes looked great today! We really appreciate everyone's hard work and creativity! Please reference the notes below and make adjustments as needed. If your name is not listed, please continue wearing the same costume. EVERYONE - Arrive to camp in FULL costume (including white socks and black or white shoelaces) on Thursday for our dress rehearsal! If you have any questions or concerns, please contact Brittny at [email protected] First Last Team Color Specific Note: Sofia Vasquez BLUE Please bring Khaki bottoms Kennedy Wiehle BLUE Please tuck/tie up/etc your shirt Jada Andre GREEN Please bring Khaki bottoms and black shoes Emily Ogden GREEN Please switch your black belt for a brown one Emma Livingston AQUAMARINE Please bring shorts or white leggings for under skirt Charolette Bonell AQUAMARINE Please bring and wear your black shoes Jayden Castle AQUAMARINE Please remove bracelets Maureigh Cantu AQUAMARINE Please bring Khaki bottoms and lose cardigan ZHENGSHI(Jerry) XIE AQUAMARINE Please bring khaki bottoms Noah Wilson AQUAMARINE Please bring your khaki pants and black shoes Ana Sofia Jimenez Quiroga YELLOW Please bring black shoes and remove jacket Alonna Neyhart YELLOW Please bring black or white shoe laces Yaset Soto YELLOW Please use the white cardigan Liam Caulfield YELLOW Please bring black shoes Grace Salvaggio LILAC Please bring white socks. Sabella Carr LILAC Please bring khaki bottoms. Alexa Onorato LILAC Please bring black shoes that fit you well Rachel Stephens LILAC Please bring black laces. Josh Wilson LILAC Please do not wear blue beenie Asia Spurell ORANGE Please bring white socks and black or white laces Nicola Renegar ORANGE Please bring black shoes and remove your watch Maddox Martin ORANGE Please bring white socks Abigail Jones PURPLE Please bring black shoes w/ black or white laces Francesca Fontanesi PURPLE Please bring khaki pants and black shoes. -
Color Conversion Chart
Color Conversion Chart CMYK & RGB COLOR VALUES Opalescent C-M-Y-K R-G-B Opalescent C-M-Y-K R-G-B 000009 Reactive Cloud 4-2-1-0 241-243-247 000164 Egyptian Blue 81-48-0-0 49-116-184 000013 Opaque White 4-2-2-1 246-247-249 000203 Woodland Brown 22-63-87-49 120-70-29 000016 Turquoise Opaque Rod 65-4-27-6 75-174-179 000206 Elephant Gray 35-30-32-18 150-145-142 000024 Tomato Red 1-99-81-16 198-15-36 000207 Celadon Green 43-14-46-13 141-167-137 000025 Tangerine Orange 1-63-100-0 240-119-2 000208 Dusty Blue 60-25-9-28 83-123-154 000034 Light Peach Cream 5-12-15-0 243-226-213 000212 Olive Green 44-4-91-40 104-133-42 000100 Black 75-66-60-91 10-9-10 000216 Light Cyan 62-4-9-0 88-190-221 000101 Stiff Black 75-66-60-91 10-9-10 000217 Green Gold Stringer 11-6-83-13 206-194-55 000102 Blue Black 76-69-64-85 6-7-13 000220 Sunflower Yellow 5-33-99-1 240-174-0 000104 Glacier Blue 38-3-5-0 162-211-235 000221 Citronelle 35-15-95-1 179-184-43 000108 Powder Blue 41-15-11-3 153-186-207 000222 Avocado Green 57-24-100-2 125-155-48 000112 Mint Green 43-2-49-2 155-201-152 000224 Deep Red 16-99-73-38 140-24-38 000113 White 5-2-5-0 244-245-241 000225 Pimento Red 1-100-99-11 208-10-13 000114 Cobalt Blue 86-61-0-0 43-96-170 000227 Golden Green 2-24-97-34 177-141-0 000116 Turquoise Blue 56-0-21-1 109-197-203 000236 Slate Gray 57-47-38-40 86-88-97 000117 Mineral Green 62-9-64-27 80-139-96 000241 Moss Green 66-45-98-40 73-84-36 000118 Periwinkle 66-46-1-0 102-127-188 000243 Translucent White 5-4-4-1 241-240-240 000119 Mink 37-44-37-28 132-113-113 000301 Pink 13-75-22-10 -
Explore the Limitless Possibilities of Coloured Glass Decorative
Explore the limitless possibilities of coloured glass Decorative This laminated product consists of a range Features and benefits DécorColour™ of ‘base’ coloured interlayers that can be . Wide range of colour options available combined to result in thousands of coloured by combining base interlayers* laminate options. DécorColour can be combined with Viridian Seraphic Design™ for a patterned Description coloured option The Viridian DécorColour™ range consists of 11 . Custom made to size only transparent colours – shades of blue, pink, yellow . Wide range of applications and grey. The foundation colours are Sapphire, Aquamarine, Ruby Red, Coral Rose, Sahara Sun, Colour codes are represented by the following 0001 Coral Rose Golden Light, Evening Shadow, Smoke Grey, Deep 0002 Aquamarine Red, True Blue and Tangerine. The translucent 0003 Smoke Grey 0004 Sahara Sun colours available are Cool White and Arctic Snow. 0005 Ruby Red There are also opaque options in Pure White and 0006 Sapphire Black (refer to colour chart insert). The interlayers 0007 Evening Shadow 0008 Golden Light are manufactured using heat and light-stable 0009 Arctic Snow Applications pigments, not dyes, which enables you to use 000A Cool White . colour that is lightfast. As the colour is laminated 000C Deep Red Internal partitions 000D True Blue . Wall panelling between two sheets of glass, the product is easy 000E Tangerine . Lift lobbies to clean and maintain. Being laminated, it is also 000F Polar White 000G Absolute Black . Fully framed doors Grade A safety glass. 000H Ocean Grey . Feature panelling in schools, restaurants and offices . Furniture such as table tops, Colours for designer laminate DécorColour™ desks, shelves, display cases . -
Page 1 of 5 Printed 2/1/2014
E:\My Documents Zipped\Colorwork Deck The Halls\Deck_the_halls_DST Page 1 of 5 Printed 2/1/2014 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Rust (Sul-R:1181) 5. Nile Green (Sul-R:1274) 5. Nile Green (Sul-R:1274) 6. Garden Green (Sul-R:569) 6. Garden Green (Sul-R:569) 7. Xmas Green (Sul-R:1051) 7. Xmas Green (Sul-R:1051) 8. Drab Green (Sul-R:1228) 8. Drab Green (Sul-R:1228) 9. Toast (Sul-R:1266) 9. Toast (Sul-R:1266) 10. Brick (Sul-R:1081) 10. Brick (Sul-R:1081) 11. Putty (Sul-R:1508) 11. Putty (Sul-R:1508) 12. Med. Dk. Ecru (Sul-R:1054) 12. Med. Dk. Ecru (Sul-R:1054) 13. (Sul-R:1290) 13. (Sul-R:1290) 14. Duck Wing Blue (Sul-R:1250) 14. Duck Wing Blue (Sul-R:1250) Deck_the_halls_01-5x7.dst Deck_the_halls_01-6x10.dst 5.00x6.91 inches; 27,935 stitches 5.82x8.08 inches; 32,504 stitches 14 thread changes; 14 colors 14 thread changes; 14 colors 1. Blue Black (Sul-R:1182) 1. Blue Black (Sul-R:1182) 2. Goldenrod (Sul-R:1024) 2. Goldenrod (Sul-R:1024) 3. Poppy (Sul-R:1317) 3. Poppy (Sul-R:1317) 4. Rust (Sul-R:1181) 4. Garden Green (Sul-R:569) 5. Nile Green (Sul-R:1274) 5. Drab Green (Sul-R:1228) 6. Garden Green (Sul-R:569) 6. -
Pine Island Ridge Management Plan
Pine Island Ridge Conservation Management Plan Broward County Parks and Recreation May 2020 Update of 1999 Management Plan Table of Contents A. General Information ..............................................................................................................3 B. Natural and Cultural Resources ...........................................................................................8 C. Use of the Property ..............................................................................................................13 D. Management Activities ........................................................................................................18 E. Works Cited ..........................................................................................................................29 List of Tables Table 1. Management Goals…………………………………………………………………21 Table 2. Estimated Costs……………………………………………………………….........27 List of Attachments Appendix A. Pine Island Ridge Lease 4005……………………………………………... A-1 Appendix B. Property Deeds………….............................................................................. B-1 Appendix C. Pine Island Ridge Improvements………………………………………….. C-1 Appendix D. Conservation Lands within 10 miles of Pine Island Ridge Park………….. D-1 Appendix E. 1948 Aerial Photograph……………………………………………………. E-1 Appendix F. Development Agreement………………………………………………….. F-1 Appendix G. Plant Species Observed at Pine Island Ridge……………………………… G-1 Appendix H. Wildlife Species Observed at Pine Island Ridge ……... …………………. H-1 Appendix -
Colours in Nature Colours
Nature's Wonderful Colours Magdalena KonečnáMagdalena Sedláčková • Jana • Štěpánka Sekaninová Nature is teeming with incredible colours. But have you ever wondered how the colours green, yellow, pink or blue might taste or smell? What could they sound like? Or what would they feel like if you touched them? Nature’s colours are so wonderful ColoursIN NATURE and diverse they inspired people to use the names of plants, animals and minerals when labelling all the nuances. Join us on Magdalena Konečná • Jana Sedláčková • Štěpánka Sekaninová a journey to discover the twelve most well-known colours and their shades. You will learn that the colours and elements you find in nature are often closely connected. Will you be able to find all the links in each chapter? Last but not least, if you are an aspiring artist, take our course at the end of the book and you’ll be able to paint as exquisitely as nature itself does! COLOURS IN NATURE COLOURS albatrosmedia.eu b4u publishing Prelude Who painted the trees green? Well, Nature can do this and other magic. Nature abounds in colours of all shades. Long, long ago people began to name colours for plants, animals and minerals they saw them in, so as better to tell them apart. But as time passed, ever more plants, animals and minerals were discovered that reminded us of colours already named. So we started to use the names for shades we already knew to name these new natural elements. What are these names? Join us as we look at beautiful colour shades one by one – from snow white, through canary yellow, ruby red, forget-me-not blue and moss green to the blackest black, dark as the night sky. -
Anthocyanins from Mulberry (Morus Rubra) Fruits As Potential Natural Colour Additives in Yoghurt
Vol. 8(12), pp. 182-190, December, 2014 DOI: 10.5897/AJPAC2014.0594 Article Number: 124600249302 African Journal of Pure and Applied ISSN 1996 - 0840 Copyright © 2014 Chemistry Author(s) retain the copyright of this article http://www.academicjournals.org/AJPAC Full Length Research Paper Anthocyanins from mulberry (Morus rubra) fruits as potential natural colour additives in yoghurt Robert Byamukama1*, Moses Andima1,2, Angella Mbabazi1 and Bernard T. Kiremire1 1Department of Chemistry, Makerere University, P. O. Box 7062, Kampala, Uganda. 2Department of Chemistry, Busitema University, P. O. Box 236, Tororo, Uganda. Received 27 September, 2014; Accepted 16 December, 2014 Colouring potential of anthocyanins from whole fruit juice of mulberry (Morus rubra) was studied in yoghurt. Whole fruit juice from M. rubra rich in non-acylated anthocyanins was incorporated into plain yoghurt (100 g) at increasing concentration levels of the juice; 10, 20, 25, 30, 40 and 50 mg cyanidin-3- glucopyranoside equivalents (cy-3-glu eqv) and stored under refrigerated condition (< 8°C) for two weeks. Colour properties, pigment and colour stability and degradation kinetics were studied using a UV-Vis spectrophotometer (UV-1700 CE Shimadzu, Japan).Yoghurt coloured with mulberry anthocyanins between 25 to 40 mg cy-3-glu eqv concentration levels of anthocyanins produced a colour which was very much comparable to commercial brand strawberry yoghurt coloured with 20 mg FD & C red No. 3 in 100 g of yoghurt. Pigment and colour stabilities of the anthocyanins increased with increasing concentration of anthocyanins added to yoghurt. The tendency to polymerise decreased with increasing concentration of the pigments added to yoghurt. -
Manufacturer of the World's Finest Artists' Paints
Manufacturer of the World’s Finest Artists’ Paints MADE IN THE USA SINCE 1976 Meet the Owner of DANIEL SMITH John Cogley John Cogley, the owner of DANIEL SMITH Artists’ Materials, joined the company in the Information Technology Department in 1988. With almost three decades of leading the company as President, CEO and Owner, John has been the driving force behind making DANIEL SMITH Watercolors and other products recognized as the world’s best. Because of John’s commitment to innovation and in manufacturing the highest quality paints and other products, artists worldwide can rely on the performance and continuity of DANIEL SMITH products year after year. DANIEL SMITH is the Innovative Sticks, artist-quality Water Soluble Oils Manufacturer of Beautiful Watercolors and inspiring Hand Poured Half Pan sets and Oils for Artists Worldwide. DANIEL SMITH has been the leader in From being the first manufacturer developing creative tools for Artists. to make the high-performance Making beautiful, innovative, and high Quinacridone pigments into artists’ quality artists paints, which perform paints, to the development of the exciting consistently from tube to tube, year after PrimaTek and Luminescent Watercolors year, makes DANIEL SMITH products the and Oils, Watercolor Grounds, Watercolor choice for artists worldwide. Stay connected with DANIEL SMITH online! INSTAGRAM FACEBOOK @danielsmithartistsmaterials @DanielSmithArtSupplies REGIONAL ACCOUNTS REGIONAL ACCOUNTS ASIA ASIA @danielsmithasia @Danielsmithartsupplies_asia EUROPE EUROPE @danielsmitheurope