Stocking Week * the Council Should Press the County 59) Meeting Th Tain That the Stone Would Only See Mittees

Total Page:16

File Type:pdf, Size:1020Kb

Stocking Week * the Council Should Press the County 59) Meeting Th Tain That the Stone Would Only See Mittees THE TEESDALE MERCURY W ednesday, March 11th, 19j YOUR SCREEN ENTERTAINMENT BOWES CARVING Wed Phone 2155 Standing Committees Have we tal^t;en your Child's Photograph SCALA CINEMA LECTUI Thurs., Fri., Sat, March 12, 13, 14. First House 5-40. Continued from Page 1* during the last six months? .... THRE ICE COLD IN ALEX (a) Re-organised by Richm ond RDC If so, you may enter it for the “ Miss 1 starring John Mills, Sylvia Syms, Anthony Quayle, Harry Andrews, ether hand, if it was it could mean Please be advised. Bookings for this film Will be as follows: that it was carved during the per­ Pears ” Competition. (First Prize £500. People i| From 10 a.m. to 12, also 3 to 4 p.m. iod of Roman occupation and pos­ offered the Sat Matinee at 1-30 p.m.: Episode II—The Green Archer New Water Charges Approved sibly by local people. No Entry Fee.) You still have time to more about * While at Bowes, Miss Cramp Sunday, March 15, at 7-45 p.m. have a portrait taken. live. Startj also examined the wall from which At the February meeting of Richmond Rural District University KHYBER PATROL it was removed and close to the starring Richard Egan, Dawn Addams, Patrk Knowles, For particulars, Call or Phone Extra-Mura cavity discovered a second stone Council a motion to re-organise the Council’s standing com­ with the also Overland Pacific which she identified from ihe mark­ LESLIE GREENBANK :: Photographer * mittee’s was approved and will come into force on May 20th. BARNARD CASTLE. Tel. 3103 Association, Mon., Tues., Wed., March 16, 17, 18. First House 5-45. ings as also of Roman origin. branch, hai THE DUKE WORE JEANS (u) How they came to be ouilt into The Chairman of the Council, three lecti the wall is not known. They were Coun. H. Tarn, stated that Coun. Tommy Steele, June Laverick. Many Great Hit Songs. of the North Riding County Coun­ flora, face, set in lime in what was a dry wall B. Neale’s motion, the Clerk’s Teesdale. Phone 2155 and Mr Reader is of the opinion (Mr E. H. Hodge) paper and the cil that the additional permanent signposts at Scotch Corner had The idea VICTORIA HALL that they might conceivably have subject of re-organisation and series was Thurs., Fri., Sat, March 12, 13. 14. First House 5-30. Victor Mature in been taken from the castle by membership of the Council’s standing arrived and would be erected immediately. £5) talk on “1 ESCORT WEST (u) workmen who originally built the committees had now received very Education,” co-starring Elaine Stewart, Faith Domergue. Rebel on a rampage. wall. full consideration by the Council, Coun. Stead referred to the % “ slow ” painted on the road south Modern Set In CinemaScope. Also showing Mr Reader is unable to say the the Public Health, Housing, and the attends Guns, Girls and Gangsters (a), with Gerald Mohr, Mamie Van Doren. date of construction, but he is cer­ Finance and General Purposes Com­ of Scotch Corner and suggested Stocking Week * the Council should press the County 59) meeting th tain that the stone would only see mittees. wV arrange a M oil, Tues., Wed., March 16, 17, 18. First House 5-30. Council to have a roundabout sign the light of day ten years ago. The Chairman then moved, fa TANDRA. Non-Ron. TANDRA certain aspe Stan Laurel. Oliver Hardy in seconded by the Vice-Chairman, painted on the road in the same Wail Uncovered. 15 Denier. Fully fashioned date. NOTHING BUT TROUBLE (o) Prior to about 1950 the part of the following resolutions, which way. 15 Denier. Bare leg. The with Mary Boland, Philip Merivale, Henry O’NeilL Coun. W. F. Mather said that in sheer mesh Nylon in light and stocking the young lady and Each of the wall from which the stone was were adopted unanimously by the medium shades. 81" to 101". teenage girl loves to wear. by a special Nothing but laughs in their most riotous comedy hit removed was covered by soil. Ten Council. his opinion the mound in the also showing Handle With Care Sizes 84" to i r . will be th< years ago, however, during altera­ That no limitation be placed on roundabout at Scotch Corner should Price 7/11 r be illuminated. The lights at Scotch Price 4/11 Valentine, tions to the' premises, workmen the number of Committees on Professor 0 MIDDLETON-IN-TEESDALE lowered the level of the soil by five which members may serve, this Corner lit up the road only and motorists who were not familiar , TANDRA ticular even THE COSY CINEMA Phone 231 feet, and it was in this five feet, being left to the Council and the Mr R J. E Mon Wed. Fr . Sat.. Twice Nightly at 6 and 8-15- Tnes. Thurs. One Performance at 7 with the road drove straight into i 1 j Denier. 60 Gauge. Fully TANDRA. which formed the foundations of individual member. Director of Prices of Admission : lOd., 1/9, 2/3. Half-Price* 5d.t 10d.f 1/-. the mound. fashioned, hard wearing. Ex- the wall, that the stone was un­ That the membership of the 15 Denier. 60 Gauge. Stilletto The seco: Lyon’s Ice Cream, Sweets and Chocolates sold in Cinema. I cel lent colours. Slender heel. shadow outline heel. 81", 9", covered. Housing Committee be 15. , Non-run top and toe. 81" to which is s< Wed., Thurs., March 11, 12. That House Letting Committees Fire Escape Provision. 10", 101", 1 1 ". James Stewart, Kim Novak. Barbara Bel Geddes in The Unicorn Hotel at Bowes is 1 1 ". Wednesday itself thought to be about 400 years be established, consisting of the Price 6/11 face of Te VERTIGO (a) old. The bar part of the hotel, Chairmen and Vice-Chairmen of the In the report of the Public Health Price 6/11 in Technicolor. this night ii with its walls 3ft. 6ins. thick in Council and Housing Committee, Committee, which was adopted, it BA, Doc * was resolved that a notice under places, is thought to be late 16th together with the parish representa­ TANDRA. Micromesh. Professor c Fri., Sat, March 13, 14. Dirk Bogarde. Yoka Tani, Ronald Lewis in Section 60 of the Public Health TANDRA. THE WIND CANNOT READ (o) century. The large front portion tive^) concerned, with the Chair­ 15 Denier. 51 Gauge. Circu­ University, men having the discretion to add Act, 1936, dealing with means of 30 Denier. Fully fashioned. in Technicolor. was built in 1761, at which time > Wonderful value. In Service lar knit self-arrow seam. 8}* secretary 0 there is a possibility that the gar­ such additional members as may be escape in case of fire, be served on to 1 1 ". will oecup) $ the owner of the Walkerville Hotel ) weight, Recommended for Mon., Tues., March 16, 17. Oiarles Heston. Susan Morrow, Peter Hanson den wall was also completed. desirable. The Chairman of the teenage and school wear and Price 5/11 An To-day the stone, which meas­ Housing Committee to be the to make such provisions as are those needing a stocking for THE SAVAGE (u) necessary under this Section as soon For th< ures 9.ins. x 6ins., takes pride of Chairman of the respective House hard wear. Sizes 9", 91". 10", history of 1 in Technicolor. Letting Committees. These Com­ as the observations of the Chief place in the bar. It has already 101". TANDRA. the series, 1 attracted the interest of customers, mittees to have power to act for Fire Officer were obtained. ogy of Te< At the Housing Committee meet­ I Price 5/11 30 Denier. Fully fashioned VICTORIA. and Mr Reader expects to be able the letting of the individual house, rewarding. SCALA ing, Coun. W. Dowson had handed S-T-R-E-T-C-H Nylon Stock­ The year 1865 brought the climax to keep it for some time. He might with the reports of the Committees ing in smart light shade. Again P. Cilia “ Ice Cold in Alex ”... a great eventually offer it to a museum. being presented to the Housing over a letter, it was reported, giving TANDRA. to one of the most crucial eras of picture, and an intriguing title; a recommended for school wear in Romai Committee on the Housing Officer’s information regarding 16 houses at and matrons needing a heavy all time. “ Escort West,” which title which echoes one of the most r j f 15 Denier. Frame heel, self Archaeolog monthly report Where new alloca­ Eppleby, known as New Row, y?) outlined heel. All sizes, 81", stocking. Small, medium and onens on Thursday at the Victoria poignant scenes of the film, showing The chai tions are being made, following the which the owners were desirous of large. ing, Thursi Ha1!, through United Artists release, this week at the Scala Cinema. disposing. The Council considered building of houses, the House F. Wilson, begins in that year and intimately “ The next drink I have,” says LEGAL ADVICE Coun. Dowson’s suggestion in that ’ Price 4/11 Price 9/11 tells the story of an ex-Confederate Letting Committee to report to the in-Teesdalc 1 John Mills, “ is going to be a Lager BECOMES UNIVERSAL Housing Committee through the the Council might wish to consider Army Captain and bis 10-year-old School. —ice cold. There’s a little bar in Housing Officer’s monthly report the purchasing of this block of daughter who make a perilous jour­ All the Alex, with a marble-topped counter for their comment and amendment, houses and it was resolved that the ney through Indian country in SHORT EXPLANATION BY library of 1 and high stools .
Recommended publications
  • Fixing the Past in English War Films
    National snapshots: fixing the past in English war films fred inglis A end of Saving Private Ryan (1998), Steven Spielberg presents us with a screen-filling view of the Stars and Stripes. The flag is huge, well-travelled, loved and faded, like a Jasper Johns painting. It is held out bravely by the wind, which blows it rollingly across the full screen. It is now unthinkable that a British film would end in such a strong, big-hearted and perfectly unironic way. Even British Airways took the flag off their tail fins, though it is to the point of my argument that a surprising number of people noticed the erasure and expostulated. In addressing myself to the English and their Englishness I intend no offence, these neurotically offendable days, either to Scots, Welsh or Irish still ambivalently gathered under the heading ‘British’ (and still formally recognising the Union Jack as their national flag), still less to the 5 per cent of the population whose parents left the old empire some time between 1950 and 1970 or so for the promise of life, liberty and the pursuit of happiness as held out in Birmingham, Bradford, Liverpool, East London and elsewhere. In part, indeed, I am addressing that smallish diaspora, since they came to what was thought of, not inaccurately, as the parent-nation in expectation of what parents should give, and that parent in particular: comfort, support, shelter, justice, authority, steadiness, love, trustworthiness. These were qualities which, it was alleged, the British at large and the English as dominant had contrived into the practices of a culture and the formations of a state.
    [Show full text]
  • Sidi Rezegh and Tobruk Two South African Military Disasters Revisited 1941 - 1942
    SIDI REZEGH AND TOBRUK TWO SOUTH AFRICAN MILITARY DISASTERS REVISITED 1941 - 1942 by DAVID BROCK KATZ Thesis presented in fulfilment of the requirements for the degree of Master of Military Science (Military History) in the Faculty of Military Science at Stellenbosch University. Supervisor: Prof I.J. van der Waag Co-Supervisor: Prof G.E. Visser December 2014 Stellenbosch University http://scholar.sun.ac.za “Declaration” By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 12 November 2014 Copyright © 2014 Stellenbosch University All rights reserved Stellenbosch University http://scholar.sun.ac.za ABSTRACT Sidi Rezegh and Tobruk are the largest disasters suffered by South Africa in its military history. Yet, despite their enormity, Sidi Rezegh and Tobruk are little understood and hardly remembered. South Africa declared war on Germany on the 6 September 1939, after a bitter internal debate, amounting to a conflict between Afrikaner nationalists and those who supported the British Empire. South Africa’s political ambivalence and disunity ran parallel to her unpreparedness for war in every important department from the lack of vital coastal defences to the miniscule size of her army and air force and complete lack of a navy. The first six months of 1941 saw the South Africans play a significant part in completely defeating the Italian colonial forces in East Africa.
    [Show full text]
  • John Huston: the ASPHALT JUNGLE (1950, 112M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    September 17, 2019 (XXXIX: 4) John Huston: THE ASPHALT JUNGLE (1950, 112m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR John Huston WRITING screenplay adapted by Ben Maddow and John Huston from the W.R. Burnett novel PRODUCED BY Arthur Hornblow Jr. and John Huston MUSIC Miklós Rózsa CINEMATOGRAPHY Harold Rosson EDITING George Boemler The film was nominated for Academy Awards in 1951 for Best Actor in a Supporting Role (Sam Jaffe), Best Director (John Huston), Best Writing, Screenplay (Ben Maddow and John Huston), and Best Cinematography, Black-and- White (Harold Rosson). It was entered into the National Film Registry by the National Film Preservation Board in 2008. § CAST Madre (1948) . He was frequently nominated for Oscars Sterling Hayden...Dix Handley for his writing, directing, production, and, even, acting: Best Writing, Original Screenplay for Dr. Ehrlich's Magic Louis Calhern...Alonzo D. Emmerich Bullet (1940)* and Sergeant York (1941);* Best Writing, Jean Hagen...Doll Conovan Screenplay for The Maltese Falcon (1941),* The Asphalt James Whitmore...Gus Minissi Jungle (1950),***** The African Queen (1951, with James Sam Jaffe...Doc Erwin Riedenschneider Agee);* Best Writing, Screenplay Based on Material from John McIntire...Police Commissioner Hardy Another Medium for Heaven Knows, Mr. Allison (1957)* Marc Lawrence...Cobby and for The Man Who Would Be King (1975);* for Best Barry Kelley...Lt. Ditrich Director for The Asphalt Jungle (1950),***** The African Anthony Caruso...Louis Ciavelli Queen (1951),* Moulin Rouge (1952),***** and for Prizzi's Teresa Celli...Maria Ciavelli Honor (1985); Best Picture for Moulin Rouge (1952)***** Marilyn Monroe...Angela Phinlay and Best Actor in a Supporting Role for The Cardinal William 'Wee Willie' Davis...Timmons (as William Davis) (1963).
    [Show full text]
  • Fixing the Past in English War Films
    National snapshots: fixing the past in English war films fred inglis A end of Saving Private Ryan (1998), Steven Spielberg presents us with a screen-filling view of the Stars and Stripes. The flag is huge, well-travelled, loved and faded, like a Jasper Johns painting. It is held out bravely by the wind, which blows it rollingly across the full screen. It is now unthinkable that a British film would end in such a strong, big-hearted and perfectly unironic way. Even British Airways took the flag off their tail fins, though it is to the point of my argument that a surprising number of people noticed the erasure and expostulated. In addressing myself to the English and their Englishness I intend no offence, these neurotically offendable days, either to Scots, Welsh or Irish still ambivalently gathered under the heading ‘British’ (and still formally recognising the Union Jack as their national flag), still less to the 5 per cent of the population whose parents left the old empire some time between 1950 and 1970 or so for the promise of life, liberty and the pursuit of happiness as held out in Birmingham, Bradford, Liverpool, East London and elsewhere. In part, indeed, I am addressing that smallish diaspora, since they came to what was thought of, not inaccurately, as the parent-nation in expectation of what parents should give, and that parent in particular: comfort, support, shelter, justice, authority, steadiness, love, trustworthiness. These were qualities which, it was alleged, the British at large and the English as dominant had contrived into the practices of a culture and the formations of a state.
    [Show full text]
  • War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
    1 THE PROFESSIONAL OFFICER CLASS IN POST- WAR CINEMA– OR HOW BRITISH FILMS LEARNED TO STOP WORRYING AND LOVE THE AFFLUENT SOCIETY A thesis submitted for the degree of Doctor of Philosophy by Andrew Roberts College of Business, Arts and Social Sciences of Brunel University 22nd September2014 2 ABSTRACT My central argument is that mainstream British cinema of the 1951 – 1965 period marked the end of the paternalism, as exemplified by a professional ‘officer class’, as consumerism gradually came to be perceived as the norm as opposed to a post-war enemy. The starting point is 1951, the year of the Conservative victory in the General Election and a time which most films were still locally funded. The closing point is 1965, by which point the vast majority of British films were funded by the USA and often featured a youthful and proudly affluent hero. Thus, this fourteen year describes how British cinema moved away from the People as Hero guided by middle class professionals in the face of consumerism. Over the course of this work, I will analyse the creation of the archetypes of post-war films and detail how the impact of consumerism and increased Hollywood involvement in the UK film industry affected their personae. However, parallel with this apparently linear process were those films that questioned or attacked the wartime consensus model. As memories of the war receded, and the Rank/ABPC studio model collapsed, there was an increasing sense of deracination across a variety of popular British cinematic genres. From the beginning of our period there is a number films that infer that the “Myth of the Blitz”, as developed in a cinematic sense, was just that and our period ends with films that convey a sense of a fragmenting society.
    [Show full text]
  • The Film Music of Arthur Benjamin (1893 – 1960) and Leighton Lucas (1903 – 1982)
    Arthur Benjamin Arthur Boosey & Hawkes Collection / ArenaPAL The Film Music of Arthur Benjamin (1893 – 1960) and Leighton Lucas (1903 – 1982) premiere recording Suite from ‘The Conquest of Everest’ (1953) 9:34 by Arthur Benjamin Reconstructed by Marcus A. Caratelli Orchestrated by Marcus A. Caratelli and Christoph Schürmann 1 I Title Music – 1:50 2 II Walls that Surpass the Imagination – 0:46 3 III The Great Lift – 2:27 4 IV Top of the World and Final Bars 4:30 5 The Storm Clouds Cantata from ‘The Man Who Knew Too Much’ (1934) 7:44 by Arthur Benjamin Edited by Philip Lane Abigail Sara mezzo-soprano Rob Court organ Côr Caerdydd Adrian Partington guest chorus master Gwawr Owen conductor 3 Waltz and Hyde Park Galop from ‘An Ideal Husband’ (1947) 7:11 by Arthur Benjamin 6 Waltz 5:30 7 Hyde Park Galop 1:41 Portrait of the Amethyst from ‘Yangtse Incident’ (1957) 6:49 by Leighton Lucas Reconstructed by Philip Lane premiere recording 8 1 Theme – 1:12 Sarah-Jayne Porsmoguer cor anglais premiere recording 9 2 Hornpipe – 1:51 premiere recording in this version 10 3 The Amethyst March 3:45 premiere recording in this version 11 Dedication from ‘Portrait of Clare’ (1950) 3:38 Arrangement by Leighton Lucas of ‘Widmung’ from Myrthen, Op. 25 by Robert Schumann (1810 – 1856) 4 premiere recording in this version 12 Prelude and Dam Blast from ‘The Dam Busters’ (1954) 5:15 by Leighton Lucas Reconstructed and arranged by Philip Lane 13 Stage Fright Rhapsody from ‘Stage Fright’ (1950) 4:54 by Leighton Lucas Reconstructed by Philip Lane Catherine Roe-Williams
    [Show full text]
  • India's Prime Minister Nehru Dies Mrs. White Flies to Denmark
    DISTRIBUTION 7 «jn, temperature *7. Con- (tfenble doudiae**, dunce of TODAY •kowen thU morafaig, ptrtly RED BANK cloudy thta afternoon, Ugh M. Tonight, filr, low K to M. To- 7 Independent Daily f 23,650 morrow, variable cloudiness, high (^ MONDAY TH*X)OHrUD*T-*ST.m J 35. Friday, fair. See weather, DIAL 741-0010 page 2. Isiued di Mondiy th.-nurfc Fr.'dty. Second Out Postaft RED BANK, N. J., WEDNESDAY, MAY 27, 1964 7c PER COPY PAGE ONE VOL. 86, NO. 236 Plld It Sd Bull and lit Additional Milling OQICM. India's Prime Minister Nehru Dies Nfew DELHI (AP)—Jawaharlal Nehru, prime Jan. 7 had partially paralyzed his left side but he Mrs. Pandit is governor of Maharashtra state. minister of India since it became independent in had recovered somewhat and in recent weeks had Nehru's death urgently raised a question that 1947 and one of the world's leading statesmen, resumed his seat in parliament. has plagued India for years—his successor. The died today after suffering his second stroke in less strong-willed prime minister held the reins of pow- His only child, Mrs. Indira Gandhi, was with than five months. er firmly and adamantly refused to designate a him when he died. A large team of doctors wis in successor. He was 74. attendance. The U.S.' Embassy offered its medical A leading candidate has been 59-year-old Lai staff and equipment, but an Embassy spokesman "The prime minister is no more," Steel Min- Bahadur Shastri, a mild-mannered, 5-foot-2 vet- said the Indian government did not request ister C.
    [Show full text]
  • Cape Librarian September/October 2015 | Volume 59 | No
    Cape Librarian September/October 2015 | Volume 59 | No. 5 Kaapse Bibliotekaris SO15 Cover Outside Inside.indd 2 2015/10/19 12:11:11 PM contents | inhoud FEATURES | ARTIKELS The Elliott Collection ‘the mirror with a memory’ 13 Gustav Hendrich COLUMNS | RUBRIEKE BOOK WORLD | BOEKWÊRELD Literary Awards | Literêre Toekennings 18 The 2014/2015 update Compiled by / Saamgestel deur Sabrina Gosling and / en Stanley Jonck To Pofadder and back with Dana Snyman 27 Francois Verster A war to remember 1914-1918: a centennial memorial Part 2 29 Erich Buchhaus Book Reviews | Boekresensies 33 Compiled by Book Selectors / Saamgestel deur Boekkeurders THE ARTS | DIE KUNSTE Stoic officers and angry young men— Part 2 of the British cinema of the 1950s 38 Robert Moult THE WORK ROOM | DIE WERKKAMER Friends donations 42 Ilze Swart CRITICAL ISSUES | EZIDL’ UBHEDU: IILWIMI ZABANTSUNDU Incwadi kathimba (tshesi) yesiXhosa sisibonelo! 46 nguXolisa Tshongolo RESEARCH | NAVORSING DCAS launches a new facilities web map 47 Helga Fraser THE LAST WORD | DIE LAASTE WOORD Papier, papirus en perkament 48 Daniel Hugo NEWS | NUUS COVER | VOORBLAD between the lines / tussen die lyne 2 Ronelda S Kamfer is a young South African poet that received the post-bag / possak 3 Eugène Marais Prize in 2009 for a First Publication in Afrikaans. libraries / biblioteke 3 books and authors / skrywers en boeke 5 Ronelda S Kamfer is ’n jong Suid-Afrikaanse digter wat in 2009 die miscellany / allerlei 6 Eugène Marais prys vir ’n Eerste Publikasie in Afrikaans ontvang het. our service to libraries / ons diens aan biblioteke 12 40 years … 12 SO15 Cover Outside Inside.indd 3 2015/10/19 12:11:11 PM editorial attention to well-known author Daniel Hugo’s satirical take on the essence of anachronisms since time immemorial in The last word (page 48).
    [Show full text]
  • Newbev201609 FRONT
    General Admission: $8.00 September 2016 Seniors / Children: $6.00 Kiddee Matinees: $6.00 NEW Schedule: (323) 938-4038 BEVERLY cinema 7165 BEVERLY BLVD. THENEWBEV.COM ONE BLOCK WEST OF LA BREA, LOS ANGELES FOLLOW US ON FACEBOOK AND TWITTER! August 31 & September 1 Michael Cimino Tribute September 2 & 3 Michael Cimino Tribute Midnight Shows Friday & Saturday Kiddee Matinees Saturdays & Sundays at 2:00pm IB Tech Print September 4 & 5 John Wayne Double Feature September 6 September 7, 8, 9 & 10 J. Lee Thompson Film Festival IB Tech Print IB Tech Print Plus 2nd Hit! JOSEF VON STERNBERG’S JOHN WAYNE • JANET LEIGH September 11 & 12 Michael Cimino Tribute September 13 September 14 & 15 J. Lee Thompson Film Festival September 16 & 17 J. Lee Thompson Film Festival J. Lee Thompson Film Festival September 18 & 19 J. Lee Thompson Film Festival September 20 September 21 & 22 Claude Lelouch Double Feature September 23 & 24 J. Lee Thompson Film Festival HAYLEY MILLS J. Lee Thompson Film Festival C H U C K L O U I S N O R R I S G O S S E T T, J R . CHARLES DENNER JACQUES VILLERET September 25 & 26 September 27 September 28 & 29 September 30 & October 1 J. Lee Thompson Film Festival The Wild, Ozploitation Double Feature ANTONIO BANDERAS Wild World of All programs presented on 35mm fi lm! (unless noted as 16mm) All paired fi lms are double-features - ticket admits you to both! Schedule subject to change GeneralGeneral Admission:Admission: $8.00$8.00 September 2016 SeniorsSeniors // Children:Children: $6.00$6.00 January 2015 Now Kiddeeaccepting Matinees: credit cards! $6.00 NEW Schedule: (323)(323) 938-4038938-4038 BEVERLY cinema 7165 BEVERLY BLVD.
    [Show full text]
  • Large Print Edition
    Large Print Edition Thanks to: The Drink Cabinet, Club Noir, H & S Coach Hire, Creative Media Skills, Traveleads, Art School, Kinning Park Complex, Flat 0/1, City of Glasgow College, Trades Hall, Old Fruitmarket, National Piping Centre, Odeon Pacific Quay, Hollywood Bowl, Saint Luke’s, St Andrew’s in the Square, Dread Glasgow, Ryden, Scare Scotland, Walking Heads, Shona Thomson, Live Cinema WELCOME Welcome to the 2018 Glasgow Film Festival. Our festival is one of the biggest film events in Britain, attracting well over 40,000 admissions each year to sample the finest films available to humanity. This year, we promise you the perfect movie mix. Start the day with one of our free Rebel Heroes screenings, featuring stars ranging from Brando and Cagney to Pacino and Poitier. Stay for a matinee from an outstanding selection of world cinema titles, documentaries and homegrown hits, or try one of the fantastic titles in our focus on Irish cinema. Room for one more? Stay for a gala screening and meet the stars, or head to one of our amazing live events in Sound & Vision, including Mica Levi and Wrangler’s new project The Unfilmables. Give us a day of your time and we’ll show you a world of cinema; stay for the festival and you’ll discover a treasure trove of thrillers and scary movies, comedies and documentaries, cult fun and riveting dramas. We have movies that entertain, delight, excite, educate and illuminate but running throughout the festival are movies that inspire. Margaret Tait, Ida Lupino and Dame Muriel Spark were all born in 1918 and we celebrate those centenaries and the lives of women who broke down barriers, challenged pre- judices and defied all the odds.
    [Show full text]
  • Movie Museum JULY 2007 COMING ATTRACTIONS
    Movie Museum JULY 2007 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! BREAD AND TULIPS Hawaii Premiere! BREAD AND TULIPS COPENHAGEN THE CONSEQUENCES (2000-Italy/Switzerland) THE CONSEQUENCES (2000-Italy/Switzerland) An artfully handled drama OF LOVE in Italian with English OF LOVE in Italian with English concerning the WWII meeting of nuclear physicists (2004-Italy) subtitles & in widescreen (2004-Italy) subtitles & in widescreen Heisenberg and Bohr in Italian with English in Italian with English with Licia Maglietta, Bruno with Licia Maglietta, Bruno (2002-UK) subtitles & in widescreen Ganz, Giuseppe Battiston, subtitles & in widescreen Ganz, Giuseppe Battiston, with Toni Servillo, Olivia in widescreen Antonio Catania, Marina with Toni Servillo, Olivia Antonio Catania, Marina Magnani, Adriano Giannini, Magnani, Adriano Giannini, with Daniel Craig (CASINO Giselda Volodi, Nino D'Agata. Massironi, Felice Andreasi. Giselda Volodi, Nino D'Agata. Massironi, Felice Andreasi. ROYALE), Stephen Rea, Francesca Annis. Written and Directed by Directed by Written and Directed by Directed by Directed and Co-written by Paolo Sorrentino. Silvio Soldini. Paolo Sorrentino. Silvio Soldini. Howard Davies. 2, 4, 6 & 8pm 2, 4, 6 & 8pm 12:30, 3, 5:30 & 8pm 5 12:30, 3, 5:30 & 8pm 6 7 12:30, 3, 5:30 & 8pm 8 9 Hilarious Hui Bros Comedy THE LAST MIMZY DAYS OF GLORY THE ASTRONAUT DAYS OF GLORY THE LAST MESSAGE (2007) aka Indigènes FARMER aka Indigènes aka Tian Cai Yu Bai Chi in widescreen (2006-France/Morocco/ (2006) (2006-France/Morocco/ (1975-Hong Kong) with Chris O'Neil, Rhiannon Algeria/Belgium) in widescreen Algeria/Belgium) in Cantonese with English Leigh Wryn, Joely Richardson, in French/Arabic with with Billy Bob Thornton, in French/Arabic with subtitles & in widescreen Timothy Hutton, Rainn Wilson, English subtitles & in Virginia Madsen, Max Thieriot, English subtitles & in with Michael Hui, Ricky Hui, Kathryn Hahn, Kirsten widescreen Bruce Dern, Mark Polish, Jon widescreen Williamson, Marc Musso.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/26/2021 01:59:35PM Via Free Access
    Celebrating British cinema of the 1950s ian mackillop and neil sinyard To counterbalance the rather tepid humanism of our cinema, it might also be said that it is snobbish, anti-intelligent, emotionally inhibited, willfully blind to the conditions and problems of the present, dedicated to an out of date, exhausted national idea. (Lindsay Anderson) Who will ever forget those days at Iver when, cloistered in the fumed oak dining room (reminiscent of the golf club where no one ever paid his sub- scription), frightened producers blanched at the mere idea of any film that contained the smallest tincture of reality? (Frederic Raphael) T this book is an event which took place on Saturday, 5 December 1998 at the British Library in London. It was a study day consisting of lectures about British cinema in the 1950s: most of these are printed here, with an equal number of new essays which have been written since. In the evenings of the week preceding the study day, seven films were screened. They appeared under the headings of ‘Festive Fifties’ (The Impor- tance of Being Earnest, in a sparkling new print), ‘Community Fifties’ (John and Julie and The Browning Version), ‘Tough Fifties’ (Women of Twilight and Hell Drivers) and ‘Women’s Fifties’ (My Teenage Daughter and Yield to the Night). I am Professor of English Literature at the University of Sheffield. I am the author of two books on British intellectual life: F. R. Leavis: A Life in Criticism (Allan Lane, 1995) and The British Ethical Societies (Cambridge University Press, 1985), and a book about François Truffaut and Henri Pierre Roché, author of Jules and Jim and Two English Girls and the Continent.
    [Show full text]