DOCSLIB.ORG

John Huston: the ASPHALT JUNGLE (1950, 112M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Huston: the ASPHALT JUNGLE (1950, 112M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links September 17, 2019 (XXXIX: 4) John Huston: THE ASPHALT JUNGLE (1950, 112m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR John Huston WRITING screenplay adapted by Ben Maddow and John Huston from the W.R. Burnett novel PRODUCED BY Arthur Hornblow Jr. and John Huston MUSIC Miklós Rózsa CINEMATOGRAPHY Harold Rosson EDITING George Boemler The film was nominated for Academy Awards in 1951 for Best Actor in a Supporting Role (Sam Jaffe), Best Director (John Huston), Best Writing, Screenplay (Ben Maddow and John Huston), and Best Cinematography, Black-and- White (Harold Rosson). It was entered into the National Film Registry by the National Film Preservation Board in 2008. § CAST Madre (1948) . He was frequently nominated for Oscars Sterling Hayden...Dix Handley for his writing, directing, production, and, even, acting: Best Writing, Original Screenplay for Dr. Ehrlich's Magic Louis Calhern...Alonzo D. Emmerich Bullet (1940)* and Sergeant York (1941);* Best Writing, Jean Hagen...Doll Conovan Screenplay for The Maltese Falcon (1941),* The Asphalt James Whitmore...Gus Minissi Jungle (1950),***** The African Queen (1951, with James Sam Jaffe...Doc Erwin Riedenschneider Agee);* Best Writing, Screenplay Based on Material from John McIntire...Police Commissioner Hardy Another Medium for Heaven Knows, Mr. Allison (1957)* Marc Lawrence...Cobby and for The Man Who Would Be King (1975);* for Best Barry Kelley...Lt. Ditrich Director for The Asphalt Jungle (1950),***** The African Anthony Caruso...Louis Ciavelli Queen (1951),* Moulin Rouge (1952),***** and for Prizzi's Teresa Celli...Maria Ciavelli Honor (1985); Best Picture for Moulin Rouge (1952)***** Marilyn Monroe...Angela Phinlay and Best Actor in a Supporting Role for The Cardinal William 'Wee Willie' Davis...Timmons (as William Davis) (1963). He was also nominated for the distinguished Palm Dorothy Tree...May Emmerich d’Or for Under the Volcano (1984) at Cannes. His frequent Brad Dexter...Bob Brannom recognition for writing may be reflected in his recurring John Maxwell...Dr. Swanson film adaptation of literary classics: Stephen Crane’s The Red Badge of Courage (1951)§, Herman Melville’s Moby JOHN HUSTON (b. August 5, 1906 in Nevada, Dick (1956),****** Ernest Hemingway’s A Farewell to Missouri—d. August 28, 1987 (age 81) in Middletown, Arms (1957, uncredited), Flannery O’Connor’s Wise Blood Rhode Island) won two Oscars in 1949 for Best Director (1979, as Jhon Huston),** and, his final film, a haunting and Best Writing, Screenplay for The Treasure of the Sierra adaptation of James Joyce’s The Dead (1987). He directed Huston—THE ASPHALT JUNGLE—2 47 films. These are some of his other films: In This Our W.R. BURNETT (b. November 25, 1899 in Springfield, Life (1942), Winning Your Wings (1942 Short), Across the Ohio—d. April 25, 1982 (age 82) in Santa Monica, Pacific (1942), Report from the Aleutians (1943 California) was an American novelist and screenwriter (69 Documentary),* San Pietro (1945Documentary credits). In Chicago, Burnett found a job as a night clerk short),***** Let There Be Light (1946 Documentary),* Key in the seedy Northmere Hotel, putting him in the Largo (1948),* We Were Strangers( 1948)§, Beat the Devil esteemed company of marginal characters: prize fighters, (1953),***** The Barbarian and the Geisha (1958), The hoodlums, hustlers and hobos. This milieu inspired his Roots of Heaven (1958), The Unforgiven (1960), The Misfits 1929 novel Little Caesar, which was adapted into a 1931 (1961),**** Freud (1962),** The List of Adrian Messenger film produced by First National Pictures (Warner (1963),** The Night of the Iguana (1964),* The Bible: In Brothers) and starring the unknown Edward G. Robinson. the Beginning... (1966),** Casino Royale (scenes at Sir The novel and film’s unexpected success landed him a job James Bond's house and castle in Scotland scenes) as a film screenwriter. The Al Capone theme was one he (1967),** Reflections in a Golden Eye returned to in 1932 with Scarface. (1967),*** Sinful Davey (1969),*** Burnett worked with many of the A Walk with Love and Death greats in acting and directing, (1969),**** The Kremlin Letter including John Huston, John Ford, (1970),****** Fat City (1972),*** Howard Hawks, Michael Cimino, The Life and Times of Judge Roy Humphrey Bogart, Ida Lupino, Paul Bean (1972),** The MacKintosh Muni, Steve McQueen, and Clint Man (1973),*** Phobia (1980), Eastwood. He received an Oscar Victory (1981), and Annie (1982).** nomination for his script for Wake He wrote for 40 films, including Island (1942) and a Writers Guild films he did not direct, including: nomination for his script for The Wuthering Heights (1939 Great Escape (1963). These are some contributing writer - uncredited), of the films he has written for: The The Storm (1930 dialogue), Law Finger Points (1931), Iron Man and Order (1932 adaptation), (1931), The Beast of the City (1932), Jezebel (1938 screen play), Juarez Law and Order (1932), Dark Hazard (1939 screen play), High Sierra (1934), The Whole Town's Talking (1941 screen play), Three Strangers (1935), Dr. Socrates (1935), 36 (1946 original screenplay), The Stranger (1946 Hours to Kill (1936), Wild West Days (1937), Wine, uncredited), and The Killers (1946 uncredited). He acted Women and Horses (1937), Some Blondes Are Dangerous in 54 films, including the films noted above and, among (1937), King of the Underworld (1939), Dark Command others: The Shakedown (1929), Hell's Heroes (1929), The (1940), The Westerner (1940), Law and Order (1940), List of Adrian Messenger (1963), The Cardinal (1963), High Sierra (1941), The Getaway (1941), Dance Hall Candy (1968), De Sade (1968), Myra Breckinridge (1970), (1941), This Gun for Hire (1942), Crash Dive (1943), The Devil's Backbone (1971), The Life and Times of Judge Action in the North Atlantic (1943), Background to Danger Roy Bean (1972), Battle for the Planet of the Apes (1973), (1943), San Antonio (1945), Nobody Lives Forever (1946), Chinatown (1974), The Wind and the Lion (1975), Sherlock The Man I Love (1947), Belle Starr's Daughter (1948), Holmes in New York (1976 TV Movie), The Rhinemann Yellow Sky (1948), Kraft Theatre (TV Series) (1949), Exchange (1977 TV Mini-Series), The Hobbit (1977 TV Colorado Territory (1949), The Asphalt Jungle (1950), Movie), Winter Kills (1979), and Cannery Row (1982). He Danger (TV Series) (1950), Vendetta (1950), Iron Man also produced 15 films, including those noted above. (1951), The Racket (1951), Studio One in Hollywood (TV *Wrote Series) (1952), Law and Order (1953), Arrowhead (1953), **Acted in Dangerous Mission (1954), Night People (1954), Captain §Wrote and acted in Lightfoot (1955), Illegal (1955), I Died a Thousand Times ***Produced (1955), Screen Directors Playhouse (TV Series) (1955), ****Produced and acted in Studio 57 (TV Series) (1956), Accused of Murder (1956), *****Produced and wrote Short Cut to Hell (1957), The Badlanders (1958), The ******Wrote, produced, acted in Hangman (1959), The Untouchables (TV Series) (1959), September Storm (1960), Naked City (TV Series) (1960), The Asphalt Jungle (TV Series) (1961), The Lawbreakers Huston—THE ASPHALT JUNGLE—3 (1961), Sergeants 3 (1962), Cairo (1963), 4 for Texas nominated for 5 Oscars. These are some of the films he (1963), The Legend of Jesse James (TV Series) (1965), The worked on: David Harum (1915), Oliver Twist (1916), Jackals (1967), Off to See the Wizard (TV Series) (1967), The Victoria Cross (1916), The Cinema Murder (1919), The Virginian (TV Series) (1967), Bonanza (TV Series) Polly of the Storm Country (1920), Everything for Sale (1968), Ice Station Zebra (1968), Stiletto (1969), and Cool (1921), Dark Secrets (1923), Manhattan (1924), A Man Breeze (1972). Must Live (1925), The Little French Girl (1925), Up in Mabel's Room (1926), Getting Gertie's Garter (1927), Rough MIKLÓS RÓZSA (b. April 18, 1907 in Budapest, House Rosie (1927), Service for Ladies (1927), A Gentleman Austria-Hungary [now Hungary]—d. July 27, 1995 (age of Paris (1927), Gentlemen Prefer Blondes (1928), Abie's 88) in Los Angeles, California) was a Hungarian-American Irish Rose (1928), The Docks of New York (1928), Trent's composer trained in Germany (1925–1931), and active in Last Case (1929), Madam Satan (1930), Men Call It Love France (1931–1935), the United Kingdom (1935–1940), (1931), Son of India (1931), The Squaw Man (1931), and the United States (1940–1995), with extensive Tarzan the Ape Man (1932), Red-Headed Woman (1932), sojourns in Italy from 1953. Best known for his nearly one Red Dust (1932), The Barbarian (1933), Hold Your Man hundred film scores (95 credits), he nevertheless (1933), Treasure Island (1934), The Scarlet Pimpernel maintained a steadfast allegiance to absolute concert music (1934), The Ghost Goes West (1935), The Garden of Allah throughout what he called his "double life." He won (1936), Captains Courageous (1937), Too Hot to Handle Oscars for scoring Spellbound (1945), A Double Life (1938), I Take This Woman (1940), A Door Will Open (1947), and Ben-Hur (1959). He was also nominated for (1940), Edison, the Man (1940), Dr. Kildare Goes Home 10 other films. These are some other films he composed (1940), Flight Command (1940), The Penalty (1941), for: Thunder in the City (1937), The Four Feathers (1939), Tortilla Flat (1942), Thirty Seconds Over Tokyo (1944), The Thief of Bagdad (1940), That Hamilton
Load more

Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • Annual Report and Accounts 2004/2005
    THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to
    [Show full text]
  • 108 Kansas History “Facing This Vast Hardness”: the Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film
    Premiere of Dark Command, Lawrence, 1940. Courtesy of the Douglas County Historical Society, Watkins Museum of History, Lawrence, Kansas. Kansas History: A Journal of the Central Plains 38 (Summer 2015): 108–135 108 Kansas History “Facing This Vast Hardness”: The Plains Landscape and the People Shaped by It in Recent Kansas/Plains Film edited and introduced by Thomas Prasch ut the great fact was the land itself which seemed to overwhelm the little beginnings of human society that struggled in its sombre wastes. It was from facing this vast hardness that the boy’s mouth had become so “ bitter; because he felt that men were too weak to make any mark here, that the land wanted to be let alone, to preserve its own fierce strength, its peculiar, savage kind of beauty, its uninterrupted mournfulness” (Willa Cather, O Pioneers! [1913], p. 15): so the young boy Emil, looking out at twilight from the wagon that bears him backB to his homestead, sees the prairie landscape with which his family, like all the pioneers scattered in its vastness, must grapple. And in that contest between humanity and land, the land often triumphed, driving would-be settlers off, or into madness. Indeed, madness haunts the pages of Cather’s tale, from the quirks of “Crazy Ivar” to the insanity that leads Frank Shabata down the road to murder and prison. “Prairie madness”: the idea haunts the literature and memoirs of the early Great Plains settlers, returns with a vengeance during the Dust Bowl 1930s, and surfaces with striking regularity even in recent writing of and about the plains.
    [Show full text]
  • Shootouts, Showdowns, & Barroom Brawls
    he year is 1870, the place is Kansas, and the hero is Bat Masterson. As Liberal’s new sheriff, he must bring the rowdy cowtown under control. But an evil cattle baron plots T the lawman’s demise even as he vows to tame its mean streets. Is Bat doomed? Can he make the town safe? In the end, will good triumph over evil? You don’t have to see the movie Trail Street to know the guy in the white hat wins. In fact, if you’ve seen one Shootouts, Showdowns, & Barroom Brawls 1940s Western, you’ve pretty much seen them all. The “REAL” TO “REEL” HISTORY — THATWAS genre’s strength is in fast-paced action rather than creative plots. And if gunfights, chases, and a little romance are THE FORMULA DURING THE HEYDAY OF your idea of a good time, then these movies are bound to THE HOLLYWOOD WESTERN.AND IN THE please. FANTASTICAL MIX OF GUNFIGHTS AND Kansas was the subject of many films during the FISTFIGHTS, GOOD GUYS AND BAD,KANSAS Western’s heyday (1930s–1950s), when Hollywood writ- ers and directors had just enough knowledge of the state’s OFTEN PLAYED A STARRING ROLE. history to be dangerous. They inserted famous people and by Rebecca Martin place-names into a formulaic outline, blurring the line be- tween “reel” and “real” history. Thus, generations of youth who spent Saturday afternoons at the local theater came to believe that Bleeding Kansas and the Civil War were (TOP) DRAMATIC SCENE FROM A REB RUSSELL WESTERN.(LEFT) IN THE 1950 FILM GUNMEN OF one and the same, Jesse James was just an unfortunate vic- ABILENE, POPULAR “B” WESTERN STAR ROCKY LANE (AS A U.S.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Jean Harlow ~ 20 Films
    Jean Harlow ~ 20 Films Harlean Harlow Carpenter - later Jean Harlow - was born in Kansas City, Missouri on 3 March 1911. After being signed by director Howard Hughes, Harlow's first major appearance was in Hell's Angels (1930), followed by a series of critically unsuccessful films, before signing with Metro-Goldwyn- Mayer in 1932. Harlow became a leading lady for MGM, starring in a string of hit films including Red Dust (1932), Dinner At Eight (1933), Reckless (1935) and Suzy (1936). Among her frequent co-stars were William Powell, Spencer Tracy and, in six films, Clark Gable. Harlow's popularity rivalled and soon surpassed that of her MGM colleagues Joan Crawford and Norma Shearer. By the late 1930s she had become one of the biggest movie stars in the world, often nicknamed "The Blonde Bombshell" and "The Platinum Blonde" and popular for her "Laughing Vamp" movie persona. She died of uraemic poisoning on 7 June 1937, at the age of 26, during the filming of Saratoga. The film was completed using doubles and released a little over a month after Harlow's death. In her brief life she married and lost three husbands (two divorces, one suicide) and chalked up 22 feature film credits (plus another 21 short / bit-part non-credits, including Chaplin's City Lights). The American Film Institute (damning with faint praise?) ranked her the 22nd greatest female star in Hollywood history. LIBERTY, BACON GRABBERS and NEW YORK NIGHTS (all 1929) (1) Liberty (2) Bacon Grabbers (3) New York Nights (Harlow left-screen) A lucky few aspiring actresses seem to take the giant step from obscurity to the big time in a single bound - Lauren Bacall may be the best example of that - but for many more the road to recognition and riches is long and grinding.
    [Show full text]
  • Volume 36 Issue 32 [PDF]
    Svery Cornellian's Taper ORNELL ALUMNI NEW In the News this Week: Reunions large and colorful. Cornellian Council elects Neal Becker as president, Archie Palmer as executive secretary. The new Alumni Trustees are Charles H. Blair, James W. Parker, and Maurice C. Burritt. Poughkeepsie Regatta won by California crew. Volume 36 Number 32. June 21,1934 sidetrips you want to make, then continue whenever you are ready Suppose you are making an Orient cruise: arrive at Shanghai, and find China more fascinating than you ever dreamed any place could be One of the nicest things about cruising on the famous President Liners Stopover! Visit Hangchow and Soochow, Tientsin .. and Peking, Stay is the absolute freedom they allow you—to sail when you please, stop- as long as you like. Then continue on . on another President Liner over as you like, continue on when you chooseo ORIENT ROUNDTRIPS President Liners sail every week Actually you may go through the Panama Canal to California from Los Angeles and San Francisco via Hawaii and the Sunshine (or New York), to the Orient and back, or Round the World almost Route to Japan, China and the Philippines; every other week from as freely on these great ships as you could on your own private yacht. Seattle, via the fast Short Route. You may go one way, return the other And the fares are no more than for ordinary passagel —stopping over wherever you like, travel on the new S. S. President STOPOVER AS YOU LIKE Regular, frequent sailings of Coolidge and S. S. President Hoover and as many others as you choose the President Liners make it possible for you to stopover exactly of the President Liner fleet.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • Exploring Films About Ethical Leadership: Can Lessons Be Learned?
    EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • Music in GUNSMOKE Half-Hour Series PART II
    Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score.
    [Show full text]
  • Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage Futuristic City Photograph F
    Profiles in History December 2012 Auction 53 Prices Realized Lot Title Winning Bid Amount 2 Vintage futuristic city photograph from Fritz Lang’s Metropolis. $1,200 3 Mary Philbin “Christine Daae” photograph from The Phantom of the Opera. $300 4 Louise Brooks publicity portrait. $2,500 5 Louise Brooks portrait for Now We’re in the Air. $400 9 Alfred Cheney Johnston nude portrait of Peggy Page. $1,000 10 Alfred Cheney Johnston oversize nude portrait of Julie Newmar. $1,200 11 Alfred Cheney Johnston Portrait of unidentified seated nude. $600 13 Vintage Carroll Borland as “Luna” photograph from Mark of the Vampire $325 16 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 17 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,100 18 Pair of Katharine Hepburn oversize gallery portraits by Ernest A. Bachrach. $1,700 19 Katharine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 20 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $475 21 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $650 22 Katherine Hepburn oversize gallery portrait for Sylvia Scarlett by Ernest A. Bachrach. $300 23 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $1,200 24 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 25 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $450 26 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $225 27 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 28 Katherine Hepburn oversize gallery portrait by Ernest A. Bachrach. $200 29 Pair of Katherine Hepburn oversize gallery portraits by Ernest A.
    [Show full text]