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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Program, Grauman's Chinese Theatre (Text Transcription)
Program, Grauman’s Chinese Theatre Hollywood, California [cover image: sketch of Grauman’s Chinese Theatre] [page 2, borders decorated with floral designs and Chinese characters] PROGRAMME Grauman’s Chinese Theatre offers “GLORIES OF THE SCRIPTURES” A Sid Grauman Presentation, on the Prologue for Cecil B. De Mille’s “THE KINF OF KINGS” By JEANNIE MACPHERSON Overture Grauman’s Chinese Symphony Orchestra, Arthur Kay conductor, Albert Hay Malotte at the mighty Wurlitzer Organ. Locale – the meeting place of the populace I. Twilight prayers of the common people. II. Dance of the Palms – Theodore Kosloff dancers III. Chant of the Israelite High Priests. “The Holy City” – High Priest Chandowsky. IV. The Boy Soprano – Stewart Brady. TABLEAUX A. Joseph and his Brethren. (Just after his sale into slavery). B. Daniel in the Lion’s Den. C. The Star of Bethlehem. D. The Nativity. E. The Flight Into Egypt. [notes at foot of page 2]: M. Ellis Read, house manager; Lester Cole, stage assistant to Mr. Grauman. Musical Score for “the King of Kings” personally created by Dr. Hugo Reisenfeld; Orchestrations by Otto Potoker. [page 3] “THE KING OF KINGS” CAST • Jesus, the Christ – H.B. Warner • Mary, the Mother – Dorothy Cummings • The Twelve Apostles o Peter – Ernest Torrence o Judas – Joseph Schildkraut o James – James Neill o John – Joseph Striker o Matthew – Robert Edeson o Thomas – Sidney D’Albrook o Andrew – David Imboden o Philip – Charles Belcher o Bartholomew – Clayton Packard o Simon – Roberts Ellsworth o James, the less – Charles Requa o Thaddeus – John T. Prince • Mary Magdalene – Jacqueline Logan • Caiaphas, High Priest of Israel – Rudolph Schildkraut • The Pharisee – Sam DeGrasse • The Scribe – Casson Ferguson • Pontius Pilate, Governor of Judaea – Victor Varconi • Proculla, wife of Pilate – Majel Coleman • The Roman Centurion – Montague Love • Simon of Cyrene – William Boyd • Mark – M. -
Courier Gazette
Issued Tuesday Thursday Saturday The Courier-GAze By The Courier-Guette., 4S5 Main St, Established January, 1846. Entered aa Second Claes Mail Matter. Rockland, Maine, Thursday, February 26, 1925. THREE CENTS A COPY Volume 80. .Number 25. REMEMBERS ROSCOE HOMEWARD BOUND many more they long ago dubbed The Courier-Gazette after 58 years MEMORIES OF AN ACTIVE LIFE I him “the Father of Trusts.” He is John L. Goss, Would Like To Sec ’ _ . , , . I the only man. alive or dead who THREE-TIMES»A-WEEK Rockland Man Meets His Testimonial For Bandmaster. Howard Enjoys MarVelOUS ever assembled to order and sent to ALL THE HOME NEWS Scenery and Crosses Top “Men and ShiP» Sealing Wax”—The Story of al sea a full-sized navy intended for Father After a Long Lapse John L. Goss, president of . the belligerent uses—and did jt all in six Subscription $3.00 per year payable In ad of Time. John 1$. Goss Corporation, leaves of the World. Thomaaton Boy Who Made Good. weeks’ time: a fleet of war-vessels, vance ; single copies three cents. I armed with ndoilern ordnance and Advertising rates based upon circulation this week for St. Petersburg, Fla. and very reasonable. Editor of The Courier-Gazette: — En Route, Feb. 14 modern projectiles and manned by NEWSPAPER HISTORY and of course wants The Courier- i crews of jaunty gentlemen who 1 arrived here at Arroyo Grande, Cal. Dear Folks at Home: — (By Charles K. Flint) The Rockland Gazette was established In Gazette forwarded to his address. _ _ _ Feb. 4 and the first thing I did was neither knew nor eared for what 184U In 1874 the Courier wae established We are homeward bound at last— ("Memoirs of An Active Life,” in the first person. -
Chicago (1927)
Closing Night Gala Sunday 26th March | Screening 20:00 Chicago Dir. Frank Urson & Cecil B.DeMille (uncredited) | USA | 1927 | 1h 58m With: Phyllis Haver, Victor Varconi, Virginia Bradford Performing live: Stephen Horne (piano, accordion) & Frank Bockius (percussion) Chicago is the thoroughly modern tale of a publicity hungry, headline grabbing anti-heroine, as addicted to her own reflection as today’s popular culture is to the Selfie. Roxie Hart is the iconic free-spirited 1920’s flapper transformed into a destructively willful, reckless, self-centred and amoral media darling. Taken to the extreme, she’s the troubling threat to the establishment posed by a generation of young women flaunting social conventions, dress codes and manners, enjoying sexual freedom, self-determination and demanding what they most want out of life. Phyllis Haver (1899-1960) plays Roxie to perfection in a sparkling performance of devious charm, ruthless determination and brilliant comic timing. Tonight is a rare opportunity to rediscover her talent and celebrate the work of an almost forgotten star. Haver began her career in cinema accompanying silent films on piano, became a Mack Sennett Bathing Beauty and then got her big break as an actress, appearing in over 35 films for the Sennett Studios from 1916-20 before signing with DeMille-Pathé. She worked with some of the most revered artists of her day including Buster Keaton, Lon Chaney, Howard Hawks, Raoul Walsh and D.W. Griffith. There’s no doubt that Haver’s star quality and comedic flair elevate Chicago above a simple black and white morality tale. Her career defining performance was praised by critics as “astoundingly fine”, an impressive combination of “comedy and tragedy”. -
[Download Free Pdf] in the Ravine and Other Short Stories Online
PQsbM [Download free pdf] In the Ravine and Other Short Stories Online [PQsbM.ebook] In the Ravine and Other Short Stories Pdf Free Anton Chekhov audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #3925061 in Books 2016-06-07 2016-06-07Formats: Audiobook, MP3 Audio, UnabridgedOriginal language:EnglishPDF # 1 6.75 x .50 x 5.25l, Running time: 4 HoursBinding: Audio CD | File size: 78.Mb Anton Chekhov : In the Ravine and Other Short Stories before purchasing it in order to gage whether or not it would be worth my time, and all praised In the Ravine and Other Short Stories: 4 of 4 people found the following review helpful. In the Ravine: And Other Short StoriesBy Stephen BalbachEleven short stories and one novella (In the Ravine) by Anton Chekhov, as read by British actor Kenneth Branagh in 2002. The stories are:The Trousseau (1883)Fat and Thin (1883)Oh! the Public! (1885)Misery (1886)An Actor's End (1886)Children (1886)The Chorus Girl (1886)The Orator (1886)Hush! (1886)The Beggar (1887)A Story Without a Title (1888)Overall very good although it helps to read along with the text since some of the Russian vocabulary and names are difficult to track by audio alone. It is the Constance Garnett translation, freely available online. In the Ravine is the best, a wide and colorful portrait of peasant village life - a tragic story though. "Misery" is very good. "Children" does a good job at evoking childhood. "The Chorus Girl" is also well done. The CD says "Abridged" even though all the stories are Unabridged.6 of 6 people found the following review helpful. -
Cecil B. Demille and the Art Ofapplied Suggestibility
Cecil B. DeMille and the Art ofApplied Suggestibility By Anton Karl Kozlovic Spring 2011 Issue of KINEMA CECIL B. DE MILLE AND THE ART OF APPLIED SUGGESTIBILITY: VIOLENCE, SEX AND FALSE MEMORIES WITHIN HIS BIBLICAL (AND OTHER) CINEMA Abstract Legendary producer-director Cecil B. DeMille is an unsung auteur who helped co-found both Hollywood and Paramount studios and became America’s pre-eminent biblical filmmaker. He employed many artistic strategies, but none as politically astute as the deliberate engineering of false memories in a deliberate act of applied suggestibility. This trademark effort allowed DeMille to achieve desired audience reactions whilst simultaneously avoiding censorship problems and moral vigilantes who thought they saw objectionable things in his movies but which were not actually there. Consequently, selected DeMille films and the associated critical literature were inspected, reviewed and integrated into the text to enhance narrative coherence utilizing humanist film criticism as the guiding analytical lens. It was concluded that DeMille was a master filmmaker and that his cinematic oeuvre warrants a more thoughtful re-evaluation than evidenced to date. Further research into DeMille studies is therefore highly warranted, warmly recommended and already long overdue. Introduction: The DeMillean Genesis of an Aesthetic Phenomenon Producer-director(1) Cecil B. DeMille(2) (1881-1959), affectionately known as ”CB,” was a seminal cofounder of Hollywood, a progenitor of Paramount studios, and an icon of American movies who pioneered numerous innovations in both the arts and sciences of the cinema throughout his seventy-feature film history (Birchard; Cherchi Usai and Codelli; DeMille and Hayne; Edwards; Essoe and Lee; Eyman; Higashi Guide, Culture; Higham; Koury; Louvish; Noerdlinger; Orrison; Ringgold and Bodeen). -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Missouri S&T Magazine Fall 2007
Missouri University of Science and Technology Scholars' Mine Missouri S&T Magazine Special Collections Missouri S&T Magazine Fall 2007 Missouri S&T Marketing and Communications Department Miner Alumni Association Follow this and additional works at: https://scholarsmine.mst.edu/alumni-magazine Recommended Citation Missouri S&T Marketing and Communications Department and Miner Alumni Association, "Missouri S&T Magazine Fall 2007" (2007). Missouri S&T Magazine. 40. https://scholarsmine.mst.edu/alumni-magazine/40 This Magazine is brought to you for free and open access by Scholars' Mine. It has been accepted for inclusion in Missouri S&T Magazine by an authorized administrator of Scholars' Mine. This work is protected by U. S. Copyright Law. Unauthorized use including reproduction for redistribution requires the permission of the copyright holder. For more information, please contact [email protected]. UMR M A G A ZIN E MSM-UMR Alumni Association Representing nearly 5 0,000 alumni worldwide PRESIDENT AREA DIRECTORS STUDENT REPRESENTATIVES DARLENE (MELOY) RAMSAY, '84 AREA 1: PAUL G. BALDETTI, '81, Skaneateles, N.Y. BETH GROENKE, Student Council President Rolla, Mo. ([email protected]) ([email protected]) ([email protected]) AREA 2: ROBERT J. SCANLON, '73, Brookeville, Md. MICHAEL OJO, Student Union Board President PRESIDENT-ELECT ([email protected]) ([email protected]) PERRIN R. ROLLER, '80 AREA 3: VACANT RAJ SINGH, Graduate Student Representative member Spring, Texas ([email protected]) AREA 4: LEROY E. THOMPSON, '56, Pensacola, Fla. ([email protected]) AREA 5: HENRY E. BROWN, '68, Cincinnati, Ohio VICE PRESIDENTS ([email protected]) COMMITTEE CHAIRS benefits ERNEST K. -
The Institute of Modern Russian Culture
THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 69, February, 2015 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089-4353, USA Tel.: (213) 740-2735 Fax: (213) 740-8550; E: [email protected] website: http://www.usc.edu./dept/LAS/IMRC STATUS This is the sixty-ninth biannual Newsletter of the IMRC and follows the last issue which appeared in August of last year. The information presented here relates primarily to events connected with the IMRC during the fall and winter of 2014. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2013 are available electronically and can be requested via e-mail at [email protected]. A full run can be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 for overseas airmail). RUSSIA. Instead of the customary editorial note, we are pleased to publish this nostalgic reminiscence by Alexander Zholkovsky, professor of Slavic languages and literatures at the University of Southern California, Los Angeles. The Gift I'm not very good at giving presents. Nobody taught me to do this at an early age and I still don't know how to. Taking along a bottle of wine or, worst case scenario, a box of chocolates for the hostess, not to mention presenting colleagues with copies of my books, well, that's not a problem. But offering bouquets of flowers or perfumes to ladies of the heart, well, I could count such cases on one hand alone and, in any case, such affairs do bear an increasingly foreign fragrance. -
Dangerous Ornament: the Figure of the Veil in Early Modern English Literature
DANGEROUS ORNAMENT: THE FIGURE OF THE VEIL IN EARLY MODERN ENGLISH LITERATURE By Ashley Denham Busse B.A. 1999, The University of the South (Sewanee) M.A. 2003, Florida State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 31, 2010 Dissertation directed by Jonathan Gil Harris Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Ashley Denham Busse has passed the final examination for the degree of Doctor of Philosophy as of 5 May 2010. This is the final and approved form of the dissertation. DANGEROUS ORNAMENT: THE FIGURE OF THE VEIL IN EARLY MODERN ENGLISH LITERATURE Ashley Denham Busse Dissertation Research Committee: Jonathan Gil Harris, Professor of English, Dissertation Director Jeffrey Jerome Cohen, Professor of English, Committee Member Holly Dugan, Assistant Professor of English, Committee Member ii © 2010 by Ashley Denham Busse All rights reserved iii Dedication The author wishes to dedicate this dissertation to her family for constantly reminding her that, as Christopher Robin said to Winnie the Pooh, “You are braver than you believe, stronger than you seem, and smarter than you think.” The author also wishes to dedicate this project to her husband Mark, whose steadfast, selfless support, encouragement and love daily prove Richard Wilbur’s claim that “whatsoever love elects to bless/ Brims to a sweet excess/ That can without depletion overflow.” Thank you. iv Acknowledgements The author wishes to acknowledge the generous gifts of the many people who made this academic and professional endeavor possible. -
Samson and Delilah
SAMSON AND DELILAH USA 1948 131 minutes Director Cecil B. De Mille Writers Fredric M Frank; Vladimir Jabotinsky; Harold Lane; Jesse Lasky Jr Music Victor Young Cinematography George Barnes Dewey Wrigley (holy land photography) Cast Samson Victor Mature Miriam Olive Deering Delilah Hedy Lamarr Hazel Fay Holden Semadar Angela Lansbury Haisham Julia Faye Prince Ahtur Henry Wilcoxon Saul Russ Tamblyn I have fond memories of this film as one shown on the Saturday Night at the Movies spot, when I was much younger. The feats of strength of Samson were most impressive to a callow youth unaware of the tricks of the movie industry! Samson and Delilah, is an enjoyable romp, which both stars appear to have relished. Whilst not a profound film, it is a fitting tribute to two stars who were interesting individuals at a period when the studios ruled the lives of their contracted stars extremely closely. Cecil B De Mille directed the film, and it is of course one of the numerous spectacularly lavish and colourful biblical epics he made. Another reason for selecting this film was simply to show that our Committee has a good sense of humour and does not consider itself too seriously! ************************************* Hedy Lamarr passed away on 19 January 2000. In this film, she was an impressive attraction to any young teenager. Her allure was heightened by the startling news of her early nude acting role. Born Hedwig Eva Maria Kiesler in Vienna on 9 November 1914, she enrolled in Max Reinhardt’s acting school and he was so convinced of her potential that he took her on as a personal pupil. -
THE CHORUS GIRL and OTHER STORIES by Anton Chekhov
THE CHORUS GIRL AND OTHER STORIES By Anton Chekhov Translated by Constance Garnett Ref: Project Gutenberg http://www.gutenberg.org/ CONTENTS: THE CHORUS GIRL..................................................................................................3 VEROTCHKA ............................................................................................................8 MY LIFE...................................................................................................................19 I.............................................................................................................................19 II ...........................................................................................................................25 III ..........................................................................................................................30 IV..........................................................................................................................35 V ...........................................................................................................................38 VI..........................................................................................................................42 VII.........................................................................................................................46 VIII .......................................................................................................................53 IX..........................................................................................................................56