ARSC Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
Boston Symphony Orchestra Concert Programs, Summer, 2006
summer 2006 m ran lewoo *& ^ rjgm ^ C— mmmm m — ^^H flm^HH * -&*•- I • - - j - r I BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR it6. Even better. There's a moment when it all comes together - when you discover the best in yourself. In the middle of your busy schedule, it's easy to miss the moments that can awaken you to life's possibilities. Come to the world's most renowned wellness resorts and experience a variety of soulful services to help you fully live those moments - so light yet powerful - when you realize you can feel this great forever. Canyon Ranch proudly supports the 2006 Tanglewood Season and culture in the Berkshires. canyonranch.com 800-742-9000 CanvonRanch 1 7v. ,, /, ,' /. TUCSON, ARIZONA . LENOX, MASSACHUSETTS gourmet food medical programs fitness classes spa treatments engaging lectures all-inclusive packages Outstanding Performance Is In The Details. Since its inception in 1 Leslie Inc. 972, J. Garfield & Co., has delivered customized service and citywide expertise to our clients who value results. We are especially pleased to announce our recent $40 million sale of the most expensive townhouse ever sold in New York City. LESLIE J. GARFIELD & CO., INC. REAL ESTATE 505 Park Avenue, Suite 303 • New York, NY 10022 Tel (212)371-8200 www.lesliejgarfield.com There's a World of Culture in the Berkshires but Only One Four Diamond Resort Built around an historic mansion, Cranwell offers unmatched views, 107 luxurious rooms, a sparkling * new 35,000 sq* ft* spa and pool, 3 award winning restaurants - all surrounded by an 18-hole golf course* • \ )'o//l fjl/W/Hf/f/ RESORT SPA GOLF CL NATIONAL TRUST Rte. -
Mikhail Bugaev DMA Document
PAUL HINDEMITH’S IDIOMATIC WRITING FOR VIOLA AND ITS INFLUENCE ON HIS THEORIES. SONATA FOR VIOLA SOLO OP. 11, NO. 5. By Mikhail Bugaev A DOCUMENT Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS Music 2013 Table of contents: INTRODUCTION____________________________________________________________________________3 I. HINDEMITH’S PERFORMANCE CAREER 1. Successful violinist, early stage of Hindemith as a violist__________________4 2. Amar-Hindemith Quartet, and a peak of a performance career___________6 3. Last stage of a Hindemith-performer, Der Schwanendreher_______________8 4. Conclusion___________________________________________________________________12 II. SONATA OP. 11 NO. 5 1. History of the genre and influences________________________________________14 2. Structural and thematic analysis of the movements______________________19 3. Idiomatic writing____________________________________________________________35 a. The link to the instrument b. Motive as a building block c. Chords and intervals 4. Conclusion___________________________________________________________________42 III. INSTRUMENTAL APPROACH TO THE THEORIES 1. Series 1 and 2________________________________________________________________44 2. Intervalic content____________________________________________________________47 3. Melody________________________________________________________________________48 CONCLUSION_____________________________________________________________________________49 BIBLIOGRAPHY__________________________________________________________________________51 -
SWR2 Musikstunde
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Musikstunde Szymon Goldberg und seine Geige (1) Von Karl-Dietrich Gräwe Sendung: Montag, 1. September 2014 9.05 – 10.00 Uhr Redaktion: Bettina Winkler Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Mitschnitte auf CD von allen Sendungen der Redaktion SWR2 Musik sind beim SWR Mitschnittdienst in Baden-Baden für € 12,50 erhältlich. Bestellungen über Telefon: 07221/929-26030 Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 2 SWR2. Musikstunde GOLDBERG UND SEINE GEIGE Folge 1 Montag, 1. September 2014, 9.05 - 10 Uhr K.D. Gräwe Szymon Goldberg wurde 1909 in der polnischen Stadt Włocławek geboren. Freunde, Kollegen, Mitarbeiter, alle Zeugen seiner Kunst würden später bestätigen, dass er als Geiger, Kammermusiker, Dirigent und Pädagoge eine Persönlichkeit war, die höchsten künstlerischen Anspruch mit vornehmer Zurückhaltung und unaufdringlicher Natürlichkeit verband. Mit den Insignien des Wunderkindes ausgestattet, zog Goldberg im Knabenalter von gerade 8 Jahren von Warschau nach Berlin, wo Wanda Landowska ihn bei sich aufnahm und Carl Flesch sein Lehrer wurde - Flesch, der gebürtige Ungar, der „Vater des modernen Geigenspiels“, der Großmeister der Violinkunst. Und Flesch, der unerbittlich strenge Pädagoge, der schon vielen werdenden Genies zur Reife verholfen hatte oder noch verhelfen sollte, so manchen anderen Kandidaten aber auch scheitern ließ - Flesch gab dem jungen Goldberg kostenlosen Unterricht und überwachte seine weiteren Schritte. -
The 2009/10 Concert Season Marks the 200Th Anniversary of the Births of Both Felix Mendelssohn and Robert Schumann
May 5, 2010 at 9:00 on PBS Emanuel Ax, Yo-Yo Ma, Itzhak Perlman @ the Penthouse The 2009/10 concert season marks the 200th anniversary of the births of both Felix Mendelssohn and Robert Schumann. Musicians everywhere have been commemorating those anniversaries all season long. Our next Live From Lincoln Center, on Wednesday evening May 5, will join the world-wide celebration with a very special program originating in Lincoln Center's unique Kaplan Penthouse. More about the program and performers in a moment. Some 70 years ago RCA Victor Records brought together three of its reigning instrumental masters for the purpose of recording some of the cornerstones of the Trio literature for piano, violin and cello. They were violinist Jascha Heifetz, pianist Artur Rubinstein, and cellist Emanuel Feuermann. So important was that pairing that a feature article about their collaboration appeared in what was then the leading weekly publication in the country, Life Magazine. The writer dubbed the Heifetz-Rubinstein-Feuermann combination "The Million Dollar Trio", and the resultant recordings are regarded as classics to this day. And another spectacular threesome played together in the White House during the Presidency of John F Kennedy: violinist Isaac Stern; cellist Pablo Casals; and pianist Mieczyslaw Horszowski. If one were to try to emulate those combinations with artists of today, the choices inevitably would be Itzhak Perlman, violin; Emanuel Ax, piano; and Yo-Yo Ma, cello. And it is precisely those three who will form our Trio on May 5! The three of them are old friends who enjoy each others company socially as well as musically. -
Download Booklet
110638 bk Schnabel 30/05/2003 1:04 pm Page 4 Producer’s Note ADD This disc brings together the first and last recordings Schnabel made in his only complete Beethoven concerto cycle Great Pianists • Schnabel 8.110638 on disc. The performance of Für Elise included here is not the often-reissued 1938 version included in the original Beethoven Sonata Society set, but rather the 1932 “filler” side for the First Concerto. Although this was somewhat dimly recorded, I have tried not to filter the surface hiss excessively, so that what highs there are in the original recording would remain. The discs used for this transfer were all mid-1930s scroll-label American Victor “Z” shellacs, the quietest pressings on which these recordings were available. BEETHOVEN Mark Obert-Thorn Piano Concerto No. 1 Piano Concerto No. 2 Bagatelle in A minor “Für Elise” Artur Schnabel, piano London Philharmonic Orchestra London Symphony Orchestra Malcolm Sargent The Naxos historical label aims to make available the greatest recordings in the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards Historical Recordings 1932-35 in the field of historical recordings. 8.110638 4 110638 bk Schnabel 30/05/2003 1:04 pm Page 2 Great Pianists • Artur Schnabel with a later interest in Mozart. Brahms, too, held an open the first movement, before the principal theme of BEETHOVEN (1770-1827): Piano Concertos Nos. -
The Cadenza in Cello Concertos: History, Analysis, and Principles of Improvisation Boyan Bonev
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Cadenza in Cello Concertos: History, Analysis, and Principles of Improvisation Boyan Bonev Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE CADENZA IN CELLO CONCERTOS – HISTORY, ANALYSIS, AND PRINCIPLES OF IMPROVISATION By BOYAN BONEV A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Summer Semester 2009 The members of the Committee approve the Treatise of Boyan Bonev defended on May 7, 2009. __________________________________ Gregory Sauer Professor Directing Treatise ___________________________________ Jane Piper Clendinning Outside Committee Member __________________________________ Eliot Chapo Committee Member The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank my major professor Gregory Sauer, and my committee members Jane Piper Clendinning and Eliot Chapo, for their help and support. iii TABLE OF CONTENTS List of Figures………………………………………………………………………………... v Abstract………………………………………………………………………………………. vi INTRODUCTION…………………………………………………………………………... 1 I. HISTORY OF CADENZAS IN CELLO CONCERTOS ………………………………..... 4 II. ANALYSIS OF AD LIBITUM CADENZAS …………………………………………….. 15 Biographical Sketch of the Authors of the Cadenzas……………………………….... 18 Analyses of Cadenzas for the Concerto for Cello and Orchestra in C Major by Joseph Haydn……………………………………………………………………….... 19 Analyses of Cadenzas for the Concerto for Cello and Orchestra in D Major by Joseph Haydn……………………………………………………………………….... 22 III. PRINCIPLES OF IMPROVISATION…..……………………………………………….. 30 CONCLUSION……………. ………………………………………………………………... 40 APPENDICES………………………………………………………………………………... 41 1. CADENZAS FOR THE CONCERTO FOR CELLO AND ORCHESTRA IN C MAJOR BY JOSEPH HAYDN …………………………………………………………………………… 41 2. -
July 1947) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1947 Volume 65, Number 07 (July 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 07 (July 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/182 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. tmm *rv>- THE- FIFTEENTH ANNUAL Bach Festival CHARLES IVES, American composer, of the Baldwin-Wallace College Con- has been awarded the Pulitzer Prize for servatory of Music was held in Berea, 1946, for a “distinguished musical com- Ohio, June 6 and 7. Under the direction position in the larger forms of chamber, of Dr. Albert Riemenschneider, the festi- orchestral, or choral music.” Mr. Ives’ val included a number of the shorter prize winning work was his Symphony No. cantatas, with the Mass in B Minor being first performed in New York in April 3, perforated on the second day. The various of last year. programs enlisted the services of the Baldwin-Wallace A Cappella Choir, the i'sucilvlvrdecital THE OUTDOOR CONCERT season has ^Oonc^S Cdoncenonceri ananad Opera Workshop, and the Festival or- s. -
Boston Symphony Orchestra Concert Programs, Season 112, 1992-1993
One Hundred and Twelfth Season 1992-93 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, MUSIC DIRECTOR THE ART OF SEI KO Bracelets, cases, and casebacks finished in 22 karat gold. E.B. HORN Jewelers Since 1839 429 WASHINGTON ST. BOSTON 02108 61 7-542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Twelfth Season, 1992-93 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Nina L. Doggett R. Willis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer James F. Cleary Avram J. Goldberg Molly Beals Millman John F. Cogan, Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read William F. Connell Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent Leo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey AbramT. Collier Thomas D. Perry, Jr. John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
V Międzynarodowy Konkurs Muzyczny Im. Michała Spisaka
V Międzynarodowy Konkurs Muzyczny im. Michała Spisaka Specjalności: trąbka, róg, puzon Bazylika NMP Anielskiej w Dąbrowie Górniczej Akademia Muzyczna im. Karola Szymanowskiego w Katowicach 5-14 września 2011 ...myślę stale o Zagłębiu i Dąbrowie Górniczej, bo przecież nie zapomina się nigdy swego rodzinnego miasta (słowa Michała Spisaka z listu do Jana Ziemby) The 5rd Michał Spisak International Music Competition Disciplines: trumpet, horn, trombone Basilica of St. Mary of the Angels in Dąbrowa Górnicza Karol Szymanowski Academy of Music in Katowice 5-14 September 2011 ...I constantly think of Zagłębie and Dąbrowa Górnicza, because, after all, you can never forget your hometown (Michał Spisak’s words from a letter to Jan Ziemba) Patronat Honorowy Konkursu The Honour Patronage of the Competition: Bogdan Zdrojewski Minister Kultury i Dziedzictwa Narodowego Minister of Culture and National Heritage Zbigniew Podraza Prezydent Miasta Dąbrowa Górnicza Mayor of Dąbrowa Górnicza prof. Tomasz Miczka Rektor Akademii Muzycznej im. Karola Szymanowskiego w Katowicach Rector of the Karol Szymanowski Academy of Music in Katowice Organizatorzy Konkursu / Organizers of the Competition: Urząd Miejski w Dąbrowie Górniczej City Hall in Dąbrowa Górnicza www.idabrowa.pl, www.spisak.idabrowa.pl Akademia Muzyczna im. Karola Szymanowskiego w Katowicach Karol Szymanowski Academy of Music in Katowice www.am.katowice.pl Pałac Kultury Zagłębia w Dąbrowie Górniczej Zagłębie Palace of Culture in Dąbrowa Górnicza www.palac.art.pl Marcin Bazylak Pełnomocnik Prezydenta Miasta / Plenipotentiary of the City Mayor Przewodniczący Komitetu Organizacyjnego Konkursu / Chairman of the Organizing Committee of the Competition prof. Zygmunt Tlatlik Dyrektor Artystyczny Konkursu / Artistic Director of the Competition Zastępca Sekretarza Jury / Deputy Secretary of the Jury prof. -
Acceptance of Western Piano Music in Japan and the Career of Takahiro Sonoda
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE ACCEPTANCE OF WESTERN PIANO MUSIC IN JAPAN AND THE CAREER OF TAKAHIRO SONODA A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By MARI IIDA Norman, Oklahoma 2009 © Copyright by MARI IIDA 2009 All Rights Reserved. ACKNOWLEDGEMENTS My document has benefitted considerably from the expertise and assistance of many individuals in Japan. I am grateful for this opportunity to thank Mrs. Haruko Sonoda for requesting that I write on Takahiro Sonoda and for generously providing me with historical and invaluable information on Sonoda from the time of the document’s inception. I must acknowledge my gratitude to following musicians and professors, who willingly told of their memories of Mr. Takahiro Sonoda, including pianists Atsuko Jinzai, Ikuko Endo, Yukiko Higami, Rika Miyatani, Y ōsuke Niin ō, Violinist Teiko Maehashi, Conductor Heiichiro Ōyama, Professors Jun Ozawa (Bunkyo Gakuin University), Sh ūji Tanaka (Kobe Women’s College). I would like to express my gratitude to Teruhisa Murakami (Chief Concert Engineer of Yamaha), Takashi Sakurai (Recording Engineer, Tone Meister), Fumiko Kond ō (Editor, Shunju-sha) and Atsushi Ōnuki (Kajimoto Music Management), who offered their expertise to facilitate my understanding of the world of piano concerts, recordings, and publications. Thanks are also due to Mineko Ejiri, Masako Ōhashi for supplying precious details on Sonoda’s teaching. A special debt of gratitude is owed to Naoko Kato in Tokyo for her friendship, encouragement, and constant aid from the beginning of my student life in Oklahoma. I must express my deepest thanks to Dr. -
Il Secolo Di Mahler
2 IL SECOLO DI MAHLER Cari amici, anche indagini in un passato più remoto, come quello degli ultimi esempi della gloriosa tradi- il 18 maggio 1911 moriva Gustav Mahler. zione della Tragédie lyrique, incarnati da Gluck, La sua musica ha conosciuto una popolarità Lemoyne, Rodolphe Kreutzer e Granges de sempre crescente solo a partire dalla seconda Fontenelle, musicisti che dall’Ancien Régime si metà del Novecento, come il compositore stesso spingono fino all’eclissi dell’epoca napoleonica. aveva profetizzato, nella sua celebre autodefini- Ancora qualche segnalazione, relativa alle zione di «inattuale». Oggi è uno degli autori più nostre dirette dal Teatro Verdi di Firenze per la eseguiti dalle orchestre e dai direttori di tutto il Stagione dell’Orchestra della Toscana: il 5 mag- mondo, e uno dei più amati dal pubblico. gio trasmetteremo il concerto diretto dal celebre Lo celebreremo la sera del giorno del flautista Patrick Gallois e il 19 quello affidato a Centenario con la trasmissione delle sue ultime Giuliano Bellincampi con la voce solista di tre grandi composizioni. Grazie al lavoro assi- Monica Bacelli, che interpreterà pagine di De duo e appassionato di Luca Berni e al prestigio Falla e una selezione dei Lieder dal Knaben conquistato dalla nostra emittente, possiamo Wunderhorn di Mahler. Infine, il 26 maggio, offrirvi le registrazioni in differita dei bei con- l’ORT sarà diretta dal violinista Sergey Krylov, certi organizzati dal Palazzetto Bru-Zane di impegnato nel Concerto in mi minore di Venezia, dove ha sede il «Centre pour la musi- Mendelssohn e nella Quarta Sinfonia di que romantique française». Ogni domenica sera, Beethoven.