Walter Kaufmann String Quartets Nos 7 and 11 Sonatina No
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Oct 12 to 18.Txt
CLASSIC CHOICES PLAYLIST Oct. 12 - 18, 2020 PLAY DATE: Mon, 10/12/2020 6:02 AM Antonio Vivaldi Concerto for violin, 2 flutes, 2 oboes & 6:13 AM Wolfgang Amadeus Mozart Symphony No. 27 6:29 AM Arcangelo Corelli Concerto Grosso No. 6 6:44 AM Johann Nepomuk Hummel Gesellschafts Rondo 7:02 AM Michel Richard Delalande Suite No. 12 7:16 AM Muzio Clementi Piano Sonata 7:33 AM Mademoiselle Duval Suite from the Ballet "Les Génies" 7:46 AM Georg (Jiri Antonin) Benda Sinfonia No. 9 8:02 AM Johann David Heinichen Concerto for fl,ob,vln,clo,theorbo,st,bc 8:12 AM Franz Joseph Haydn String Quartet 8:31 AM Joan Valent Quatre Estacions a Mallorca 9:05 AM Ralph Vaughan Williams Symphony No. 3 9:41 AM Robert Schumann Fantasiestucke 9:52 AM Ralph Vaughan Williams Silent Noon 10:00 AM Wolfgang Amadeus Mozart LA CLEMENZA DI TITO: Overture 10:06 AM Wolfgang Amadeus Mozart Violin Sonata No. 27 10:24 AM Wolfgang Amadeus Mozart Flute & Harp Concerto (mvmt 2) 10:34 AM Wolfgang Amadeus Mozart Divertimento No. 1 10:49 AM Wolfgang Amadeus Mozart Sonata for 2 pianos 11:01 AM Mark Volker Young Prometheus 11:39 AM Georg Philipp Telemann Paris Quartet No. 2:TWV 43: a 3 12:00 PM Ludwig Van Beethoven Wellington's Victory (Battle Symphony) 12:14 PM Ludwig Van Beethoven Piano Sonata No. 6 12:28 PM Johann Strauss, Jr. Wine, Women & Song 12:40 PM John Ireland Piano Trio No. 2 12:54 PM Michael Kamen CRUSOE: Marooned 1:02 PM Mark O'Connor Trio No. -
Orchestra - Workshop Pieces 2021: All Orchestras Taking Part in the Competition Are Asked to Prepare Their Respective Compulsory Piece for the First Workshop
Orchestra - Workshop Pieces 2021: All orchestras taking part in the Competition are asked to prepare their respective compulsory piece for the first workshop. For the second workshop, please select one piece from the list of your respective category.Y ou may also choose a piece from your additional program. This piece, however, needs to be confirmed by the Artistic Director first. All orchestras taking part in the Celebration are invited to prepare two pieces from the list of your respective category. You may also choose a piece from your additional program. This piece, however, needs to be confirmed by the Artistic Director first. Symphony Orchestra: Ludwig van Beethoven: Symphony No. 8 in F major, Op.93, IV. Allegro vivace Hector Berlioz: Béatrice et Bénédict: Overture Ludwig van Beethoven: One movement from 1st, 2nd,4th or 5th Symphony Ludwig van Beethoven: One movement from Egmont, Coriolan or Fidelio Overture Robert Schumann: Symphony No. 1 in B flat major, Op. 38, 3rd movement, Scherzo Molto Vivace Felix Mendelssohn-Bartholdy: Symphony No.3 in a minor Op. 56 (“Scottish”) 2nd movement, Vivace non troppo Antonín Dvořák: Slavonic Dances No. 3 and 8 Chamber Orchestra: Franz Joseph Haydn: Symphony No. 104 in D major, I. Adagio – Allegro or IV. Finale: Spiritoso Franz Schubert: One movement from Symphony No.5 in B flat major (D 485) Joseph Haydn: One movement from Symphony No.43 in Efl at major Hob.I: 43 (“Mercury”) Wolfgang Amadeus Mozart: One movement from Symphony Nr. 29 in A major, KV 201 Béla Bartók: Rumanian Folk Dances String Orchestra: Felix Mendelssohn-Bartholdy: Sinfonia No. -
Josef Suk's Asrael Re-Envisioned Via Schoenberg
A STUDY IN CLARITY: JOSEF SUK’S ASRAEL RE-ENVISIONED VIA SCHOENBERG Volume I of II IVAN ARION KARST School of Arts and Media College of Arts and Social Sciences University of Salford, Salford, UK Submitted in Fulfilment of the Requirements of the Degree of Doctor of Philosophy, October 2020 i Contents Table of Figures ........................................................................................................................... 4 Acknowledgements..................................................................................................................... 7 Abstract: ‘A Study in Clarity: Suk Re-envisioned via Schoenberg’ ................................................. 8 Chapter 1: Introduction ............................................................................................................... 1 Thesis Methodology ................................................................................................................. 1 A Study in Clarity: Literature Review ......................................................................................... 4 Chapter 2: Historical Context .................................................................................................... 10 Schoenberg: Transcription and the Verein .............................................................................. 10 Chapter 3: Analysis.................................................................................................................... 12 Transcription Techniques of the Verein ................................................................................. -
A Survey of Czech Piano Cycles: from Nationalism to Modernism (1877-1930)
ABSTRACT Title of Dissertation: A SURVEY OF CZECH PIANO CYCLES: FROM NATIONALISM TO MODERNISM (1877-1930) Florence Ahn, Doctor of Musical Arts, 2018 Dissertation directed by: Professor Larissa Dedova Piano Department The piano music of the Bohemian lands from the Romantic era to post World War I has been largely neglected by pianists and is not frequently heard in public performances. However, given an opportunity, one gains insight into the unique sound of the Czech piano repertoire and its contributions to the Western tradition of piano music. Nationalist Czech composers were inspired by the Bohemian landscape, folklore and historical events, and brought their sentiments to life in their symphonies, operas and chamber works, but little is known about the history of Czech piano literature. The purpose of this project is to demonstrate the unique sentimentality, sensuality and expression in the piano literature of Czech composers whose style can be traced from the solo piano cycles of Bedřich Smetana (1824-1884), Antonín Dvořák (1841-1904), Leoš Janáček (1854-1928), Josef Suk (1874-1935), Bohuslav Martinů (1890-1935) to Erwin Schulhoff (1894-1942). A SURVEY OF CZECH PIANO CYCLES: FROM ROMANTICISM TO MODERNISM (1877-1930) by Florence Ahn Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Musical Arts 2018 Advisory Committee: Professor Larissa Dedova, Chair Professor Bradford Gowen Professor Donald Manildi Professor -
Cello Teachers Martin and Mirko Škampa, with the Soloist Prof
JOSEF SUK PIANO QUARTET Josef Suk Piano Quartet is exactly an “ensemble” according to what this term means in Chamber Music: just what our Competition always looks for in each edition! I find it’s extremely infrequent to listen to strings playing in such a brilliant, rich and technically perfect way. In addition, the pianist’s original concept of chamber music (never uninspired, always looking for the appropriate timbre for each music page) together with the strings player’s qualities, gives a soul and a new life into each musical phrase and captivate the audience’s attention. Looking into the future, I think that the Josef Suk Piano Quartet will have a great success thanks to both technical preparation and musical creative originality!“ Prof. Fedra Florit, Artistic Director of the Premio Trio di Trieste Competition and Member of the 2013 Jury MANAGMENT Leonardo Finotti JOSEF SUK PIANO QUARTET [email protected] www.josefsukpianoquartet.com address: Via A. Rossi 7 [email protected] 45026 Lendinara, Rovigo Phone: +420 608 549 299 JOSEF SUK PIANO QUARTET The Josef Suk Piano Quartet was named after Josef Suk (1929-2011), one of the greatest violinists of the twentieth cen- tury, the grandson of composer Josef Suk and great grandson of Antonín Dvořák. The honour of accepting the name of a leading Czech artist was proposed to the ensemble by the Czech Society for Chamber Music and with the kind support of Marie Suková, Josef Suk’s wife. The Josef Suk Piano Quartet develops the rich tradition of Czech chamber ensembles, namely of the famous Suk Trio. -
Boston Symphony Orchestra Concert Programs, Summer, 2006
summer 2006 m ran lewoo *& ^ rjgm ^ C— mmmm m — ^^H flm^HH * -&*•- I • - - j - r I BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR it6. Even better. There's a moment when it all comes together - when you discover the best in yourself. In the middle of your busy schedule, it's easy to miss the moments that can awaken you to life's possibilities. Come to the world's most renowned wellness resorts and experience a variety of soulful services to help you fully live those moments - so light yet powerful - when you realize you can feel this great forever. Canyon Ranch proudly supports the 2006 Tanglewood Season and culture in the Berkshires. canyonranch.com 800-742-9000 CanvonRanch 1 7v. ,, /, ,' /. TUCSON, ARIZONA . LENOX, MASSACHUSETTS gourmet food medical programs fitness classes spa treatments engaging lectures all-inclusive packages Outstanding Performance Is In The Details. Since its inception in 1 Leslie Inc. 972, J. Garfield & Co., has delivered customized service and citywide expertise to our clients who value results. We are especially pleased to announce our recent $40 million sale of the most expensive townhouse ever sold in New York City. LESLIE J. GARFIELD & CO., INC. REAL ESTATE 505 Park Avenue, Suite 303 • New York, NY 10022 Tel (212)371-8200 www.lesliejgarfield.com There's a World of Culture in the Berkshires but Only One Four Diamond Resort Built around an historic mansion, Cranwell offers unmatched views, 107 luxurious rooms, a sparkling * new 35,000 sq* ft* spa and pool, 3 award winning restaurants - all surrounded by an 18-hole golf course* • \ )'o//l fjl/W/Hf/f/ RESORT SPA GOLF CL NATIONAL TRUST Rte. -
Mikhail Bugaev DMA Document
PAUL HINDEMITH’S IDIOMATIC WRITING FOR VIOLA AND ITS INFLUENCE ON HIS THEORIES. SONATA FOR VIOLA SOLO OP. 11, NO. 5. By Mikhail Bugaev A DOCUMENT Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS Music 2013 Table of contents: INTRODUCTION____________________________________________________________________________3 I. HINDEMITH’S PERFORMANCE CAREER 1. Successful violinist, early stage of Hindemith as a violist__________________4 2. Amar-Hindemith Quartet, and a peak of a performance career___________6 3. Last stage of a Hindemith-performer, Der Schwanendreher_______________8 4. Conclusion___________________________________________________________________12 II. SONATA OP. 11 NO. 5 1. History of the genre and influences________________________________________14 2. Structural and thematic analysis of the movements______________________19 3. Idiomatic writing____________________________________________________________35 a. The link to the instrument b. Motive as a building block c. Chords and intervals 4. Conclusion___________________________________________________________________42 III. INSTRUMENTAL APPROACH TO THE THEORIES 1. Series 1 and 2________________________________________________________________44 2. Intervalic content____________________________________________________________47 3. Melody________________________________________________________________________48 CONCLUSION_____________________________________________________________________________49 BIBLIOGRAPHY__________________________________________________________________________51 -
SWR2 Musikstunde
SWR2 MANUSKRIPT ESSAYS FEATURES KOMMENTARE VORTRÄGE SWR2 Musikstunde Szymon Goldberg und seine Geige (1) Von Karl-Dietrich Gräwe Sendung: Montag, 1. September 2014 9.05 – 10.00 Uhr Redaktion: Bettina Winkler Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Mitschnitte auf CD von allen Sendungen der Redaktion SWR2 Musik sind beim SWR Mitschnittdienst in Baden-Baden für € 12,50 erhältlich. Bestellungen über Telefon: 07221/929-26030 Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2-Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de 2 SWR2. Musikstunde GOLDBERG UND SEINE GEIGE Folge 1 Montag, 1. September 2014, 9.05 - 10 Uhr K.D. Gräwe Szymon Goldberg wurde 1909 in der polnischen Stadt Włocławek geboren. Freunde, Kollegen, Mitarbeiter, alle Zeugen seiner Kunst würden später bestätigen, dass er als Geiger, Kammermusiker, Dirigent und Pädagoge eine Persönlichkeit war, die höchsten künstlerischen Anspruch mit vornehmer Zurückhaltung und unaufdringlicher Natürlichkeit verband. Mit den Insignien des Wunderkindes ausgestattet, zog Goldberg im Knabenalter von gerade 8 Jahren von Warschau nach Berlin, wo Wanda Landowska ihn bei sich aufnahm und Carl Flesch sein Lehrer wurde - Flesch, der gebürtige Ungar, der „Vater des modernen Geigenspiels“, der Großmeister der Violinkunst. Und Flesch, der unerbittlich strenge Pädagoge, der schon vielen werdenden Genies zur Reife verholfen hatte oder noch verhelfen sollte, so manchen anderen Kandidaten aber auch scheitern ließ - Flesch gab dem jungen Goldberg kostenlosen Unterricht und überwachte seine weiteren Schritte. -
Czech Philharmonic Czech Philharmonic
CZECH PHILHARMONIC 2021 | 2020 | SEASON Czech Philharmonic 125th 125th SEASON 2020 | 2021 SEASON GUIDE Czech Philharmonic 01 CZECH PHILHARMONIC CZECH PHILHARMONIC SEASON GUIDE 125th SEASON 2020 | 2021 Semyon Bychkov Chief Conductor and Music Director We are delighted to bring you joy in another, this time anniversary season. Czech Philharmonic Ministry of Culture of the Czech Republic – Establisher Česká spořitelna, a.s. – General Partner 02 CZECH PHILHARMONIC CZECH PHILHARMONIC TABLE OF CONTENTS 5 Introduction 133 Czech Chamber Music Society 7 Czech Philharmonic 134 Introduction 12 Semyon Bychkov Concerts 17 Jakub Hrůša 137 I Cycle 20 Tomáš Netopil 147 II Cycle 23 Orchestra 157 HP Early Evening Concerts 25 Orchestral Academy of the Czech Philharmonic 167 DK Morning Concert Concerts 181 R Recitals 27 A Subscription Series 188 Tickets Information 45 B Subscription Series 193 Student Programme 61 C Subscription Series 194 How to get to the Rudolfinum 73 M Special Non-Subscription Concerts 198 Dynamic Club of the Czech Philharmonic 86 Other Concerts in Prague 200 Partners of the Czech Philharmonic 90 Tours 203 Contacts 102 Broadcasts and Recordings 204 Calendar 107 Programmes for children with parents, youth, and adult listeners 109 Romano Drom 2020 2 3 CZECH PHILHARMONIC INTRODUCTION Dear Friends of the Czech Philharmonic, Following the four years that it has taken us to realise ‘The Tchaikovsky Project’, we will be On behalf of both the Orchestra and myself, performing and recording the symphonies of I would like to take this opportunity to wish Gustav Mahler, whose music will form one of you a very warm welcome to our 125th Anni- the main pillars of future seasons. -
Programme Information
Programme information Saturday 6th April to Friday 12th April 2019 WEEK 15 Above: Alan Titchmarsh and Rob Cowan ANDRE PREVIN: A LIFE IN MUSIC (continueD) Saturday 6th April 7am to 10am: Alan TitcHmarsH 7pm to 9pm: Cowan’s Classics with Rob Cowan On what would have been André Previn’s 90th birthday, Alan Titchmarsh and Rob Cowan complete Classic FM’s week-long tribute to the great conductor, pianist and composer. From Rob Cowan: “Celebrating what would have been André Previn’s 90th on Cowan’s Classics brings back precious memories of a breakfast interview in Vienna back in 1997, talking to the great man about Ravel, Richard Strauss, Vaughan Williams, Mozart and film music. I remember his suave manner, caustic wit and obvious enthusiasm for the music he loved most. I’ve a terrific selection planned, ranging from Vaughan Williams evoking Westminster at night, to something sleek and sweet by Previn himself, Satie’s restful Gymnopedie No. 1 and Rachmaninov’s most famous piano concerto with Vladimir Ashkenazy as soloist. Here’s hoping that on Classic FM, I play all the right pieces in the right order...” Classic FM is available across the UK on 100-102 FM, DAB Digital radio anD TV, the Classic FM app, at ClassicFM.com and on the Global Player. 1 WEEK 15 SATURDAY 6TH APRIL 7am to 10am: ALAN TITCHMARSH Join Alan for his Great British Discovery and Gardening Tip after 8am, followed by a very special Classic FM Hall of Fame Hour at 9am. André Previn died in February at the age of 89; today would have been his 90th birthday, so, ahead of a special programme with Rob Cowan tonight, Alan dedicates the Classic FM Hall of Fame Hour to Previn’s finest recordings as both conductor and pianist. -
Vivace Spring / Summer 2018
VIVACEVIVACEClassicalRevue o klasické Music Reviewhudbû v nahrávkách SPRINGPODZIM / SUMMER / ZIMA 2018 2016 invydavatelství Supraphon Supraphon Recordings MARKÉTA Photo © PPC archive Železný Photo © Tomáš Photo © Ilona Sochorová Foto archi PFS archi Foto Foto © Foto Jan Houda LUKÁŠ VASILEK VASILEK SIMONAVILÉM VEVERKAŠATUROVÁ TOMÁŠCUKROVÁNETOPIL © Borggreve Foto Marco ROMAN IVAN DAGMAR Photo © Joseph Sterling Photo © Tino Kratochvíl Photo © Ilona Sochorová Foto © Foto David Konečný Foto © Foto Petr Kurečka MARKOVÁLEK IVANOVIĆ RADEKMORAVECBABORÁK ŠTEFANPECKOVÁMARGITA © Foto Martin Kubica JIŘÍ Photo © Antonín Kratochvíl Chrapek Photo © Zdeněk Foto archiv ČF archiv Foto Foto © Foto Martin Kubica JAN BARTOŠ RICHARDBĚLOHLÁVEKNOVÁK 1 VIVACE SPRING / SUMMER 2018 Dear friends, this issue of Vivace. The Martinů Voices with choirmaster Lukáš Va- I cannot but dedicate these lines pref- silek have launched their long-planned recording of complete cham- acing the spring and summer issue of Vi- ber choral work by Bohuslav Martinů. Their thorough preparation vace to another legend of Czech music combined with the highest interpretation qualities bears fruit: the who recently passed away and – as I firm- recording has won critical acclaim and has been awarded the Diapa- ly believe – enriched the heavenly choirs son d’Or, Gramophone Editor’s Choice and five stars by the BBC Mu- and stirred the music debates (not only sic Magazine. Vilém Veverka has fulfilled a dream of his by recording on Janáček) that I picture as taking place a complete set of trio sonatas by the greatest Czech baroque composer there… Professor Milan Škampa (1928–2018) deceased on 14 April, Jan Dismas Zelenka together with the Ensemble Berlin Prag (three of just two months short of his 90th birthday. -
Boston Symphony Orchestra Concert Programs, Season 112, 1992-1993
One Hundred and Twelfth Season 1992-93 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA, MUSIC DIRECTOR THE ART OF SEI KO Bracelets, cases, and casebacks finished in 22 karat gold. E.B. HORN Jewelers Since 1839 429 WASHINGTON ST. BOSTON 02108 61 7-542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Twelfth Season, 1992-93 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Nina L. Doggett R. Willis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer James F. Cleary Avram J. Goldberg Molly Beals Millman John F. Cogan, Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read William F. Connell Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent Leo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey AbramT. Collier Thomas D. Perry, Jr. John L. Thorndike Nelson J. Darling, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R.