Place, Culture, and Power
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Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
“Spirits That Matter: Cross-Gender Identifications in Haitian Vodou. in Defying Binarism: Gender Dynamics in Caribbean Literature and Culture
“Spirits that Matter: Cross-Gender Identifications in Haitian Vodou. In Defying Binarism: Gender Dynamics in Caribbean Literature and Culture . Virginia University Press. Ed. Maria Cristina Fumagalli. (forthcoming) Cross-Gender Identifications in Vodou Roberto Strongman University of California, Santa Barbara The representation of Vodou in Haitian cultural production is replete with cross- gendered subjectivities that many critics have failed to take into account. In Rene Depestre’s novel Hadriana dans tous mes rêves , the protagonist—Hadriana, a white French woman living in Haiti—is turned into a zombi on her wedding day and becomes the leader of a Vodou community. Martin Murno sees in Hadriana’s whiteness “obvious traces of Depestre’s francophilia” (Munro 2007, 127). He also concedes that there might be an element of resistance in Depestre’s idealizaton of Hadriana’s beauty by claiming that Hadriana might embody a “reversal of colonial eroticization of its tropical other” (Munro 2007, 127). What Munro fails to notice, however, is how Hadriana’s aborted marriage begins a non-heteronormative characterization that continues throughout her spiritual evolution. At the outset of the text Hadriana is associated with Nana Buruku, a lwa that is often represented as embodying a primordial androgynous gender. The people of Jacmel, unable to accept that a heart attack brought Nana down to the foot of the altar, used their necrophilic imagination to reinsert their daughter into a fairy tale. Her body’s disappearance from the sepulcher was the catalyst for such a leap from the fear of death into fantasy. 1(Depestre 1988, 98--99) At the end of the novel, she is associated with a male deity of springs: “I was Simbi-the- Spring. -
123 DIGGING the ROOTS Or Resistance and Identity Politics Of
DIGGING THE ROOTS Or Resistance and Identity Politics of the mouvman rasin in Haiti by Kiran C. Jayaram B.A., University of Kansas, 1998 A.A., Johnson County Community College, 1995 Submitted to the Center of Latin American Studies And the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts _________________________________ Bartholomew Dean, Chair _________________________________ John Janzen, Committee member _________________________________ Anton Rosenthal, Committee member _________________________________ Bryant Freeman, Committee member Date Submitted: ___________________ 123 This paper is dedicated to the mouvman rasin all over the world. May the people always have the last say. All power to all the people. ii ABSTRACT The ideological, cultural, and physical means which brought François Duvalier to power in 1957 created a process whereby the state idea became the metonym for all Haitian identity. In what is now called the Roots movement, some people working on the grassroots level began resisting the Duvaliers and asserting a new Haitian identity for themselves. Among the several parts of the movement, people calling themselves sanba-s began experiencing and living according to what they considered “traditional” means, wherefrom they created a new music, mizik rasin. An analysis of the sanba-s’ politics of identity regarding history, music, dress, language, and religion conveys a cultural critique of late Duvalierism and other contemporary social issues. iii TABLE OF CONTENTS Dedication ii Abstract iii Table of Contents iv Acknowledgements v Chapter One: Introduction 1 Chapter Two: Plowing the Field of the Duvalier Era 7 Chapter Three: One Root, Many Roots 31 Chapter Four: History Repeats Itself 54 Chapter Five: Se kiyès moun sa yo ye?/Who are those people? 70 Chapter Six: Analysis and Conclusion 92 Appendix A: 104 Appendix B: 106 Works Cited 108 Discography 118 iv ACKNOWLEDGEMENTS In writing this paper, I have been fortunate to have so many people willing to help me. -
Drapo Vodou: Sacred Standards of Haitian Vodou
UC Santa Barbara UC Santa Barbara Previously Published Works Title Drapo Vodou: Sacred Standards of Haitian Vodou Permalink https://escholarship.org/uc/item/5mc5w4g2 Journal Flag Research Quarterly, 2(3-4) Author Platoff, Anne M. Publication Date 2015-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D. -
Africana Studies Review
AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ON THE COVER DETAIL FROM A PIECE OF THE WOODEN QUILTS™ COLLECTION BY NEW ORLEANS- BORN ARTIST AND HOODOO MAN, JEAN-MARCEL ST. JACQUES. THE COLLECTION IS COMPOSED ENTIRELY OF WOOD SALVAGED FROM HIS KATRINA-DAMAGED HOME IN THE TREME SECTION OF THE CITY. ST. JACQUES CITES HIS GRANDMOTHER—AN AVID QUILTER—AND HIS GRANDFATHER—A HOODOO MAN—AS HIS PRIMARY INFLUENCES AND TELLS OF HOW HEARING HIS GRANDMOTHER’S VOICE WHISPER, “QUILT IT, BABY” ONE NIGHT INSPIRED THE ACCLAIMED COLLECTION. PIECES ARE NOW ON DISPLAY AT THE AMERICAN FOLK ART MUSEUM AND OTHER VENUES. READ MORE ABOUT ST. JACQUES’ JOURNEY BEGINNING ON PAGE 75 COVER PHOTOGRAPH BY DEANNA GLORIA LOWMAN AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 ISSN 1555-9246 AFRICANA STUDIES REVIEW JOURNAL OF THE CENTER FOR AFRICAN AND AFRICAN AMERICAN STUDIES SOUTHERN UNIVERSITY AT NEW ORLEANS VOLUME 6 NUMBER 1 SPRING 2019 TABLE OF CONTENTS About the Africana Studies Review ....................................................................... 4 Editorial Board ....................................................................................................... 5 Introduction to the Spring 2019 Issue .................................................................... 6 Funlayo E. Wood Menzies “Tribute”: Negotiating Social Unrest through African Diasporic Music and Dance in a Community African Drum and Dance Ensemble .............................. 11 Lisa M. Beckley-Roberts Still in the Hush Harbor: Black Religiosity as Protected Enclave in the Contemporary US ................................................................................................ 23 Nzinga Metzger The Tree That Centers the World: The Palm Tree as Yoruba Axis Mundi ........ -
Hoodoo Spells and Magick Introduction Introduction and Guide for Beginners and Revision and Reference for Experienced
Hoodoo spells and magick introduction Introduction and guide for beginners and revision and reference for experienced By : Shadow ( aka M. Vlaovich ) Table of contents Chapter I Origin and history page 3- 4 Chapter II On tools 4 – 9 Chapter III Addition ( Eggs magick ) 9 – 11 Chapter IV Candleburning art 11 – 15 Chapte V Red Brick Dust in Hoodoo 15 - 16 Chapter VI Words of Power 16 – 22 Chapter VII Powders in Hoodoo 22 – 26 Chapter VIII Oils of Hoodooo 26 - 29 Chapter IX Mojo bags or Gris Gris bags 29 - 31 Chapter X Hoodoo Tricks 31 - 32 Chapter XI Loas 32 - 36 Chapter XII Saints and prayers in Hoodoo 36 - 39 Chapter XIII The great Voodoo queen of New Orleans 39 – 41 Chapter XIV Conclusion with disclamer READ PLEASE 41-42 CHAPTER I ORIGINS AND HISTORY ( source www.wikipedia.com ) Hoodoo is a form of predominantly African-American traditional folk magic. Also known as conjure, it is a tradition of magical practice that developed from the syncretism of a number of separate cultures and magical traditions. Hoodoo incorporates practices from African and Native American traditions, as well as some European magical practices and grimoires. While folk practices like hoodoo are trans-cultural phenomena, what is particularly innovative in this tradition is the "remarkably efficacious use of biblical figures" in its practices and in the lives of its practitioners.[1] The word hoodoo first was documented in American English in 1875 and was listed as a noun or a transitive verb.[2][3] In African American Vernacular English (AAVE), it is often used to describe a magic spell or potion, but it may also be used as an adjective for a practitioner. -
The Kongolese Atlantic: Central African Slavery & Culture From
The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 i v ABSTRACT The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti by Christina Frances Mobley Department of History Duke University Date:_______________________ Approved: ___________________________ Laurent Dubois, Supervisor ___________________________ Bruce Hall ___________________________ Janet J. Ewald ___________________________ Lisa Lindsay ___________________________ James Sweet An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2015 Copyright by Christina Frances Mobley 2015 Abstract In my dissertation, “The Kongolese Atlantic: Central African Slavery & Culture from Mayombe to Haiti,” I investigate the cultural history of West Central African slavery at the height of the trans-Atlantic slave trade, the late eighteenth century. My research focuses on the Loango Coast, a region that has received -
The Afro-Diasporic Body in Haitian Vodou and the Transcending of Gendered Cartesian Corporeality
Kunapipi Volume 30 Issue 2 Article 4 2008 The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality Roberto Strongman Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Strongman, Roberto, The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality, Kunapipi, 30(2), 2008. Available at:https://ro.uow.edu.au/kunapipi/vol30/iss2/4 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The afro-diasporic body in haitian vodou and the transcending of gendered cartesian corporeality Abstract As a social construct, the body is pieced together differently in every cultural context. The discourse of embodiment in the Western philosophical tradition contrasts sharply with the more modular conceptualisation of the body found in Afro-Diasporic religious cultures. An explication of some canonical texts of Western philosophy and some filmic and literary texts from Haiti can demonstrate how these contrasting understandings of the body produce unique gendered and sexual categories of being. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol30/iss2/4 11 Roberto STRoNGMAN The Afro-Diasporic body in Haitian Vodou and the Transcending of Gendered Cartesian Corporeality As a social construct, the body is pieced together differently in every cultural context. The discourse of embodiment in the Western philosophical tradition contrasts sharply with the more modular conceptualisation of the body found in Afro-Diasporic religious cultures. -
Afroamerikanische Religionen
0. Der Plan der Vorlesung Unter „Afroamerikanischen Religionen“ versteht man diejenigen Religionen und Kulte, die unter der aus Afrika nach den Amerikas meist als Sklaven verbrachten Bevölkerung des amerikanischen Kontinents oder unter starkem Einfluss von afrikanischen Traditionen entstanden sind. Man kann diese grob in folgende Gruppen einteilen: 1. Religionen, die autochthone afrikanische religiöse Traditionen bewahrt resp. Unter den Bedingungen der Sklaverei transformiert oder diesen angepasst haben. Hier handelt es sich vor allem um Kulte, die an den klassischen Umschlagplätzen des transatlantischen Sklavenhandels entstanden sind, in der Karibik und in Brasilien. Die Ursprungsgebiete für diese religiösen Traditionen sind Westafrika (Gold- und Elfenbeinküste) und Zentralafrika.. 2. Christliche Kirchen oder Denominationen v.a. in den USA, die durch Elemente „afrikanischer“ Spiritualität gekennzeichnet sind, oft als „Black Churches“ bezeichnet. 3. Afrikanisch-amerikanische religiöse Gruppierungen in den USA innerhalb von mainstream-churches, die von „Weißen“ dominiert sind (etwa „Black Catholicism“) 4. Religiös-politische Bewegungen, die eine „millenaristische“ Weltsicht oder eine „Back- to-Africa“ Zielsetzung geprägt sind. 5. Formen des Islam, respektive Gruppierungen, die Elemente des Islam adaptieren uner der schwarzen Bevölkerung der USA („Black Muslims“) Die Vorlesung legt einen Schwerpunkt auf die unter 1. und 4. genannten Gruppierungen, geht aber auch auf die Gruppen 2. und 5. ein. Der Ordnungsgesichtspunkt ist aber nicht die oben genannte Einteilung, die, wie die meisten derartigen Einteilungen, unscharf ist. Der Hauptteil der Vorlesung geht auf afro-amerikanische Kulte in der Karibik ein, unter denen man religiöse Bewegungen und Kultformen findet, die man (wenigstens einer) der o.g. Gruppen 1, 2 und 4. zuordnen wird können. Am ausführlichsten werden die kubanische Santería und der haitianische Vodu (Kap. -
The Presence of Africa in the Caribbean, the Antilles and the United States Other Books in the Research and Ideas Series
RESEARCH AND IDEAS SERIES History The Presence of Africa in the Caribbean, www.gfddpublications.org - www.globalfoundationdd.org - www.funglode.org the Antilles and the United States Celsa Albert Batista - Patrick Bellegarde-Smith - Delia Blanco - Lipe Collado RESEARCH AND IDEAS SERIES Franklin Franco - Jean Ghasmann Bissainthe - José Guerrero - Rafael Jarvis Luis Education Mateo Morrison - Melina Pappademos - Odalís G. Pérez - Geo Ripley Health José Luis Sáez - Avelino Stanley - Dario Solano - Roger Toumson Urban Development History THE PRESENCE OF AFRICA IN THE CARIBBEAN, THE ANTILLES AND THE UNITED StatES Other books in the Research and Ideas Series: Distance Education and Challenges by Heitor Gurgulino de Souza El Metro and the Impacts of Transportation System Integration in Santo Domingo, Dominican Republic by Carl Allen The Presence of Africa in the Caribbean, the Antilles and the United States Celsa Albert Batista Patrick Bellegarde-Smith Delia Blanco Lipe Collado Franklin Franco Jean Ghasmann Bissainthe José Guerrero Rafael Jarvis Luis Mateo Morrison Melina Pappademos Odalís G. Pérez Geo Ripley José Luis Sáez Avelino Stanley Dario Solano Roger Toumson RESEARCH AND IDEAS SERIES History This is a publication of gfdd and funglode Global Foundation for Democracy and Development www.globalfoundationdd.org Fundación Global Democracia y Desarrollo www.funglode.org The Presence of Africa in the Caribbean, the Antilles and the United States Copyright @ 2012 by GFDD-FUNGLODE All rights Reserved, including the right of reproduction in whole or in part in any form. ISBN: 978-9945-412-74-1 Printed by World Press in the USA Editor-in-Chief Graphic Design Natasha Despotovic Maria Montas Marta Massano Supervising Editor Semiramis de Miranda Collaborators Yamile Eusebio Style Editor Asunción Sanz Kerry Stefancyk Translator Maureen Meehan www.gfddpublications.org Table of Contents Foreword ............................................................................ -
Historical Linguistic Dimensions of Spirit Migration in Haitian Vodou Benjamin Hebblethwaite, [email protected]
Historical Linguistic Dimensions of Spirit Migration in Haitian Vodou Benjamin Hebblethwaite, [email protected] Sponsored by: • UF’s Department of Languages, Literatures and Cultures • The Bavarian Funding Programme for the Initiation of International Projects (BayIntAn) Basic facts about the organization of Vodou • Oungan/Manbo Makout - Family and extended family traditions throughout Haiti. • Vodou Lakou/Sèvitè - Family and public traditions that hew to a single Rite (Gonaives & L’Artibonite Department). - Dahomen (Lakou Souvnans) - Kongo (Lakou Soukri Danach) - Nago (Lakou Nan Badjo) - Banda (Lakou Dewonvil) - Bizango (L’Artibonite Department) • Members of Vodou Lakou communities generally attend services in several of the communities of the region. • Vodou Asogwe/Kanzo - There are also public traditions that syncretize multiple Rites. • The southern city of Leyogann is known for its Asogwe/Kanzo Vodou temples. Candidates to the priesthood travel from various parts of Haiti to Leyogann for initiation (Oungan Michelet Alisma). • Vodou Asogwe is my focus because it contains multiple African Rites (Beauvoir 2008 & 2008). Vodou Lakou (‘Yard Vodou’); North Asogwe Vodou; West Courtesy of Google Historical traces of populations captured and sold into slavery and their religion: Saint-Méry (1797) • African populations listed by Saint-Méry: Sénégalais (26), Yoloffes [Wolof?] (27), Poules/Poulards, Bambaras, Quiambas, Mandingues, Bissagos, Sosos, Aradas, Caplaou (29) [Cap Laho, east of Ivory Coast], Mines [Gold Coast], Agouas, Socos, Fantins, Cotocolis, -
Haiti's History
Haiti’s History 5000 BCE - 1780 5000 BCE First inhabitants, the Tainos and Arawak 300 BCE 1492 Farming villages Christopher Columbus sighted established Haiti and renamed it La Isla Española (later Anglicized as Hispaniola) 1492-1514 1697 1780 Enslaved natives, European The Treaty of Rijswijk: “Creation of Santo Became France’s most prosperous New World diseases and brutal working Domingo (Spanish Eastern Half) and Saint possession, exporting Sugar, smaller amounts of conditions (pop. 100 000-30 Dominigue (French Western Half).” Spain coffee, cacao, indigo, cotton. (2/3 of France’s 000) giving the western half after exhausting gold foreign investments) cause of soil erosion mines (European investors and landowners unconcerned or unaware of long-term consequences) 1789 - 1801 1801 L’Overture named “governor- general for life” 1791 1793 Dutty Boukman, a Jamaican-born Haitian voodoo priest, Léger Félicité Sonthonax (sent from conducted a ceremony at the Bois Caïman during which France), maintain order, abolished he prophesied that a massed rebellion would at last slavery (L’Overture agreed to fight for 1789 free the slaves of Saint-Domingue. A wild animal was French for this - http://en.wikipedia. Saint-Domingue, society deeply fragmented by sacrificed and Boukman urged them to take bloody org/wiki/Haitian_Revolution), joined colour skin, class and gender. revenge on their French oppressors. French revolution his army - Grands blancs (Elite merchants, Landowners, granted citizenship to wealthy affranchis, Europeans Royal Lineage) refused