CCEA GCSE Specification in English Literature
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Metamorphosis: from Light Verse to the Poetry of Witness by Maxine Kumin from the Georgia Review, Winter 2012
Metamorphosis: From Light Verse to the Poetry of Witness by Maxine Kumin from The Georgia Review, Winter 2012 How did I become a very old poet, and a polemicist at that? In the Writers Chronicle of December 2010 I described myself as largely self-educated. In an era before creative writing classes became a staple of the college curriculum, I was "piecemeal poetry literate"—in love with Gerard Manley Hopkins and A. E. Housman, an omnivorous reader across the centuries of John Donne and George Herbert, Randall Jarrell and T. S. Eliot. I wrote at least a hundred lugubrious romantic poems. One, I remember, began When lonely on an August night I lie Wide-eyed beneath the mysteries of space And watch unnumbered pricks of dew-starred sky Drop past the earth with quiet grace ... Deep down I longed to be one of the tribe but I had no sense of how to go about gaining entry. I had already achieved fame in the narrow confines of my family for little ditties celebrating birthdays and other occasions, but I did not find this satisfying. There were no MFAs in poetry that I knew of except for the famous Iowa Writers' Workshop, founded in 1936; certainly there was nothing accessible to a mother of two, pregnant with her third child in 1953 in Newton, Massachusetts. I have noted elsewhere that I chafed against the domesticity in which I found myself. I had a good marriage and our two little girls were joyous elements in it. But my discontent was palpable; I did not yet know that a quiet revolution in thinking was taking place. -
At the Intersection of Poetry and a Lower
At the Intersection of Poetry and a High School English Class: 9th Graders‟ Participation in Poetry Reading Writing Workshop and the Relation to Social and Academic Identities‟ Development DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan Koukis Graduate Program in Education The Ohio State University 2010 Dissertation Committee: Anna Soter, Advisor George Newell Mollie Blackburn Terry Hermsen Copyright by Susan Koukis 2010 Abstract The purpose of this study was to determine whether “marginalized” (Moje, Young, Readence, & Moore 2000) 9th grade students in a low-level, tracked English class perceived themselves as more successful students in English class after participating in a 10-week Poetry Reading Writing Workshop. A second purpose was to determine whether their knowledge of poetry terms and concepts such as metaphor, and subsequent performance on the poetry sections of standardized tests improved. My nested case study focused on 19 students in a low-level 9th grade English class. As the practitioner researcher, I conducted in- depth research with six focus students chosen through purposeful sampling. I collected data over the course of three months, using the types of instruments most common to case study research. Data analysis for my nested case study was ongoing and recursive between field work and reflection. Data were coded for patterns that represented categories pertaining to my research questions and coding was refined as I gathered and re-read additional data sources. The findings revealed that students learn better, and are more engaged when they have choices (Atwell, 1998; Lauscher, 2007). -
Guide to the Papers of the Summer Seminar of the Arts
Summer Seminar of the Arts Papers Guide to the Papers of The Summer Seminar of the Arts Auburn University at Montgomery Library Archives and Special Collections © AUM Library TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2 Biographical Information 3-4 Scope and Content Note 5 Arrangement 5-6 Inventory 6-24 1 Summer Seminar of the Arts Papers Collection Summary Creator: Jack Mooney Title: Summer Seminar of the Arts Papers Dates: ca. 1969-1983 Quantity: 9 boxes; 6.0 cu. ft. Identification: 2005/02 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Summer Seminar of the Arts Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: Jack Mooney donated the collection to the AUM Library in May 2005. Processing By: Samantha McNeilly, Archives/Special Collections Assistant (2005). Copyright Information: Copyright not assigned to the AUM Library. Restrictions Restrictions on access: There are no restrictions on access to these papers. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. 2 Summer Seminar of the Arts Papers Biographical/Historical Information The Summer Seminar of the Arts was an annual arts and literary festival held in Montgomery from 1969 until 1983. The Seminar was part of the Montgomery Arts Guild, an organization which was active in promoting and sponsoring cultural events. Held during July, the Seminar hosted readings by notable poets, offered creative writing workshops, held creative writing contests, and featured musical performances. -
Poetry: Why? Even Though a Poem May Be Short, Most of the Time You Can’T Read It Fast
2.1. Poetry: why? Even though a poem may be short, most of the time you can’t read it fast. It’s like molasses. Or ketchup. With poetry, there are so many things to take into consideration. There is the aspect of how it sounds, of what it means, and often of how it looks. In some circles, there is a certain aversion to poetry. Some consider it outdated, too difficult, or not worth the time. They ask: Why does it take so long to read something so short? Well, yes, it is if you are used to Twitter, or not used to poetry. Think about the connections poetry has to music. Couldn’t you consider some of your favorite lyrics poetry? 2Pac, for example, wrote a book of poetry called The Rose that Grew from Concrete. At many points in history across many cultures, poetry was considered the highest form of expression. Why do people write poetry? Because they want to and because they can… (taking the idea from Federico García Lorca en his poem “Lucía Martínez”: “porquequiero, y porquepuedo”) You ask yourself: Why do I need to read poetry? Because you are going to take the CLEP exam. Once you move beyond that, it will be easier. Some reasons why we write/read poetry: • To become aware • To see things in a different way • To put together a mental jigsaw puzzle • To move the senses • To provoke emotions • To find order 2.2. Poetry: how? If you are not familiar with poetry, you should definitely practice reading some before you take the exam. -
The Queer Dialectic of Whitman's Nation: 'Let' in “Respondez,”
václav paris The Queer Dialectic of Whitman’s Nation: “Let” in “Respondez” Let the Asiatic, the African, the European, the American, and the Australian, go armed against the murderous stealthiness of each other! Let them sleep armed! Let none believe in good will! Walt Whitman, “Poem of the Proposition of Nakedness,” 1856 riginally published as “poem of the proposi- Otions of Nakedness” in 1856, then without a title in 1860, the poem that we know as “Respondez” only appeared as such in the 1867 and 1871–72 Leaves of Grass. If, as Sam Abrams claims, “Respondez” is “a poem widely regarded as the most important in the entire Whitman corpus” then it occupies a strangely marginal position in that corpus (32).1 Easily overlooked because of its exclusion from the first and final editions, the poem is better known to a few critics of Whitman than it is to a general readership.2 It is probably best known to other poets— and is, ironically, more often printed in anthologies and selections than “complete” editions of Leaves of Grass.3 “Respondez” clearly stands out, although theories of why are not forthcoming. Louis Zukofsky famously wrote that it was “Whitman’s greatest poem,” quoting the work in its entirety but without further comment at the end of Prepositions+ (218–21).4 Likewise in 1947 Wil- liam Carlos Williams claimed it as exemplary of “a new formal necessity touching all verse” (qtd. in Abrams 32), going on to read twenty-five lines of the poem also without further comment. In not commenting, Zukofsky and Williams alert us to its slipperiness, for quoting “Respon- dez” is far easier than offering an interpretation or capturing it within a general framework. -
Thomas Merton's Projected Anthology of Religious Poetry
20 Thomas Merton's Projected Anthology of Religious Poetry By Patrick F. O'Connell During the summer of 194 l, having fini shed his fust year teaching English at St. Bonaventure College, Thomas Merton was busy about many things: he was working on his novel, Journal of My Escape from the Nazis, writing numerous poems, keeping two versions of his journal. reading Dante, Lorca and Graham Greene, teaching a summer school bibliography course, spending two weeks working at Catherine de Hueck's Friendship House in Harlem, worrying about the war, thinking about the Trappists. 1 In the midst of all this activity he also managed Lo find time for another project, one that reflected his own deepening interest, as writer and reader, in religious verse. On July 27, he records in his journal: I think of making an Anthology of Poems, Religious or nearly Religious. So far I have got Donne's "Hymn to Christ at the Author"s Last Going into Gennany," "At the Round Earth's Imagin'd Comers," ·'Nocturnal on Saint Lucy's Day," "'What If This Present were the World 's Last Night?," and Herbert's "Aaron" and Vaughan's "The Seed Growing Secretly" and Hopkins' "Felix Randal." Also Tthink Hopkins' "Leaden and Golden Echo" - "Bugler's First Communion,.. "Candle indoors."' "Wreck of the Deutschlancf' and despair poems. Then Blake's ·'How Sweet I Roamed," "Lillie Girl Lost.'' "Auguries of Innocence." '·Mental Traveler." ''Holy Thursday" (Innocence), a lot more Vaughan (e.g., "Night"). plenty Traherne - Southwell's " Burning Babe."' ln all maybe 150 poems - or half that- 75 would be a better number (RM 380-8 1). -
A Rhetorical Analysis of Judy Grahn's Poetry
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 1997 "They say she is veiled": A rhetorical analysis of Judy Grahn's poetry Damaris Hawkins Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Feminist, Gender, and Sexuality Studies Commons, and the Rhetoric Commons Recommended Citation Hawkins, Damaris, ""They say she is veiled": A rhetorical analysis of Judy Grahn's poetry" (1997). Theses Digitization Project. 2941. https://scholarworks.lib.csusb.edu/etd-project/2941 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. "THEY SAY SHE IS VEILED:" A RHETORICAL ANALYSIS OF JUDY GRAHN'S POETRY A Thesis Presented, to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Composition by Damaris Hawkins September 1997 Cpisf. Stale University, San Bernardino uo •j "THEY SAY SHE IS VEILED:" A RHETORICAL ANALYSIS OF JUDY GRAHN'S POETRY A Thesis Presented to the Faculty of California State University, San Bernardino by Damaris Hawkins September 1997 Approved by: ft- Date Loralee MacPike Copyright 1997 Damaris Hawkins ABSTRACT Judy Grahn is a contemporary feminist American poet who utilizes myth in her poetry. Grahn's early work weaves in minimal references to Venus and Jason, she soon progresses to focusing on the myth of Helen of Troy--and all her incantations--to create a book of poems to instruct and unite womankind in the hope that her poetical work will lay the foundation for a spiritual and psychological transformation. -
Volume6 Issue4(1)
Volume 6, Issue 4(1), April 2017 International Journal of Multidisciplinary Educational Research Published by Sucharitha Publications 8-43-7/1, Chinna Waltair Visakhapatnam – 530 017 Andhra Pradesh – India Email: [email protected] Website: www.ijmer.in Editorial Board Editor-in-Chief Dr.K. Victor Babu Faculty, Department of Philosophy Andhra University – Visakhapatnam - 530 003 Andhra Pradesh – India EDITORIAL BOARD MEMBERS Prof. S.Mahendra Dev Vice Chancellor Prof. Fidel Gutierrez Vivanco Indira Gandhi Institute of Development Founder and President Research Escuela Virtual de Asesoría Filosófica Mumbai Lima Peru Prof.Y.C. Simhadri Prof. Igor Kondrashin Vice Chancellor, Patna University The Member of The Russian Philosophical Former Director Society Institute of Constitutional and Parliamentary The Russian Humanist Society and Expert of Studies, New Delhi & The UNESCO, Moscow, Russia Formerly Vice Chancellor of Benaras Hindu University, Andhra University Nagarjuna University, Patna University Dr. Zoran Vujisiæ Rector Prof. (Dr.) Sohan Raj Tater St. Gregory Nazianzen Orthodox Institute Universidad Rural de Guatemala, GT, U.S.A Former Vice Chancellor Singhania University, Rajasthan Prof.U.Shameem Prof.K.Sreerama Murty Department of Zoology Andhra University Visakhapatnam Department of Economics Andhra University - Visakhapatnam Dr. N.V.S.Suryanarayana Dept. of Education, A.U. Campus Dr.V.Venkateswarlu Vizianagaram Assistant Professor Dept. of Sociology & Social Work Dr. Kameswara Sharma YVR Acharya Nagarjuna University, Guntur Asst. Professor Dept. of Zoology Prof. P.D.Satya Paul Sri. Venkateswara College, Delhi University, Department of Anthropology Delhi Andhra University – Visakhapatnam I Ketut Donder Prof. Josef HÖCHTL Depasar State Institute of Hindu Dharma Department of Political Economy Indonesia University of Vienna, Vienna & Ex. -
STUMPO-DISSERTATION.Pdf
DOUBLE HELIX A Dissertation by JEFFREY DAVID STUMPO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: English Double Helix Copyright 2011 Jeffrey David Stumpo DOUBLE HELIX A Dissertation by JEFFREY DAVID STUMPO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Paul Christensen Committee Members, M. Jimmie Killingsworth Janet McCann Eduardo Espina Head of Department, M. Jimmie Killingsworth May 2011 Major Subject: English iii ABSTRACT Double Helix. (May 2011) Jeffrey David Stumpo, BA, Illinois Wesleyan University; MA, College of Liberal Arts Chair of Advisory Committee: Dr. Paul Christensen Double Helix approaches the conjunction of visual poetry and long poetry from two distinct but related viewpoints. The first is a scholarly examination of the techniques used to make a long poem visual or a visual poem long. The second is a production of an original long visual poem exhibiting these techniques. The first part, ―The Look of the Long Poem,‖ posits that there are five major techniques which are used in long visual poems: line breaks, imagetexts, white space, page division, and collage and montage. These techniques are grounded in the theoretical work of, among others, Katherine O’Brien O’Keeffe, W.J.T Mitchell, Marjorie Perloff, and Johanna Drucker. The techniques are examined in detail as they play out in the work of Anne Carson, David Daniels, Christine Wertheim, Johanna Drucker, Langston Hughes, Ed Dorn, Lisa Jarnot, and Tom Phillips. -
FL 006 440 PUB DATE NOTE AVAILABLE PROM National Association of Independent Schools, 4 Audiovisual Aids
DOCUMENT RESUME RD 096 830 FL 006 440 TITLE A Teacher's Notebook: Latin. INSTITUTION National Association of Independent Schools,Boston, Mass. PUB DATE Sep 74 NOTE 85p. AVAILABLE PROMNational Association of Independent Schools, 4 Liberty Square, Boston, Massachusetts 02109 (S2.00) EDRS PRICE MF-$0.75 MC Not Available from EDRS. PLUSPOSTAGE DESCRIPTORS Audiovisual Aids; *Language Instruction; *Language Teachers; *Latin; Professional Associations; Second Language Learning; *Teaching Guides; Teaching Methods; Testing; Textbooks ABSTRACT This notebook was designed to provide general guidelines for beginning teachers whoare establishing a Latin program. Prepared by Latin teachers in independent schools, the notebook offers suggestions and informationon the followings (1) reasons for studylng Latin, (2) the age for beginning Latin study, (3) methodology, (4) testing, (5) textbooks, (6) audiovisual aids, (7) recommended books for a teacher's library, and (8) professional organizations and their publications. (Author/PP) FtooLIP(0 TE R'S NOTEBOOK: LATIN US DEPARTMENT OF HEALTH EDUCAtION &WELFARE NATIONAL INStITUTE OF PERMISSION TO REPRODUCETHIS EDUCATKIN COPYRIGHTED MATERIAL FICHE SY MICRO. THIS DOCUMENT Has SEEN REPRO GRANTED BY DuCED F.*ActLY AS RECEIVED IItOM THE PERSON OR ORGANIAT,oN 0010,;Ni AT MG It POINTS OF viSA. OR OP,NiONS TO Efate AND ORGANIZATIONS STATED DO NOT NECESSAR.LY REPNE OPERAT SENT OFFICIAL NATIONAL ,NST,TuTE OF tNGuNCIER AGREEMENTSAHT/4 THE NA EDUCATION POStTtON OR POL,CY TIONAL INSTITUTECF EDUCATION FURTHER REPRODUCTIONOUTSIDE THE ERIC SYSTEMREQUIRES PkaVIIS SION OF tHe COPYRIGHTOWNER National Association of IndependentSchools September 1974 Additional copies may be ordered at $2.00each from National Association of IndependentSchools Four Liberty Square. Boston. Massachusetts02109 Copyright ID 1974 by the National Association ofIndependent Schools All rights reserved. -
© 2017 Lyndy Danvers ALL RIGHTS RESERVED
© 2017 Lyndy Danvers ALL RIGHTS RESERVED THE TIES THAT BIND: PSEUDO-VERGILIAN POEMS IN ANTIQUITY By LYNDY DANVERS A dissertation suBmitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Classics Written under the direction of Serena Connolly And approved By _____________________________________ _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey October 2017 ABSTRACT OF THE DISSERTATION The Ties that Bind: Pseudo-Vergilian Poems in Antiquity by LYNDY DANVERS Dissertation Director: Dr. Serena Connolly My study investigates the connections between the poems that are attributed to Vergil but were most likely not written by him. I systematically traverse these poems, beginning with the writings ascribed to Vergil in the biography of Donatus (i.e. the Culex, the Ciris, the Lydia, the Dirae, the Catalepton poems, and the Priapeia poems); followed by those added in the biography of Servius (i.e. the Aetna, and the Copa); and finally the remaining works transmitted in the biographical tradition and also those remaining in the so-called “Appendix Vergiliana” (i.e. the “Ballista” epigram, Vergil’s epitaph, the pre-proem to the Aeneid, Elegiae in Maecenatem, and the “Helen Episode” from the Aeneid). These poems were probably written by different authors, in different time periods, and across different genres. They nevertheless display a concatenation of similar topoi. Most previous scholarship in this area has focused on issues of authorship, and when scholars have addressed the purely poetic aspects of these works, they have done so by focusing on individual poems. -
Poetry Notes
. Poetry Notes Winter 2011 Volume 2, Issue 2 ISSN 1179-7681 Quarterly Newsletter of PANZA of New Zealand Literature: being a List Inside this Issue Welcome of New Zealand Authors and their works with introductory essays and Hello and welcome to the sixth issue of verses, page 59: Gerard, Kate, with a Welcome Poetry Notes, the newsletter of PANZA, full list of her 13 books of poetry and 1 the newly formed Poetry Archive of page 55: Eyre, Ernest Leonard, with Niel Wright on two classic New Zealand Aotearoa. 1906 Future times and other rhymes, NZ poets: Kate Gerard and Poetry Notes will be published quarterly and 1918 In the bush and other verses Ernest L. Eyre and will include information about (2nd edition), but nothing else. goings on at the Archive, articles on Obituary: David Mitchell historical New Zealand poets of interest, occasional poems by invited poets and a KATE GERARD 3 record of recently received donations to Tributes to David Mitchell the Archive. by Michael O’Leary and The National Library on line catalogue 4 The newsletter will be available for free Ron Riddell credits her with 14 book publications, download from the Poetry Archive’s and gives her dates as 1855-1934, so Classic New Zealand website: she lived to 79. poetry by Rex Hunter There is no trace of any other forenames 6 http://poetryarchivenz.wordpress.com American-born NZ busker for her than Kate. The name Kate and poet ‘Kenny’ dies Gerard does not appear in New Zealand 8 Biographies at the National Library, but Niel Wright on two Tapuhi has correspondence of hers in Comment on the Alistair various files.