Poetry Notes

Total Page:16

File Type:pdf, Size:1020Kb

Poetry Notes . Poetry Notes Winter 2011 Volume 2, Issue 2 ISSN 1179-7681 Quarterly Newsletter of PANZA of New Zealand Literature: being a List Inside this Issue Welcome of New Zealand Authors and their works with introductory essays and Hello and welcome to the sixth issue of verses, page 59: Gerard, Kate, with a Welcome Poetry Notes, the newsletter of PANZA, full list of her 13 books of poetry and 1 the newly formed Poetry Archive of page 55: Eyre, Ernest Leonard, with Niel Wright on two classic New Zealand Aotearoa. 1906 Future times and other rhymes, NZ poets: Kate Gerard and Poetry Notes will be published quarterly and 1918 In the bush and other verses Ernest L. Eyre and will include information about (2nd edition), but nothing else. goings on at the Archive, articles on Obituary: David Mitchell historical New Zealand poets of interest, occasional poems by invited poets and a KATE GERARD 3 record of recently received donations to Tributes to David Mitchell the Archive. by Michael O’Leary and The National Library on line catalogue 4 The newsletter will be available for free Ron Riddell credits her with 14 book publications, download from the Poetry Archive’s and gives her dates as 1855-1934, so Classic New Zealand website: she lived to 79. poetry by Rex Hunter There is no trace of any other forenames 6 http://poetryarchivenz.wordpress.com American-born NZ busker for her than Kate. The name Kate and poet ‘Kenny’ dies Gerard does not appear in New Zealand 8 Biographies at the National Library, but Niel Wright on two Tapuhi has correspondence of hers in Comment on the Alistair various files. Te Ariki Campbell classic NZ poets: 9 Exhibition – Cook Islands Kate Gerard and Dunedin poet Larry Biography Matthews dies Ernest L. Eyre 10 Kate Gerard appears in the 1893 Donations of NZ poetry electoral roll for Fendalton with made to the Poetry Wellington poet/critic/publisher Niel occupation listed as domestic duties. Library, London The National Archives records CAHX- Wright reports on two classic poets of CH-171-17549 probate number 17549 Recently received New Zealand’s past, who seem to have file date 3 December 1934 identify a donations fallen through the cracks since 1940 12 Kate Gerard with occupation spinster, and yet the National Library and the Turnbull Library in Wellington have clearly enough by date of death and About the Poetry Archive substantial holdings of their works. location (CH = Christchurch) as the Fendalton resident above, and so as the Neither Kate Gerard nor E L Eyre come poet Kate Gerard, who is therefore a poet of Christchurch, where the PANZA up in any NZ poetry anthology we have been able to check, but they are both Waimairi Cemetery record of PO Box 6637 headstones gives ‘GERARD Kate b Marion Square listed in the book New Zealand Literature Authors’ Week 1936: Annals 1855, d 1934. Annie d 1944,’ again Wellington 6141 unquestionably the poet. Winter 2011 A Google search for New Zealand The Call of the Light: where there is no Ernest Leonard Eyre appears in the pages brings up references to Kate vision the people perish 10 pages 18cm 1960 North Shore electoral roll as Gerard. poems 1933 to be seen as ‘Book VIII’ retired living at Wicklow Road with In 1934 the property of Kate Gerard was (ie by Bagnall). Mabel Pearl Eyre. offered for purchase to form Fendalton Captain Oates of Scott’s Last In the 1938 Auckland East electoral roll Park, then a project, but was not chosen. Expedition to the Pole duplicated Ernest Leonard Eyre living at Wicklow In 1944 the rear end of the property at typewritten poem ‘April 1927’ 3 leaves Road with Mabel Pearl Eyre is 173 Fendalton Rd of Annie Gerard 33x21 cm 1927. described as author, but there is no trace (1862?-1944), sister of Kate Gerard, My Horse the King ‘In memory of Roy of him at that address in earlier electoral was purchased to extend Fendalton Stewart and other men who made the rolls that I can find. Park. Whichever of the sisters is meant, great sacrifice.’ 24 pages 18cm Poem Bagnall for Pen Pictures 1931 gives as lived where Willowbrook Place (off 1927. I might ask is this the Canterbury in print on the title page Ernest L Eyre, Fendalton Rd) was later formed. Mounted Rifles? Wicklow Road, Narrow Neck, Papers Past for Waiapu Gazette records My White Horse ‘In memory of Cyril Devonport, Auckland, N.Z. (author of that the Kate Gerard bequest made Gordon and other missionaries who 14 verse and prose publications). Total grants on 1 January 1939 for book have made the sacrifice.’ 36 pages 17cm sales 26,000. purchases. poems [1929]. Bagnall for Lips to kiss and hands to The Kate Gerard Boys’ Fund provided Nicodemus, the blind man 32 pages hold and other songs about days of old funds for the Anglican Diocese of 17cm poem [1929]. c1940 gives as in print on the title page Wellington to purchase books. Peter 59 pages 18cm poem [1930] Ernest L Eyre author of 17 verse and It is quite clear from the list of Kate Jacob, the destiny for all nations 35 prose publications; thirty thousand Gerard’s books that all are books of pages 1932. copies sold…and with folder (verse) poetry and that her poetry was religious. Stream of Living Waters 11 [1] pages ‘Souvenir from Auckland N.Z’, [4] I have the vaguest sense that at some 19cm poem [1934]. pages stapled in. time I have seen her 32 page book Bagnall for Camp-Fire Rhymes 1923 Nicodemus, the blind man [1929]. says it includes a biographical note Kate Gerard belongs to the same ERNEST LEONARD EYRE ‘Peripatetic Poets,’ by J Liddell Kelly generation as poet Mary E Richmond (who died 1925), reprinted from (1853-1949), and there are cultural and The National Library on line catalogue The Auckland Star, Supplement, sociological commonalities between credits him with 22 book publications, 5 November, 1921. them. and gives his dates as 1886-1968. He The National Library/Turnbull Library was in fact, as Rowan Gibbs notes, born copy of Pen Pictures (1931) includes a in December 1885 (according to Births, reprint tipped in ‘A much-travelled Her Books Deaths, & Marriages). So he lived to 82. bard.’ A Google search of New Zealand pages It’s clear from the Union Catalogue and brings up five Papers Past pieces and the National Library on line catalogue Biography two references to a book of his for sale. that her book The Call of the Light appeared in six volumes between 1916 His full name is confirmed by his only and 1922 as: entry in National Library’s Biographical His Books Volume 1 35 pages 14cm poem [1916]; Index (NZ Biographies 1968 v 3 page Volume 2 35 pages 14cm poems 13) as Ernest Leonard Eyre of The Union Catalogue lists two [1917]; Devonport 1886?-1968. publications by Ernest L Eyre not in the Volume 3 not listed poems [1918]; North Shore Times, 30 April 1968, National Library, and not located by Volume 4 55 pages 14cm [1919]; and ‘Obituary Mr E. L. Eyre’ deals solely Bagnall, viz: Volume 5 34 pages 14cm poems [1920] with E L Eyre’s connection with the 1. Mother Calls Her Children Home to all these with the author’s name as North Shore Rugby Club 1904-1967 as Tea, and Other Recollections Dear to ‘Kate Gerard’; and both player and official, life member Me: revived, for all to read, in poetry Volume 6 62 pages 14cm poems [1922] from 1910. He wrote his history of the [37] pages 22cm [193-?]. No further with the author ‘K.G.’ and a different club 40 years before. There is no information in the bibliographies. printer. mention of him as an author, but his full 2. Scarborough Baby-Killers and Other 14cm = octavo in old style description. name is given as Ernest Leonard Eyre of Recitations [2nd edition] Napier, Does poem [1916] = poems? Wicklow Road, Devonport. He was 82. Venables 24 pages 21cm 1920. Behold the Light 31 pages 26x11cm He was survived by a son and daughter Bagnall besides the two above also lists 1925 described as ‘Book VII’, and and five grandchildren. I take it that as not located McDonald and includes ‘The Song of the Land’, 1886? for his date of birth is an O’Flannerty and other verses. ‘Joshua and Paul’ and ‘Gallipoli’. inference from age 82 given here. 2 . Poetry Archive The 25 publications listed in the Future Times and Other Rhymes some or magazines, and he appears to have National Library on line catalogue of poems previously published 78 pages ceased publishing poetry in book form Eyre, Ernest L plus the four above cover 18cm 1906. in 1940, aged 55. 19 titles. The Road to Maoriland and Other Only one of E L Eyre’s books of poems The earliest date of publication is 1906, Verses all poems previously published goes to 100 pages, Camp-Fire Rhymes the next 1912, the latest 193-?, 1938, 55 pages 20x13cm 1912. 1923 and only the first of all in 1906 1939, [1939 or 1940] and [1973], the Cuttin’ Flax and Other Verses 48 pages comes near it at 78 pages. Thereafter he rest fall between 1915 and 1931. 18cm 1918. Nothing in the settled for booklets of 20-40 pages, but At least three of Eyre’s books are bibliographies to indicate previous could enlarge them for later editions to wholly prose, C’mon Shore! [1973] and publications. 50-60 pages. A Fortnight’s Cruise on the Hauraki Camp-Fire Rhymes all poems But he is clearly to be seen as a popular Gulf, Auckland (1921), both throughout previously published 1st ed.
Recommended publications
  • Metamorphosis: from Light Verse to the Poetry of Witness by Maxine Kumin from the Georgia Review, Winter 2012
    Metamorphosis: From Light Verse to the Poetry of Witness by Maxine Kumin from The Georgia Review, Winter 2012 How did I become a very old poet, and a polemicist at that? In the Writers Chronicle of December 2010 I described myself as largely self-educated. In an era before creative writing classes became a staple of the college curriculum, I was "piecemeal poetry literate"—in love with Gerard Manley Hopkins and A. E. Housman, an omnivorous reader across the centuries of John Donne and George Herbert, Randall Jarrell and T. S. Eliot. I wrote at least a hundred lugubrious romantic poems. One, I remember, began When lonely on an August night I lie Wide-eyed beneath the mysteries of space And watch unnumbered pricks of dew-starred sky Drop past the earth with quiet grace ... Deep down I longed to be one of the tribe but I had no sense of how to go about gaining entry. I had already achieved fame in the narrow confines of my family for little ditties celebrating birthdays and other occasions, but I did not find this satisfying. There were no MFAs in poetry that I knew of except for the famous Iowa Writers' Workshop, founded in 1936; certainly there was nothing accessible to a mother of two, pregnant with her third child in 1953 in Newton, Massachusetts. I have noted elsewhere that I chafed against the domesticity in which I found myself. I had a good marriage and our two little girls were joyous elements in it. But my discontent was palpable; I did not yet know that a quiet revolution in thinking was taking place.
    [Show full text]
  • At the Intersection of Poetry and a Lower
    At the Intersection of Poetry and a High School English Class: 9th Graders‟ Participation in Poetry Reading Writing Workshop and the Relation to Social and Academic Identities‟ Development DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan Koukis Graduate Program in Education The Ohio State University 2010 Dissertation Committee: Anna Soter, Advisor George Newell Mollie Blackburn Terry Hermsen Copyright by Susan Koukis 2010 Abstract The purpose of this study was to determine whether “marginalized” (Moje, Young, Readence, & Moore 2000) 9th grade students in a low-level, tracked English class perceived themselves as more successful students in English class after participating in a 10-week Poetry Reading Writing Workshop. A second purpose was to determine whether their knowledge of poetry terms and concepts such as metaphor, and subsequent performance on the poetry sections of standardized tests improved. My nested case study focused on 19 students in a low-level 9th grade English class. As the practitioner researcher, I conducted in- depth research with six focus students chosen through purposeful sampling. I collected data over the course of three months, using the types of instruments most common to case study research. Data analysis for my nested case study was ongoing and recursive between field work and reflection. Data were coded for patterns that represented categories pertaining to my research questions and coding was refined as I gathered and re-read additional data sources. The findings revealed that students learn better, and are more engaged when they have choices (Atwell, 1998; Lauscher, 2007).
    [Show full text]
  • August 2010 PROTECTION of AUTHOR
    THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 A World Like This: Existentialism in New Zealand Literature Dale Christine Benson A thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin New Zealand 31 March 2000 ii Let us insist again on the method: it is a matter ofpersisting. The Myth ofSisyphus, by Albert Camus iii Abstract A World Like This: Existentialism in New Zealand Literature Literary existentialism has evolved unevenly in New Zealand since the late-nineteenth century. In this thesis I will define and trace the pre-existentialism of the early pioneers and settlers, which originally emerged as a Victorian expression of their experiences in an unpredictable new environment. Then I will describe how during the 1930s, 40s, 50s, 60s and 70s some of their descendants modified their world-view with ideas popularly associated with French literary existentialism, including notions about the individual's freedom and responsibility to act in an unrnediated universe.
    [Show full text]
  • A Survey of Recent New Zealand Writing TREVOR REEVES
    A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar.
    [Show full text]
  • Hone Tuwhare Charitable Trust Newsletter 2014 from the Chair
    Hone Tuwhare Charitable Trust Newsletter 2014 from the chair The Hone Tuwhare Trust was established in 2010 with Downes laid down a challenge by performing a new a simple kaupapa–’To inspire people through the song, and reminding us that our common purpose is preservation, promotion and celebration of Hone’s new forms of creativity and inspiration. In Dunedin, legacy.’ Hone Tuwhare was a poet, but he was many we saw that through musical and poetic performance, other things beside: husband, father, boilermaker, design and the art of the Dark Light Art Collective. soldier, scholar, and lover of people and this land. Today, we have the photographs of the remarkable Ans Westra, Catherine Griffiths’ and Kris Sowersby’s He was born in Northland, near Kaikohe, but spent typographic interpretations of Hone’s ‘Rain’ and his life almost equally in the North and South Islands. ‘Haiku,’ and a wonderful local seafood chowder In his later life, he chose to settle in Kaka Point, courtesy of the Kaka Point Cafe. centrally located in an arc between Invercargill, Gore and Dunedin. He also valued Kaka Point because it I’ll conclude with an extract from Hone’s poem provided a warm and welcoming community, who ‘Humming’, which fits well with our kaupapa, and has allowed him the time, inspiration, and solitary space a special place for me as I read it at my wedding to necessary to write. Amanda: Through his writings, and especially his readings at It is a house to be constructed with care halls such as this one, schools and prisons across for it has no confining walls New Zealand, he brought an emotive and humbling thus permitting expansion: vertical poetry into many people’s lives.
    [Show full text]
  • Staff Publications List
    Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp.
    [Show full text]
  • The Robert Burns Fellowship 2020
    THE ROBERT BURNS FELLOWSHIP 2020 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously.
    [Show full text]
  • Towards 'Until the Walls Fall Down' an Intended History of New Zealand Literature 1932-1963
    Towards 'Until the walls fall down' An intended history of New Zealand Literature 1932-1963 LAWRENCE JONES Those inclusive dates point to two generations, and crucial to my intended history is the distinction Lawrence fones is Associate Professor of English at the Uni­ between them. The first is that of the self-appointed versity of Otago. He is the author of Barbed Wire and makers of a national literature, mostly born after 1900 Mirrors - Essays on New Zealand prose. The following and before World War I. They arrive in three waves. text was presented at a Stout Research Centre Wednesday First there is a small group beginning Seminar, on 5 October 1994. in Auckland in the mid- and late-1920s- Mason (born 1905), A.R.D. I would like first to look at the terms of my title. 'To­ Fairburn (1904), and, off to one side and associated wards' and 'intended' are the first operative terms. This by them with the maligned older generation, Robin seminar is given at the beginning of a process of inten­ Hyde (1906). Then come the Phoenix-Unicorn-Griffin sive research, and any writing beyond notes and an and the Tomorrow-Caxton groups in Auckland and outline is an intention at this point, and the outline is Christchurch, (and some of their outlying friends), something to work towards, modifying and filling in. arriving between 1932 and 1935, incorporating Fairburn Next there is 'New Zealand Literature, 1932-1963', and Mason, and including M.H . Holcroft (1902), Frank with those oddly specific dates. The first is probably Sargeson (1903), Roderick Finlayson (1904), Winston obvious enough, the publication of the Phoenix at the Rhodes (1905), E.H.
    [Show full text]
  • THEY WALKED the STREETS THAT WE DO the Reallty of Consplracles a LOVE LETTER to Llterature
    THEY WALKED THE STREETS THAT WE DO THE REALITY OF CONSPIRACIES A LOVE LETTER TO LITERATURE ISSUE 10 Nina Harrap examines how Lucy Hunter explores the Laura Starling takes us on a journey May 5, 2014 Dunedin has impacted its most conspiracies that happened and the from Dunedin’s Scottish roots to critic.co.nz famous writers. PAGE 20 theories that didn’t. PAGE 24 lost poetry. PAGE 28 ISSUE 10 May 5, 2014 NEWS & OPINION FEATURES CULTURE ABOVE: From "They walked the 20 | THEY WALKED THE STREETS THAT WE DO 32 | LOVE IS BLIND streets that Dunedin has been impacted by its writers, but how have the writers 33 | ART we do” been impacted by Dunedin? Critic examines the lives of Janet Frame, 34 | BOOKS Illustration: James K. Baxter and Charles Brasch, the city’s instrumental place in Daniel Blackball their writing, and the legacy they’ve left behind. 35 | FASHION By Nina Harrap 36 | FILM COVER: 04 | OUSA TO BEER COMPETITION 38 | FOOD From "The OUSA’s Dunedin Craft Beer and Food reality of Festival will this year be held on 4 Octo- 39 | GAMES conspiracies” ber at Forsyth Barr Stadium, but finds 24 | THE REALITY OF CONSPIRACIES 40 | MUSIC competition from Brighton Holdings Illustration: The problem with laughing at conspiracy theories is that they actually 42 | INTERVIEW Daniel Blackball Ltd, who assisted OUSA in contacting happen. Governments, corporations, and regular people sometimes breweries and gaining sponsorship for do horrible things to each other for personal gain. And they 44 | LETTERS last year’s festival. sometimes even manage to keep it secret.
    [Show full text]
  • Otago Abroad
    Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003.
    [Show full text]
  • Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
    ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow.
    [Show full text]
  • Key Officers List (UNCLASSIFIED)
    United States Department of State Telephone Directory This customized report includes the following section(s): Key Officers List (UNCLASSIFIED) 9/13/2021 Provided by Global Information Services, A/GIS Cover UNCLASSIFIED Key Officers of Foreign Service Posts Afghanistan FMO Inna Rotenberg ICASS Chair CDR David Millner IMO Cem Asci KABUL (E) Great Massoud Road, (VoIP, US-based) 301-490-1042, Fax No working Fax, INMARSAT Tel 011-873-761-837-725, ISO Aaron Smith Workweek: Saturday - Thursday 0800-1630, Website: https://af.usembassy.gov/ Algeria Officer Name DCM OMS Melisa Woolfolk ALGIERS (E) 5, Chemin Cheikh Bachir Ibrahimi, +213 (770) 08- ALT DIR Tina Dooley-Jones 2000, Fax +213 (23) 47-1781, Workweek: Sun - Thurs 08:00-17:00, CM OMS Bonnie Anglov Website: https://dz.usembassy.gov/ Co-CLO Lilliana Gonzalez Officer Name FM Michael Itinger DCM OMS Allie Hutton HRO Geoff Nyhart FCS Michele Smith INL Patrick Tanimura FM David Treleaven LEGAT James Bolden HRO TDY Ellen Langston MGT Ben Dille MGT Kristin Rockwood POL/ECON Richard Reiter MLO/ODC Andrew Bergman SDO/DATT COL Erik Bauer POL/ECON Roselyn Ramos TREAS Julie Malec SDO/DATT Christopher D'Amico AMB Chargé Ross L Wilson AMB Chargé Gautam Rana CG Ben Ousley Naseman CON Jeffrey Gringer DCM Ian McCary DCM Acting DCM Eric Barbee PAO Daniel Mattern PAO Eric Barbee GSO GSO William Hunt GSO TDY Neil Richter RSO Fernando Matus RSO Gregg Geerdes CLO Christine Peterson AGR Justina Torry DEA Edward (Joe) Kipp CLO Ikram McRiffey FMO Maureen Danzot FMO Aamer Khan IMO Jaime Scarpatti ICASS Chair Jeffrey Gringer IMO Daniel Sweet Albania Angola TIRANA (E) Rruga Stavro Vinjau 14, +355-4-224-7285, Fax +355-4- 223-2222, Workweek: Monday-Friday, 8:00am-4:30 pm.
    [Show full text]