July-October Funding Round 2005
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CATALOGUE 2018 New Titles New Zealand Books at Their Best
CATALOGUE 2018 New Titles new zealand books at their best Birdstories CONTACT DETAILS Contents Geoff Norman Potton & Burton 98 Vickerman Street, PO Box 5128 A fascinating, in-depth account of New Zealand’s birds, which spans their New Titles Nelson, New Zealand discovery, their place in both Pākehā and Māori worlds, their survival and Birdstories Geoff Norman 3 Tel: 03 548 9009 Fax: 03 548 9456 conservation, and the illustrations and art they have inspired. Down the Bay Philip Simpson 4 Email: [email protected] www.pottonandburton.co.nz In 1872, the first instalments of Walter Buller’s A History of the Birds of New Kākāpō Alison Ballance 4 Zealand appeared. When completed, this became a landmark publishing event that Fight for the Forests Paul Bensemann 5 Customer Services Manager described the place of New Zealand’s birds in the Māori world, the first encounters Mitchell & Mitchell Peter Alsop 6 Cheryl Haltmeier Europeans had with our birds, the arguments over their classification, and provided Tel: 03 548 9009 a snapshot of their status at the time. Through Buller’s books, the rest of the Nurture Peter Alsop & Nathan Wallis 6 Email: [email protected] world got to know about New Zealand’s unusual and distinctive birds, and New We Had One of Those Too! Stephen Barnett 7 Zealanders, too, began to appreciate them. National Sales Manager Awatere Harry Broad 8 Pauline Esposito Geoff Norman’s Birdstories carries Buller’s publishing legacy through to the Raise Your Child to Read and Write Frances Adlam 9 Tel: 03 989 5051 $59.99 present day. -
Tove Jansson's Character Studies for the Moomin
INTRODUCTION by Tom Devlin, Creative Director at Drawn & Quarterly In 2011, I went to Helsinki and was lucky enough to tour Tove Jansson’s studio. She lived in the same large studio for fifty-seven years. It was easy to picture Tove there. I saw the table she used to write at; I saw the wood-burning stove she used to heat her house during the long winters; I saw the shelves and shelves of books—many her own, or her favorites by other authors, and even the hand-lettered scrapbooks her mother, Signe, made where she stored the strips she clipped from the newspaper. I saw the tiny alcove with the even tinier bed she had slept in for years. It was surprising how modest the whole place was. As far as I knew she was Finland’s greatest literary celebrity, and yet she had lived such a simple life. Of course, I should have known this before I stepped over the threshold. It’s in her books. It’s visually manifest in her comics. The Moomins them- selves live modest lives. They have many adventures but home is simple and comforting and there is nothing unnecessary. Rereading these comics just before preparing this book, it struck me just how much of Tove we get in these stories. The Moomin stories (whether in chapter book, picture book, or comic form) all have a similar quality—a quality that is rare in today’s world. There’s a distinctly carefree, individualist vibe mixed with a hint of playful cynicism, a kind of embrace-life-and-live-it-to-its- fullest-but-maybe-don’t-get-too-carried-away ethos. -
NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy
Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship Spring 1-2015 The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy Molly J. Scanlon Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Scanlon, M. J. (2015). The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy. Composition Studies, 43 (1), 105-130. Retrieved from https://nsuworks.nova.edu/shss_facarticles/517 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Volume 43, Number 1 Volume Spring 2015 composition STUDIES composition studies volume 43 number 1 Composition Studies C/O Parlor Press 3015 Brackenberry Drive Anderson, SC 29621 Rhetoric & Composition PhD Program PROGRAM Pioneering program honoring the rhetorical tradition through scholarly innovation, excellent job placement record, well-endowed library, state-of-the-art New Media Writing Studio, and graduate certificates in new media and women’s studies. TEACHING 1-1 teaching loads, small classes, extensive pedagogy and technology training, and administrative fellowships in writing program administration and new media. FACULTY Nationally recognized teacher-scholars in history of rhetoric, modern rhetoric, women’s rhetoric, digital rhetoric, composition studies, and writing program administration. FUNDING Generous four-year graduate instructorships, competitive stipends, travel support, and several prestigious fellowship opportunities. -
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative. -
5 March 2013
COMMUNITY, RECREATION AND CULTURE COMMITTEE AGENDA TUESDAY 5 MARCH 2013 AT 9AM IN COMMITTEE ROOM 1, CIVIC OFFICES, 53 HEREFORD STREET Committee: Councillor Yani Johanson (Chairperson), Councillors Peter Beck, Helen Broughton, Tim Carter, Barry Corbett, Jimmy Chen, Jamie Gough, and Glenn Livingstone (Deputy Chairperson). General Manager General Manager – General Manager Strategy and Planning Public Affairs Community Services Committee Adviser Mike Theelen Lydia Aydon Michael Aitken Lucy Halsall Tel: 941-8281 Tel: 941- 8982 Tel: 941-8607 Tel: 941-6227 PART A - MATTERS REQUIRING A COUNCIL DECISION PART B - REPORTS FOR INFORMATION PART C - DELEGATED DECISIONS INDEX ITEM DESCRIPTION PAGE NO. NO. PART C 1. APOLOGIES 1 PART A 2. DEPUTATIONS BY APPOINTMENT 1 PART A 3. FACILITIES REBUILD PLAN – MONTHLY UPDATE REPORT INCLUDING TOP 30 3 PROJECTS STATUS UPDATE PART A 4. CENTRAL CITY HERITAGE LANDMARK GRANTS POLICY AND OPERATIONAL 47 GUIDELINES PART A 5. CENTRAL CITY HERITAGE LANDMARK GRANTS – RECOMMENDATIONS FOR 61 2012/2013 PART C 6. HERITAGE GRANT APPROVAL, ST LUKES, 1280 CHORLTON ROAD, LITTLE 81 AKALOA PART A 7. HERITAGE GRANT APPROVAL, ST PAUL’S, 1 HAREWOOD ROAD, PAPANUI, 87 CHRISTCHURCH PART A 8. CREATIVE INDUSTRIES SUPPORT FUND - FUNDING RECOMMENDATIONS 95 PART A 9. FANFARE – A GATEWAY SCULPTURE FOR CHRISTCHURCH 165 PART A 10. COMMUNITY ENGAGEMENT STRATEGY 175 CONTINUED OVER … ITEM DESCRIPTION PAGE NO. NO. PART C 11. REPORT FROM CHAIRPERSON OF THE COMMUNITY, RECREATION AND CULTURE 193 COMMITTEE – ESTABLISHMENT OF THE COMMUNICATIONS WORKING PARTY PART A 12. SCARBOROUGH PADDLING POOL 195 1 COMMUNITY, RECREATION AND CULTURE COMMITTEE 5. 3. 2013 1. APOLOGIES Nil. 2. DEPUTATIONS BY APPOINTMENT 2 3 COMMUNITY, RECREATION AND CULTURE COMMITTEE 5. -
Comics Were Also Constant Companions for Dylan
StartingStarting outout ReadingR di was big bi in i Dylan’s D l ’ childhood, hildh d especially i ll fantasy f t novels. l AlAlong with ith TheTh Lord L d of f the Rings, he gobbled up stories by Alan Garner and Susan Cooper. These British writers specialised in Dylan’s favourite kind of story: where the fantastic – the magical – enters the real world and changes it, sometimes in alarming ways. As a teenager, “when life was more complicated,” Dylan escaped by reading the kinds of books we usually associate with younger readers, things like Paddington Bear and Winnie the Pooh (Dylan identified with Piglet). Comics were also constant companions for Dylan. In fact, the entire Horrocks family loved them, which was unusual in the 1960s and 70s. This was a time when many parents (and teachers and librarians) frowned on comics because they weren’t “proper” books. But Dylan’s dad, Roger, had once thought about being a comic book artist himself. He brought home a steady supply of them, in all their different forms. There were British war comics, the Asterix and Tintin series, American underground comix*, and the French comic magazine Pilote. Dylan has been drawing cartoons and comics ever since he could hold a pencil. He always knew that he would be a comic book artist. He had natural talent as well as great determination and filled endless notebooks with his work – war stories, mostly. He also manoeuvred cartoons into every possible school project. “I was drawing all When I visited Dylan, he was about to go to Europe to promote his latest the time,” Dylan remembers. -
Te Uru's Anniversary Show
TURNING 30: TE URU’S ANNIVERSARY SHOW 1985 | Artists Against Apartheid 1986 | Gallery Opening: exhibition review 1986 | Opening Day 1987 | Marte Szirmay: exhibition review 1991 | Richard Parker: Dishes 1991 | Ian Scott: Paintings 1991 | Ian Scott: Paintings 1991 | Skein/Skin 1991 | Ruth Castle: Basketry 1991 | Christine Thacker: Lightning Trees 1991 | Schools student workshops 1991 | Shard Cult (Bronwyn Cornish) 1992 | Kahu Te Kanawa: He Taonga Tuku Iho ‘Kete’ 1992 | Kahu Te Kanawa: He Taonga Tuku Iho ‘Kete’ 1992 | Barbara Bilyard: Spirals and Other Angles 1992 | 50 Years of Deaf Education 1992 | Pacific Tapa - Tapa from Fiji, Tonga, Samoa 1993 | Women Paint the Land: Group show 1993 | Bomb the Building: Group Show 1993 | Bomb the Building: Group Show 1993 | John Lyall: Towards a Feral Art 1993 | Made in Waitakere: Group Show 1993 | John Staniford: Paintings of Brazil 1993 | Combings of Photography - Invited Artists 1994 | Celebration ‘94:: Waitakere Artists (John Parker) 1994 | Celebration ‘94:: Waitakere Artists (Moyra Elliot) 1994 | Celebration ‘94:: Waitakere Artists (Len Castle) 1994 | Small Gallery - Haru Sameshima 1994 | Jenny McLeod: Shard 1994 | Pip Culbert: Seamstress 1994 | Pip Culbert: Seamstress 1994 | Pat Hanly’s Choice 1994 | Pat Hanly’s Choice 1994 | Tufuga Matapouiu A Nuie 1995 | Alan Curnow: The Loop in Lone Kauri Road 1995 | Maureen Lander & Amanda Wright: Gold Leaf: 1995 | Tara McLeod: The Gallipoli Poems 1995 | Marte Szirmay: New Sculpture 1995 | Nga Pakiwaitara Me Te Reo 1996 | Joyce Campbell: Touch Lightly 1996 | -
Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 at The
Issue 19 Exhibitions Ōtautahi www.artbeat.org.nz July 2020 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Te Wheke 01 Art of Protest 02 News, Events & Workshops 02 At the Galleries 03 Discover Map 04 Reviews 06 Te Wheke Pathways Across Oceania. Our Public Art Collection but not as we once knew It Polynesia and the Pacific region, and migra- tion and belonging are allocated centre-stage in Te Wheke Pathways Across Oceania, an exhibition that draws from works in the Christ- church Art Gallery Te Puna o Waiwhetū collec- tion. It is exciting and enlightening experience developed by the Gallery’s curators in consul- tation with curator of Cook Islands heritage, Stephanie Oberg. Yet, in many ways Te Wheke Pathways Across Oceania is not entirely unanticipated or without precedent. Since its reopening in December 2015 the Gallery’s perma- ↑ Aotearoa New Zealand, the Christchurch Art but wide knowledge and a different perspec- nent collection has assumed a new-found contemporary. Milburn comments: ‘We really John Pule Not life, rediscovered by its curatorial team who wanted to re-imagine the Gallery’s spaces of This Time Gallery’s had its origins in European works, tive.She helped us to look outside more tradi- seem committed and excited about new and we were also keen to bring in different (Dreamland), particularly British works. The narrative of tional art histories and we found that really ways of thinking about and experiencing perspectives. We were especially conscious 2008. Oil on how those connections shaped our art history valuable.’ canvas. -
Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
The Robert Burns Fellowship 2020
THE ROBERT BURNS FELLOWSHIP 2020 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously.