The Enduring Appeal of Woodstock
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Montgomery Ward Robbery & Kidnapping
LOCAL HISTORY WOODSTOCK & MCHENRY COUNTY Montgomery Ward Robbery & Kidnapping by Kirk Dawdy In 1926, the popular Montgomery Ward Mail Order Catalog Company broke with its mail-order-only tradition and successfully opened its first retail outlet store in Indiana. Two years later, 1928, the Stafford Furniture and Undertaking building on the west side of the square was razed to build a new Montgomery Ward retail store in Woodstock. Two years later, 1930, the Donnely residence and millinery shop just to the north of the store burned to the ground. In its’ place, an addition to the original Montgomery Ward building was built, doubling the store size. Today the building is known as the Woodstock Mall. Throughout the 1930s & ‘40s Woodstock’s Montgomery Ward was the largest department store in McHenry County and flourished. So much so, it became the target for a major robbery. The November 21st, 1949 issue of the Woodstock Sentinel reported “McHenry County’s crime wave which has caused considerable excitement in recent month turned into ‘big time’ status when a lone and desperate gunman staged one of the most daring holdups in Woodstock in many years.” The previous Saturday, November 19, 1949, soon after the Montgomery Ward store closed, a customer knocked on the front door saying he had left a package inside the store. Assistant Manager, Richard Henderson, recognized the man who had actually applied for a job several days earlier. After letting him inside, Henderson went to the basement to turn the store lights back on while store manager James Dwyer helped the customer retrieve his package. -
Texas Beaches Face Tragedy Meadow Lane
PAGE SIXTEEN - EVENING HERALD, Tues., August 7, 1979 Area Students Metric Is the Way Piflraguay Aims to Annul Woodstock Generation: Violent Lightning StormStorr Pair of Arms Feature Finish Course Where Are They Now? Claims Traffic Signals Boston Red Sox Win ■AT. iiF But Costs Too Much Rights of War Criminal To Aid Nurses Page$ 6, 7 Page 10 - Page 11 WALTHAM, Mass. (UPI) - While I can’t believe they couldn’t learn in Page 2 MANCHESTER - Six area high Ny the debate continues over whether less than a month." school students recently completed America would lose or benefit by And so Webster dismissed the peo Manchester Memorial Hospital's converting Inches to centimeters; ple problem in metric conversion. High School Nurse Aide program and miles to kilometers; and quarts to And in testimony before the U.S. are now employed as aides on the liters, the president of a small Metric Board in June, he discounted iiaitrhpHtpr hospital's various patient care units. problems with capital equipment as The four-week voluntary course Massachussetts firm which manufac tures machine tools has already well. Clearing Today, was taught by the hospital's In- decided metric is the answer. “Our production machinery is Service Education Department and But the costs of metric conversion almost all numerically controlled or Sunny Tomorrow required nearly 105 hours of intensive have caused him to hold back, at equipped with digital readouts, which training in the basic skills for care of least for the time being. are easily converted to metrics,” he Detalle on page 2 the ill. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Andy Arleo Université De Nantes (CRINI)
LAURA NYRO’S ELI AND THE THIRTEENTH CONFESSION: TRANSCENDING THE DICHOTOMIES OF THE WOODSTOCK YEARS Andy Arleo Université de Nantes (CRINI) As Wavy Gravy says, if you can remember the sixties, you weren't really there (Van Ronk 141) Introduction1 As a member of the so-called Woodstock Generation, I am aware of the potential pitfalls of writing about this period. As Dave Van Ronk points out in his quote from Merry Prankster Wavy Gravy (Hugh Romney), memories of those times tend to be hazy. On the other hand, research on memory has shown that there is a “reminiscence bump,” that is “people tend to remember disproportionately more events from the period between their adolescence and early adulthood” (Foster 64). In any case, it is clear that memory, whether it is individual and collective, reconstructs past experience, and that my own experience of the era has inevitably flavored the content of this article, making it impossible to aspire completely to the traditional ideals of scholarly distance and detachment. Future generations of cultural analysts will no doubt reassess the Woodstock Years through different lenses. The name “Laura Nyro” may not ring a bell for many readers, as it did not for many of my students, colleagues and friends whom I have informally surveyed. This is understandable since, unlike other singer-songwriter icons of the period (e.g., Bob Dylan, Joni Mitchell, James Taylor), Nyro was never really in the mainstream, although her songs have often been covered by a broad spectrum of singers and bands in a remarkable variety of musical styles, sometimes achieving a fair amount of commercial success. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ P --------- / CP060727 / CP060727 20th Anniversary Notes: The original art, done by Gary Grimshaw for ArtRock Gallery, in San Francisco Benefit: First American Tour 1969 Artist: Gary Grimshaw Promoter: Artrock Items: Original poster / CP060727 / CP060727 (11 x 17) Performers: : Led Zeppelin ------------------------------ GBR-G/G 1966 T-1 --------- 1966 / GBR G/G CP010035 / CS05131 Free Ticket for Grande Ballroom Notes: Grande Free Pass The "Good for One Free Trip at the Grande" pass has more than passing meaning. It was the key to distributing the Grande postcards on the street and in schools. Volunteers, mostly high-school-aged kids, would get a stack of cards to pass out, plus a free pass to the Grande for themselves. Russ Gibb, who ran the Grande Ballroom, says that this was the ticket, so to speak, to bring in the crowds. While posters in Detroit did not have the effect that posters in San Francisco had, and handbills were only somewhat better, the cards turned out to actually work best. These cards are quite rare. Artist: Gary Grimshaw Venue: Grande Ballroom Promoter: Russ Gibb Presents Items: Ticket GBR-G/G Edition 1 / CP010035 / CS05131 Performers: 1966: Grande Ballroom ------------------------------ GBR-G/G P-01 (H-01) 1966-10-07 P-1 -- ------- 1966-10-07 / GBR G/G P-01 (H-01) CP007394 / CP02638 MC5, Chosen Few at Grande Ballroom - Detroit, MI Notes: Not the very rarest (they are at lest 12, perhaps as 15-16 known copies), but this is the first poster in the series, and considered more or less essential. -
Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99 -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
Camp Winnarainbow Provides a Here's Grace's Full Description: Counselor at the Camp
Teaching, Entertaining, Educating and Empowering Children through the Arts Camp nurtures and develops a com- munity that reflects the world in which children will grow up. While campers benefit from a wide variety of fun and stimulating activities – trapeze, drama, nature hikes, hip-hop dance, and po- etry just to name a few -- they also gain an appreciation for differences as they live among children who come from all kinds of backgrounds. It is the Camp’s conviction that they can then become the catalysts for social change and have a positive effect on the future. “This place brings out your talent, it makes better people," says one young camp counselor. "It's neat seeing kids taking home these talents and skills. If you can stand up in front of 100 peo- ple and perform, you can do a whole . Continued from page One “In that next month, I stopped expecting the lot better dealing one on one." The Grace and Joy Scholarship Program worst and instead, for the first time in my life, The "Life Show" I felt free to be a child. Besides learning to Twenty-five percent of the camp’s five ses- ÌWe work to create a living envi- sions with 700 children, ages 7-14 years old, swim, stilt walk and juggle, I also picked up ronment of love, safety and har- come through this scholarship program. They life skills without even realizing it . how to mony. are economically disadvantaged children - channel my feelings of frustration and anger Ì kids from homeless shelters, foster care and into more positive avenues . -
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The Travelin' Grampa
The Travelin’ Grampa Touring the U.S.A. without an automobile Focus on safe, fast, convenient, comfortable, cheap travel, via public transit. Music Festivals Supplement Vol. 10, No. 7, July 2017 Photo credit: Red Frog Events, Firefly Music Festival. Firefly Music Festival 2017 in Dover, Delaware, reached by DART #301 bus, is said to have attracted 90,000 fans. It’s time again to ride a bus, or train, to a music festival Dozens of multi-day music festivals beckon during summer 2017. Ranging from psychedelically spotlighted rock music events, where performers and audience both jump around and wave their hands into the air, to those where the audience sits quietly as a full-fledged symphony orchestra plays classical music, many, if not most, of them are readily reachable by public transportation. The following pages of this special Music Festival Supplement focus on popular jazz, rock and classical music festivals and how to get to them via public transportation. Getting particular attention is the Firefly Music Festival, a four-day rock music fest in Dover, Delaware, attended by Grampa, who rode there by SEPTA train and DART First State bus. Photo credit: Town of Vail, Colorado. Telluride Chamber Music Festival symphony orchestra performance at Sheridan Opera House, Telluride, Colo. 1 . The Travelin’ Grampa Music Festivals Supplement . Here are a few Summer 17 classical music festivals: Telluride Chamber Music Festival, Sheridan Opera House Telluride, Colo., Aug. 10-13, has since 1973 specialized in presenting high quality small-ensemble performances of classical music of such composers as Brahms, Dvořák and Mozart. Galloping Goose Transit, a free bus system, services riders in the Town of Telluride and adjoining San Miguel County communities.