ENTERPRISE | Thursday, February 27, 2020 OPINION When Did Your Rock Last Roll?
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
WBS-Inc-V-Pearcy.Pdf
Case 2:16-cv-03495-DDP-JC Document 115 Filed 03/05/18 Page 1 of 9 Page ID #:1875 1 2 3 O 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 11 WBS, INC., ) Case No. CV16-03495 DDP(JC) ) 12 Plaintiff, ) ) ORDER GRANTING DEFENDANT’S 13 v. ) MOTION FOR SUMMARY JUDGMENT ) 14 Stephen Pearcy; Artists ) Worldwide; top Fuel ) [Dkt. 89, 90, 100, 109 and 15 National, Strong ) 114] Marketing Group, d/b/a ) 16 Watercraz Marketing ) Group; Kjirsten Strong, ) 17 et al. ) ) 18 Defendants. ) ) 19 ________________________ ) 20 21 Presently before the court is Defendant Stephen Pearcy’s 22 Motion for Summary Judgment. Having considered the submissions of 23 the parties and heard oral argument, the court grants the motion 24 and adopts the following Order. 25 I. Background 26 In 1987, Defendant Stephen Pearcy (“Pearcy”) formed the band now 27 commonly known as “RATT.” (Decl. Stephen Pearcy ¶3.) Pearcy 28 initially named the band “MICKEY RATT,” and started out by playing in local bars and clubs in southern California and Nevada. (Id. at ¶5.) Case 2:16-cv-03495-DDP-JC Document 115 Filed 03/05/18 Page 2 of 9 Page ID #:1876 1 On January 1, 1980, the band relocated to Los Angeles. (Decl. Turner 2 ¶¶4–5.) At that time, the band consisted of Pearcy, Chris Hager, John 3 Turner, and Tim Garcia. (Id.) All the band members, with the 4 exception of Tim Garcia, relocated to Los Angeles. (Id.) According 5 to Turner, upon relocating to Los Angeles, Pearcy decided the band 6 would drop the word “Mickey” from its name and would be renamed 7 “RATT.” (Id. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
PDF Download Metallica: for Bass Guitar & Vocal: Master of Puppets
METALLICA: FOR BASS GUITAR & VOCAL: MASTER OF PUPPETS PDF, EPUB, EBOOK Mark Phillips | 54 pages | 01 Dec 1991 | Cherry Lane Music Co ,U.S. | 9780895244086 | English | United States Metallica: For Bass Guitar & Vocal: Master of Puppets PDF Book Email address: optional. With a reputation for drinking, the band stayed sober on recording days. Collector's Guide Publishing. ECW Press. Archived from the original on June 9, Metallica showed up ready to rock, bringing along fully formed demos with fleshed-out arrangements; even their solos were composed. Archived from the original on July 28, Used to contact you regarding your review. With sections performed at beats per minute, it is one of the most intense tracks on the record. All of the songs have been performed live, and some became permanent setlist features. The album revitalized the American underground scene , and inspired similar records by contemporaries. Metal and Hard Rock. Select "Master of Puppets" in the "Filtra" field. And Justice for All as a trilogy over the course of which the band's music progressively matured and became more sophisticated. Retrieved May 16, Master of Puppets peaked at number 29 on the Billboard and received widespread acclaim from critics, who praised its music and political lyrics. He also said that the group was "definitely peaking" at the time and that the album had "the sound of a band really gelling, really learning how to work well together". Retrieved June 12, With bass tablature, standard notation, vocal melody, lyrics, chord names, bass notation legend and introductory text. Duke University Press. Australian Guitar. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Brevard Live November 2013
Brevard Live November 2013 - 1 2 - Brevard Live November 2013 Brevard Live November 2013 - 3 4 - Brevard Live November 2013 Brevard Live November 2013 - 5 6 - Brevard Live November 2013 Content November 2013 FEATURES page 51 EDDIE SCOTT MEMORIAL ROCK & BLUES FESTIVAL Eddie Scott Going Home Jam will remem- Rock legend Johnny Winter will headline ber the music and life of Eddie Scott who the inaugural Space Coast Rock & Blues Columns passed away last month. Many famous per- Festival held at the Valkaria Airport. This formers will come together for an unfor- is a brand-new venue. gettable concert to raise funds to pay for Page 17 Charles Van Riper funeral cost for the beloved soul singer. 22 Political Satire Page 10 FOREIGN STARR-DOM Calendars Jack Starr received the Ambassador Life- Live Entertainment, SPACE COAST STATE FAIR time Achievement Awards at the 2013 25 The fair is back in town with over 200 Concerts, Festivals BMAs. Brevard Live sat down with the popular thrill rides, shows and attractions metalist who has been a celebrated per- to entertain the masses at Space Coast Sta- former at countless festivals in Europe. CD Reviews dium in Viera. It is pre-holiday family fun 31 by John Leach at its finest. Page 19 Page 13 Steve Keller ROYAL ROCK WEDDING Local Lowdown ART FESTIVALS Much has been said, posted and comment- 33 & Five Questions Two traditional and unique art festivals ed about the wedding of Charles and Lissa are scheduled in November: The ArtWorks Knight, Brevard’s popular rock’n’roll Knights After Night in Eau Gallie and Space Coast Art Festival couple. -
After All, Cotton Bowl Stadium Is
FP-018 Cotton Bowl Stadium Does the structure in front of you really need an introduction? After all, Cotton Bowl Stadium is renowned worldwide as the venue that for more than 70 years hosted the Cotton Bowl Classic, pitting two of college football’s premier powerhouses against one another on -- or near -- New Year’s Day. The roster of gridiron greats who have played inside this stadium reads like a roll call of athletic superstardom. Davey O’Brien, Bobby Layne, Sammy Baugh, Bart Starr, and Ernie Davis (who was the first black player to win the Heisman Trophy). Let’s not forget Roger Staubach, Joe Theismann, Joe Montana, Bo Jackson, Dan Marino and Woodrow Wilson High School graduate and Heisman winner, Tim Brown. Oh yes, and Troy Aikman, Doug Flutie and Eli Manning, as well. You HAVE heard of some of those people, haven’t you? For more than 70 years, this stadium has also been the host of a piddly little rivalry you’ve probably never heard of, a rivalry between one team that wears Burnt Orange and White, and another that wears Crimson and White. And to be clear, down here that rivalry is always called the TEXAS/OU game … never the other way around. The stadium also hosts the annual State Fair Classic featuring Grambling University and Prairie View A&M, perhaps the one football event in the country where the halftime band performances are more exciting than the game itself. And in 2011, the stadium became the home of the new Ticket City Bowl, featuring teams from the Big 10 Conference and Big 12 Conference or Conference U.S.A. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research. -
GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
- 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band. -
ONE-SHEET New England USA Leaving Eden’S Music in the Movies/TV Series
ONE-SHEET New England USA Leaving Eden’s music in the movies/TV series. Movie Director: Massimiliano Cerchi: VID: “Out of the Ashes” Leaving Eden has toured the USA, ROCK/ACOUSTIC/POP/METAL Featured in "LOCKDOWN" UK & Canada sharing the stage with Dark Star Records VID: “SKIES OF GREY” hundreds of the biggest national Sony/Universal From Leaving Eden Live DVD bands in the world including; 10 Worldwide Distribution Featured in "Maday" Years, 10 Years After (Woodstock Contact: Blu-ray and DVD Worldwide https://leavingeden.com Reunion), Adelitas Way, Alice DVD: “Leaving Eden Live Leaving Eden latest Albums Cooper, Alice In Chains, Anthrax, Xtreme Rockumentary” Apocalyptic Review (featuring VID: “Maniac” members of Godsmack), Avenged From Leaving Eden Sevenfold, Big Brother and The Documentary Holding Company (Woodstock SGL Entertainment/Dark Star Reunion), Black Sabbath (Heaven & Records/Sony Music "NO SOUL" is Featured in the Hell), Blackstone Cherry, Bret Movie/TV Series "Jezebeth" Michaels, Buckcherry, Chevelle, Written/Directed by Collective Soul, Country Joe Damien Dante (Woodstock Reunion), Damage Plan, Featured in Movie "Bloodthirst" (Featuring Dimebag & Vinnie Paul) Featured in THE NITWIT Days Of The New, Disturbed, Dope, OFFICIAL MOVIE TEASER Dropkick Murphy's, Drowning Pool, VID: "Dream With Me" Video (in Five Finger Death Punch, Fuel, a time of the CoronaVirus) By Gemini Syndrome, Gin Blossoms, Leaving Eden Godsmack, Halestorm, HELLYEAH, VID: “JAILBREAK” Herman Rarebell (The Scorpions), VID: THE AGONY OF Hinder, Hookers & Blow (featuring AFFLICTION members of Guns ‘N' Roses, Quiet VID: House of the Rising Sun Leaving Eden Touring USA, UK Riot, W.A.S.P.), In This Moment, Official Video By Leaving Eden and Canada. -
The Travelin' Grampa
The Travelin’ Grampa Touring the U.S.A. without an automobile Focus on safe, fast, convenient, comfortable, cheap travel, via public transit. Music Festivals Supplement Vol. 10, No. 7, July 2017 Photo credit: Red Frog Events, Firefly Music Festival. Firefly Music Festival 2017 in Dover, Delaware, reached by DART #301 bus, is said to have attracted 90,000 fans. It’s time again to ride a bus, or train, to a music festival Dozens of multi-day music festivals beckon during summer 2017. Ranging from psychedelically spotlighted rock music events, where performers and audience both jump around and wave their hands into the air, to those where the audience sits quietly as a full-fledged symphony orchestra plays classical music, many, if not most, of them are readily reachable by public transportation. The following pages of this special Music Festival Supplement focus on popular jazz, rock and classical music festivals and how to get to them via public transportation. Getting particular attention is the Firefly Music Festival, a four-day rock music fest in Dover, Delaware, attended by Grampa, who rode there by SEPTA train and DART First State bus. Photo credit: Town of Vail, Colorado. Telluride Chamber Music Festival symphony orchestra performance at Sheridan Opera House, Telluride, Colo. 1 . The Travelin’ Grampa Music Festivals Supplement . Here are a few Summer 17 classical music festivals: Telluride Chamber Music Festival, Sheridan Opera House Telluride, Colo., Aug. 10-13, has since 1973 specialized in presenting high quality small-ensemble performances of classical music of such composers as Brahms, Dvořák and Mozart. Galloping Goose Transit, a free bus system, services riders in the Town of Telluride and adjoining San Miguel County communities.