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SPRING 2018 REMNANTS OF THE PAST VOL. 43 ISSUE 1 ACO Spring 2018.indd 1 2018-04-02 �� 8:53:37 ACOACO thanks thanks the the following following SPONSORS SPONSORS for for theirtheir support support of of the the 2017 2017 Awards Awards Dinner Dinner QueenstonQueenston Limestone Limestone PresentingPresenting Sponsors Sponsors Red MedinaRed Medina HistoricHistoric SandstoneSandstone Sponsors Sponsors RestorationRestoration Inc. Inc. E R A EA R rA c hA i t re c c h t is t eI c n t c s . I n c . H i s t oH r i sc t oR r ei c s t oR re a s t t i o o r n a tI i no cn . I n c . J . D . JS . tD r .a cS h t ar a n c h a n Construction Construction Ltd. Ltd. ontarioontario Fieldstone Fieldstone BlackwellBlackwell Engineering Engineering RobertRobert Allsopp Allsopp SponsorsSponsors CatherineCatherine Nasmith Nasmith Architect Architect RoofRoof Tile ManagementTile Management Inc. Inc. ElginElgin Contracting Contracting and Restorationand Restoration Ltd. Ltd.ScotiaMcLeod ScotiaMcLeod GoldsmithGoldsmith Borgal Borgal Company Company Architects Architects Taylor Taylor Hazell Hazell Architects Architects Inc. Inc. MichaelMichael B. Vaughan B. Vaughan YorkYork Heritage Heritage Management Management +VG +VGThe VentinThe Ventin Group Group Architects Architects WithWith gratitude gratitude to theto the Ontario Ontario Ministry Ministry of Tourism,of Tourism, CultureCulture and and Sport Sport and and the the Ontario Ontario Heritage Heritage Trust Trust for fortheir their continuing continuing support. support. ACO Spring 2018.indd 2 2018-04-02 �� 8:53:38 CONTENTS 1 From the President ACO thanks the following SPONSORS for by F. Leslie Thompson 2 Ruminating on Ruins their support of the 2017 Awards Dinner by Dan Schneider 4 River Remnants by Susan Ratclie Queenston Limestone 6 Fragments of Industry Presenting Sponsors by Brendan Lacy and Robyn Lacy 8 Remembering the British Commonwealth Air Training Plan by Lindi Pierce 11 The Credit Valley Dynamo by Patricia Farley 12 The Forgotten Past Chiseled in Rock by Jack Hutton Spring Issue 14 Resurrecting a Victorian Storefront 2018 by ACO London Region 15 Ghost of the Grand Trunk Railway by Bob Malone 17 Mill Race Park, Cambridge Red Medina Historic by Marilyn Scott Sandstone Sponsors Restoration Inc. 18 Relocating Remnants by Noah McGillivray and Alison Creba ERA Architects Inc. Historic Restoration Inc. J.D. Strachan Construction Ltd. 20 Ghost Graphics of Yesteryear by Bob Hambly 22 Newmarket’s Ghost Canal ontario Fieldstone Blackwell Engineering Robert Allsopp by Gordon Prentice Sponsors Catherine Nasmith Architect Roof Tile Management Inc. 24 Cheltenham Brickworks Elgin Contracting and Restoration Ltd. ScotiaMcLeod by Peter Stewart Cheltenham Brickworks, 2017 Goldsmith Borgal Company Architects Taylor Hazell Architects Inc. Richard Seck Photography 26 Toronto’s Sleeping Giant Michael B. Vaughan York Heritage Management by Julian Mirabelli +VG The Ventin Group Architects 28 Springing to Action by Devorah Miller 29 The Barclay Post Oce by Elaine Splett With gratitude to the Ontario Ministry of Tourism, 30 Lost and Found: Repurposing fragments to animate public space Culture and Sport and the Ontario Heritage Trust by Hannah Hadeld, Tanya McCullough and Leora Bebko for their continuing support. 32 Two Sault Ste. Marie Remnants by Chris Tossell Spring 2018 ACO Spring 2018.indd 3 2018-04-02 �� 8:53:43 Spring Issue 2018 Architectural Conservancy Ontario 401 Richmond Street West Suite 206 Toronto ON M5V 3A8 T 416.367.8075 TF 1.877.264.8937 F 416.367.8630 E [email protected] www.arconserv.ca President Editorial Committee F. Leslie Thompson Susan Ratclie, Chair, Guy Burry, Jane Kim, Liz Lundell, Dan Schneider Managing Editor Vice-Presidents Liz Lundell Shannon Kyles Senior Vice-President and Vice-Chair Photo Editor Guy Burry Kae Elgie Vice-President and Human Resources Designer Chair Jane Kim Sylvia Swiekatun Contributing Authors/Editors/Photographers Treasurer and Vice-President, Finance ACO London Region, Leora Bebko, Guy Burry, Alison Creba, Pat Farley, Hannah Hadeld, Bob Hambly, Jack Hutton, Brendan Lacy, Gordon Lacy, Robyn Lacy, Richard Longley, Liz Lundell, Bob Malone, Tanya McCullough, Noah McGillivray, Corporate Secretary Devorah Miller, Julian Mirabelli, Catherine Nasmith, Lindi Pierce, Gordon Prentice, John Harrison Susan Ratclie, Dan Schneider, Marilyn Scott, Richard Seck Photography, Elaine Splett, Peter Stewart, F. Leslie Thompson, Chris Tossell, Glenn Zavitz Past President Publisher Catherine Nasmith Architectural Conservancy Ontario Architectural Conservancy Ontario gratefully acknowledges the ongoing support Executive Members-at-Large of the Ministry of Tourism, Culture and Sport and the Honourable Daiene Vernile, Jean Haalboom Minister Sarah Hill Jocelyn Kent SSN:0704-0083 George Rust-D’Eye ©2018 ACORN is a publication of Architectural Conservancy Ontario. No parts Alan Stacey of this publication can be reproduced without permission of the publisher. The Connor Turnbull opinions expressed by our writers and contributors do not necessarily reect those of Architectural Conservancy Ontario. PreservationWorks! Catherine Nasmith, Interim Manager ADVERTISE IN ACORN R. Scott James, Advisor 2018 RATES Peter Stewart, Advisor Full Page $750 Half Page $400 Quarter Page $225 Sta 1/8 Page $125 Will Coukell, Chief Operating Ocer Devorah Miller, Development Ocer Please call Devorah Miller at 416.367.8075 or email Elizabeth Quance, Branch Coordinator [email protected] to book an ad for our Fall 2018 issue. Marie May, Bookkeeper All ads are printed in full colour. ACO Spring 2018.indd 4 2018-04-02 �� 8:53:43 FROM THE PRESIDENT F. Leslie Thompson ACO President and Chair Photo Matthew Plexman My home’s baseboards are scarred! champions — John Ruskin. For Ruskin, amusement and pleasure; perhaps These indentations are likely the not only was “truth” one of the moral a purpose never imagined by the marks made by the workmen who categories of architecturei but he also architects of either the ornaments or lived here in the nineteenth century argued that “ancient buildings should the house? as they kicked the mud o their be preserved, but no attempt should work boots at the end of the day. be made to erase the accumulated In their article on relocating remnants, Many layers of lead-based paint history encoded in their decay.”ii Our Noah McGillivray and Alison Creba cover these eleven inch rst-growth colleague celebrates ruins in his ask us to consider the process of pine boards, but the front hall dents article and gives special attention to moving the William Whitehead house remain as evidence of “Muddy York” the stabilized walls of the Ruin of St. as a signier. Given the historical and and remnants of the lives lived Raphael’s Roman Catholic Church sociological context of its original here. Looking at these scars I can National Historic Site among others. location, what is the meaning of imagine the prior inhabitants kicking its move on hydraulic dollies? How the baseboards and the sound of From another perspective, Hannah would its signicance change if it heavy boots hitting my walls. The Hadeld, Tanya McCullough and Leora remained and became the façade or historic context of these dents and Bebko consider the repurposing of an element of a glass tower? Would it imagined memory allows me to architectural fragments outside their be a pastiche? Read on and nd out. forgive the destructive act of their original context. Although Ruskin making because these remnants might have been horried at the You may notice I ask a lot of questions. have meaning for me as a viewer and thought, he did live in a Victorian For me the joy of reading ACORN is homeowner. Warning; if you visit, London widely embellished with the that it provokes questions and nudges do not test my baseboards or my architectural codes of other centuries me to try to understand architecture interpretation. in the form of ornament. I wonder and cultural landscapes from dierent however, do the original codes of perspectives and theoretical vantage Remnants, ruins and architectural the salvaged fragments create a new points. My hope is that you too will fragments are the subject of this meaning in their new context? In the enjoy this issue and continue to issue of ACORN. Our stories include article we learn that the new context probe the possible meanings of the a range of interpretations of the is the garden of a salvaged nineteenth remnants and the ruins you see every theme. For example, Dan Schneider century home now surrounded by day. “ruminates on ruins” in a manner skyscrapers. Will the ambiguity of the evoking the sentiments of nineteenth site or the references of the remnants — F. Leslie Thompson century romantics and of one of their open an opportunity for public i Ruskin, John, The Seven Lamps of Architecture, (John Wiley, New York), 1849 ii Ibid. ACORN Spring 2018 1 ACO Spring 2018.indd 1 2018-04-02 �� 8:53:44 RUMINATING ON RUINS By Dan Schneider What is a ruin? Think of it as a built about the vestiges of old farms: “the heritage remnant in situ in the undulating green waves of time are landscape. The remnant has lost, laid on them.” irretrievably, its ability to shelter, provide a crossing or be otherwise The most common type of ruin in our useful. rural landscape is old farm buildings. As preservationists well know, without The landscape the ruin inhabits active use an old building can go includes our countryside, riverscapes, downhill fast and the usual outcome is even streetscapes — although, as demolition and replacement, skipping structures go, ruins tend to be anti- the ruin stage entirely. social and o by themselves. But now and then, a building On this side of the Atlantic, and reaches the point of no return, and compared to intact historic structures, is just allowed to keep going — Railway viaduct near Paris. Photo Dan Schneider, 2018 ruins are little appreciated.
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