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Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
1 a New Global Tide of Rising Social Protest? the Early Twenty-First Century in World Historical Perspective
A New Global Tide of Rising Social Protest? The Early Twenty-first Century in World Historical Perspective Sahan Savas Karatasli, Johns Hopkins University Sefika Kumral, Johns Hopkins University Beverly Silver, Johns Hopkins University Contact Information: Beverly J. Silver Department of Sociology The Johns Hopkins University Baltimore, MD 21218 [email protected] 410-516-7635 Paper presented at the Eastern Sociological Society Annual Meeting (as part of Mini-conference on Globalization in Uncertain Times) Baltimore, MD, February 22-25, 2018 (Session 216: February 24, noon-1:30 pm) 1 A New Global Tide of Rising Social Protest? The Early Twenty-first Century in World Historical Perspective I. The Problem and Its Significance A (Puzzling) Resurgence of Labor and Social Unrest: During the past three decades, there had been an almost complete consensus in the social science literature that labor movements worldwide were in a severe (many argued 'terminal') crisis (see for example, Sewell 1993; Zolberg 1995; Castells 1997; Gorz 2001). In a similar vein, the dominant position in the social movement literature was that "class" had become largely irrelevant as an organizing principle for collective action and social movement organization (see, e.g., Larana et al 1994; Pakulski and Waters 1996; for a critique see Rosenhek and Shalev 2014). In the past several years, however, there has been a growing chorus among sociologists pointing to the resurgence of labor protest in various parts of the world (see for example, Milkman 2006, Chun 2009, Silver and Zhang 2009, Agarwala 2013, Zhang 2015, Ness 2015). Likewise, beginning around 2010, major newspapers were suddenly filled with reports of labor unrest around the world, after a two decade lull in such reports (Silver 2003, 126; Silver 2014). -
First Blood Redrawn Don Kunz
Vietnam Generation Volume 1 Number 1 The Future of the Past: Revisionism and Article 7 Vietnam 1-1989 First Blood Redrawn Don Kunz Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Kunz, Don (1989) "First Blood Redrawn," Vietnam Generation: Vol. 1 : No. 1 , Article 7. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol1/iss1/7 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. First Blood RecIrawn Don Kunz Nearly everyone speaking or writing about America's Vietnam soldier eventually feels compelled to mention Rambo. As David Morrell notes with pride, the name of the character he created in his novel. First Blood, has entered our nation's household vocabulary1. It resembles in this case the title of Joseph Heller's World War 2 novel. Catch 22. and the macho movie-star name of Marion Robert Morrison — John Wayne. There is more at stake in the popular adoption of those terms than a simple enlargement of the dictionary. The evolution of Rambo from character to icon illustrates the fictionalizing process by which history is accommodated to myth. Rambo is an ambiguous and contradictory epithet, its meaning shifting as a result of an elaborate revision process still underway. Morrell's protagonist has been appropriated variously as a symbol of American patriotism, mindless savagery, the frontier hero, and Frankenstein's monster. -
Focaal Forums - Virtual Issue
FOCAAL FORUMS - VIRTUAL ISSUE Managing Editor: Luisa Steur, University of Copenhagen Editors: Don Kalb, Central European University and Utrecht University Christopher Krupa, University of Toronto Mathijs Pelkmans, London School of Economics Oscar Salemink, University of Copenhagen Gavin Smith, University of Toronto Oane Visser, Institute of Social Studies, The Hague A regular feature of Focaal is its Forum section. The Forum features assertive, provocative, and idiosyncratic forms of writing and publishing that do not fit the usual format or style of a research-based article in a regular anthropology journal. Forum contributions can be stand-alone pieces or come in the form of theme-focused collection or discussion. Introducing: www.FocaalBlog.com, which aims to accelerate and intensify anthropological conversations beyond what a regular academic journal can do, and to make them more widely, globally, and swiftly available. _________________________________________________________________________ TABLE OF CONTENTS I. Number 69: Mavericks Mavericks: Harvey, Graeber, and the reunification of anarchism and Marxism in world anthropology by Don Kalb II. Number 66: Forging the Urban Commons Transformative cities: A response to Narotzky, Collins, and Bertho by Ida Susser and Stéphane Tonnelat What kind of commons are the urban commons? by Susana Narotzky The urban public sector as commons: Response to Susser and Tonnelat by Jane Collins Urban commons and urban struggles by Alain Bertho Transformative cities: The three urban commons by Ida Susser and Stéphane Tonnelat III. Number 62: What makes our projects anthropological? Civilizational analysis for beginners by Chris Hann IV. Number 61: Wal-Mart, American consumer citizenship, and the 2008 recession Wal-Mart, American consumer citizenship, and the 2008 recession by Jane Collins V. -