The World of Leonardo, the Success Continues
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Catalogo Leonardo
LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY There is no artist more legendary than Leonardo. In the whole History of Art, no other name has created more discussions, debates and studies than the genius born in Vinci in 1452. Self-Portrait, 1515 Red Chalk on paper 33.3 x 21.6 cm. Biblioteca Reale Torino As far as we know, this extraordinary dra- wing is the only surviving self-portrait by the master. The Annunciation, 1474 tempera on panel 98 X 217 cm. Galleria degli Uffizi THE BATTLE OF ANGHIARI The Battle of Anghiari is a lost painting by Leonardo da Vinci. This is the finest known copy of Leonardo’s lost Battle of Anghiari fresco. It was made in the mid-16th century and then extended at the edges in the early 17th century by Rubens. The Benois Madonna, 1478 Oil on canvas 49.5x33 cm Hermitage Museum Originally painted on wood, It was transferred to canvas when It entered the Hermitage, during which time it was severely demaged GOLD LEAF FRAME DETAIL Woman Head, 1470-76 La Scapigliata, 1508 Paper 28 x 20 cm Oil on canvas 24.7 x 21 cm Galleria degli Uffizi Firenze Parma Galleria Nazionale Lady with an ermine, 1489-90 Oil on wood panel 54 x 39 cm Czartoryski Museum The subject of the portrait is identified as Cecilia Gallerani and was probably painted at a time when she was the mi- stress of Lodovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. Carved gold frame Ritratto di una sforza, 1495 Uomo vitruviano, 1490 Gesso e inchistro su pergamena Matita e inchiostro su carta 34x24 cm. -
3 LEONARDO Di Strinati Tancredi ING.Key
THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE THEORETICAL BACKGROUND The Impossible Exhibitions project derives from an instance of cultural democracy that has its precursors in Paul Valéry, Walter Benjamin and André Malraux. The project is also born of the awareness that in the age of the digital reproducibility of the work of art, the concepts of safeguarding and (cultural and economic) evaluation of the artistic patrimony inevitably enter not only the work as itself, but also its reproduction: “For a hundred years here, as soon as the history of art has escaped specialists, it has been the history of what can be photographed” (André Malraux). When one artist's work is spread over various museums, churches and private collections in different continents, it becomes almost impossible to mount monograph exhibitions that give a significant overall vision of the great past artist's work. It is even harder to create great exhibitions due to the museum directors’ growing – and understandable – unwillingness to loan the works, as well as the exorbitant costs of insurance and special security measures, which are inevitable for works of incalculable value. Impossible Exhibitions start from these premises. Chicago, Loyola University Museum of Art, 2005 Naples, San Domenico Maggiore, 2013/2014 THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE PROJECT In a single exhibition space, Impossible Exhibitions present a painter's entire oeuvre in the form of very high definition reproductions, making use of digital technology permitting reproductions that fully correspond to the original works. Utmost detail resolution, the rigorously 1:1 format (Leonardo's Last Supper reproduction occupies around 45 square meters!), the correct print tone – certified by a renowned art scholar – make these reproductions extraordinarily close to the originals. -
Arena 2015 93° Festival Lirico
ARENA 2015 93° FESTIVAL LIRICO Garda Lake Regular and private excursions GARDA LAKE GARDA ISLAND Isola del Garda is a place of rare and special beauty, REGULAR EXCURSIONS Tour around the lake. Tour surrounded by the clear waters of the lake: a by coach along the romantic Gardesana, one of the picturesque rock that has welcomed ancient people most beautiful roads in Europe with its particular from the Romans to the Longobards. At long last it is vegetation like olive trees, cypresses and flowers with now possible to admire its trasures: the neogothic Venetian villa, the artificial caves, but above all the an extraordinary beauty. Stops on the most beautiful spots. A visit to several picturesque villages to see amazing gardens which date back to the 1880. monuments dating from the period of Roman, Scaliger, Venetian and Austrian possessors. A part of the lake will be crossed by ferryboat. PRIVATE EXCURSIONS An amazing itinerary on the largest lake in Italy to visit its beatiful villages, island and to taste typical wines and products. Pickup at the hotel with the hostess to go to Garda for a quick visit of the village. Transfer by private roofed motorboat to Punta San Vigilio and Isola del Garda. Visit of the beautiful island. Isola del Garda is a place of rare and special beauty. A precious jewel, plenty of history, memories and legends. Historical italian Gardens Experience Guerrieri Rizzardi Garden (Bardolino Giardino Giusti (Verona) Garda lake) In Verona you will find one of Italy’s finest Renaissance The estate in Bardolino, on Lake Garda, dates back to gardens: Giardino Giusti. -
The Book That Changes Our View on Leonardo Da Vinci Paintings 25 Unpublished Discoveries
Pascal Pascal c otte c otte his book on The Lady with an Ermine is the first to ascal Cotte is an optical engineer, a photographer examine in depth the painting technique of Leonardo and a specialist in signal processing of the image. ne T P da Vinci and reveals the secrets of the creation of his paintings. He has founded several companies in the fields of electronic, One key to this work is the unprecedented discovery of a true information technology and the manufacture of special small ermine hidden beneath the visible animal that we see scanners. He founded Lumiere Technology in 1989, and in today. We also discover that the first intention of the Master 2005, with Jean Penicaut, he has founded the Multispectral RMI by Leonardo da Vinci was to paint a classic portrait, without any animal. Probably at Institute (LTMI) which today is the leader in scientific analysis e the instigation of the Duke of Milan, Leonardo may have altered of paintings. Pascal Cotte is the inventor of the first high its composition and later added an ermine then unsatisfied definition multispectral camera that digitizedMona Lisa at the transformed it again. Is it not strange that in 1493 the first Louvre Museum in October 2004 and The Lady with an Ermine poem that describes this portrait does not mention the ermine, in September 2007 in Krakow, Poland. He has digitized over an as this is an important element. This book provides an answer. 2,000 masterpieces in private and public collections. He is the author of several patents, publications on digital processing on H Thanks to a revolutionary new technique, Pascal Cotte images, and scientific studies on famous paintings. -
Lezione 12 – Da Montenapoleone in Duomo (Dia 1) Lasciamo Ancora Una Volta Montenapoleone Per Entrare a Sinistra in Via S
Lezione 12 – Da Montenapoleone in Duomo (Dia 1) Lasciamo ancora una volta Montenapoleone per entrare a sinistra in via S. Andrea dove al n, 6 troviamo (Dia 2) il PALAZZO MORANDO ATTENDOLO BOLOGNINI, al cui interno si trovano la COLLEZIONE COSTUME MODA E IMMAGINE e il MUSEO DI MILANO. Pare che la contessa Bolognini fosse addirittura l'amante del re Umberto I; Edificato nel ‘500, il Palazzo fu residenza di alcune tra le più importanti famiglie milanesi, tra cui i Villa che nel corso del XVIII secolo fecero eseguire sull’edificio numerosi interventi, conferendogli l’impronta rococò, che tuttora lo caratterizza. Nei primi anni del XX secolo la dimora, che allora apparteneva alla famiglia De Cristoforis, fu acquistata dai coniugi Gian Giacomo Morando Bolognini e Lydia Caprara Morando Bolognini, che riempirono le sale con un’ampia collezione di arredi e dipinti. (dia 3) La Contessa Lydia, rimasta vedova nel 1919, morì senza eredi nel 1945 e nel testamento volle donare la sua residenza milanese, con tutto il contenuto, al Comune di Milano, che secondo l’uso dell’epoca smembrò le collezioni per unirle a quelle di altri edifici comunali. Nel 1958, dopo un lungo restauro dovuto agli ingenti danni subiti dall’edificio durante la II Guerra Mondiale, Palazzo Morando aprì le sue porte al pubblico col nome di “Museo di Milano”. Al piano nobile fu collocata la collezione Beretta (tuttora esposta), una ricca raccolta di dipinti e disegni dedicata all’iconografia urbanistica e architettonica di Milano, anch’essa divenuta di proprietà del Comune grazie a una donazione. Al pian terreno invece trovò sistemazione nel 1963 il Museo della Guerra e della Resistenza, poi denominato Museo di Storia Contemporanea. -
Welcome to Milan
WELCOME TO MILAN WHAT MILAN IS ALL ABOUT MEGLIOMILANO MEGLIOMILANO The brochure WELCOME TO MILAN marks the attention paid to those who come to Milan either for business or for study. A fi rst welcome approach which helps to improve the image of the city perceived from outside and to describe the city in all its various aspects. The brochure takes the visitor to the historical, cultural and artistic heritage of the city and indicates the services and opportunities off ered in a vivid and dynamic context as is the case of Milan. MeglioMilano, which is deeply involved in the “hosting fi eld” as from its birth in 1987, off ers this brochure to the city and its visitors thanks to the attention and the contribution of important Institutions at a local level, but not only: Edison SpA, Expo CTS and Politecnico of Milan. The cooperation between the public and private sectors underlines the fact that the city is ever more aiming at off ering better and useable services in order to improve the quality of life in the city for its inhabitants and visitors. Wishing that WELCOME TO MILAN may be a good travel companion during your stay in Milan, I thank all the readers. Marco Bono Chairman This brochure has been prepared by MeglioMilano, a non-profi t- making association set up by Automobile Club Milan, Chamber of Commerce and the Union of Commerce, along with the Universities Bocconi, Cattolica, Politecnico, Statale, the scope being to improve the quality of life in the city. Milan Bicocca University, IULM University and companies of diff erent sectors have subsequently joined. -
Read, Which Was Hand-Embroidered in 1927 by the Nuns of a Secluded Religious Order
Massimo Polidoro nd EDITION 2 SECRET MILAN LOCAL GUIDES BY LOCAL PEOPLE CENTRE WALKING IN THE FOOTSTEps 3 OF ALEssANDRO MAZZUCOTELLI Casa Ferraro – 3-5, Via Spadari Casa Galimberti – 3, Via Malpighi Casa Guazzoni – 12, Via MalpighiCasa Campanini – 11, Via BelliniCasa Moneta – 3, Via Ausonio • Public transport: MM1, MM3 Duomo, Cordusio; tram 2, 3, 14 he wrought ironwork designed by Wrought Alessandro Mazzucotelli in the early ironwork Tdecades of the twentieth century often by an Art Nouveau goes unnoticed, either hidden inside palatial interiors or because you have to look up to see artist it. Nevertheless it is one of the most beautiful examples of Milanese Art Nouveau. A tour around the masterpieces left to the city“ by this great artist – sought out by the finest architects for his creativity and his ability to give iron the lithe and “flowery” look so typical of Art Nouveau – has to begin at Casa Ferraro in the city centre. On this building, which has one of Milan’s most popular fine food shops on the ground floor, the complex floral motifs of the balustrades climb upwards to link the various balconies. On the front of the imposing Palazzo Castiglioni (47 Corso Venezia), the first real example of Art Nouveau in Milan, Mazzucotelli’s twisted ironwork is perfectly integrated with the circular openings hollowed into the rough stone for the small ground-floor windows. Inside, the same artist’s “dragonfly lamp” can be admired in the entrance hall, as well as the balustrade of the main double staircase. Mazzucotelli also designed the wrought-iron terraces of Casa Galimberti, with brightly coloured ceramics covering the façade, and those of the adjacent Casa Guazzoni; as well as the gate and large woven leaves of the balconies of Casa Campanini and the naturalistic elements of Casa Moneta. -
Personal Structures Culture.Mind.Becoming La Biennale Di Venezia 2013
PERSONAL STRUCTURES CULTURE.MIND.BECOMING LA BIENNALE DI VENEZIA 2013 PALAZZO BEMBO . PALAZZO MORA . PALAZZO MARCELLO ColoPHON CONTENTS © 2013. Texts by the authors PERSONAL STRUCTURES 7 LAURA GURTON 94 DMITRY SHORIN 190 XU BINg 274 © If not otherwise mentioned, photos by Global Art Affairs Foundation PATRICK HAMILTON 96 NITIN SHROFF 192 YANG CHIHUNg 278 PERSONAL STRUCTURES: ANNE HERZBLUTh 98 SUH JEONG MIN 194 YE YONGQINg 282 All rights reserved. No part of this publication may be reproduced, stored THE ARTIsts 15 PER HESS 100 THE ICELANDIC YING TIANQI 284 in a retrieval system, or transmitted in any form or by any means, CHUL HYUN AHN 16 HIROFUMI ISOYA 104 LOVE CORPORATION 196 ZHANG FANGBAI 288 electronic, mechanical, photocopying, recording or otherwise, without YOSHITAKA AMANO 20 SAM JINKS 106 MONIKA THIELE 198 ZHANG GUOLONg 290 permission of the editor. ALICE ANDERSON 22 GRZEGORZ KLATKA 110 MICHELE TOMBOLINI 200 ZHANG HUAN 292 Jan-ERIK ANDERSSON 24 MEHdi-GeorGES LAHLOU 112 ŠtefAN TÓTh 202 ZHENG CHONGBIN 294 Print: Krüger Druck + Verlag, Germany AxEL ANKLAM 26 JAMES LAVADOUR 114 VALIE EXPORT 204 ZHOU CHUNYA 298 ATELIER MORALES 28 Edited by: Global Art Affairs Foundation HELMUT LEMKE 116 VITALY & ELENA VASIELIEV 208 INGRANDIMENTO 301 YIFAT BEZALEl 30 www.globalartaffairs.org ANNA LENZ 118 BEN VAUTIER 212 CHAILE TRAVEL 304 DJAWID BOROWER 34 LUCE 120 RAPHAEL VELLA 218 FAN ANGEl 308 FAIZA BUTT 38 Published by: Global Art Affairs Foundation ANDRÉ WAGNER 220 GENG YINI 310 GENIA CHEF 42 MICHELE MANZINI 122 in cooperation with Global Art Center -
City Guide Milano for Special Needs Travelers Per Viaggiatori Con Mobilità Ridotta
where® GuideS CITY GUIDE MILANO FOR SPECIAL NEEDS TRAVELERS PER VIAGGIATORI CON MOBILITÀ RIDOTTA FRIENDLY AIRPORTS FOR A FRIENDLY CITY THE CITY OF EXPO Il progetto Where Milan è patrocinato da INDEX / SOMMARIO Milan: a city to be LANDMARKS / LUOGHI DI INTERESSE Duomo, the symbol of Milan discovered and experienced Il Duomo, simbolo di Milano p. 3 Although Italy boasts a plethora of ‘art cities’, few people Galleria, the “living room” of the Milanese La Galleria, il “salotto” dei Milanesi p. 4 are likely to list Milan as one of them. Known as the capital of fashion, design and business, the city also hosts an Teatro alla Scala and its square unexpected treasure trove of artistic marvels. As well Il Teatro alla Scala e la sua piazza p. 4 as famed and fabled masterpieces and monuments, The Castle in the heart of Milan Milan is also home to the Duomo, La Scala Opera House, Il Castello nel cuore di Milano p. 6 Leonardo’s Last Supper, Castello Sforzesco, imposing “The Last Supper” and Santa Maria delle Grazie Romanesque churches, museums brimming over with “L’Ultima Cena” e Santa Maria delle Grazie p. 6 priceless artworks as well as the recent introduction of Porta Nuova, a new exclusive urban space some amazing contemporary architecture. This guide aims Porta Nuova, un distretto all’avanguardia p. 8 to show you that side of Milan, and lots more besides, San Siro Stadium, temple of football i.e. an accessible Milan. On the pages that follow you Stadio San Siro, tempio del calcio p. 8 will find a collection of must-visit museums and tourist attractions that are accessible to everyone, plus a series MUSEUMS / MUSEI of useful information detailing how to get around Expo Palazzo Reale p. -
Knowledge Master -.:: GEOCITIES.Ws
1. 6. Copyright (C) 2001 Academic Hallmarks The "American March King" is to John Philip Sousa as the "Waltz King" A bone in the pelvis is the ... is to ... A. iskium B. ischium C. ischeum D. yshiumm E. ysscheum Johann Strauss B 2. 7. What legal defense was Fatso Salmonelli using when he said in court that These are names of special winds in what region? he couldn't have been part of the armed robbery of an anchovy plant in mistral bora ghibli sirocco Maine last week because he could prove he was in Tombstone, Arizona at A. the North Pole the time? B. the Mediterranean Sea C. the Cape of Good Hope D. the Australian Outback E. the Straits of Magellan alibi B 3. 8. A standard apple tree needs about 40 square feet of land in which to grow. The idea that embryonic development repeats that of ancestral organisms Horticulturalists have produced little apple trees such that up to sixteen of is called ... them can fit in the same area. Such trees are called ... A. recidivism B. reiteration C. recuperation D. recombination E. recapitulation dwarfs E 4. 9. The planet Mercury is difficult to observe because ... What was the home town for Casey's team in the poem, "Casey at the A. it is extremely reflective Bat?" B. it is so distant from Earth C. of its proximity to the Sun D. of its continual cloud cover E. it is usually behind the Moon C Mudville 5. 10. The antomym of benign is ... What is lost by birds when they molt? A. -
Mona Lisa: a Comparative Evaluation of the Different Versions S
ONA LISA: A COMPARATIVE EVALUATION OF THE MDIFFERENT VERSIONS AND THEIR COPIES Salvatore Lorusso* Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Andrea Natali Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Keywords: “Mona Lisa”, versions, copies 1. Introduction In a previous study [1], which included stylistic and diagnostic analyses, it was found that the oil painting on canvas “Mona Lisa with columns”, part of a private collection in a museum in St. Petersburg (Figure 1), is a copy of the “Mona Lisa” by Leonardo (Figure 2) dating to a period between 1590 and 1660. Noteworthy features include the good quality, readability and expressiveness emanating from the work, which presum- ably is of Nordic influence, specifically German-Flemish. Figure 1. Photograph in the visible of the painting “Mona Lisa with Columns”, St. Petersburg (oil on canvas 63.2 x 85.2 cm ) CONSERVATION SCIENCE IN CULTURAL HERITAGE * Corresponding author: [email protected] 57 Figure 2. The Louvre “Mona Lisa” More specifically, given the importance of the subject, which includes Leonardo’s well-known masterpiece, the conclusion that was reached in defining the above paint- ing a copy of the original, involved examining, from a methodological point of view, investigations carried out in 2004 on the Louvre “Mona Lisa” by the “Center for Re- search and Restoration of the Museums of France”, and published in “Au coeur de La Joconde – Léonard de Vinci Décodé”. This sequence of investigations – which were certainly not aimed at authentication – were examined together with those of the Na- tional Gallery in London, thus enabling comparisons to be made with other works by Leonardo [2-3]. -
Milan and the Lakes Travel Guide
MILAN AND THE LAKES TRAVEL GUIDE Made by dk. 04. November 2009 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Attractions Milan and the Lakes Travel Guide Leonardo’s Last Supper The Last Supper , Leonardo da Vinci’s 1495–7 masterpiece, is a touchstone of Renaissance painting. Since the day it was finished, art students have journeyed to Milan to view the work, which takes up a refectory wall in a Dominican convent next to the church of Santa Maria delle Grazie. The 20th-century writer Aldous Huxley called it “the saddest work of art in the world”: he was referring not to the impact of the scene – the moment when Christ tells his disciples “one of you will betray me” – but to the fresco’s state of deterioration. More on Leonardo da Vinci (1452–1519) Crucifixion on Opposite Wall Top 10 Features 9 Most people spend so much time gazing at the Last Groupings Supper that they never notice the 1495 fresco by Donato 1 Leonardo was at the time studying the effects of Montorfano on the opposite wall, still rich with colour sound and physical waves. The groups of figures reflect and vivid detail. the triangular Trinity concept (with Jesus at the centre) as well as the effect of a metaphysical shock wave, Example of Ageing emanating out from Jesus and reflecting back from the 10 Montorfano’s Crucifixion was painted in true buon walls as he reveals there is a traitor in their midst. fresco , but the now barely visible kneeling figures to the sides were added later on dry plaster – the same method “Halo” of Jesus Leonardo used.