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Catalogo Leonardo
LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY There is no artist more legendary than Leonardo. In the whole History of Art, no other name has created more discussions, debates and studies than the genius born in Vinci in 1452. Self-Portrait, 1515 Red Chalk on paper 33.3 x 21.6 cm. Biblioteca Reale Torino As far as we know, this extraordinary dra- wing is the only surviving self-portrait by the master. The Annunciation, 1474 tempera on panel 98 X 217 cm. Galleria degli Uffizi THE BATTLE OF ANGHIARI The Battle of Anghiari is a lost painting by Leonardo da Vinci. This is the finest known copy of Leonardo’s lost Battle of Anghiari fresco. It was made in the mid-16th century and then extended at the edges in the early 17th century by Rubens. The Benois Madonna, 1478 Oil on canvas 49.5x33 cm Hermitage Museum Originally painted on wood, It was transferred to canvas when It entered the Hermitage, during which time it was severely demaged GOLD LEAF FRAME DETAIL Woman Head, 1470-76 La Scapigliata, 1508 Paper 28 x 20 cm Oil on canvas 24.7 x 21 cm Galleria degli Uffizi Firenze Parma Galleria Nazionale Lady with an ermine, 1489-90 Oil on wood panel 54 x 39 cm Czartoryski Museum The subject of the portrait is identified as Cecilia Gallerani and was probably painted at a time when she was the mi- stress of Lodovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. Carved gold frame Ritratto di una sforza, 1495 Uomo vitruviano, 1490 Gesso e inchistro su pergamena Matita e inchiostro su carta 34x24 cm. -
3 LEONARDO Di Strinati Tancredi ING.Key
THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE THEORETICAL BACKGROUND The Impossible Exhibitions project derives from an instance of cultural democracy that has its precursors in Paul Valéry, Walter Benjamin and André Malraux. The project is also born of the awareness that in the age of the digital reproducibility of the work of art, the concepts of safeguarding and (cultural and economic) evaluation of the artistic patrimony inevitably enter not only the work as itself, but also its reproduction: “For a hundred years here, as soon as the history of art has escaped specialists, it has been the history of what can be photographed” (André Malraux). When one artist's work is spread over various museums, churches and private collections in different continents, it becomes almost impossible to mount monograph exhibitions that give a significant overall vision of the great past artist's work. It is even harder to create great exhibitions due to the museum directors’ growing – and understandable – unwillingness to loan the works, as well as the exorbitant costs of insurance and special security measures, which are inevitable for works of incalculable value. Impossible Exhibitions start from these premises. Chicago, Loyola University Museum of Art, 2005 Naples, San Domenico Maggiore, 2013/2014 THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE PROJECT In a single exhibition space, Impossible Exhibitions present a painter's entire oeuvre in the form of very high definition reproductions, making use of digital technology permitting reproductions that fully correspond to the original works. Utmost detail resolution, the rigorously 1:1 format (Leonardo's Last Supper reproduction occupies around 45 square meters!), the correct print tone – certified by a renowned art scholar – make these reproductions extraordinarily close to the originals. -
Selected Highlights of Women's History
Selected Highlights of Women’s History United States & Connecticut 1773 to 2015 The Permanent Commission on the Status of Women omen have made many contributions, large and Wsmall, to the history of our state and our nation. Although their accomplishments are too often left un- recorded, women deserve to take their rightful place in the annals of achievement in politics, science and inven- Our tion, medicine, the armed forces, the arts, athletics, and h philanthropy. 40t While this is by no means a complete history, this book attempts to remedy the obscurity to which too many Year women have been relegated. It presents highlights of Connecticut women’s achievements since 1773, and in- cludes entries from notable moments in women’s history nationally. With this edition, as the PCSW celebrates the 40th anniversary of its founding in 1973, we invite you to explore the many ways women have shaped, and continue to shape, our state. Edited and designed by Christine Palm, Communications Director This project was originally created under the direction of Barbara Potopowitz with assistance from Christa Allard. It was updated on the following dates by PCSW’s interns: January, 2003 by Melissa Griswold, Salem College February, 2004 by Nicole Graf, University of Connecticut February, 2005 by Sarah Hoyle, Trinity College November, 2005 by Elizabeth Silverio, St. Joseph’s College July, 2006 by Allison Bloom, Vassar College August, 2007 by Michelle Hodge, Smith College January, 2013 by Andrea Sanders, University of Connecticut Information contained in this book was culled from many sources, including (but not limited to): The Connecticut Women’s Hall of Fame, the U.S. -
The World of Leonardo, the Success Continues
Leonardo3 – Il Mondo di Leonardo Sale del Re, Piazza della Scala Galleria Vittorio Emanuele II entrance Ends July 31, 2013 – Daily, 10am-11pm AG 1/4 P lease – RE Leonardo3 – The World of Leonardo, the success continues The exhibit tops 340.000 visitors: 1, 2015 – Press JULy www.leonardo3.net it is one of the most attractive exhibitions in Milan during Expo2015 Milan, July 1 2015 The exhibit Leonardo3 – The World of Leonardo, produced by the Leonardo3 (L3) Research Center and held in the splendid Sale del Re (“Halls of the King”) in Piazza della Scala in Mi- lan, with entrance from inside the Galleria Vittorio Emanuele II, has been extended until October 31. It will therefore be accessible for the duration of Milan Expo so the international public can appreciate the many sides of Leonardo da Vinci’s technical and artistic production in an interactive, multimedia way. With interactive stations, fully functioning machines made from studying Leonardo’s manuscripts, unprecedented physical reconstruc- tions, digital restorations and three-dimensional reconstructions of Leonardo’s artistic creations the exhibit is unique and extremely in- structive. Convenient opening hours (everyday from 10am to 11pm, including holidays) provide easy access for tourists and locals alike. Support from the City of Milan and the Premio di Rappresentanza awarded by the President of the Republic attests to prestige and origi- nality of the show’s contents. Over three hundred and forty thousand visitors The popularity of the exhibitLeonardo3 – The World of Leonardo continues. With over three hundred and forty thousand visitors it is proving to be one of the most attractive and important interactive exhibits in the world on Leonardo da Vinci’s work as an artist and inventor. -
The Book That Changes Our View on Leonardo Da Vinci Paintings 25 Unpublished Discoveries
Pascal Pascal c otte c otte his book on The Lady with an Ermine is the first to ascal Cotte is an optical engineer, a photographer examine in depth the painting technique of Leonardo and a specialist in signal processing of the image. ne T P da Vinci and reveals the secrets of the creation of his paintings. He has founded several companies in the fields of electronic, One key to this work is the unprecedented discovery of a true information technology and the manufacture of special small ermine hidden beneath the visible animal that we see scanners. He founded Lumiere Technology in 1989, and in today. We also discover that the first intention of the Master 2005, with Jean Penicaut, he has founded the Multispectral RMI by Leonardo da Vinci was to paint a classic portrait, without any animal. Probably at Institute (LTMI) which today is the leader in scientific analysis e the instigation of the Duke of Milan, Leonardo may have altered of paintings. Pascal Cotte is the inventor of the first high its composition and later added an ermine then unsatisfied definition multispectral camera that digitizedMona Lisa at the transformed it again. Is it not strange that in 1493 the first Louvre Museum in October 2004 and The Lady with an Ermine poem that describes this portrait does not mention the ermine, in September 2007 in Krakow, Poland. He has digitized over an as this is an important element. This book provides an answer. 2,000 masterpieces in private and public collections. He is the author of several patents, publications on digital processing on H Thanks to a revolutionary new technique, Pascal Cotte images, and scientific studies on famous paintings. -
Champions of the United States
U.S. FIGURE SKATING DIRECTORY CHAMPIONS OF THE UNITED STATES LADIES 1960 Carol Heiss, The SC of New York 2018 Nathan Chen, Salt Lake Figure Skating 1959 Carol Heiss, The SC of New York 2017 Nathan Chen, Salt Lake Figure Skating 2021 Bradie Tennell, Skokie Valley SC 1958 Carol Heiss, The SC of New York 2016 Adam Rippon, The SC of New York 2020 Alysa Liu, St. Moritz ISC 1957 Carol Heiss, The SC of New York 2015 Jason Brown, Skokie Valley SC 2019 Alysa Liu, St. Moritz ISC 1956 Tenley Albright, The SC of Boston 2014 Jeremy Abbott, Detroit SC 2018 Bradie Tennell, Skokie Valley SC 2013 Max Aaron, Broadmoor SC 2017 Karen Chen, Peninsula SC 1955 Tenley Albright, The SC of Boston 1954 Tenley Albright, The SC of Boston 2012 Jeremy Abbott, Detroit SC 2016 Gracie Gold, Wagon Wheel FSC 2011 Ryan Bradley, Broadmoor SC 1953 Tenley Albright, The SC of Boston 2015 Ashley Wagner, SC of Wilmington 2010 Jeremy Abbott, Detroit SC 1952 Tenley Albright, The SC of Boston 2014 Gracie Gold, Wagon Wheel FSC 2009 Jeremy Abbott, Broadmoor SC 1951 Sonya Klopfer, Junior SC of New York 2013 Ashley Wagner, SC of Wilmington 2008 Evan Lysacek, DuPage FSC 1950 Yvonne Sherman, The SC of New York 2012 Ashley Wagner, SC of Wilmington 2007 Evan Lysacek, DuPage FSC 1949 Yvonne Sherman, The SC of New York 2011 Alissa Czisny, Detroit SC 2006 Johnny Weir, The SC of New York 1948 Gretchen Merrill, The SC of Boston 2010 Rachael Flatt, Broadmoor SC 2005 Johnny Weir, The SC of New York 2009 Alissa Czisny, Detroit SC 1947 Gretchen Merrill, The SC of Boston 2004 Johnny Weir, The SC of New York 2008 Mirai Nagasu, Pasadena FSC 1946 Gretchen Merrill, The SC of Boston 2003 Michael Weiss, Washington FSC 2007 Kimmie Meissner, Univ. -
Personal Structures Culture.Mind.Becoming La Biennale Di Venezia 2013
PERSONAL STRUCTURES CULTURE.MIND.BECOMING LA BIENNALE DI VENEZIA 2013 PALAZZO BEMBO . PALAZZO MORA . PALAZZO MARCELLO ColoPHON CONTENTS © 2013. Texts by the authors PERSONAL STRUCTURES 7 LAURA GURTON 94 DMITRY SHORIN 190 XU BINg 274 © If not otherwise mentioned, photos by Global Art Affairs Foundation PATRICK HAMILTON 96 NITIN SHROFF 192 YANG CHIHUNg 278 PERSONAL STRUCTURES: ANNE HERZBLUTh 98 SUH JEONG MIN 194 YE YONGQINg 282 All rights reserved. No part of this publication may be reproduced, stored THE ARTIsts 15 PER HESS 100 THE ICELANDIC YING TIANQI 284 in a retrieval system, or transmitted in any form or by any means, CHUL HYUN AHN 16 HIROFUMI ISOYA 104 LOVE CORPORATION 196 ZHANG FANGBAI 288 electronic, mechanical, photocopying, recording or otherwise, without YOSHITAKA AMANO 20 SAM JINKS 106 MONIKA THIELE 198 ZHANG GUOLONg 290 permission of the editor. ALICE ANDERSON 22 GRZEGORZ KLATKA 110 MICHELE TOMBOLINI 200 ZHANG HUAN 292 Jan-ERIK ANDERSSON 24 MEHdi-GeorGES LAHLOU 112 ŠtefAN TÓTh 202 ZHENG CHONGBIN 294 Print: Krüger Druck + Verlag, Germany AxEL ANKLAM 26 JAMES LAVADOUR 114 VALIE EXPORT 204 ZHOU CHUNYA 298 ATELIER MORALES 28 Edited by: Global Art Affairs Foundation HELMUT LEMKE 116 VITALY & ELENA VASIELIEV 208 INGRANDIMENTO 301 YIFAT BEZALEl 30 www.globalartaffairs.org ANNA LENZ 118 BEN VAUTIER 212 CHAILE TRAVEL 304 DJAWID BOROWER 34 LUCE 120 RAPHAEL VELLA 218 FAN ANGEl 308 FAIZA BUTT 38 Published by: Global Art Affairs Foundation ANDRÉ WAGNER 220 GENG YINI 310 GENIA CHEF 42 MICHELE MANZINI 122 in cooperation with Global Art Center -
Mona Lisa: a Comparative Evaluation of the Different Versions S
ONA LISA: A COMPARATIVE EVALUATION OF THE MDIFFERENT VERSIONS AND THEIR COPIES Salvatore Lorusso* Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Andrea Natali Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Keywords: “Mona Lisa”, versions, copies 1. Introduction In a previous study [1], which included stylistic and diagnostic analyses, it was found that the oil painting on canvas “Mona Lisa with columns”, part of a private collection in a museum in St. Petersburg (Figure 1), is a copy of the “Mona Lisa” by Leonardo (Figure 2) dating to a period between 1590 and 1660. Noteworthy features include the good quality, readability and expressiveness emanating from the work, which presum- ably is of Nordic influence, specifically German-Flemish. Figure 1. Photograph in the visible of the painting “Mona Lisa with Columns”, St. Petersburg (oil on canvas 63.2 x 85.2 cm ) CONSERVATION SCIENCE IN CULTURAL HERITAGE * Corresponding author: [email protected] 57 Figure 2. The Louvre “Mona Lisa” More specifically, given the importance of the subject, which includes Leonardo’s well-known masterpiece, the conclusion that was reached in defining the above paint- ing a copy of the original, involved examining, from a methodological point of view, investigations carried out in 2004 on the Louvre “Mona Lisa” by the “Center for Re- search and Restoration of the Museums of France”, and published in “Au coeur de La Joconde – Léonard de Vinci Décodé”. This sequence of investigations – which were certainly not aimed at authentication – were examined together with those of the Na- tional Gallery in London, thus enabling comparisons to be made with other works by Leonardo [2-3]. -
College Voice Vol. XLI No. 8
Connecticut College Digital Commons @ Connecticut College 2017-2018 Student Newspapers 2-20-2018 College Voice Vol. XLI No. 8 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2017_2018 Recommended Citation Connecticut College, "College Voice Vol. XLI No. 8" (2018). 2017-2018. 7. https://digitalcommons.conncoll.edu/ccnews_2017_2018/7 This Article is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2017-2018 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. NEW LONDON, CONNECTICUT TUESDAY, FEBRUARY 20, 2018 VOLUME XLI • ISSUE 8 THE COLLEGE VOICE CONNECTICUT COLLEGE’S INDEPENDENT STUDENT NEWSPAPER SINCE 1977 Students Rally Title IX Coordinator Behind Dr. Baldwin Debate Continues HANNAH JOHNSTON DANA GALLAGHER NEWS EDITOR MANAGING EDITOR The Connecticut College Gender and Within a week of the announcement of Women’s Studies department is in a time Associate Dean of Equity and Inclusion of transition. Last year, a long, national and acting Title IX coordinator B. Afeni search yielded the hiring of a depart- McNeely Cobham’s departure, students ment chair, Professor Danielle Egan, gathered in Cro to discuss the shortcom- who officially began at the beginning of ings in Conn’s approach to upholding Ti- this semester (Spring 2018). At a recent tle IX requirements. Although the 2015 intra-departmental GWS meeting, con- “Dear College Letter” released by the U.S. sisting of Egan and fellow tenure-track Department of Education states: “Des- professor in the department Ariella Ro- ignating a full-time Title IX coordinator tramel, and the majoring and minoring will minimize the risk of a conflict of in- students, the future of the GWS depart- terest and in many cases ensure sufficient ment was discussed. -
Thematic Instruction Comes to the Gym!
University of Northern Iowa UNI ScholarWorks Graduate Research Papers Student Work 1997 Strategies for Sprinkling Spice on an Elementary Physical Education Program: Thematic Instruction Comes to the Gym! Kristine Lee Whitcher University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©1997 Kristine Lee Whitcher Follow this and additional works at: https://scholarworks.uni.edu/grp Part of the Curriculum and Instruction Commons Recommended Citation Whitcher, Kristine Lee, "Strategies for Sprinkling Spice on an Elementary Physical Education Program: Thematic Instruction Comes to the Gym!" (1997). Graduate Research Papers. 1816. https://scholarworks.uni.edu/grp/1816 This Open Access Graduate Research Paper is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Graduate Research Papers by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Strategies for Sprinkling Spice on an Elementary Physical Education Program: Thematic Instruction Comes to the Gym! Abstract The purpose of this project was to identify curriculum design strategies that would assist elementary physical education teachers in producing thematic units for elementary physical education classes. Strategies for integrating curriculum were identified in the literature then used to create and implement a thematic physical education project. Specific strategies were explained in detail through examples associated with the project. The strategies demonstrate that thematic instruction can successfully meet the needs of many children, invite new learning, and will assist teachers in coordinating themes with elementary physical education classes. A school-wide Olympic Fest was the culminating event of this project. -
Njustly of Mur- and a Tidal Wave Monday Night
TPeatKer Free Parian? Ibere If no durgs at meter* Snow tapering off today. to the Red Bank parking lot* Partly cloudy tonight. Fair to- after « p. m. Wainesday* and morrow. High today, 28. Low Fridays, Red Bank's two »hop- tonight, 15-20. High tomorrow, ping nights. 30-35. '$Ut An Independent Newspaper Under Same Ownership Since. 1878 BY CARRIER PAGE ONE Issued Dally. Monday through Friday, entered as Second Class Matter 7c PER COPY 35c PER WEEK VOLUME 82, NO. 141 at thu Post Office at Red Bank. N. J., under the Act ol March 3. 1619. RED BANK, N. J., FRIDAY, MARCH 4, 1960 Freehold Twp. Savage Snowstorm To Get 35-Store Rips Shore Area, Shopping Plaza Leaves 17 Inches $6 Million 9 West Long Branch Man 'Bushed Limit To Project Set President Dies After Shoveling Snow For 1961 Debate Wind driven snow and freezing temperatures Relaxes gripped the Shore area yesterday and today. At least FREEHOLD TOWNSHIP — A Forecast one death was attributed to the storm. $6 million, 32-store shopping plaza RAMEY AIR FORCE BASE, William D. Martin, U.S. weather observer in Long is in the offing here. Puerto Rico (AP) — President EMERGENCY CALL — Heavy snow didn't stop the Keyport First Aid Squad from WASHINGTON (AP) - Rival Branch, put the official snowfall at 17 inches at 7 If completed as now planned, Eisenhower, admittedly "bush- bringing a maternity patient to Riverview Hospital, Red Bank, this morning. Police factions among supporters of a the project will be among the ed" from 12 days of touring civil rights bill stood their ground in area municipalities reported scores of accidents yesterday and today, most of a. -
The Richard T. Button Trophy Room at the Skating Club of Boston the NEXT 100 YEARS, a CAMPAIGN for the SKATING CLUB of BOSTON
THE NEXT 100 YEARS, A CAMPAIGN FOR THE SKATING CLUB OF BOSTON The Richard T. Button Trophy Room at The Skating Club of Boston THE NEXT 100 YEARS, A CAMPAIGN FOR THE SKATING CLUB OF BOSTON The Richard T. Button Trophy Room Dick Button is indisputably the most accomplished and land both the double Axel jump and the fi rst triple jump of transformative fi gure skater of the 20th century. He was any kind. He is also credited with inventing the fl ying camel just 18 years old when he won the fi rst of his two Olympic spin, originally known as the “Button camel.” gold medals. Before retiring from competition, he achieved an unbeaten winning streak that included fi ve consecutive The Skating Club of Boston takes great pride in establish- world championships, seven U.S. National titles, and four ing the Richard T. Button Trophy Room to honor his stun- North American and European championships. Dick is the ning accomplishments. It was on the Club’s rink on Soldiers only man to win top honors in the Olympic, World, Europe- Field Road in Boston that the reigning Olympic champion an, North American, and U.S. national competitions, and in trained while a student at Harvard College. He had been 1948, he held all those titles simultaneously. It is fair to say training with his long-time coach Gustave Lussi on the triple that for fi ve years – 1948 to 1952 – Dick dominated world loop, and he landed it for the fi rst time in December 1951 on fi gure skating.