Educational Activities for Ovation Documentary Raiders of the Lost Art: Leonardo Da Vinci
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Catalogo Leonardo
LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY There is no artist more legendary than Leonardo. In the whole History of Art, no other name has created more discussions, debates and studies than the genius born in Vinci in 1452. Self-Portrait, 1515 Red Chalk on paper 33.3 x 21.6 cm. Biblioteca Reale Torino As far as we know, this extraordinary dra- wing is the only surviving self-portrait by the master. The Annunciation, 1474 tempera on panel 98 X 217 cm. Galleria degli Uffizi THE BATTLE OF ANGHIARI The Battle of Anghiari is a lost painting by Leonardo da Vinci. This is the finest known copy of Leonardo’s lost Battle of Anghiari fresco. It was made in the mid-16th century and then extended at the edges in the early 17th century by Rubens. The Benois Madonna, 1478 Oil on canvas 49.5x33 cm Hermitage Museum Originally painted on wood, It was transferred to canvas when It entered the Hermitage, during which time it was severely demaged GOLD LEAF FRAME DETAIL Woman Head, 1470-76 La Scapigliata, 1508 Paper 28 x 20 cm Oil on canvas 24.7 x 21 cm Galleria degli Uffizi Firenze Parma Galleria Nazionale Lady with an ermine, 1489-90 Oil on wood panel 54 x 39 cm Czartoryski Museum The subject of the portrait is identified as Cecilia Gallerani and was probably painted at a time when she was the mi- stress of Lodovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. Carved gold frame Ritratto di una sforza, 1495 Uomo vitruviano, 1490 Gesso e inchistro su pergamena Matita e inchiostro su carta 34x24 cm. -
3 LEONARDO Di Strinati Tancredi ING.Key
THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE THEORETICAL BACKGROUND The Impossible Exhibitions project derives from an instance of cultural democracy that has its precursors in Paul Valéry, Walter Benjamin and André Malraux. The project is also born of the awareness that in the age of the digital reproducibility of the work of art, the concepts of safeguarding and (cultural and economic) evaluation of the artistic patrimony inevitably enter not only the work as itself, but also its reproduction: “For a hundred years here, as soon as the history of art has escaped specialists, it has been the history of what can be photographed” (André Malraux). When one artist's work is spread over various museums, churches and private collections in different continents, it becomes almost impossible to mount monograph exhibitions that give a significant overall vision of the great past artist's work. It is even harder to create great exhibitions due to the museum directors’ growing – and understandable – unwillingness to loan the works, as well as the exorbitant costs of insurance and special security measures, which are inevitable for works of incalculable value. Impossible Exhibitions start from these premises. Chicago, Loyola University Museum of Art, 2005 Naples, San Domenico Maggiore, 2013/2014 THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE PROJECT In a single exhibition space, Impossible Exhibitions present a painter's entire oeuvre in the form of very high definition reproductions, making use of digital technology permitting reproductions that fully correspond to the original works. Utmost detail resolution, the rigorously 1:1 format (Leonardo's Last Supper reproduction occupies around 45 square meters!), the correct print tone – certified by a renowned art scholar – make these reproductions extraordinarily close to the originals. -
The World of Leonardo, the Success Continues
Leonardo3 – Il Mondo di Leonardo Sale del Re, Piazza della Scala Galleria Vittorio Emanuele II entrance Ends July 31, 2013 – Daily, 10am-11pm AG 1/4 P lease – RE Leonardo3 – The World of Leonardo, the success continues The exhibit tops 340.000 visitors: 1, 2015 – Press JULy www.leonardo3.net it is one of the most attractive exhibitions in Milan during Expo2015 Milan, July 1 2015 The exhibit Leonardo3 – The World of Leonardo, produced by the Leonardo3 (L3) Research Center and held in the splendid Sale del Re (“Halls of the King”) in Piazza della Scala in Mi- lan, with entrance from inside the Galleria Vittorio Emanuele II, has been extended until October 31. It will therefore be accessible for the duration of Milan Expo so the international public can appreciate the many sides of Leonardo da Vinci’s technical and artistic production in an interactive, multimedia way. With interactive stations, fully functioning machines made from studying Leonardo’s manuscripts, unprecedented physical reconstruc- tions, digital restorations and three-dimensional reconstructions of Leonardo’s artistic creations the exhibit is unique and extremely in- structive. Convenient opening hours (everyday from 10am to 11pm, including holidays) provide easy access for tourists and locals alike. Support from the City of Milan and the Premio di Rappresentanza awarded by the President of the Republic attests to prestige and origi- nality of the show’s contents. Over three hundred and forty thousand visitors The popularity of the exhibitLeonardo3 – The World of Leonardo continues. With over three hundred and forty thousand visitors it is proving to be one of the most attractive and important interactive exhibits in the world on Leonardo da Vinci’s work as an artist and inventor. -
The Book That Changes Our View on Leonardo Da Vinci Paintings 25 Unpublished Discoveries
Pascal Pascal c otte c otte his book on The Lady with an Ermine is the first to ascal Cotte is an optical engineer, a photographer examine in depth the painting technique of Leonardo and a specialist in signal processing of the image. ne T P da Vinci and reveals the secrets of the creation of his paintings. He has founded several companies in the fields of electronic, One key to this work is the unprecedented discovery of a true information technology and the manufacture of special small ermine hidden beneath the visible animal that we see scanners. He founded Lumiere Technology in 1989, and in today. We also discover that the first intention of the Master 2005, with Jean Penicaut, he has founded the Multispectral RMI by Leonardo da Vinci was to paint a classic portrait, without any animal. Probably at Institute (LTMI) which today is the leader in scientific analysis e the instigation of the Duke of Milan, Leonardo may have altered of paintings. Pascal Cotte is the inventor of the first high its composition and later added an ermine then unsatisfied definition multispectral camera that digitizedMona Lisa at the transformed it again. Is it not strange that in 1493 the first Louvre Museum in October 2004 and The Lady with an Ermine poem that describes this portrait does not mention the ermine, in September 2007 in Krakow, Poland. He has digitized over an as this is an important element. This book provides an answer. 2,000 masterpieces in private and public collections. He is the author of several patents, publications on digital processing on H Thanks to a revolutionary new technique, Pascal Cotte images, and scientific studies on famous paintings. -
Personal Structures Culture.Mind.Becoming La Biennale Di Venezia 2013
PERSONAL STRUCTURES CULTURE.MIND.BECOMING LA BIENNALE DI VENEZIA 2013 PALAZZO BEMBO . PALAZZO MORA . PALAZZO MARCELLO ColoPHON CONTENTS © 2013. Texts by the authors PERSONAL STRUCTURES 7 LAURA GURTON 94 DMITRY SHORIN 190 XU BINg 274 © If not otherwise mentioned, photos by Global Art Affairs Foundation PATRICK HAMILTON 96 NITIN SHROFF 192 YANG CHIHUNg 278 PERSONAL STRUCTURES: ANNE HERZBLUTh 98 SUH JEONG MIN 194 YE YONGQINg 282 All rights reserved. No part of this publication may be reproduced, stored THE ARTIsts 15 PER HESS 100 THE ICELANDIC YING TIANQI 284 in a retrieval system, or transmitted in any form or by any means, CHUL HYUN AHN 16 HIROFUMI ISOYA 104 LOVE CORPORATION 196 ZHANG FANGBAI 288 electronic, mechanical, photocopying, recording or otherwise, without YOSHITAKA AMANO 20 SAM JINKS 106 MONIKA THIELE 198 ZHANG GUOLONg 290 permission of the editor. ALICE ANDERSON 22 GRZEGORZ KLATKA 110 MICHELE TOMBOLINI 200 ZHANG HUAN 292 Jan-ERIK ANDERSSON 24 MEHdi-GeorGES LAHLOU 112 ŠtefAN TÓTh 202 ZHENG CHONGBIN 294 Print: Krüger Druck + Verlag, Germany AxEL ANKLAM 26 JAMES LAVADOUR 114 VALIE EXPORT 204 ZHOU CHUNYA 298 ATELIER MORALES 28 Edited by: Global Art Affairs Foundation HELMUT LEMKE 116 VITALY & ELENA VASIELIEV 208 INGRANDIMENTO 301 YIFAT BEZALEl 30 www.globalartaffairs.org ANNA LENZ 118 BEN VAUTIER 212 CHAILE TRAVEL 304 DJAWID BOROWER 34 LUCE 120 RAPHAEL VELLA 218 FAN ANGEl 308 FAIZA BUTT 38 Published by: Global Art Affairs Foundation ANDRÉ WAGNER 220 GENG YINI 310 GENIA CHEF 42 MICHELE MANZINI 122 in cooperation with Global Art Center -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Touching the Void: The museological implications of theft on public art collections Jillian Seaton Ph.D. University of Edinburgh 2014 Abstract Of central importance to this thesis is the way security measures contradict the process through which museums have been seeking to divest themselves of theoretical hierarchies and value judgments in recent years. A context for investigation is established that considers how a perceptible increase in art theft, complicated by the escalating value of individual objects and the proliferation of museums as represented by a rise in attendance figures has produced a climate of vulnerability for arts collections around the world. In response, museums are installing unprecedented levels of security that are having a significant impact on established viewing conditions and redefining museum space. Further hindering this situation is the disparity between the fields of museology and museum security. -
Knowledge Master -.:: GEOCITIES.Ws
1. 6. Copyright (C) 2001 Academic Hallmarks The "American March King" is to John Philip Sousa as the "Waltz King" A bone in the pelvis is the ... is to ... A. iskium B. ischium C. ischeum D. yshiumm E. ysscheum Johann Strauss B 2. 7. What legal defense was Fatso Salmonelli using when he said in court that These are names of special winds in what region? he couldn't have been part of the armed robbery of an anchovy plant in mistral bora ghibli sirocco Maine last week because he could prove he was in Tombstone, Arizona at A. the North Pole the time? B. the Mediterranean Sea C. the Cape of Good Hope D. the Australian Outback E. the Straits of Magellan alibi B 3. 8. A standard apple tree needs about 40 square feet of land in which to grow. The idea that embryonic development repeats that of ancestral organisms Horticulturalists have produced little apple trees such that up to sixteen of is called ... them can fit in the same area. Such trees are called ... A. recidivism B. reiteration C. recuperation D. recombination E. recapitulation dwarfs E 4. 9. The planet Mercury is difficult to observe because ... What was the home town for Casey's team in the poem, "Casey at the A. it is extremely reflective Bat?" B. it is so distant from Earth C. of its proximity to the Sun D. of its continual cloud cover E. it is usually behind the Moon C Mudville 5. 10. The antomym of benign is ... What is lost by birds when they molt? A. -
Mona Lisa's Secret: a Historical Fiction Mystery Suspense Novel Online
CAvqc (Read free ebook) Mona Lisa's Secret: A Historical Fiction Mystery Suspense Novel Online [CAvqc.ebook] Mona Lisa's Secret: A Historical Fiction Mystery Suspense Novel Pdf Free Phil Philips ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #21118 in eBooks 2016-09-15 2016-09-15File Name: B01L7BWDC8 | File size: 71.Mb Phil Philips : Mona Lisa's Secret: A Historical Fiction Mystery Suspense Novel before purchasing it in order to gage whether or not it would be worth my time, and all praised Mona Lisa's Secret: A Historical Fiction Mystery Suspense Novel: 0 of 0 people found the following review helpful. Summer ReadBy Michael P. BaldwinThis book was interesting, but not a very serious mystery, hence the summer read title. Without giving a clue to the ending, let me just say that you really have to indulge the author in his right to literary license. Saying that situations throughout the book are pretty much beyond the scope of really is an understatement. All in all, I moderately enjoyed the book. A light read, full of fun and fantasy.1 of 1 people found the following review helpful. AmazingBy Kindle CustomerI absolutely love historical fictions. Phil Phillips is an amazing writing, this is my first book I have read from him. I was not disappointed. This book is a page turner, could not put it down. I really hope he makes other books like this one. He is in the the as fellow writer Dan brown,hope that is not a did to Phil, more of a complement. -
Newsletter Nov 2015
Leonardo da Vinci Society Newsletter Editor: Matthew Landrus Issue 42, November 2015 Recent and forthcoming events did this affect the science of anatomy? This talk discusses the work of Leonardo da Vinci, The Annual General Meeting and Annual Vesalius and Fabricius and looks at how the Lecture 2016 nature of the new art inspired and shaped a new wave of research into the structure of the Professor Andrew Gregory (University College, human body and how such knowledge was London), will offer the Annual Lecture on Friday, transmitted in visual form. This ultimately 13 May at 6 pm. The lecture, entitled, ‘Art and led to a revolution in our under-standing of Anatomy in the 15th & 16th Centuries’ will be anatomy in the late 16th and early 17th centu- at the Kenneth Clark Lecture Theatre of the ries. Courtauld Institute of Art (Somerset House, The Strand). Before the lecture, at 5:30 pm, the annual Lectures and Conference Proceedings general meeting will address matters arising with the Society. Leonardo in Britain: Collections and Reception Venue: Birkbeck College, The National Gallery, The Warburg Institute, London Date: 25-27 May 2016 Organisers: Juliana Barone (Birkbeck, London) and Susanna Avery-Quash (National Gallery) Tickets: Available via the National Gallery’s website: http://www.nationalgallery.org.uk/whats- on/calendar/leonardo-in-britain-collections-and- reception With a focus on the reception of Leonardo in Britain, this conference will explore the important role and impact of Leonardo’s paintings and drawings in key British private and public collec- tions; and also look at the broader British context of the reception of his art and science by address- ing selected manuscripts and the first English editions of his Treatise on Painting, as well as historiographical approaches to Leonardo. -
Mona Lisa: a Comparative Evaluation of the Different Versions S
ONA LISA: A COMPARATIVE EVALUATION OF THE MDIFFERENT VERSIONS AND THEIR COPIES Salvatore Lorusso* Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Andrea Natali Dipartimento di Beni Culturali Alma Mater Studiorum Università di Bologna, Ravenna, Italy Keywords: “Mona Lisa”, versions, copies 1. Introduction In a previous study [1], which included stylistic and diagnostic analyses, it was found that the oil painting on canvas “Mona Lisa with columns”, part of a private collection in a museum in St. Petersburg (Figure 1), is a copy of the “Mona Lisa” by Leonardo (Figure 2) dating to a period between 1590 and 1660. Noteworthy features include the good quality, readability and expressiveness emanating from the work, which presum- ably is of Nordic influence, specifically German-Flemish. Figure 1. Photograph in the visible of the painting “Mona Lisa with Columns”, St. Petersburg (oil on canvas 63.2 x 85.2 cm ) CONSERVATION SCIENCE IN CULTURAL HERITAGE * Corresponding author: [email protected] 57 Figure 2. The Louvre “Mona Lisa” More specifically, given the importance of the subject, which includes Leonardo’s well-known masterpiece, the conclusion that was reached in defining the above paint- ing a copy of the original, involved examining, from a methodological point of view, investigations carried out in 2004 on the Louvre “Mona Lisa” by the “Center for Re- search and Restoration of the Museums of France”, and published in “Au coeur de La Joconde – Léonard de Vinci Décodé”. This sequence of investigations – which were certainly not aimed at authentication – were examined together with those of the Na- tional Gallery in London, thus enabling comparisons to be made with other works by Leonardo [2-3]. -
The L3 Exhibitions Catalogue 2010-2014
The L3 Exhibitions Catalogue 2010-2014 Leonardo da Vinci overview Leonardo da Vinci is a universal genius. He What the public knows about Leonardo is bare- was, of course, an Italian, but he belongs to a ly the tip of the iceberg. His manuscripts con- past that is part of the cultural heritage of every tinue to hide secrets and are worthy of inquiry person and every nation. He is a singular exam- and presentation in new, innovative ways. L3 ple throughout history of a man who possessed explores, discovers and reveals the “unknown an enormous talent and excelled not only as a Leonardo” in order to spark the hidden genius scientist, but also as an artist. Most of the inven- that lies within us all. tions and machines that he designed can in fact be considered works of art. On the same note, Leonardo3 (L3) is the world leader in exclu- his artistic works are both the creations of a sive exhibitions and publications on da Vinci’s master artist and the products of a formidable genius. Each of our exhibitions is the result of scientific brain. work carried out by our own team of researchers who investigate and develop never-seen-before Just as his paintings deserve the kind of investi- machines for each event. gation to which only today’s technology can do justice, so the full extent of his scientific work Our exhibitions are “dynamic” rather than “stat- has yet to be revealed to the public. ic”. We make extensive use of 3D animations, physical models and interactive software to of- fer the public a unique level of interaction and a hands-on “edu-tainment” experience. -
Sunday, December 11: FESTA DI NATALE Please Note That the Date Listed in the November Issue Was in Error
December, 2011 Vol. XXIX, No. 4 ppoocchhee ppaarroollee The Italian Cultural Society of Washington D.C. Preserving and Promoting Italian Culture for All www.italianculturalsociety.org ICS EVENTS Social meetings start at 3:00 PM on the third Sunday of the month (except this December and January), September thru May, at the Friendship Heights Village Center, 4433 South Park Ave., Chevy Chase, MD (See map on back cover) Sunday, December 11: FESTA DI NATALE Please note that the date listed in the November issue was in error. Babbo Natale hopes to see you on December 11. See page 2 for December 11 program. Sunday, January 22: (Note the date) Davide Prete, sculptor/architect/jewelry designer, will speak and exhibit his jewelry creations. See his website: www.davideprete.com/eng/62/jewlery.html There will be no Italian Lessons and no Movie of the Month on December 11 PRESIDENT’S MESSAGE elaborate presepio, hands-on entertainment for the Those of you who attended the November meeting children, and seasonal music with soprano were treated to Francesco Scaduto-Mendola’s Adrianna Sgarlata.(See p.11) Please be sure to reading of his Sicilian ancestor, Barone Antonio join us for this happy event. And speaking of Mendola’s account of the baron’s nephew’s young events, in this issue on page 11 are listed the many daughter actually locked up in a tower to keep her Italy-flavored events occurring in the near future in from marrying her worthless cousin, and who the DC area (special thanks to Anthony Galizia for escaped through a small window and proceeded to listing them on his Piazza Italia website calendar.) run off and disastrously marry him anyway…and Meanwhile, we wish you all pleasant holidays.