BLACK HISTORY – PERTH AMBOY PUBLIC SCHOOLS Black History in Kindergarten
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A Descriptive Study of How African Americans Are Portrayed in Award Winning African American Children's Picture Books from 1996-2005
Mississippi State University Scholars Junction Theses and Dissertations Theses and Dissertations 1-1-2006 A Descriptive Study of How African Americans are Portrayed in Award Winning African American Children's Picture Books From 1996-2005 Susie Robin Ussery Follow this and additional works at: https://scholarsjunction.msstate.edu/td Recommended Citation Ussery, Susie Robin, "A Descriptive Study of How African Americans are Portrayed in Award Winning African American Children's Picture Books From 1996-2005" (2006). Theses and Dissertations. 106. https://scholarsjunction.msstate.edu/td/106 This Dissertation - Open Access is brought to you for free and open access by the Theses and Dissertations at Scholars Junction. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholars Junction. For more information, please contact [email protected]. A DESCRIPTIVE STUDY OF HOW AFRICAN AMERICANS ARE PORTRAYED IN AWARD WINNING AFRICAN AMERICAN CHILDREN’S PICTURE BOOKS FROM 1996-2005 By Susie Robin Ussery A Dissertation Submitted to the Faculty of Mississippi State University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Elementary Education in the Department of Curriculum and Instruction Mississippi State, Mississippi May 2006 Copyright by Susie Robin Ussery 2006 Name: Susie Robin Ussery Date of Degree: May 13, 2006 Institution: Mississippi State University Major Field: Elementary Education Dissertation Director: Dr. Linda T. Coats Title of Study: A DESCRIPTIVE STUDY OF HOW AFRICAN AMERICANS ARE PORTRAYED IN AWARD WINNING AFRICAN AMERICAN CHILDREN’S PICTURE BOOKS FROM 1996-2005 Pages in Study: 109 Candidate for Degree of Doctor of Philosophy Children learn about their world through books used in the classroom. -
From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, Or the Legacy of Ishmael
Georgia State University ScholarWorks @ Georgia State University English Faculty Publications Department of English 2012 From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael Elizabeth J. West Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/english_facpub Part of the English Language and Literature Commons Recommended Citation West, Elizabeth J., "From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael" (2012). English Faculty Publications. 15. https://scholarworks.gsu.edu/english_facpub/15 This Article is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael” Dr. Elizabeth J. West Dept. of English—Georgia State Univ. Nov. 2010 “Call me Ishmael,” Herman Melville’s elusive narrator instructs readers. The central voice in the lengthy saga called Moby Dick, he is a crewman aboard the Pequod. This Ishmael reveals little about himself, and he does not seem altogether at home. As the narrative unfolds, this enigmatic Ishmael seems increasingly out of sorts in the world aboard the Pequod. He finds himself at sea working with and dependent on fellow seamen, who are for the most part, strange and frightening and unreadable to him. -
The Attucks Theater September 4, 2020 | Source: Theater/ Words by Penny Neef
Spotlight: The Attucks Theater September 4, 2020 | Source: http://spotlightnews.press/index.php/2020/09/04/spotlight-the-attucks- theater/ Words by Penny Neef. Images as credited. Feature image by Mike Penello. In the early 20th century, segregation was a fact of life for African Americans in the South. It became a matter of law in 1926. In 1919, a group of African Americans from Norfolk and Portsmouth met to develop a cultural/business center in Norfolk where the black community “could be treated with dignity and respect.” The “Twin Cities Amusement Corporation” envisioned something like a modern-day town center. The businessmen obtained funding from black owned financial institutions in Hampton Roads. Twin Cities designed and built a movie theater/ retail/ office complex at the corner of Church Street and Virginia Beach Boulevard in Norfolk. Photo courtesy of the family of Harvey Johnson The businessmen chose 25-year-old architect Harvey Johnson to design a 600-seat “state of the art” theater with balconies and an orchestra pit. The Attucks Theatre is the only surviving theater in the United States that was designed, financed and built by African Americans. The Attucks was named after Crispus Attucks, a stevedore of African and Native American descent. He was the first patriot killed in the Revolutionary War at the Boston Massacre of 1770. The theatre featured a stage curtain with a dramatic depiction of the death of Crispus Attucks. Photo by Scott Wertz. The Attucks was an immediate success. It was known as the “Apollo Theatre of the South.” Legendary performers Cab Calloway, Count Basie, Duke Ellington, Ella Fitzgerald, Sarah Vaughn, Nat King Cole, and B.B. -
Beyond the Stereotypes: a Guide to Resources for Black Girls and Young Women
DOCUMENT RESUME ED 275 772 UD 025 155 AUTHOR Wilson, Geraldine, Comp.; Vassall, Merlene, Comp. TITLE Beyond the Stereotypes: A Guide to Resources for Black Girls and Young Women. INSTITUTION National Black Child Development Inst., Inc., Washington, D.C. SPONS AGENCY Women's Educational Equity Act Program (ED), Washington, DC. PUB DATE 86 NOTE 71p.; Educational Equity for Black Girls Project: Building Achievement Motivation, Counteracting the Stereotypes. AVAILABLE FROMNational Black Child Development Inst., 1463 Rhode Island Ave., N.W., Washington, DC 20005 ($8.50). PUB TYPE Guides - General (050) -- Reference Materials - Bibliographies (131) -- Reports - Evaluative/Feasibility (142) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Adolescents; Annotated Bibliographies; Black Attitudes; Black Culture; *Black Literature; *Blacks; *Black Youth; *Females; Films; *Preadolescents; Preschool Children; *Resource Materials ABSTRACT This resource guide lists books, records, and films that provide a realistic and wholesome depiction of what it means to be a black girl or woman. Organized according to medium and appropriate age ranges, it includes a brief annotation for each item. Suggestions for use of the guide are provided, as are the following criteria for selecting resources for black girls: (1) accurate presentation of history; (2) non-stereotypical characterization; (3) non-derogatory language and terminology; and (4) illustrations demonstrating the diversity of the black experience. Also included are distributors and -
Black History Month Calendar
In honor of Black History Month, we will journey through time and learn about 20 inspiring African Americans who made an impact, and their contributions to our world today. Long before Malcolm X, Martin Luther King Jr. Harriet Tubman, and Rosa Parks etched their names into American History, there were so many unknown or forgotten individuals who helped make significant contributions to society. From Inventors, to educators, activists, and poets it’s so important to make sure diverse contributions are always part of our conversations about history. The best part? We can all learn and share about these contributions everyday-not just in February. To learn about each of their contributions click the images below. Monday Tuesday Wednesday Thursday Friday February 1st February 2nd February 3rd February 4th February 5th Dr. Carter G. Woodson Shirley Chishlom Dr. Charles Drew Katherine Johnson Benjamin Banneker “Father of Black History” “Unbought &Unbossed” “Father of Blood Banks” “Hidden Figures” “Washington D.C” Monday Tuesday Wednesday Thursday Friday February 8th February 9th February 10th February 11th February 12th Harriet Powers Otis Boykin Mary McLeod Bethune Perry Wallace Bessie Coleman “Mother of African “Pacemaker Control “Pioneer in Black “Triumph” “Queen Bess” Quilting” Unit” Education” Monday Tuesday Wednesday Thursday Friday February 15th February 16th February 17th February 18th February 19th Clementine Hunter Lillian Harden Chester Pierce Mamie “Peanut” Johnson Dr. Charles H. Turner “Art from Her Heart” Armstrong “Follow Chester” “Strong Right Arm” “Buzzing with Questions” “Born to Swing” Monday Tuesday Wednesday Thursday Friday February 22nd February 23rd February 24th February 25th February 26th Madame CJ Walker Garret Morgan Mary H. -
Türkiye'de Biyografik Sinema Filminde Bellek, Çarpıtma Ve Boş Alan
T. C. MALTEPE ÜNİVERSİTESİ İLETİŞİM FAKÜLTESİ RADYO SİNEMA TELEVİZYON BÖLÜMÜ TÜRKİYE’DE BİYOGRAFİK SİNEMA FİLMİNDE BELLEK, ÇARPITMA VE BOŞ ALAN: “VEDA” FİLMİ ÜZERİNDEN ÇALIŞMA YÜKSEK LİSANS TEZİ AYTUNA (TOSUNOĞLU) ÇALIK 091105107 Danışman Öğretim Üyesi: Yrd.Doç.Dr. Nazan HAYDARI PAKKAN İstanbul, Haziran 2011 “But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more insubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the endless edifice of recollection.”* Swann’s Way – Marcel Proust * “Yaşananlar geçmişte kaldığında, insanlar öldükten, herşey kırıldıktan ve parçalara ayrıldıktan sonra yine de yalnız, daha kırılgan ancak daha canlı, daha gerçek dışı, daha inatçı, daha inançlı; nesnelerin kokusu ve tadı uzun bir süre boyunca dengede kalır; tıpkı geride kalan her şeyin yıkıntıları arasında hatırlanacakları o anın gelmesini bekleyen ve uman ve yeniden bir araya gelmenin sonsuz mabedinde varlıklarının en küçük ve neredeyse tutulamayacak damlasında bile kendinden emin olan ruhlar gibi…” (Çeviri: A.Tosunoğlu) 2 ÖNSÖZ Sevgili Atıf Yılmaz 2004 yılında, Bir Sinemacının Anıları kitabını benim için imzalarken şunları yazmıştı; “Bugün iyi bir romancı, senaryocu yarın belki iyi bir yönetmen daha sonra iyi bir oyuncu ve daha neler neler... Bilmem az şey mi bekliyorum?..” Belki bunların hiçbiri olmadım, belki bir kısmı... İyi olup olmamak da oldukça göreceli. Bu hayattan geçerken kendisini hep bir öğrenen olarak niteleyen ben için iyi olmak diye bir şey yok. -
Bessie Coleman
Bessie Coleman Born: Jan 26, 1892, Atlanta, GA Died: April 30, 1926, Jacksonville, FL Life of Bessie Coleman Bessie Coleman is known for performing flying tricks. She was the first female African American pilot to hold an international pilot license. She fought discrimination to follow her dream of becoming a pilot. She became a skilled barnstormer and aviation educator. This extraordinary woman was a pioneer in aviation, helping to break barriers for African Americans and women alike. What Bessie Made history by being the first Coleman did to african american woman with a pilot licence. make history? Bessie was the first African American woman to become a pilot in 1921. Defeating gender and racial prejudice, she became a symbol for lots of women of color when African Americans were still battling segregation and for equal rights. Bessie Coleman Life and Family Bessie Coleman had three sisters and two brothers. Bessie’s dad left when she was nine years old. She died on April 30th, 1926 Jacksonville,,Florida Preparing for a show. Why was Bessie Coleman successful? Bessie Coleman was successful in life b1ecause she believed that African American women could be pilots. She faced many challenges both as a woman and an African American. She was interested in learning and worked hard at that as well. Bessie Coleman Famous Accomplishments Bessie Coleman was famous for being the first African American to get her pilot license. She received her license in 1921. Bessie Coleman performed aerial acrobatics. Unfortunately, she was only able to attend Bessie Coleman for 1 term because of financial constraints. -
Let's Learn About American Heroes
Let’s Learn About American Heroes Engage Start here with these videos 1. Name a hero 2. and 3 character 3. traits these heroes have 4. 5. 6. 7. 8. Put your name next to your number, 9. then write your hero and character traits in the column 10. on the right 11. 12. Explore In this hyperdoc, you will learn about several African American heroes. Click here to read about WHY we celebrate. Click on each name to go to their slide. Langston Hughes Marian Anderson Thurgood Sojourner Truth Marshall Barack Venus and Serena Obama Shirley Chisolm Williams Jesse Bessie Coleman Owens Scott Joplin Frederick Douglass Malcolm Madam Harriet X C.J. Matthew Henson Tubman Dr. Mae Walker Jemison Marian Anderson - Singer Read more about her here Watch a short biography Listen to her sing Read about her here Sojourner Truth Read about her here Watch a video Read more about her here Take a short quiz Read even more about her here Thurgood Marshall Read more about him here Read about him here Read even more about him here Langston Hughes Read about him here Shirley Chisholm (Nov. 30, Shirley Chisolm 1924 - Jan. 1, 2005) was the first African-American woman elected to the US Congress. Shirley Anita St. Hill was born in Brooklyn, New York. After Read about her here being a teacher and serving as a New York state assemblywoman, Chisolm was elected as a Democrat to the House of Representatives. She served in Congress for seven terms, from January 3, 1969, until January 3, 1983. -
Teaching Young Children About the Civil Rights Movement Applying Effective & Developmentally Appropriate Strategies
Promising Practices Teaching Young Children about the Civil Rights Movement Applying Effective & Developmentally Appropriate Strategies Janet E. Foster, Tonja L. Root, & Seungyoun Lee Introduction Considering the importance of the Selected Developmental Civil Rights Movement, children need to It is crucial for teachers to persis- Characteristics That Influence be introduced to the related concepts early Children’s Learning tently examine, be knowledgeable about, in their school experiences, and teachers and reflect on their beliefs, assumptions, need to consider students’ developmental Teachers must consider the devel- values, standpoints, experiences, biases, needs and curriculum standards in order to opmental levels of the children they are prejudices, and stereotypes about diversity provide appropriate content and methods teaching as guidance in planning instruc- and multicultural education that they of instruction. tion about the Civil Rights Movement, carry into their teaching and learning. The purpose of this article is to in- since aspects of emotional, social, cognitive, Teachers’ viewpoints and interpretations troduce a variety of resources to support and moral development are important in about the Civil Rights Movement will teaching and learning about the Civil organizing effective instruction. Accord- affect their problem-solving and decision- Rights Movement based on the premise ing to Copple and Bredekamp (2008), making as well as discussions on the topic that concrete learning experiences permit kindergarten-aged children are able to and resources and materials they choose children to build an understanding that form and sustain relationships and seek for such lessons. will impact their learning, attitudes, and peer acceptance. These characteristics The Civil Rights Movement is today beliefs about diversity and multicultural are important in understanding the Civil just as important a topic as it was in 1954 education. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Crispus Attucks Museum Unit #3: School Segregation and Desegregation of Indianapolis Public Schools Grades:Grade 11/ Subject: U.S
Crispus Attucks Museum Unit #3: School Segregation and Desegregation of Indianapolis Public Schools Grades:Grade 11/ Subject: U.S. Teacher: Grade 12 History/U.S. Government Duration: 30 minutes (each) Day(s) 1 Lesson #: 1 of 2 Standards: Grade 11 – U.S. History after 1877 USH.6.2 Summarize and assess the various actions which characterized the early struggle for civil rights (1945-1960). USH.6.3 Describe the constitutional significance and lasting societal effects of the United States Brown v. Board of Education Supreme Court case. USH.6.4 Summarize key economic and social changes in post-WW II American life. USH.9.1 Identify patterns of historical succession and duration in which historical events have unfolded and apply them to explain continuity and change. USH.9.2 Locate and analyze primary sources and secondary sources related to an event or issue of the past; discover possible limitations in various kinds of historical evidence and differing secondary opinions. USH.9.4 Explain issues and problems of the past by analyzing the interests and viewpoints of those involved. Grade 12 – U.S. Government USG.1.9 Evaluate how the United States Constitution establishes majority rule while protecting minority rights and balances the common good with individual liberties. USG.2.8 Explain the history and provide historical and contemporary examples of fundamental principles and values of American political and civic life, including liberty, security, the common good, justice, equality, law and order, rights of individuals, diversity, popular sovereignty, and representative democracy. USG.5.2 Analyze the roles and responsibilities of citizens in Indiana and the United States. -
We a Dream 1776 1976
We Had A Dream 1776 1976 Contributions of Black Americans Author and Editor- Vernon C. Lawhorn + II1II Additional methods can be used to further educate students about this mural. We Had a Dream 1776-1976 No. 1. This material can be used to enhance biographical work of historic figures. Contributions of Black Americans No.2. The material will readily lend itself to standard testing procedures, such as True or False, Multiple Choice, Matching Fill-Ins and Essays. No.3. This Visual material will aid the student in his or her effort to compare and contrast current events with the past or historical occurences. No.4. It could be useful in understanding the borrowing and synthe- The subjects of this painting are both male and female, encompassing sizing that occurs in the birth and development of movements. Dr. Martin virtually all aspects of the American Experience. Luther King, Jr. borrowed from Mahatma Gandi; Ceasar Chavez, the No. 1. It is a history in color of the Black experience in America. It's Mexican American who now still marches and protests against a system first figure is that of an African Mask: It's final figure is a Red, Black & that deprives his people their freedom and rights, from Dr. King. Green flag, symbolic of the desire by blacks to understand and relate to their African Heritage. In summation, the question is, who would benefit? NOTE: The African Mask is symbolic of the origin of American Blacks. No.2. Some of the individuals in the painting are anonymous but most . Multiculture is apparently the wave of the future.