Teaching Young Children About the Civil Rights Movement Applying Effective & Developmentally Appropriate Strategies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Program the Haiti Illumination Project
YARI YARI NTOASO CONTINUING THE DIALOGUE INTERNATIONAL CONFERENCE ON LITERATURE BY WOMEN OF AFRICAN ANCESTRY ● ACCRA, GHANA ● 2013 ● ORGANIZATION OF WOMEN WRITERS OF AFRICA ● NEW YORK UNIVERSITY MBAASEM FOUNDATION THE WOMEN FOR AFRICA FOUNDATION 2 YARI YARI NTOASO CONTINUING THE DIALOGUE Thursday, 16 May through Sunday, 19 May 2013 Sponsored by The Organization of Women Writers of Africa, Inc. New York University Institute of African American Affairs Hosted by Mbaasem Foundation Lead Partner Fundación Mujeres por África/The Women for Africa Foundation Supported by New York University Africa House New York University Accra New York University Africana Studies Program The Haiti Illumination Project Planning support provided by: The New York Council for the Humanities a state affiliate of the National Endowment for the Humanities Any views, findings, conclusions, or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities 3 CONFERENCE ORGANIZERS The Organization of Women Writers of Africa (OWWA) Founded in 1991 by African-American poet, performing artist, and activist Jayne Cortez and Ghanaian playwright and scholar Ama Ata Aidoo, the Organization of Women Writers of Africa, Inc. (OWWA) establishes connections between professional African women writers around the world. OWWA is a 501(c)(3) nonprofit literary organization concerned with the development and advancement of the literature of women writers from Africa and its Diaspora. OWWA is also a non-governmental organization associated with the United Nations Department of Public Information (UNDPI). www.owwainc.org and www.indiegogo.com/owwa - also on Facebook and Twitter #YariYari OWWA Co-Founders: Ama Ata Aidoo & Jayne Cortez Executive Board: J.e. -
Second Annual Louise Meriwether First Book Prize Winner Announced
FEBRUARY 2018 • FOR IMMEDIATE RELEASE • THE FEMINIST PRESS For more information contact Lucia Brown, Feminist Press • [email protected] • 212-817-7928 SECOND ANNUAL LOUISE MERIWETHER FIRST BOOK PRIZE WINNER ANNOUNCED NEW YORK, NY—The Feminist Press, TAYO Literary Magazine, and distinguished judges Bridgett M. Davis, Melissa R. Sipin, and Jamia Wilson are honored to award the 2018 Louise Meriwether First Book Prize to Claudia D. Hernández. In Knitting the Fog, Hernández shares the story of her family’s migration from Guatemala to the United States, fusing poetry and narrative essay. The book will be published by the Feminist Press in 2019. “This is a book of our times, a story of struggle and resilience, a warrior song that refuses to look or run away,” says Melissa R. Sipin, TAYO editor in chief. “Knitting the Fog brings us the immigrant experience in a refreshingly new light,” explains judge and author Bridgett M. Davis. “How exciting that Hernandez’s voice joins the canon of contemporary Latina stories.” The Feminist Press and TAYO Literary Magazine established the prize in 2016 to honor landmark African American feminist author Louise Meriwether and her 1970 novel Daddy Was a Number Runner. One of the first American novels to feature a young black girl as the protagonist, the book inspired the careers of writers like Jacqueline Woodson and Bridgett M. Davis, among countless others. The Louise Meriwether First Book Prize annually seeks the best debut work by women and nonbinary writers of color. “We celebrate and invest in extraordinary emerging writers from communities whose stories are often unheard or undersupported,” says Feminist Press executive director Jamia Wilson. -
Beyond the Stereotypes: a Guide to Resources for Black Girls and Young Women
DOCUMENT RESUME ED 275 772 UD 025 155 AUTHOR Wilson, Geraldine, Comp.; Vassall, Merlene, Comp. TITLE Beyond the Stereotypes: A Guide to Resources for Black Girls and Young Women. INSTITUTION National Black Child Development Inst., Inc., Washington, D.C. SPONS AGENCY Women's Educational Equity Act Program (ED), Washington, DC. PUB DATE 86 NOTE 71p.; Educational Equity for Black Girls Project: Building Achievement Motivation, Counteracting the Stereotypes. AVAILABLE FROMNational Black Child Development Inst., 1463 Rhode Island Ave., N.W., Washington, DC 20005 ($8.50). PUB TYPE Guides - General (050) -- Reference Materials - Bibliographies (131) -- Reports - Evaluative/Feasibility (142) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Adolescents; Annotated Bibliographies; Black Attitudes; Black Culture; *Black Literature; *Blacks; *Black Youth; *Females; Films; *Preadolescents; Preschool Children; *Resource Materials ABSTRACT This resource guide lists books, records, and films that provide a realistic and wholesome depiction of what it means to be a black girl or woman. Organized according to medium and appropriate age ranges, it includes a brief annotation for each item. Suggestions for use of the guide are provided, as are the following criteria for selecting resources for black girls: (1) accurate presentation of history; (2) non-stereotypical characterization; (3) non-derogatory language and terminology; and (4) illustrations demonstrating the diversity of the black experience. Also included are distributors and -
BLACK HISTORY – PERTH AMBOY PUBLIC SCHOOLS Black History in Kindergarten
BLACK HISTORY – PERTH AMBOY PUBLIC SCHOOLS Black History in Kindergarten Read and Discuss and Act out: The Life's Contributions of: Ruby Bridges Bill Cosby Rosa Parks Booker T. Washington Dr. Martin Luther King Jr. Jackie Robinson Louie Armstrong Wilma Rudolph Harriet Tubman Duke Ellington Black History in 1st Grade African Americans Read, Discuss, and Write about: Elijah McCoy, Booker T. Washington George Washington Carver Mathew Alexander Henson Black History in 2nd Grade Select an African American Leader Students select a partner to work with; What would you like to learn about their life? When and where were they born? Biography What accomplishments did they achieve in their life? Write 4-5 paragraphs about this person’s life Black History 3rd & 4th Graders Select a leader from the list and complete a short Biography Black History pioneer Carter Godwin Woodson Boston Massacre figure Crispus Attucks Underground Railroad leader Harriet Tubman Orator Frederick Douglass Freed slave Denmark Vesey Antislavery activist Sojourner Truth 'Back to Africa' leader Marcus Garvey Nation of Islam leader Elijah Muhammad Legal figure Homer Plessy NAACP founder W. E. B. Du Bois Murdered civil rights activist Medgar Evers Civil rights leader Dr. Martin Luther King, Jr. Civil rights leader Coretta Scott King Bus-riding activist Rosa Parks Lynching victim Emmett Till Black History 3rd & 4th Graders 'Black Power' advocate Malcolm X Black Panthers founder Huey Newton Educator Booker T. Washington Soul On Ice author Eldridge Cleaver Educator Mary McLeod Bethune Supreme Court justice Thurgood Marshall Colonial scientist Benjamin Banneker Blood bank pioneer Charles Drew Peanut genius George Washington Carver Arctic explorer Matthew Henson Daring flier Bessie Coleman Astronaut Guion Bluford Astronaut Mae Jemison Computer scientist Philip Emeagwali Nobel Peace Prize winner Wangari Maathai Black History 3rd & 4th Graders Brain surgeon Ben Carson U.S. -
I the MULTICULTURAL MEGALOPOLIS
i THE MULTICULTURAL MEGALOPOLIS: AFRICAN-AMERICAN SUBJECTIVITY AND IDENTITY IN CONTEMPORARY HARLEM FICTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Shamika Ann Mitchell May 2012 Examining Committee Members: Joyce A. Joyce, Ph.D., Advisory Chair, Department of English Sheldon R. Brivic, Ph.D., Department of English Roland L. Williams, Ph.D., Department of English Maureen Honey, Ph.D., Department of English, University of Nebraska-Lincoln ii © Copyright 2012 by Shamika Ann Mitchell iii ABSTRACT The central aim of this study is to explore what I term urban ethnic subjectivity, that is, the subjectivity of ethnic urbanites. Of all the ethnic groups in the United States, the majority of African Americans had their origins in the rural countryside, but they later migrated to cities. Although urban living had its advantages, it was soon realized that it did not resolve the matters of institutional racism, discrimination and poverty. As a result, the subjectivity of urban African Americans is uniquely influenced by their cosmopolitan identities. New York City‘s ethnic community of Harlem continues to function as the geographic center of African-American urban culture. This study examines how six post-World War II novels ― Sapphire‘s PUSH, Julian Mayfield‘s The Hit, Brian Keith Jackson‘s The Queen of Harlem, Charles Wright‘s The Wig, Toni Morrison‘s Jazz and Louise Meriwether‘s Daddy Was a Number Runner ― address the issues of race, identity, individuality and community within Harlem and the megalopolis of New York City. Further, this study investigates concepts of urbanism, blackness, ethnicity and subjectivity as they relate to the characters‘ identities and self- perceptions. -
Türkiye'de Biyografik Sinema Filminde Bellek, Çarpıtma Ve Boş Alan
T. C. MALTEPE ÜNİVERSİTESİ İLETİŞİM FAKÜLTESİ RADYO SİNEMA TELEVİZYON BÖLÜMÜ TÜRKİYE’DE BİYOGRAFİK SİNEMA FİLMİNDE BELLEK, ÇARPITMA VE BOŞ ALAN: “VEDA” FİLMİ ÜZERİNDEN ÇALIŞMA YÜKSEK LİSANS TEZİ AYTUNA (TOSUNOĞLU) ÇALIK 091105107 Danışman Öğretim Üyesi: Yrd.Doç.Dr. Nazan HAYDARI PAKKAN İstanbul, Haziran 2011 “But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more insubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the endless edifice of recollection.”* Swann’s Way – Marcel Proust * “Yaşananlar geçmişte kaldığında, insanlar öldükten, herşey kırıldıktan ve parçalara ayrıldıktan sonra yine de yalnız, daha kırılgan ancak daha canlı, daha gerçek dışı, daha inatçı, daha inançlı; nesnelerin kokusu ve tadı uzun bir süre boyunca dengede kalır; tıpkı geride kalan her şeyin yıkıntıları arasında hatırlanacakları o anın gelmesini bekleyen ve uman ve yeniden bir araya gelmenin sonsuz mabedinde varlıklarının en küçük ve neredeyse tutulamayacak damlasında bile kendinden emin olan ruhlar gibi…” (Çeviri: A.Tosunoğlu) 2 ÖNSÖZ Sevgili Atıf Yılmaz 2004 yılında, Bir Sinemacının Anıları kitabını benim için imzalarken şunları yazmıştı; “Bugün iyi bir romancı, senaryocu yarın belki iyi bir yönetmen daha sonra iyi bir oyuncu ve daha neler neler... Bilmem az şey mi bekliyorum?..” Belki bunların hiçbiri olmadım, belki bir kısmı... İyi olup olmamak da oldukça göreceli. Bu hayattan geçerken kendisini hep bir öğrenen olarak niteleyen ben için iyi olmak diye bir şey yok. -
Plague Diary by Margaret Porter Troupe
Plague Diary Margaret Porter Troupe, Graham Court Apartments, Harlem, New York City April 4, 2020 By the time I start this diary, I’ve been sheltering in since March 20th. The last person who’s visited us inside the apartment was Monique Clesca. She came to lunch here. We sat apart and neither of us wore facemasks. We elbow bumped and didn’t shake hands or kiss. I waited 14 days to see if I had symptoms of Covid-19. The police arrived yesterday and made the people who hang out in A. Phillip Randolph Square Park, (formerly Dewey Square), drinking, loitering, littering, and just being an eyesore and nuisance, leave the park. This little triangular park is directly across the street from Graham Court and where Miles Davis and other beboppers playing at Minton’s during the 1940s used to come to shoot up or do whatever they did there in-between sets. Minton’s is around the corner on 118th Street between 7th Avenue and St. Nicholas. The police or parks people removed the benches too and put up a chicken-wire fence at the entrances to keep people out. Now those people come across the street and congregate under the scaffolding in front of Graham Court. There’s a lot of drug dealing going on too. It feels quite a bit more unsafe around here lately. Must keep antenna raised for trouble. Woke up today thinking about my friend Cynthia, who was sounding scary to me yesterday as we discussed how we’re both feeling. I’ve been having congestion the last eight days and she has been having symptoms too but don’t know whether to attribute them to her blood pressure medication, pollen (it’s Spring now and everything’s bursting in bloom) or the novel coronavirus, Covid-19. -
Rosa Parks-Sources of Information (General Version)
ROSA PARKS: SOURCES OF INFORMATION Page 1 CURRICULUM CONNECTIONS RATIONALE This lesson has material appropriate The purpose of this lesson is for students to examine their own and others’ for history, social studies, civics, and sources of information about historical events. Students also have an opportunity social science classes. to examine how misrepresentation or omission of facts can lead to a less than complete understanding of events and issues. REQUIREMENTS Materials OBJECTIVES • Rosa Parks and the Montgomery Bus Boycott • Students will determine if their knowledge of Rosa Parks and the Montgomery Bus Boycott is a complete and accurate account of the events • Rosa Parks and the Montgomery that took place. Bus Boycott (Answer Key) • pens/pencils, chart paper/markers • Students will identify common sources of information and misinformation. (optional) • Students will examine the limits of having an incomplete or inaccurate understanding of an event or issue. Time 45 minutes or one class period PROCEDURES Grade Level Grades 6 & Up 1. Explain that the purpose of this lesson is for students to consider sources of information. To prepare for the lesson, have students consider the following TECHNIQUES & SKILLS questions: critical thinking skills, large-group • How do we acquire our knowledge of people and events? How do we discussion, recalling factual know what we know? information, writing skills • What are our sources of information? KEY WORDS & PHRASES • How do we know if we have all the facts? boycott Brown v. Board of Education • How do we know if the information is accurate? desegregate • Have you ever found out that the information you had about a topic was Montgomery Bus Boycott inaccurate? How did you learn it was inaccurate? NAACP racial justice 2. -
Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
PEGODA-DISSERTATION-2016.Pdf (3.234Mb)
© Copyright by Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS ____________________________ Andrew Joseph Pegoda APPROVED: ____________________________ Linda Reed, Ph.D. Committee Chair ____________________________ Nancy Beck Young, Ph.D. ____________________________ Richard Mizelle, Ph.D. ____________________________ Barbara Hales, Ph.D. University of Houston-Clear Lake ____________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics ii “IF YOU DO NOT LIKE THE PAST, CHANGE IT”: THE REEL CIVIL RIGHTS REVOLUTION, HISTORICAL MEMORY, AND THE MAKING OF UTOPIAN PASTS _______________ An Abstract of A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Andrew Joseph Pegoda December, 2016 ABSTRACT Historians have continued to expand the available literature on the Civil Rights Revolution, an unprecedented social movement during the 1940s, 1950s, and 1960s that aimed to codify basic human and civil rights for individuals racialized as Black, by further developing its cast of characters, challenging its geographical and temporal boundaries, and by comparing it to other social movements both inside and outside of the United States. -
Classroom & Teacher Resources on Rosa Parks
CLASSROOM & TEACHER RESOURCES ON ROSA PARKS Page 8 Kohl, Herbert. “The Politics of Children’s Literature: What’s Wrong with the Rosa Parks Myth?” In Putting the Movement Back into Civil Rights Teaching by Deborah Menkart, Jenice View, and Alana D. Murray, eds. Washington, D.C.: Teaching For Change and PRRAC, 2004, 25–31. ISBN: 1878554182. Kohl points out the subtle, but real, racism inherent in the usual telling of the Rosa Parks story and offers another, more truthful version. [Teacher Resource] ––– She Would Not Be Moved: How We Tell the Story of Rosa Parks and the Montgomery Bus Boycott. New York: The New Press, 2005. ISBN: 1595580204. Kohl has expanded and updated his essay on dispelling the myths about Rosa Parks and added a number of complementary pieces in this book. Beginning with a new introduction by Marian Wright Edelman, She Would Not Be Moved also includes an original essay by Cynthia Brown on civil rights activists Septima Clark, Virginia Durr, and Rosa Parks; an extensive teachers' resource guide to educational materials about Rosa Parks and the Civil Rights Movement; an appendix explaining how to evaluate many of the textbooks written for young people about this period; and a half dozen historical photographs. [Teacher Resource] Hampton, Henry, and Steve Fayer. Voices of Freedom: An Oral History of the Civil Rights Movement from the 1950s through the 1980s. New York: Bantam Books, 1991. ISBN: 0553352326. The section on the Montgomery Bus Boycott provides powerful first-person testimonies appropriate for classroom use with middle and high school students. [Intermediate/Secondary] Mighty Times: The Legacy of Rosa Parks. -
Download the African American History Readings List
In the Age of Social Media and national chaos, almost everyone holds and shares passionate opinions on race and politics in America. However, as technology-driven platforms routinely encourage sound bites and abridged nuggets of communication as standard forms of information sharing, people often accept and pass along headlines and briefs as the primary informants to their perspectives and miss out on deep reading. This does not mean people do not want or have an interest in more comprehensive insight. In fact, this list was compiled in response to common requests for reading recommendations in Black history. The nation is transforming and all kinds of people are seeking to make sense of the world in which they find themselves. There is also an ever-growing movement to build a new one. But, how? The first step medical doctors usually take in determining a route toward healing and general wellness is to reference an individual’s medical history. Perhaps, then, a serious, honest and deep study of Africans in United States and world history will be one of our society’s most decisive steps toward general wellness. So much of this list is comprised of writings from Ancestors, activists, historians, scholars, creatives and others who, with time-consuming effort and minimal compensation, recorded major epochs, events and issues within the Black experience. To ignore their work is to ensure our demise. Semi-understanding race and the making of America will lead to futile opinions without solutions and more cycles of the same. Remember, a valuable doctor is an intensely informed one, and we must all serve as surgeons operating for a new day with a new heartbeat.