09/28/21 ENGL30128: Modernism and the Movies | University of Bristol

ENGL30128: Modernism and the Movies View Online

60 Free Charlie Chaplin Films Online | Open Culture (no date). Available at: http://www.openculture.com/2011/12/free_charlie_chaplin_films_on_the_web.html.

‘1925: How Sergei Eisenstein Used Montage To Film The Unfilmable - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=g5WbeoP_B8E.

‘Battleship Potemkin (1925) with Eng Subtitles - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ca0c4vEc5Is.

Benyahia, S. C. and Mortimer, C. (2013) ‘Reading a Film’, in Doing film studies: a subject guide for students. London: Taylor and Francis, pp. 67–77.

Briggs, A. (19960101) ‘Chaplin’s Charlie and Joyce's Bloom’, Journal of Modern Literature, 20(2). Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Austin Briggs, ‘Chaplin’s Charlie and Joyce's Bloom’&clusterResults=true#/oclc/5544093330.

Bryher (1998) ‘What Can I Do?’, in Close up, 1927-1933: cinema and modernism. London: Cassell, pp. 286–287.

Burkdall, T. B. (2001) ‘Cinema Fakes: Film and Joycean Fantasy’, in Joycean Frames: Film and the Fiction of James Joyce. New York.: Routledge. Available at: https://www-taylorfrancis-com.bris.idm.oclc.org/books/9780203815021/chapters/10.4324/9 780203815021-5.

‘Buster Keaton films - YouTube’ (no date). Available at: https://www.youtube.com/results?search_query=buster+keaton+films.

Chaplinesque by Hart Crane | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/43257/chaplinesque.

Doolittle, H. and D, H. (1983) ‘“Projector” and “Projector II”’, in Martz, L. L. (ed.) Collected poems, 1912-1944. New York: New Directions, pp. 349–359.

Emily Tall (1987) ‘Eisenstein on Joyce: Sergei Eisenstein’s Lecture on James Joyce at the State Institute of Cinematography, November 1, 1934’, James Joyce Quarterly, 24(2). Available at: https://www.jstor.org/stable/25476792?Search=yes&resultItemClick=true&searc hText=eisenstein&searchText=and&searchText=james&searchText=joyce &searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Deisenstein%2Band%2Bjames %2Bjoyce&ab_segments=0%2Fbasic_SYC-4929%2Ftest&refreqid=search%3A40

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c308c41c50378a8ec9c746dcd0e445&seq=1#metadata_info_tab_contents.

Film Analysis – Yale Film Studies (no date). Available at: http://filmanalysis.yale.edu/.

Geraghty, C. (no date) ‘Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce’, in Now a major motion picture: film adaptations of literature and drama. Lanham: Rowman & Littlefield Publishers, pp. 47–72.

Greiff, L. K. (2006) ‘Lady Chatterley’s Lover: Filming the Unfilmable’, in D.H. Lawrence: Fifty Years on Film. Southern Illinois Univ Pr, pp. 141–185.

Gunning, T. (no date) ‘Chaplin and the body of modernity’, Early Popular Visual Culture, 8(3). doi: 10.1080/17460654.2010.498161.

Halliwell, M. (no date) ‘Modernism and adaptation’, in The Cambridge companion to literature on screen. Cambridge: Cambridge University Press, pp. 90–106. doi: 10.1017/CCOL0521849624.007.

Hanaway-Oakley, C. (2017) ‘Tactile Vision and Enworlded Being’, in James Joyce and the Phenomenology of Film. Oxford: Oxford University Press. doi: 10.1093/oso/9780198768913.003.0005.

Higgins, L. and Leps, M.-C. (2000) ‘Mrs Dalloway and Orlando: The Subject of Time and Generic Transactions’, in Classics in Film and Fiction. Pluto Press, pp. 116–136. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=3386078&ppg=12 4.

Humm, M. (2013) ‘Cinema and Photography’, in Virginia Woolf in context. Cambridge [England]: Cambridge University Press, pp. 291–301.

Ingersoll, E. G. (2016) ‘Orlando’, in Screening Woolf: Virginia Woolf on/and/in film. Madison, NJ: Fairleigh Dickinson University Press, pp. 55–82.

Joseph Strick (no date) ‘Ulysses [1967] [DVD].’ Available at: https://www.amazon.co.uk/Ulysses-DVD-Barbara-Jefford/dp/B0001DI4Z4/ref=sr_1_fkmr0_1 ?keywords=james+jouce%27s+ulysses+joseph+stick&qid=1578402715&s=dvd&sr=1-1-f kmr0.

Joyce, J. (2008a) Ulysses. Oxford: Oxford University Press.

Joyce, J. (2008b) Ulysses. Oxford: Oxford University Press.

Joyce, J. (2008c) Ulysses. Oxford: Oxford University Press.

Key Works by Dorothy M. Richardson (no date). Available at: http://dorothyrichardson.org/keyworks.htm.

Lawrence, D. H. (1959) ‘Pornography and Obscenity’, in Sex, literature and censorship. New York: Viking Press.

Lawrence, D. H. (no date) Mornings in Mexico. Available at:

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https://picturegoing.com/?p=5508.

Lawrence, D. H., Squires, M. and Lawrence, D. H. (1993) Lady Chatterley’s lover ; A propos of ‘Lady Chatterley’s lover’. Cambridge [England]: Cambridge University Press.

MacCabe, C. (2007) ‘Foreword’, in Cinema and modernism. Malden, MA, USA: Blackwell Pub, pp. ix–xii.

MacCabe, S. (2005a) ‘Introduction: Cinematic Modernism’, in Cinematic modernism: modernist poetry and film. Cambridge, U.K.: Cambridge University Press, pp. 1–17.

MacCabe, S. (2005b) ‘Modernism Male Hysteria, and Montage’, in Cinematic modernism: modernist poetry and film. Cambridge, U.K.: Cambridge University Press, pp. 18–55.

Macpherson, K. (2007) ‘Borderline (1930)’, Borderline. [London] : BFI,. Available at: https://bris.on.worldcat.org/search?sortKey=BEST_MATCH&databaseList=638&queryString =Borderline&changedFacet=format&overrideStickyFacetDefault=&selectSortKey=BEST_M ATCH&clusterResults=on&scope=wz:29904&format=Video&subformat=Video::video_dvd &year=all&yearFrom=&yearTo=&author=all&topic=all&database=all&language=all&mat erialtype=all#/oclc/465602362.

Man Ray (2005) ‘Ballet Mécanique (1927), dir. Fernand Léger ‎ ’, Avant garde experimental cinema of the 1920s and ’30s : films from the Raymond Rohauer collection. New York, N.Y. : Kino on Video,. Available at: https://bris.on.worldcat.org/search?sortKey=BEST_MATCH&databaseList=638&queryString =Ballet Mécanique&changedFacet=format&overrideStickyFacetDefault=&selectSortKey=BEST_MA TCH&clusterResults=on&scope=wz:29904&format=Video&subformat=Video::video_dvd& year=all&yearFrom=&yearTo=&author=all&topic=all&database=all&language=all&mater ialtype=all#/oclc/1087218871.

Marcus, L. (2010) ‘The Moment of Close Up’, in The tenth muse: writing about cinema in the modernist period. Oxford: Oxford University Press, pp. 319–403.

Marcus, L. (2018) ‘Modernist Literature and Film’, in Maude, U. and Nixon, M. (eds) The Bloomsbury companion to Modernist literature. London, UK: Bloomsbury Academic, pp. 153–169.

Mullin, K. (2003) ‘Making a Spectacle of Herself: Gerty MacDowell through the Mutoscope’, in James Joyce, sexuality and social purity. Cambridge, U.K.: Cambridge University Press, pp. 140–170.

Mullin, K. (no date) ‘An introduction to Ulysses.’ Available at: https://www.bl.uk/20th-century-literature/articles/an-introduction-to-ulysses.

Norris, M. (2004) Ulysses. Cork: Cork University Press.

Norris, M. (20031001) ‘Updating “Ulysses”: Joseph Strick’s 1967 Film’, James Joyce Quarterly, 41(1-2). Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Margot Norris,

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‘Updating ’Ulysses‘: Joseph Strick’s 1967 Film’#/oclc/5557072650.

‘Notfilm’ (no date). Available at: https://www.amazon.co.uk/Notfilm/dp/B01MQXSGY1/ref=sr_1_6?keywords=notfilm&qid=1 578415467&s=dvd&sr=1-6.

Paraskeva, A. (2017) ‘Late Keaton, Docufiction, the Nouvelle Vague’, in Samuel Beckett and cinema. London: Bloomsbury Academic, pp. 37–71.

Richardson, D. (no date) A Tear for Lycidas. Available at: https://picturegoing.com/?p=3202.

Russell, K. (2009) ‘Lady Chatterley (1993)’, Lady Chatterley. Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Lady Chatterley Ken Russell&clusterResults=true#/oclc/902750434.

Ruth Perlmutter (1977) ‘Beckett’s “Film” and Beckett and Film’, Journal of Modern Literature, 6(1). Available at: https://www.jstor.org/stable/3831021?Search=yes&resultItemClick=true&search Text=beckett%27s&searchText=film&searchUri=%2Faction%2FdoBasicSearch% 3FQuery%3Dbeckett%2527s%2Bfilm%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26a mp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&ab_segments=0%2Fbasic_SYC-4929% 2Ftest&refreqid=search%3A6d081465d294b74fa5ec6d4eca4f025c&seq=1#met adata_info_tab_contents.

‘Samuel Beckett - Film (with Buster Keaton) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ZP_I_JfO5SI&t=38s.

Schneider, A. (no date) On Directing Samuel Beckett’s Film. Available at: http://www.ubu.com/papers/beckett_schneider.html.

Shail, A. (2012a) ‘Cinema’s Continuous Present and Modernist Temporality’, in The Cinema and the Origins of Literary Modernism. Hoboken: Taylor and Francis, pp. 93–145.

Shail, A. (2012b) ‘Introduction: From “The Cinematograph” to ”The Pictures”’, in The Cinema and the Origins of Literary Modernism. Hoboken: Taylor and Francis, pp. 1–40.

Sicker, P. (2018a) ‘"Alone in the Hiding Twilight”’, in Ulysses, Film and Visual Culture. Cambridge University Press, pp. 175–199. doi: 10.1017/9781108552776.006.

Sicker, P. (2018b) ‘Mirages in the Lamp Glow: “Circe” and Méliès”s Dream Cinema’, in Ulysses, Film and Visual Culture. Cambridge University Press, pp. 200–221. doi: 10.1017/9781108552776.007.

Sitney, P. A. (no date) Modernist montage: the obscurity of vision in cinema and literature. New York: Columbia University Press.

Solecki, Sam (no date) ‘D. H. Lawrence’s View of Film’, Literature/Film Quarterly, 1, pp. 12–16. Available at: https://search-proquest-com.bris.idm.oclc.org/lion/docview/226983411/fulltextPDF/6C7620 8AE0E7482FPQ/4?accountid=9730.

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Sperling, J. (no date) Montage - Routledge Encyclopedia of Modernism. Available at: https://www.rem.routledge.com/articles/overview/montage.

Swinton, T. (2009) ‘Orlando’, Orlando. [London?] : Artificial Eye,. Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Orlando, Sally Potter&clusterResults=true#/oclc/793189063.

The Bryher Chronology – H.D. International Society (no date). Available at: https://hdis.chass.ncsu.edu/hdcircle/bryher/.

The text of ‘The Romantic Englishman ...’ by T.S. Eliot (no date). Available at: http://world.std.com/~raparker/exploring/tseliot/works/essays/romantic-englishman.html. Trotter, D. (2004) ‘Stereoscopy: modernism and the “haptic”’, Critical Quarterly, 46(4), pp. 38–58. doi: 10.1111/j.0011-1562.2004.00596.x.

Trotter, D. (2007a) ‘Charlie Chaplin’, in Cinema and modernism. Malden, MA, USA: Blackwell Pub, pp. 181–201.

Trotter, D. (2007b) ‘James Joyce and the Automatism of the Photographic Image’, in Cinema and modernism. Malden, MA, USA: Blackwell Pub, pp. 87–123.

Trotter, D. (20051001) ‘Actual James Joyce’, James Joyce Broadsheet, (72). Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=David Trotter, ‘Actual James Joyce’&clusterResults=true#/oclc/5557124674.

Wiene, R. (2000) ‘Das cabinet des Dr. Caligari’, Das cabinet des Dr. Caligari. [Place of publication not identified] : Eureka Video,. Available at: https://bris.on.worldcat.org/search?sortKey=BEST_MATCH&databaseList=638&queryString =The Cabinet of Dr. Caligari &changedFacet=format&overrideStickyFacetDefault=&selectSortKey=BEST_MATCH&clust erResults=on&scope=wz:29904&format=Video&subformat=Video::video_dvd&year=all&y earFrom=&yearTo=&author=all&topic=all&database=all&language=all&materialtype=all.

Williams, K. (2010) ‘Odysseys of Sound and Image: "Cinematicity” and the Ulysses Adaptation’, in Roll Away the Reel World: James Joyce and Cinema. Cork University Press, pp. 158–173.

Williams, L. R. (1993) Sex in the head: visions of femininity and film in D.H. Lawrence. New York: Harvester Wheatsheaf.

Wood, M. (1999) ‘Modernism and film’, in Levenson, M. (ed.) The Cambridge Companion to Modernism. Cambridge University Press, pp. 217–232. doi: 10.1017/CCOL0521495164.010.

Woolf, V. (2015) Orlando: a biography. Oxford: Oxford University Press.

Woolf, V. (no date) The Cinema (1926). Available at: https://modvisart.blogspot.com/2006/04/virginia-woolf-cinema-1926.html.

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