09/28/21 ENGL30128: Modernism and the Movies | University of Bristol ENGL30128: Modernism and the Movies View Online 60 Free Charlie Chaplin Films Online | Open Culture (no date). Available at: http://www.openculture.com/2011/12/free_charlie_chaplin_films_on_the_web.html. ‘1925: How Sergei Eisenstein Used Montage To Film The Unfilmable - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=g5WbeoP_B8E. ‘Battleship Potemkin (1925) with Eng Subtitles - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ca0c4vEc5Is. Benyahia, S. C. and Mortimer, C. (2013) ‘Reading a Film’, in Doing film studies: a subject guide for students. London: Taylor and Francis, pp. 67–77. Briggs, A. (19960101) ‘Chaplin’s Charlie and Joyce's Bloom’, Journal of Modern Literature, 20(2). Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Austin Briggs, ‘Chaplin’s Charlie and Joyce's Bloom’&clusterResults=true#/oclc/5544093330. Bryher (1998) ‘What Can I Do?’, in Close up, 1927-1933: cinema and modernism. London: Cassell, pp. 286–287. Burkdall, T. B. (2001) ‘Cinema Fakes: Film and Joycean Fantasy’, in Joycean Frames: Film and the Fiction of James Joyce. New York.: Routledge. Available at: https://www-taylorfrancis-com.bris.idm.oclc.org/books/9780203815021/chapters/10.4324/9 780203815021-5. ‘Buster Keaton films - YouTube’ (no date). Available at: https://www.youtube.com/results?search_query=buster+keaton+films. Chaplinesque by Hart Crane | Poetry Foundation (no date). Available at: https://www.poetryfoundation.org/poems/43257/chaplinesque. Doolittle, H. and D, H. (1983) ‘“Projector” and “Projector II”’, in Martz, L. L. (ed.) Collected poems, 1912-1944. New York: New Directions, pp. 349–359. Emily Tall (1987) ‘Eisenstein on Joyce: Sergei Eisenstein’s Lecture on James Joyce at the State Institute of Cinematography, November 1, 1934’, James Joyce Quarterly, 24(2). Available at: https://www.jstor.org/stable/25476792?Search=yes&resultItemClick=true&searc hText=eisenstein&searchText=and&searchText=james&searchText=joyce &searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Deisenstein%2Band%2Bjames %2Bjoyce&ab_segments=0%2Fbasic_SYC-4929%2Ftest&refreqid=search%3A40 1/5 09/28/21 ENGL30128: Modernism and the Movies | University of Bristol c308c41c50378a8ec9c746dcd0e445&seq=1#metadata_info_tab_contents. Film Analysis – Yale Film Studies (no date). Available at: http://filmanalysis.yale.edu/. Geraghty, C. (no date) ‘Art Cinema, Authorship, and the Impossible Novel: Adaptations of Proust, Woolf, and Joyce’, in Now a major motion picture: film adaptations of literature and drama. Lanham: Rowman & Littlefield Publishers, pp. 47–72. Greiff, L. K. (2006) ‘Lady Chatterley’s Lover: Filming the Unfilmable’, in D.H. Lawrence: Fifty Years on Film. Southern Illinois Univ Pr, pp. 141–185. Gunning, T. (no date) ‘Chaplin and the body of modernity’, Early Popular Visual Culture, 8(3). doi: 10.1080/17460654.2010.498161. Halliwell, M. (no date) ‘Modernism and adaptation’, in The Cambridge companion to literature on screen. Cambridge: Cambridge University Press, pp. 90–106. doi: 10.1017/CCOL0521849624.007. Hanaway-Oakley, C. (2017) ‘Tactile Vision and Enworlded Being’, in James Joyce and the Phenomenology of Film. Oxford: Oxford University Press. doi: 10.1093/oso/9780198768913.003.0005. Higgins, L. and Leps, M.-C. (2000) ‘Mrs Dalloway and Orlando: The Subject of Time and Generic Transactions’, in Classics in Film and Fiction. Pluto Press, pp. 116–136. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=3386078&ppg=12 4. Humm, M. (2013) ‘Cinema and Photography’, in Virginia Woolf in context. Cambridge [England]: Cambridge University Press, pp. 291–301. Ingersoll, E. G. (2016) ‘Orlando’, in Screening Woolf: Virginia Woolf on/and/in film. Madison, NJ: Fairleigh Dickinson University Press, pp. 55–82. Joseph Strick (no date) ‘Ulysses [1967] [DVD].’ Available at: https://www.amazon.co.uk/Ulysses-DVD-Barbara-Jefford/dp/B0001DI4Z4/ref=sr_1_fkmr0_1 ?keywords=james+jouce%27s+ulysses+joseph+stick&qid=1578402715&s=dvd&sr=1-1-f kmr0. Joyce, J. (2008a) Ulysses. Oxford: Oxford University Press. Joyce, J. (2008b) Ulysses. Oxford: Oxford University Press. Joyce, J. (2008c) Ulysses. Oxford: Oxford University Press. Key Works by Dorothy M. Richardson (no date). Available at: http://dorothyrichardson.org/keyworks.htm. Lawrence, D. H. (1959) ‘Pornography and Obscenity’, in Sex, literature and censorship. New York: Viking Press. Lawrence, D. H. (no date) Mornings in Mexico. Available at: 2/5 09/28/21 ENGL30128: Modernism and the Movies | University of Bristol https://picturegoing.com/?p=5508. Lawrence, D. H., Squires, M. and Lawrence, D. H. (1993) Lady Chatterley’s lover ; A propos of ‘Lady Chatterley’s lover’. Cambridge [England]: Cambridge University Press. MacCabe, C. (2007) ‘Foreword’, in Cinema and modernism. Malden, MA, USA: Blackwell Pub, pp. ix–xii. MacCabe, S. (2005a) ‘Introduction: Cinematic Modernism’, in Cinematic modernism: modernist poetry and film. Cambridge, U.K.: Cambridge University Press, pp. 1–17. MacCabe, S. (2005b) ‘Modernism Male Hysteria, and Montage’, in Cinematic modernism: modernist poetry and film. Cambridge, U.K.: Cambridge University Press, pp. 18–55. Macpherson, K. (2007) ‘Borderline (1930)’, Borderline. [London] : BFI,. Available at: https://bris.on.worldcat.org/search?sortKey=BEST_MATCH&databaseList=638&queryString =Borderline&changedFacet=format&overrideStickyFacetDefault=&selectSortKey=BEST_M ATCH&clusterResults=on&scope=wz:29904&format=Video&subformat=Video::video_dvd &year=all&yearFrom=&yearTo=&author=all&topic=all&database=all&language=all&mat erialtype=all#/oclc/465602362. Man Ray (2005) ‘Ballet Mécanique (1927), dir. Fernand Léger ‎ ’, Avant garde experimental cinema of the 1920s and ’30s : films from the Raymond Rohauer collection. New York, N.Y. : Kino on Video,. Available at: https://bris.on.worldcat.org/search?sortKey=BEST_MATCH&databaseList=638&queryString =Ballet Mécanique&changedFacet=format&overrideStickyFacetDefault=&selectSortKey=BEST_MA TCH&clusterResults=on&scope=wz:29904&format=Video&subformat=Video::video_dvd& year=all&yearFrom=&yearTo=&author=all&topic=all&database=all&language=all&mater ialtype=all#/oclc/1087218871. Marcus, L. (2010) ‘The Moment of Close Up’, in The tenth muse: writing about cinema in the modernist period. Oxford: Oxford University Press, pp. 319–403. Marcus, L. (2018) ‘Modernist Literature and Film’, in Maude, U. and Nixon, M. (eds) The Bloomsbury companion to Modernist literature. London, UK: Bloomsbury Academic, pp. 153–169. Mullin, K. (2003) ‘Making a Spectacle of Herself: Gerty MacDowell through the Mutoscope’, in James Joyce, sexuality and social purity. Cambridge, U.K.: Cambridge University Press, pp. 140–170. Mullin, K. (no date) ‘An introduction to Ulysses.’ Available at: https://www.bl.uk/20th-century-literature/articles/an-introduction-to-ulysses. Norris, M. (2004) Ulysses. Cork: Cork University Press. Norris, M. (20031001) ‘Updating “Ulysses”: Joseph Strick’s 1967 Film’, James Joyce Quarterly, 41(1-2). Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Margot Norris, 3/5 09/28/21 ENGL30128: Modernism and the Movies | University of Bristol ‘Updating ’Ulysses‘: Joseph Strick’s 1967 Film’#/oclc/5557072650. ‘Notfilm’ (no date). Available at: https://www.amazon.co.uk/Notfilm/dp/B01MQXSGY1/ref=sr_1_6?keywords=notfilm&qid=1 578415467&s=dvd&sr=1-6. Paraskeva, A. (2017) ‘Late Keaton, Docufiction, the Nouvelle Vague’, in Samuel Beckett and cinema. London: Bloomsbury Academic, pp. 37–71. Richardson, D. (no date) A Tear for Lycidas. Available at: https://picturegoing.com/?p=3202. Russell, K. (2009) ‘Lady Chatterley (1993)’, Lady Chatterley. Available at: https://bris.on.worldcat.org/search?databaseList=638&queryString=Lady Chatterley Ken Russell&clusterResults=true#/oclc/902750434. Ruth Perlmutter (1977) ‘Beckett’s “Film” and Beckett and Film’, Journal of Modern Literature, 6(1). Available at: https://www.jstor.org/stable/3831021?Search=yes&resultItemClick=true&search Text=beckett%27s&searchText=film&searchUri=%2Faction%2FdoBasicSearch% 3FQuery%3Dbeckett%2527s%2Bfilm%26amp%3Bacc%3Don%26amp%3Bwc%3Don%26a mp%3Bfc%3Doff%26amp%3Bgroup%3Dnone&ab_segments=0%2Fbasic_SYC-4929% 2Ftest&refreqid=search%3A6d081465d294b74fa5ec6d4eca4f025c&seq=1#met adata_info_tab_contents. ‘Samuel Beckett - Film (with Buster Keaton) - YouTube’ (no date). Available at: https://www.youtube.com/watch?v=ZP_I_JfO5SI&t=38s. Schneider, A. (no date) On Directing Samuel Beckett’s Film. Available at: http://www.ubu.com/papers/beckett_schneider.html. Shail, A. (2012a) ‘Cinema’s Continuous Present and Modernist Temporality’, in The Cinema and the Origins of Literary Modernism. Hoboken: Taylor and Francis, pp. 93–145. Shail, A. (2012b) ‘Introduction: From “The Cinematograph” to ”The Pictures”’, in The Cinema and the Origins of Literary Modernism. Hoboken: Taylor and Francis, pp. 1–40. Sicker, P. (2018a) ‘"Alone in the Hiding Twilight”’, in Ulysses, Film and Visual Culture. Cambridge University Press, pp. 175–199. doi: 10.1017/9781108552776.006. Sicker, P. (2018b) ‘Mirages in the Lamp Glow: “Circe” and Méliès”s Dream Cinema’, in Ulysses, Film and Visual Culture. Cambridge University Press, pp. 200–221. doi: 10.1017/9781108552776.007. Sitney, P. A. (no date) Modernist montage: the obscurity of vision in cinema and literature. New York: Columbia University Press. Solecki, Sam (no date)