Press Release

Total Page:16

File Type:pdf, Size:1020Kb

Press Release Press Release For more information, contact: Mark Geeves at 513-258-0047 or [email protected] For Immediate Release CAR Magazine Chooses Color-Logic for Porsche 911 50th Anniversary Covers West Chester, OH; August 2013—To celebrate the 50th anniversary of the Porsche 911, British-based CAR magazine wanted a cover as spectacular as the car being celebrated. The result was seven different cover editions featuring seven different iconic 911s in seven different colors, accentuated by a spectacular metallic finish creating using the Color-Logic technique on Mirri metallic cover stock. The covers were digitally proofed on an HP Indigo and then production printed with UV litho on a Heidelberg Speedmaster press by Colour Five, in Perivale, near London. The magazines quickly became collector items as car buffs across the United Kingdom quickly snapped them up. Commenting on the CAR magazine campaign, Color-Logic Director of Sales and Marketing Mark Geeves said: “We are very pleased that the Color-Logic Process Metallic Color System was chosen to accentuate this milestone project. Color-Logic provided counsel regarding the best way to achieve the desired effects.” Phil McNamara, CAR magazine editor, also said: “The Porsche 911 is the greatest sports car ever seen—no other car of its kind offers such thrills, everyday usability, and longevity. And we would like to think our sensational Mirri covers using the Color-Logic technology do it justice. You will not see a better motoring magazine cover this year.” Color-Logic™ develops color communication systems and software tool sets for a variety of special effect printing applications. Color-Logic provides brand owners, product managers, corporations, and their advertising agencies the ability to differentiate themselves and their clients with a simple print production process that yields dramatic results. Color-Logic decorative effects utilize the existing workflows of printers and designers, yielding dynamic results without the use of special equipment. Color-Logic supports the value of print and works with designers and printers to enhance their printed media. For more information, visit www.color-logic.com or call +1-513-258-0047. - End - Notes to Editors: About CAR CAR magazine is owned by Bauer Media:A leading UK media group, with interests spanning magazines, radio, TV, online, live events and mobile. The company aims to connect audiences with excellent content whenever, wherever and however they want. • Its award-winning portfolio of influential media brands includes Magic 105.4, heat, Metro Radio, Closer, Kiss, GRAZIA, EMPIRE, Q, Cool FM, KERRANG!, Radio Clyde, MCN, Key 103 and FHM: all delivering must-have entertainment and information to diverse and valuable audiences. • Bauer Media publishes 53 leading magazine titles, over 40 of which were launched by the company. • More than 13 million people a week listen to a Bauer Media radio station. Bauer Media is also home to the number one commercial digital station - The Hits Radio. • Box TV, a JV between Bauer Media and Channel 4 runs seven music channels, including Smash Hits, Kerrang! Magic, Q, Kiss and the number one music TV channel - 4Music. • Bauer Media's on-line businesses have more than 10 million users, visiting some 48 unique brand sites. Bauer Media is a wholly owned subsidiary of Bauer Media Group, a privately owned media empire offering more than 320 magazines worldwide, as well as TV and radio stations. For more information, please visit www.bauermedia.co.uk. For subscriptions and gift ideas, please visit www.greatmagazines.co.uk .
Recommended publications
  • Local Commercial Radio Content
    Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary ....................................................................................................
    [Show full text]
  • We Are Bauer Media the Uk's Most Influential Media
    MEDIA GROUP Magazine Advertising Specifications WE ARE BAUER MEDIA 25 Million People. 107 brands. Radio, Digital, TV, Magazines, Live. THE UK’S MOST INFLUENTIAL MEDIA BRAND NETWORK 1 Spec Sheets_20thJuly2020_All_Mags | 03/04/2020 MEDIA GROUP Magazine Brands Click on Magazine to take you to correct page AM ����������������������������������������������������5 MODEL RAIL ����������������������������������������5 ANGLING TIMES ���������������������������������4 MOJO ������������������������������������������������6 ARROW WORDS ��������������������������������7 MOTOR CYCLE NEWS �������������������������3 BELLA MAGAZINE �������������������������������6 PILOT TV ���������������������������������������������6 BELLA MAGAZINE MONTHLY ���������������6 PRACTICAL CLASSICS ��������������������������3 BIKE ���������������������������������������������������3 PRACTICAL SPORTSBIKES ���������������������3 BIRDWATCHING ����������������������������������5 PUZZLE SELECTION �����������������������������7 BUILT ��������������������������������������������������3 Q �������������������������������������������������������6 CAR ���������������������������������������������������3 RAIL����������������������������������������������������5 CARPFEED ������������������������������������������4 RIDE ���������������������������������������������������3 CLASSIC BIKE ��������������������������������������3 SPIRIT & DESTINY ��������������������������������6 CLASSIC CAR WEEKLY �������������������������3 STEAM RAILWAY ���������������������������������5 CLASSIC CARS ������������������������������������3
    [Show full text]
  • RADIO PUBLICZNE.Indb
    Recenzent prof. dr hab. Michał Gajlewicz, Społeczna Akademia Nauk Redakcja Anna Goryńska Projekt okładki Studio KARANDASZ Skład i łamanie JOLAKS – Jolanta Szaniawska © Copyright by Poltext sp. z o.o. © Copyright by Akademia Leona Koźmińskiego Warszawa 2015 Wydanie publikacji zostało dofinansowane przez Akademię Leona Koźmińskiego Poltext sp. z o.o. 02-230 Warszawa, ul. Jutrzenki 118 tel.: 22 632-64-20 e-mail: [email protected] internet: www.poltext.pl ISBN 978-83-7561-517-3 SpiS treści Wprowadzenie �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 7 Wykaz skrótów �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 13 rozdział 1. Media publiczne W społeczeństWie deMokratycznyM �� � � � � � � � � � 15 1.1. oczekiwania społeczne wobec mediów � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 15 1.2. Media publiczne a rynek � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 28 1.3. Media publiczne w europie Środkowo-Wschodniej � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 35 1.4. nowe technologie
    [Show full text]
  • Domain Stationid Station UDC Performance Date
    Number of days Amount Amount Performance Total Per Domain StationId Station UDC processed for from from Public Date Minute Rate distribution Broadcast Reception RADIO BR ONE BBC RADIO 1 NON PEAK BRA01 CENSUS 92 7.8347 4.2881 3.5466 RADIO BR ONE BBC RADIO 1 LOW PEAK BRB01 CENSUS 92 10.7078 7.1612 3.5466 RADIO BR ONE BBC RADIO 1 HIGH PEAK BRC01 CENSUS 92 13.5380 9.9913 3.5466 RADIO BR TWO BBC RADIO 2 NON PEAK BRA02 CENSUS 92 17.4596 11.2373 6.2223 RADIO BR TWO BBC RADIO 2 LOW PEAK BRB02 CENSUS 92 24.9887 18.7663 6.2223 RADIO BR TWO BBC RADIO 2 HIGH PEAK BRC02 CENSUS 92 32.4053 26.1830 6.2223 RADIO BR1EXT BBC RADIO 1XTRA NON PEAK BRA10 CENSUS 92 1.4814 1.4075 0.0739 RADIO BR1EXT BBC RADIO 1XTRA LOW PEAK BRB10 CENSUS 92 2.4245 2.3506 0.0739 RADIO BR1EXT BBC RADIO 1XTRA HIGH PEAK BRC10 CENSUS 92 3.3534 3.2795 0.0739 RADIO BRASIA BBC ASIAN NETWORK NON PEAK BRA65 CENSUS 92 1.4691 1.4593 0.0098 RADIO BRASIA BBC ASIAN NETWORK LOW PEAK BRB65 CENSUS 92 2.4468 2.4371 0.0098 RADIO BRASIA BBC ASIAN NETWORK HIGH PEAK BRC65 CENSUS 92 3.4100 3.4003 0.0098 RADIO BRBEDS BBC THREE COUNTIES RADIO NON PEAK BRA62 CENSUS 92 0.1516 0.1104 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO LOW PEAK BRB62 CENSUS 92 0.2256 0.1844 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO HIGH PEAK BRC62 CENSUS 92 0.2985 0.2573 0.0411 RADIO BRBERK BBC RADIO BERKSHIRE NON PEAK BRA64 CENSUS 92 0.0803 0.0569 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE LOW PEAK BRB64 CENSUS 92 0.1184 0.0951 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE HIGH PEAK BRC64 CENSUS 92 0.1560 0.1327 0.0233 RADIO BRBRIS BBC
    [Show full text]
  • June 2013 Opening Night
    JUNENewsletter 2013 GraziaOPENING Germany NIGHT GRAZIA GERMANY OPENING NIGHT THEEVERYONE’S SHOW HAS BEEN TALKING ABOUT! GRAZIA GERMANY OPENING NIGHT THE SHOW From July 2 to 5, Berlin was the EVERYONE’S HAS BEEN TALKING ABOUT!focal point for the international fashion scene when more than 50 labels presented their Spring/ Summer 2014 collections at Mercedes-Benz Fashion Week. Once again, for the fourth edition, premium fashion weekly Grazia opened this special week with an exclusive preview show in the catwalk tent. The highlight of the glamorous evening was the exclusive sneak preview of 53 outfits from designer labels. GRAZIA GERMANY OPENING NIGHT More than 750 invited guests - including celebrities, designers, models and business partners - attended the popular event. Besides the fashion show, the evening reserved many surprises for guests, from the large Grazia- branded inflatable handbag installation at the center of the tent to the distribution of dog-shaped balloons by super cool Grazia Girls and Grazia goody bags full of beauty products. During the evening a special Fashion Police team took pictures of guests and gave them a copy of the souvenir photo. “THE DESIGNERS’ LOOKS ARE SENSATIONAL THIS YEAR, AND THE RUSH FOR OUR SHOW WAS BIGGER THAN EVER BEFORE” Claudia ten Hoevel, Grazia Editor-in-Chief GRAZIA GERMANY OPENING NIGHT LEFT: from left: Astrid Beeker (Grazia ADV Manager) and Claudia ten Hoevel (Grazia Editor-in-chief). GRAZIA GERMANY OPENING NIGHT AN UNFORGETTABLE NIGHT GRAZIA GERMANY OPENING NIGHT After the show, the evening continued with the Grazia cocktail party at an exclusive location in downtown Berlin. Moroccan Oil, the beauty brand and one of the sponsors, even set up a makeup and hair styling area.
    [Show full text]
  • Music on PBS: a History of Music Programming at a Community Radio Station
    Music on PBS: A History of Music Programming at a Community Radio Station Rochelle Lade (BArts Monash, MArts RMIT) A thesis submitted for the degree of Doctor of Philosophy January 2021 Abstract This historical case study explores the programs broadcast by Melbourne community radio station PBS from 1979 to 2019 and the way programming decisions were made. PBS has always been an unplaylisted, specialist music station. Decisions about what music is played are made by individual program announcers according to their own tastes, not through algorithms or by applying audience research, music sales rankings or other formal quantitative methods. These decisions are also shaped by the station’s status as a licenced community radio broadcaster. This licence category requires community access and participation in the station’s operations. Data was gathered from archives, in‐depth interviews and a quantitative analysis of programs broadcast over the four decades since PBS was founded in 1976. Based on a Bourdieusian approach to the field, a range of cultural intermediaries are identified. These are people who made and influenced programming decisions, including announcers, program managers, station managers, Board members and the programming committee. Being progressive requires change. This research has found an inherent tension between the station’s values of cooperative decision‐making and the broadcasting of progressive music. Knowledge in the fields of community radio and music is advanced by exploring how cultural intermediaries at PBS made decisions to realise eth station’s goals of community access and participation. ii Acknowledgements To my supervisors, Jock Given and Ellie Rennie, and in the early phase of this research Aneta Podkalicka, I am extremely grateful to have been given your knowledge, wisdom and support.
    [Show full text]
  • Broadcast Bulletin Issue Number 38
    * Ofcom broadcast bulletin Issue number 38 4 July 2005 Ofcom broadcast bulletin 38 4 July 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 6 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 38 4 July 2005 Introduction The Communications Act 2003 allows for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. Ofcom consulted in 2004 on its new Code. Ofcom’s Broadcasting Code has now been published and will take effect from 25 July 2005 (with the exception of Rule 10.17 which comes into effect on 1 July 2005). The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The codes and rules currently in force for broadcast content are: Advertising and Sponsorship Code (Radio Authority) News & Current Affairs Code and Programme Code (Radio Authority) Code on Standards (Broadcasting Standards Commission) Code on Fairness and Privacy (Broadcasting Standards Commission) Programme Code (Independent Television Commission) Programme Sponsorship Code (Independent Television Commission) Rules on the Amount and Scheduling of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of formal sanctions by Ofcom). Copies of the full adjudications for Upheld and Not Upheld Fairness and Privacy cases can be found on the Ofcom website: www.ofcom.org.uk 3 Ofcom broadcast bulletin 38 4 July 2005 Standards cases In Breach The Best of James Stannage The Hits,16 March 2005, 03:20 Introduction This programme mixed music with highlights of the presenter’s late night ‘phone-in, originally broadcast on Key 103 FM (Manchester).
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • Basic Essentials Fund Faqs Who Are Cash for Kids?
    BASIC ESSENTIALS FUND FAQS WHO ARE CASH FOR KIDS? Cash for Kids are the official charity of Bauer Media. Bauer Media are an international media company who run market leading radio stations and magazines. WHO ARE BAUER MEDIA? Bauer Media operate market leading radio and magazine brands in the UK and worldwide. Cash for Kids is their charity in the UK. Bauer Media UK reaches over 25 million UK consumers through a portfolio of world-class, multi-platform media and entertainment brands including heat, Kiss, Grazia, Empire, TV Choice, Take a Break, Bella, Magic and Absolute Radio. It creates and curates entertaining media content that audiences love whenever, wherever and however they want through a multi- channel strategy and a focus on product excellence and audience insight. The result is an exciting array of influential brands, content and talent which provide compelling and engaging advertising opportunities with valuable audiences for UK commercial partners. Bauer Media UK is part of the Bauer Media Group, one of the world’s largest privately owned media businesses with media assets all over the globe. HOW IS CASH FOR KIDS GOVERNED? Cash for Kids is made up of three entities: England and Northern Ireland, Scotland East and Radio Clyde (West Scotland). We have a Chair and Board of Trustees for each entity. The Trustees are a mixture of Bauer Media employees and independent external Trustees. All governance is ultimately the responsibility of the Trustees. In England and Northern Ireland we are members of the Fundraising Regulator and the Charity Commission. OSCR is our regulator in Scotland.
    [Show full text]
  • The Joy of the Physical in the Digital Age
    REACH OUT AND TOUCH THE JOY OF THE PHYSICAL IN THE DIGITAL AGE 17/03/2020 12:33 Welcome_3 THE THINGS WE TOUCH MEAN MORE TO US. We become attached to them. We understand them more deeply, rely on them, gravitate towards them. Print is a haptic experience. This publication – with its thought-provoking essays, eye-opening statistics, powerful illustrations and tactile pages – takes you on a journey to discover how the power of touch changes the way we think, feel and behave; and ultimately, infuences how we spend our money. Print is an enduring force in the digital age. We remember text and recall brand advertising more when we encounter them in print. We trust the printed word more than the pixellated one. Print excites the senses in a way that no other medium can replicate. Reach Out And Touch is published as a partnership If print were invented now, you would be amazed at this haptic medium – between Sappi Europe it’s a wonder format you can touch, carry and feel. Reading a magazine, book and John Brown. or newspaper – even a leafet or menu – is an experience that engages more of our senses by virtue of the paper’s physicality. As such, print can be a physical manifestation of a brand and our perception of it – it is trust, quality and value come to life in three dimensions. 8 Baldwin Street, Leading global paper manufacturer Sappi and award-winning content creator London EC1V 9NU. Tel +44 20 7565 3000, John Brown are passionate about paper, storytelling and engaging consumers in [email protected] a way that surprises and delights.
    [Show full text]
  • Channel Positioning Music Policy
    INTRODUCING BOX TELEVISION 11 INTRODUCING BOX TELEVISION CONTENTS 1. Box TV & Our Shareholders 2. The UK Market 3. How Box TV Makes Music TV 4. The Box TV Channels 5. Beyond the Channels 6. Summary 22 INTRODUCING BOX TELEVISION 1. BOX TELEVISION & OUR SHAREHOLDERS 33 INTRODUCING BOX TELEVISION BASICS Box Television is the UK’s No.1 music TV broadcaster, delivering a greater market share than Viacom with fewer channels. Box Television has over 20 years of experience in music TV broadcast. Its portfolio includes 7 music TV channels in the UK: Kiss, Kerrang!, The Box, Smash Hits, Magic, Heat & 4Music. Box Television is a 50:50 joint venture between Channel 4 & Bauer Media, two of the UK’s biggest media companies. 4 INTRODUCING BOX TELEVISION SHAREHOLDERS Channel 4 is a leading British Public Service broadcaster. It is the second largest commercial broadcaster in the UK with revenues of £1bn. It is renowned for its dedicated focus on the hard to reach youth market and its quest to innovate & champion new voices. Like the BBC, Channel 4 is owned by the British Government. Bauer Media is a division of the Bauer Media Group, Europe’s largest privately owned publishing Group, employing over 6,400 people. The Group is a worldwide media empire reaching over 200m consumers in 17 countries. Bauer has a heritage stretching back over 130 years and owns some of the largest media assets in each of its markets. 5 INTRODUCING BOX TELEVISION SHAREHOLDER INTERNATIONAL PRESENCE 570OVER 300OVER 50OVER MAGAZINES DIGITAL PRODUCTS RADIO & TV STATIONS 4 CONTINENTS 17 COUNTRIES 200 MILLION REACH 66 INTRODUCING BOX TELEVISION UK2.
    [Show full text]
  • Stations Monitored
    Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM
    [Show full text]