Evaluating MTV Emas 2011 with Belfast Music Week
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Sexism in the 1980'S Music Industry
Clark 1 Maureen Clark Senior Thesis Dr. Paul Schuette 3/24/2019 Girls Just Wanna Have Equality: Sexism in the 1980’s Music Industry By the 1980s, women were finally making their way into the American workforce. One can see that in many aspects of 1980s pop culture from the shoulder pads in women's suits in an attempt to make them appear more masculine and powerful as well as female empowerment movies like “Working Girl”. However, this rise in female empowerment was definity experienced most within the music, where female artist like Madonna to The Go-Go's were dominating the charts and the workplace. Despite the success that they were achieving, however, most women were still struggling to be seen as authentic or genuine, and most importantly they were fighting to be on an equal playing field as men. Webster's Dictionary defines marginalized as: “(of a person, group, or concept) treated as insignificant or peripheral”. Women have always been a marginalized group within the music industry since its conception, just like in almost every aspect of history. However, by the 1980s, women were entering the workforce at a more rapid rate than ever before, this affected every aspect of American culture along with its music. Despite more representation within the workforce, women in music were still often dismissed, despite the fact that many women and girl groups were making some of the most successful music during that decade. One reason for Clark 2 this had to do with the rise of MTV along with the sexism that has always existed in the music industry. -
Universidade Federal Fluminense Instituto De Letras Programa De Pós-Graduação Em Estudos De Linguagem
UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DE LINGUAGEM VICTOR DE LIMA REGIS QUANDO AS CAPAS DE ÁLBUMS CONTAM UMA HISTÓRIA Estudo semiótico do percurso de Taylor Swift NITERÓI 2021 VICTOR DE LIMA REGIS QUANDO AS CAPAS DE ÁLBUMS CONTAM UMA HISTÓRIA Estudo semiótico do percurso de Taylor Swift Dissertação apresentada ao Programa de Pós-Graduação em Estudos de Linguagem da Universidade Federal Fluminense, no primeiro semestre de 2021, como requisito parcial para a obtenção do título de Mestre em Estudos da Linguagem. Orientadora: Profª. Drª. Silvia Maria de Sousa NITERÓI 2021 Ficha catalográfica automática - SDC/BCG Gerada com informações fornecidas pelo autor R337q Regis, Victor de Lima Quando as capas de álbuns contam uma história : Estudo semiótico do percurso de Taylor Swift / Victor de Lima Regis ; Silvia Maria de Sousa, orientadora. Niterói, 2021. 92 f. Dissertação (mestrado)-Universidade Federal Fluminense, Niterói, 2021. DOI: http://dx.doi.org/10.22409/POSLING.2021.m.13521973751 1. Semiótica. 2. Capas de álbuns. 3. Taylor Swift. 4. Cantoras pop. 5. Produção intelectual. I. Sousa, Silvia Maria de, orientadora. II. Universidade Federal Fluminense. Instituto de Letras. III. Título. CDD - Bibliotecário responsável: Debora do Nascimento - CRB7/6368 VICTOR DE LIMA REGIS QUANDO AS CAPAS DE ÁLBUMS CONTAM UMA HISTÓRIA Estudo semiótico do percurso de Taylor Swift Dissertação apresentada ao Programa de Pós-Graduação em Estudos de Linguagem da Universidade Federal Fluminense, no primeiro semestre de 2021, como requisito parcial para a obtenção do título de Mestre em Estudos da Linguagem. Niterói, 25 de Fevereiro de 2021 BANCA EXAMINADORA __________________________________ Prof.ª Dr.ª Silvia Maria de Sousa (Orientadora) Universidade Federal Fluminense (UFF) __________________________________ Profª. -
Domain Stationid Station UDC Performance Date
Number of days Amount Amount Performance Total Per Domain StationId Station UDC processed for from from Public Date Minute Rate distribution Broadcast Reception RADIO BR ONE BBC RADIO 1 NON PEAK BRA01 CENSUS 92 7.8347 4.2881 3.5466 RADIO BR ONE BBC RADIO 1 LOW PEAK BRB01 CENSUS 92 10.7078 7.1612 3.5466 RADIO BR ONE BBC RADIO 1 HIGH PEAK BRC01 CENSUS 92 13.5380 9.9913 3.5466 RADIO BR TWO BBC RADIO 2 NON PEAK BRA02 CENSUS 92 17.4596 11.2373 6.2223 RADIO BR TWO BBC RADIO 2 LOW PEAK BRB02 CENSUS 92 24.9887 18.7663 6.2223 RADIO BR TWO BBC RADIO 2 HIGH PEAK BRC02 CENSUS 92 32.4053 26.1830 6.2223 RADIO BR1EXT BBC RADIO 1XTRA NON PEAK BRA10 CENSUS 92 1.4814 1.4075 0.0739 RADIO BR1EXT BBC RADIO 1XTRA LOW PEAK BRB10 CENSUS 92 2.4245 2.3506 0.0739 RADIO BR1EXT BBC RADIO 1XTRA HIGH PEAK BRC10 CENSUS 92 3.3534 3.2795 0.0739 RADIO BRASIA BBC ASIAN NETWORK NON PEAK BRA65 CENSUS 92 1.4691 1.4593 0.0098 RADIO BRASIA BBC ASIAN NETWORK LOW PEAK BRB65 CENSUS 92 2.4468 2.4371 0.0098 RADIO BRASIA BBC ASIAN NETWORK HIGH PEAK BRC65 CENSUS 92 3.4100 3.4003 0.0098 RADIO BRBEDS BBC THREE COUNTIES RADIO NON PEAK BRA62 CENSUS 92 0.1516 0.1104 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO LOW PEAK BRB62 CENSUS 92 0.2256 0.1844 0.0411 RADIO BRBEDS BBC THREE COUNTIES RADIO HIGH PEAK BRC62 CENSUS 92 0.2985 0.2573 0.0411 RADIO BRBERK BBC RADIO BERKSHIRE NON PEAK BRA64 CENSUS 92 0.0803 0.0569 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE LOW PEAK BRB64 CENSUS 92 0.1184 0.0951 0.0233 RADIO BRBERK BBC RADIO BERKSHIRE HIGH PEAK BRC64 CENSUS 92 0.1560 0.1327 0.0233 RADIO BRBRIS BBC -
De Da Ft Punk À Stromae ANGLAIS
From Daft Punk to Stromae, how global is ‘French Music’? By Virginie Berger, translation Emma Dovey. Who is the international audience of the francophone music industry? How can we explain the export successes of Daft Punk and Stromae? Is French rap music’s international investment paying off? While for a long time the appeal of making money was not associated with the cultural economy, the invention of marketing and the internet succeeded in transforming some French artists into products that are consumed all over the world. In order to better understand how the French music scene adopted a strategy of profit and internationalisation, the French Touch movement is telling to say the least. It deciphers a musical style that has transcended ‘underground’ music and become mainstream. To explain this transformation, one supposition suggests that 1970s pop stars coincided with the emergence of marketing theories. At this point in time, thanks to rock music and supermarket shelves which were overflowing with Elvismania and Beatlemania merchandise, North America and Great Britain were innovating, transforming and marking the birth of musical merchandising.1 A few years later, disco music, the predecessor of the clubbing2 and DJing scenes, was emerging in the United States. At the dawn of the 1980s, a major development then took place which suggested a more industrial and more cyclical music genre inspired by pop, funk and soul. This new genre, closely related to party and dance culture, was an ideal birthplace for the worthy heir of disco: house music. This very music would then develop at the start of the 21st century, as an undercurrent in Madonna and Daft Punk’s global smash hits. -
Media Socialisation and the Culturally Dominant Mode
https://doi.org/10.21240/mpaed/00/2006.06.07.X a more actual wording of the available theories, a specific socialization process emerges with the complex of multimedia, intertextual cultural products, landscapes and mediated spaces of childhood. In general the concept of socialization deals with the typical and sustainable personality in a society. In the context of the industrial society with a variety of standardized programme offer and cultural products which are consumed and acquired by the individual, media as the easily visible part of these processes influence, perhaps mould the formation of a typical personality.1 The interrelation of programme offer, cultural products, situations of activi- Ben Bachmair 7.6. 2006 ties, reception and acquisition is moving. In this process the relevance of the coherent media like the film with distinct narrative story is diminishing. Therefore the relevant argument to discover a new combined cultural Media socialisation and the culturally dominant mode dynamic between the media sphere and socialization is the diminishing of representation – On the way from the coherent media function of the coherent media. Looking at the conglomerate of media, to semiotic spaces, the example of Popstars commodities and events of Popstars or similar phenomena like other casting shows, game programmes like YU-Gi-Oh or real life shows like Big The cultural relation between media and its users is undergoing transition. Brother the emerging irrelevance of the traditional coherent media like a One influence comes from the changing quality of the interrelation of film leaps to the eye. Therefore this essay proposes that multimedia and media, commodities and events. -
Gratifications About Reality Television “The Voice of China” Among Chinese Audience
GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE Xin Zhao This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts 2014 ©2014 Xin Zhao AllRight Reserved Xin Zhao, Master of Communication, July 2014, Graduate School, Bangkok University. Gratifications about Reality Television “The Voice of China” among Chinese Audience (66 pp.) Advisor : Assoc. Prof. Boonlert Supadhiloke, Ph. D. ABSTRACT The main objective of this study is to apply the uses and gratifications approach to investigate “The Voice of China”, the most successful talent show in china for past two years. The research examines the motives for watching and satisfaction of audience through comparing the gratifications sought and gratifications obtained. A quantitative survey is be used to collect data. The samples are selected by convenience sampling method and all of the samples are 231. The mean and standard deviation are tabulated and analyzed by using paired sample t-test. The finding suggests that the primary motives for watching “The Voice of China” among Chinese audiences are social interaction, entertainment and relaxing, but not vicarious participation or perceived reality. And the gratifications are well obtained indicates high audience satisfaction for the program content. v ACKNOWLEDGMENT My experience as a graduate student has been an exciting and challenging journey. I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Dr. Boonlert Supadhiloke, for his direction on this IS paper. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Latin America Spanish Only
Newswire.com LLC 5 Penn Plaza, 23rd Floor| New York, NY 10001 Telephone: 1 (800) 713-7278 | www.newswire.com Latin America Spanish Only Distribution to online destinations, including media and industry websites and databases, through proprietary and news agency networks (DyN and Notimex). In addition, the circuit features the following complimentary added-value services: • Posting to online services and portals. • Coverage on Newswire's media-only website and custom push email service, Newswire for Journalists, reaching 100,000 registered journalists from more than 170 countries and in more than 40 different languages. • Distribution of listed company news to financial professionals around the world via Thomson Reuters, Bloomberg and proprietary networks. Comprehensive newswire distribution to news media in 19 Central and South American countries: Argentina, Bolivia, Chile, Colombia, Costa Rica, Cuba, Domincan Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Puerto Rico, Uruguay and Venezuela. Translated and distributed in Spanish. Please note that this list is intended for general information purposes and may adjust from time to time without notice. 4,028 Points Country Media Point Media Type Argentina 0223.com.ar Online Argentina Acopiadores de Córdoba Online Argentina Agensur.info (Agencia de Noticias del Mercosur) Agencies Argentina AgriTotal.com Online Argentina Alfil Newspaper Argentina Amdia blog Blog Argentina ANRed (Agencia de Noticias Redacción) Agencies Argentina Argentina Ambiental -
Preuzimanje Preuzimanje PDF-A
VAŠA UPUTSTVA ZA UPOTREBU Digitalno uputstvo u vozilu Proučite sadržaje uputstva za upotrebu direktno u multimedijalnom sistemu vašeg vozila (tačka menija „Vozilo“). Počnite od kratkog uputstva ili produbite svoje znanje korisnim savetima. Torbica za papire vozila Ovde možete da pronađete informacije o aktiviranju, servisna uputstva i garanciju za vaše vozilo u štampanom obliku. Digitalno uputstvo na internetu Uputstvo za upotrebu možete da pronađete na Mercedes-Benz veb-stranici. Digitalno uputstvo kao aplikacija Aplikacija Mercedes-Benz Guides je dostupna u najpoznatijim internet prodavni‐ cama aplikacija. Sprinter Uputstvo za upotrebu É9075844602Z119@ËÍ 9075844602Z119 Broj porudžbine T907 0082 19 Broj dela 907 584 46 02 Z119 Izdanje 2018-03a m Mercedes-Benz SprinterUputstvo za upotrebu Simboli Impresum U ovom uputstvu za rukovanje možete pronaći Internet sledeće simbole: Dodatne informacije o Mercedes-Benz vozilima i kompaniji Daimler AG možete da pronađete na & OPASNOST Opasnost zbog nepoštovanja internetu, na adresi: bezbednosnih napomena http://www.mercedes-benz.com Upozoravajuće napomene skreću pažnju na http://www.daimler.com opasnosti koje mogu da ugroze vaše zdravlje ili život, odnosno zdravlje ili život drugih Redakcija osoba. Pitanja i sugestije u vezi sa ovim uputstvom za upotrebu možete da pošaljete redakciji za teh‐ # Poštujte bezbednosne napomene u ničku dokumentaciju na sledeću adresu: ovom uputstvu. Daimler AG, HPC: CAC, Customer Service, 70546 Stuttgart, Deutschland + NAPOMENA ZA ZAŠTITU ŽIVOTNE SRE‐ DINE Zagađenje okoline usled nepoštova‐ ©Daimler AG: Doštampavanje, prevođenje i nja napomena za zaštitu životne sredine. umnožavanje, čak i samo delova ovog uputstva, nisu dozvoljeni bez pisane dozvole kompanije Dai‐ Napomene za zaštitu životne sredine pružaju mler AG. informacije o postupanju prema ekološkim zahtevima ili ekološkom odlaganju otpada. -
Basisdaten 2016 1
Verzeichnis der Tabellen und Grafiken Media Perspektiven Basisdaten 2016 1 Seite Rundfunk: Programmangebot und Empfangssituation TV-Haushalte nach Empfangsebenen in Deutschland 2016 4 Empfangspotenzial der deutschen Fernsehsender 2016 4 Öffentlich-rechtlicher Rundfunk: Erträge/Leistungen Rundfunkgebühren/Rundfunkbeitrag 6 Erträge aus der Rundfunkgebühr bzw. dem Rundfunkbeitrag 7 Werbefunkumsätze der ARD-Werbung 7 Werbefernsehumsätze von ARD und ZDF 7 Programmleistung der ARD 2015: Erstes Fernsehprogramm 8 Programmleistung von ARD und ZDF für KiKA und Phoenix 2015 8 Programmleistung von ARD und ZDF für Arte 2015 9 Programmleistung des ZDF 2015 9 Programmleistung von 3sat 2015 10 Programmleistung von Deutschlandradio 2015 10 Programmleistung der Deutschen Welle 2015 11 Programmleistung der ARD 2015: Hörfunk 11 Privater Rundfunk: Erträge/Leistungen Werbeumsätze privater Hörfunkanbieter 12 Bruttowerbeumsätze privater Fernsehanbieter 12 Programmleistung von RTL 2015 13 Programmleistung von ProSieben 2015 14 Programmleistung von Sat.1 2015 14 Programmleistung von VOX 2015 14 Programmleistung von Super RTL 2015 15 Programmleistung von RTL II 2015 15 Programmleistung von kabel eins 2015 16 Programmleistung von Sport1 2015 16 Programmprofile im dualen Rundfunksystem Spartenprofile von Das Erste, ZDF, RTL, Sat.1 und ProSieben 2013 bis 2015 17 Programmstruktur 2015: Sparten und Formen von Das Erste, ZDF, RTL, Sat.1 und ProSieben 19 Themenstruktur der wichtigsten Nachrichtensendungen von ARD, ZDF, RTL und Sat.1 22 Themenkategorien und ausgewählte -
2017 Civil Society Organization Sustainability Index
STRENGTHENING STRENGTHENING CIVIL SOCIETY CIVIL SOCIETY GLOBALLY GLOBALLY 2017 CIVIL SOCIETY ORGANIZATION SUSTAINABILITY INDEX FOR SUB-SAHARAN AFRICA 9th EDITION - DECEMBER 2018 2017 CIVIL SOCIETY ORGANIZATION SUSTAINABILITY INDEX FOR SUB-SAHARAN AFRICA 9th EDITION - DECEMBER 2018 Developed By: United States Agency for International Development Bureau for Democracy, Conflict and Humanitarian Assistance Center of Excellence on Democracy, Human Rights and Governance In Partnership With: FHI 360 International Center for Not-for-Profit Law (ICNL) Acknowledgment: This publication was made possible through support provided by the United States Agency for International Development (USAID) under Cooperative Agreement No. AID-OAA-LA-17-00003. Disclaimer: The opinions expressed herein are those of the panelists and other project researchers and do not necessarily reflect the views of USAID or FHI 360. Cover Photo: Fanis Lisiagali, Executive Director of Healthcare Assistance Kenya, leads the White Ribbon Campaign in a march in Nairobi to promote its rapid response call center hotline, which responds to violence against women in elections (October 2017). Photo Credit: Carla Chianese, Kenya Electoral Assistance Program, International Foundation for Electoral Systems TABLE OF CONTENTS INTRODUCTION .................................................................................................................................................... i ACKNOWLEDGMENTS ....................................................................................................................................... -
Rhythm Summer Camps 2021 Packet
RRRhhhyyyttthhhmmm SSSuuummmmmmeeerrr 222000222111 Dance is fun all year long at Rhythm! Fill your summer with dancing fun by registering today for one or more of our fun Rhythm Summer Camps! Regardless of your age or skill level, there’s a super fun summer dance camp for everyone at Rhythm! Space is limited and the early discounts expire, so register early to guarantee your spot and the lowest rate! 3980 Shallowford Road • Marietta, GA 30062 • 770-998-6507 [email protected] • www.rhythmdancecenter.com MMYY DDAANNCCEE DDEEBBUUTT This super fun, three-day camp is the perfect introduction to dance for your tiniest tot. Each day, your dancer will learn ballet and tap basics in a fun and positive environment. Age: 2.5 Dates: June 15 - 17 9:00-9:45 a.m Cost: $55 TTwwiirrll DDaannccee && ppllaayy PPaarrttiieess Come dance and play with us for two hours of non-stop fun in one or more of our Twirl Dance & Play Parties! Dancers will experience ballet, tap and creative movement dancing in a super fun and encouraging atmosphere. Meet new friends, make a fun craft and have a twirl-a-riffic time! Ages: 3 - 5 Time: 9:30-11:30a.m. Cost: $35 per party Bring your own snack to enjoy! Parties: 3-Party June 14: The Fancy Freeze: A Frozen Adventure Punch Card June 25: Dancing with my Favorite Princess June 28: Aloha Moana! $9 0 July 8: Mickey & Minnie (Only available through May 15!) July 12: Olaf's Snowy Shuffle July 27: PomPom Unicorn Pastel Popstars & Rainbow Rockers -- K--2nd Grade Dates: July 13-15 Time: 9:00a.m-12:00p.m Cost: $160 or $140 if paid before May 15 No need to hold the drama or calm down for this fun + sparkly summer dance camp! If you’re a super fan of Taylor Swift, Jojo or the Descendants, then you need to jump right on this trendy tour bus as one of the topnotch dance crew members for Pastel Popstars and Rainbow Rockers! Soon, you’ll be on your way to showing off all your jazz moves and hip hop grooves.