2018 WASO's Favourites
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Sebastian Lang-Lessing Chief Conductor & Artistic Director
2 0 0 9 SEBASTIAN LANG-LESSING Chief Conductor & Artistic Director 3 2009 3 HIGHLIGHTS WORLD PREMIERES The TSO and TSO Chorus under conductor Richard Mills gave the world première of Mills’s Passion According to St Mark in Hobart on 4 April, a Ten Days on the Island event. Lux Aeterna, by New Zealand composer Kenneth Young, received its world première under conductor Nicholas Milton in Hobart on 24 July. AUSTRALIAN PREMIERE Elena Kats-Chernin’s Ornamental Air, co-commissioned by the TSO, received its Australian première under conductor Baldur Brönnimann in concerts in Launceston and Hobart on 3 and 5 December. CONTENTS ACOUSTIC UPGRADE Highlights 2 The acoustics in Federation Concert Hall received a significant upgrade thanks to an acoustic screen and purpose- Chairman 4 built risers funded by a special one-off grant from the State Government. Managing Director 4 AUSTRALIAN COMPOSER SERIES VOL 3 TSO Holdings Board of Directors 5 The Hon. Peter Garrett, Federal Minister for the Arts, launched the Australian Composer Series Volume 3 at Moorilla on Strategies, Goals, KPIs 7 31 March. The five-CD box set, which features the music of Gerard Brophy, Brett Dean, Peggy Glanville-Hicks, Concerts 9 Richard Meale and Malcolm Williamson, brings the total number of CDs in the Australian Composer Series to 18. Artists 10 (L-R) Richard Mills, Lyndon Terracini, Core Repertoire Sebastian Lang-Lessing, the Hon. Peter Garrett and Nicholas Heyward. Classical and Early Romantic Music 11 Australian Music 13 CD Releases 14 Recordings 16 Marketing and Business Development 17 Education and Training 17 ABAF AwaRDS Orchestra 19 The TSO took out national honours at the Australia Business Arts Staff 20 Foundation (AbaF) awards in the ‘Giving Award’ category at a ceremony TSO Chorus 20 held in Brisbane on 15 October. -
Toccata Classics TOCC0204 Notes
TOCCATA André CLASSICS TCHAIKOWSKY Volume One: Music for Piano Piano Concerto, Op. 4 Inventions, Op. 2 Sonata for Piano Maciej Grzybowski, piano P Vienna Symphony Orchestra Paul Daniel, conductor Jakob Fichert, piano Nico de Villiers, piano INCLUDES FIRST RECORDINGS ANDRÉ TCHAIKOWSKY: A LIFE WITH THE PIANO by Anastasia Belina-Johnson André Tchaikowsky was born on 1 November 1935, in Warsaw, and named Robert Andrzej Krauthammer. His parents separated, after a short marriage, before he was born, and he was brought up by his mother Felicja and grandmother Celina. As a child, the young Krauthammer was energetic and talkative; he absorbed languages and ideas at lightning speed, and enjoyed the attention of adults. By the age of three-and-a-half, he could read in Polish, German and Russian, and at the age of four his mother began to teach him piano. He was fascinated by the idea that one could read music in the same way as one reads written words, and his mother showed him the relationship between printed notes and piano keys. His grandmother immediately began to plan for his future, announcing that he would become the best and most famous pianist in the world. Just over a month before his fourth birthday, at the end of September 1939, the invading Germans occupied Warsaw. The Jews living there were ordered to relocate into a single neighbourhood in the centre, which was sealed by a wall in November 1940. When Celina’s apartment was enclosed into the ghetto area, she defiantly moved out, claiming to be a Christian, while Felicja decided to remain with her son. -
Monteverdi's L'orfeo
Australian Brandenburg Orchestra MONTEVERDI’S L’ORFEO Paul Dyer, Artistic Director and Conductor Brendan Ross, Staging Justin Nardella, Styling Teresa Desmarchelier, Italian Diction Coach Narelle French & Lynne Murray, Surtitles Joanna Tondys, Surtitle Operator SINGERS Markus Brutscher – Sara Macliver Fiona Campbell – Wolf Matthias Friedrich Tobias Cole – Robert MacFarlane – Morgan Pearse Sarah Ampil – Siobhan Stagg – Anna Sandström Richard Butler – Nick Gilbert – Paul Sutton ORCHESTRA Brendan Joyce – Aaron Brown – Monique O’Dea – Marianne Yeomans Jamie Hey – Kirsty McCahon – Laura Vaughan Melissa Farrow – Mikaela Oberg – Matthew Manchester – Russell Gilmour Roslyn Jorgensen – Nigel Crocker – Jamie Kennedy – Keal Couper – Brett Page Brian Nixon – Jess Ciampa – Tommie Andersson – Samantha Cohen Marshall McGuire – Paul Dyer – Donald Nicolson This concert will last approximately 2 1/2 hours including interval. We request that you kindly switch off all electronic devices during the performance. The Australian Brandenburg Orchestra is assisted The Australian Brandenburg by the Australian Government through the Australia Orchestra is assisted by the NSW 1 Council, its arts funding and advisory body. Government through Arts NSW. PRINCIPAL PARTNER LORFEO Program_FINAL.indd 1 13/09/12 7:37 PM CAST AND CHARACTERS PROLOGUE: La Musica (Music) Sara Macliver THE UPPER WORLD Apollo, god of music and the sun Morgan Pearse Orfeo, son of Apollo Eurydice, loved by Orfeo Markus Brutscher Sara Macliver La messagiera (Messenger), friend of Eurydice Fiona Campbell -
Download Booklet
Matthias Bamert HALLOWEEN CLASSICS COMPACT DISC ONE Sortilege and Spook Modest Petrovich Mussorgsky (1839 – 1881) 1 A Night on the Bare Mountain 10:15 Arranged by Leopold Stokowski (1882 – 1977) BBC Philharmonic Matthias Bamert Recording venue: Studio 7, New Broadcasting House, Manchester Recording date: June 1995 Sound engineer: Don Hartridge (CHAN 9445 – track 1) 3 Paul Dukas (1865 – 1935) 2 L’Apprenti sorcier 11:32 Symphonic Scherzo after Goethe Ulster Orchestra Yan Pascal Tortelier Recording venue: Ulster Hall, Belfast Recording date: 1989 Sound engineer: Ralph Couzens (CHAN 8852 – track 3) Igor Stravinsky (1882 – 1971) 3 Introduction – 3:16 4 Le Jardin enchanté de Kastchei 2:24 Two movements from L’Oiseau de feu Danish National Radio Symphony Orchestra Dmitri Kitajenko Recording venue: Danish Radio Concert Hall, Copenhagen, Denmark Recording date: January 1991 Sound engineer: Lars S. Christensen (CHAN 8967 – tracks 2 and 3) 4 Courtesy of Iceland Symphony Orchestra Yan Pascal Tortelier Marco Borggreve Vassily Sinaisky Camille Saint-Saëns (1835 – 1921) 5 Danse macabre, Op. 40 6:38 Poème symphonique Royal Scottish National Orchestra Neeme Järvi Recording venue: Royal Concert Hall, Glasgow Recording date: September 2011 Sound engineer: Ralph Couzens (CHSA 5104 – track 4) Anatol Konstantinovich Lyadov (1855 – 1914) 6 The Enchanted Lake, Op. 62 7:40 Fairy-tale Picture BBC Philharmonic Vassily Sinaisky Recording venue: Studio 7, New Broadcasting House, Manchester Recording date: April 2000 Sound engineer: Stephen Rinker (CHAN 9911 – track 4) 7 Sergey Sergeyevich Prokofiev (1891 – 1953) 7 The Ghost of Hamlet’s Father 3:21 No. 1 from incidental music to Hamlet, Op. 77 Russian State Symphony Orchestra Valeri Polyansky Recording venue: Grand Hall, Moscow Conservatory, Russia Recording date: April 2002 Sound engineer: Igor Verprintsev (CHAN 10056 – track 3) Sir Malcolm Arnold (1921 – 2006) 8 Tam o’ Shanter, Op. -
Sara Macliver with Wind Quintet Plus
ONE & MANY SARA MACLIVER WITH WIND QUINTET PLUS Presented in association with Tura New Music Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. Stay COVID-19 safe 1.5m Physical distancing Wash your hands Stay home if you are sick Register your attendance For latest health advice visit healthywa.wa.gov.au/coronavirus SARA MACLIVER WITH WIND QUINTET PLUS YANDILUP / NORTHBRIDGE HACKETT HALL, WA MUSEUM BOOLA BARDIP M T W T F S S FEBRUARY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Fri - Sun 6pm Duration 60mins CONTENTS CONTENTS CONTENTS WELCOME WELCOME 6 Welcome 9 Credits CREDITS 10 Repertoire 11 A Note on the Repertoire BIOGRAPHIES REPERTOIRE 18 Sara Macliver 19 Wind Quintet Plus 21 Tura New Music BIOGRAPHIES ACKNOWLEDGEMENTS 22 Perth Festival Partners 23 Perth Festival Donors ACKNOWLEDGEMENTS * Just tap the interactive tabs on the left to skip to a specific section CONTENTS WELCOME CREDITS Image: Jess Wyld REPERTOIRE I grew up in a house filled with classical music, books and bones – objects emblematic of my parents’ voracious listening and reading habits and my BIOGRAPHIES dad’s work as a veterinary anatomist. I was intrigued by the beauty inside some of those antiquarian anatomy books, made aware of evolutionary secrets revealed by some of those bones and inexorably drawn towards the strange power inside the music ACKNOWLEDGEMENTS that emanated from the turntable in the disused fireplace. -
Toccata Classics TOCC0242 Notes
Americas, and from further aield: basically, if it’s good music and it hasn’t yet been recorded, JOHN KINSELLA, IRISH SYMPHONIST by Séamas da Barra John Kinsella was born in Dublin on 8 April 1932. His early studies at the Dublin College of Music were devoted to the viola as well as to harmony and counterpoint, but he is essentially self-taught as a composer. He started writing music as a teenager and although he initially adopted a straightforward, even conventional, tonal idiom, he began to take a serious interest in the compositional techniques of the European avant-garde from the early 1960s. He embraced serialism in particular as a liberating influence on his creative imagination, and he produced a substantial body of work during this period that quickly established him in Ireland as one of the most interesting younger figures of the day. In 1968 Kinsella was appointed Senior Assistant in the music department of Raidió Teilefís Éireann (RTÉ), the Irish national broadcasting authority, a position that allowed him to become widely acquainted with the latest developments in contemporary music, particularly through the International Rostrum of Composers organised under the auspices of UNESCO. But much of what he heard at these events began to strike him as dispiritingly similar in content, and he was increasingly persuaded that for many of his contemporaries conformity with current trends had become more P important than a desire to create out of inner conviction. As he found himself growing disillusioned with the avant-garde, his attitude to his own work began to change and he came to question the artistic validity of much of what he had written. -
Festival of Perth Programmes (From 2000 Known As Perth International Arts Festival)
FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer Principals 1980 1980 Festival of Perth Festival Programme 14 Feb-18 Mar 1980 Various Festival at Bunbury WA Arts Council & City of Bunbury Feb – Mar 1980 Various PBS Festival of Perth Festival of Perth 1980 Spike Milligan, Tim Theatre Brooke-Taylor, Cathy Downes 17 Feb-16 Mar 1980 Churchill Gallery Lee Musgrave Paintings on Perspex 22 Feb-15 Mar 1980 Perth Concert Hall The Festival Club Bank of NSW Various 22 Feb 1980 Supreme Court Opening Concert Captain Colin Harper David Hawkes Compere Various Bands, Denis Gardens Walter Singer 23 Feb 1980 St George’s Cathedral A Celebration Festival of Perth 1980 The Very Reverend Cathedral Choir, David Robarts Address Cathedral Bellringers, Arensky Quartet, Anthony Howes 23 Feb 1980 Perth Concert Hall 20th Century Music Festival of Perth 1980, David Measham WA Symphony ABC Conductor Orchestra, Ashley Arbuckle Violin 23 Feb – 4 Mar 1980 Dolphin Theatre Richard Stilgoe Richard Stilgoe Take Me to Your Lieder 23 Feb-15 Mar 1980 Dolphin Theatre Northern Drift Alfred Bradley Henry Livings, Alan Glasgow 24 Feb 1980 Supreme Court Tops of the Pops for Festival of Perth 1980, Harry Bluck Various groups and Gardens ‘80 R & I Bank, SGIO artists 24 Feb, 2 Mar 1980 Art Gallery of WA The Arensky Piano Trio Festival of Perth 1980, Jack Harrison Clarinet playing Brahms Alcoa of Aust Ltd 25 Feb 1980 Perth Entertainment Ballroom Dance Festival of Perth 1980 Sam Gilkison Various dancing PR10960/1980-1989 -
Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film. -
Metamorphosis a Pedagocial Phenomenology of Music, Ethics and Philosophy
METAMORPHOSIS A PEDAGOCIAL PHENOMENOLOGY OF MUSIC, ETHICS AND PHILOSOPHY by Catalin Ursu Masters in Music Composition, Conducting and Music Education, Bucharest Conservatory of Music, Romania, 1983 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the Faculty of Education © Catalin Ursu 2009 SIMON FRASER UNIVERSITY Fall, 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the “Institutional Repository” link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
PDF (Volume 2)
Durham E-Theses A.J. Potter (1918-1980): The career and creative achievement of an Irish composer in social and cultural context Zuk, Patrick How to cite: Zuk, Patrick (2007) A.J. Potter (1918-1980): The career and creative achievement of an Irish composer in social and cultural context, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2911/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Chapter4 Choral works with orchestra 4.1 Introduction n view of Potter's early training as a chorister, it is perhaps surprising to find that choral music comprises a comparatively small proportion of his output: I one might have expected him to follow up his early Missa Brevis with other substantial choral works of various kinds. The fact that he did not can undoubtedly be explained by the circumstances of Irish musical life at the period: in bleak contrast to Britain, not only were good choirs few and far between, but there was little evidence of interest in choral music throughout the country at large. -
Js Battye Library of West Australian History Ephemera – Collection Listing
JS BATTYE LIBRARY OF WEST AUSTRALIAN HISTORY EPHEMERA – COLLECTION LISTING FESTIVAL OF PERTH PROGRAMMES (FROM 200O KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer 1953 January 2 - March 14 University of W.A. Various Adult Education Board Grounds January 3 - 17 The Sunken Garden Dark of the Moon David Lopian David Lopian by Henry Richardson & William Berney January 15 Somerville Auditorium An Evening of Ballet and Adult Education Board W.G.James, Director of Dance Music January 17 Somerville Auditorium Open Air Concert of the Festival of Perth 1953 Conductor - Beethoven Festival Joseph Post January 20-23 - Somerville Auditorium King Richard III Michael Langham January 27 - February 7 by Wm. Shakespeare January 24 Somerville Auditorium Beethoven Festival W.G.James Director of Music February 18 - 28 The Sunken Garden Twelfth Night Jeana Tweedie by Wm. Shakespeare March 3 –14 Somerville Auditorium Born Yesterday David Lopian by Garson Kanin March 12 The Sunken Garden Psyche - based on Fairy Tale Frank Ponton - Meta Russcher, Director by Louis Couperus Stage Director of Music March 20 – 21 The Repertory Club The Brookhampton Bellringers & The Ukrainian Choir & Dancing Group PR 10960 © Copyright LISWA 2001 1 JS BATTYE LIBRARY OF WEST AUSTRALIAN HISTORY PRIVATE ARCHIVES – COLLECTION LISTING March 25 The Repertory Theatre The Picture of Dorian Gray Sydney Davis by Oscar Wilde Undated His Majesty's Theatre When We are Married Frank Ponton - Michael Langham by J.B.Priestley Stage Director 1954.00 December 30 - March 20 Various Various Flyer January The Sunken Garden Peer Gynt Adult Education Board David Lopian by Henrik Ibsen January 7 - 31 Art Gallery of W.A.